Live | ||||
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Live album by | ||||
Released | 1973 | |||
Recorded |
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Genre | Soul, R&B | |||
Length | 71:55 | |||
Label | Atlantic | |||
Producer | Nesuhi Ertegün, Zenas Sears | |||
Ray Charles chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
RS Album Guide | [2] |
The Penguin Guide to Blues Recordings | [3] |
Ray Charles Live is a double LP compilation album by Ray Charles, released by Atlantic Records in 1973. It consists of live concert recordings previously released on Ray Charles at Newport and Ray Charles in Person (recorded at the Newport Jazz Festival in 1958 and at Herndon Stadium in Atlanta in 1959, respectively). Later CD re-issues of this compilation include an additional, previously unreleased, track from the 1958 Newport concert, "Swanee River Rock".
The Penguin Guide to Blues Recordings describes Ray Charles Live as “a wonderfully vivid live album, regardless of genre.” [3]
Collage filmmaker Bruce Connor used the Herndon Stadium version of "What I'd Say" on his 1962 film Cosmic Ray [4] [5] [6] [7] [8] [9]
LP 1 (Newport concert)
side one
side two
LP 2 (Atlanta concert)
side three
side four
additional bonus track on later CD re-issues (recorded 1958 at Newport):
Much of the Herndon Stadium audience reaction and the compere's final comments "... Ray Charles, the High Priest — What a show! What a show!", are clearly heard in the Ray Charles in Person LP, but not evident in the CD release.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald, accompanied by the Duke Ellington Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 Song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". Jazz journalist Scott Yanow wrote that Ellington's performance at the 1956 Newport Jazz Festival caused a sensation that fueled the rest of his career.The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
"Diminuendo and Crescendo in Blue" is a jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra with Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarinet), Johnny Hodges, Otto Hardwick, Laurence Brown, Joe Nanton (trombone), Harry Carney, Sonny Greer (drums), Wellmann Braud (bass), Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves's tenor saxophone solo.
Ray Charles at Newport is a 1958 live album of Ray Charles' July 5, 1958 performance at the Newport Jazz Festival. The detailed liner notes on the album were written by Kenneth Lee Karpe. All tracks from this Newport album, along with all tracks from his 1959 Herndon Stadium performance in Atlanta, were also released on the Atlantic compilation LP Ray Charles Live. A later CD reissue of that compilation album included a previously unissued song from the 1958 Newport concert, "Swanee River Rock".
Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, recorded in 1958 and 1963 and released in June 1964 by Columbia records. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.
The Genius Hits the Road is a 1960 album by Ray Charles. The concept album focuses on songs written about various parts of the United States. It peaked at number nine on the pop album charts and produced a US #1 single, "Georgia on My Mind".
The Dutch Swing College Band "DSCB" is a traditional dixieland band founded on 5 May 1945 by bandleader and clarinettist/saxophonist Peter Schilperoort.
In Person is a live album recorded by Ray Charles on May 28, 1959 on a rainy night in Atlanta, Georgia at Morris Brown College's Herndon Stadium. All tracks from this album together with those from Ray Charles at Newport were also released on the 1987 Atlantic compilation CD, Ray Charles Live.
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.
Live in Concert is a live album by Ray Charles released in 1965 by ABC-Paramount Records. The recording was made at the Shrine Auditorium in Los Angeles, California in September, 1964 following a tour of Japan.
At Newport 1958 is a live album by the jazz musician Miles Davis featuring the Miles Davis Quintet's complete performance recorded at the Newport Jazz Festival in 1958. The album was first released as a single CD in 2001 though four tracks had previously been released in part as one side of the LP Miles & Monk at Newport. The entire concert was given its first complete release as part of The Complete Columbia Recordings of Miles Davis with John Coltrane box set in 1999, and all tracks were included on the 2015 compilation Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4.
Soul Brothers is the third album recorded by Ray Charles and the eleventh album by Milt Jackson and released by Atlantic Records in 1958. The album was later re-issued in a two-CD compilation together with the other Charles–Jackson album Soul Meeting and included additional tracks from the same recording sessions not present on the original LP releases.
Fathead is the debut release of jazz saxophonist David "Fathead" Newman recorded in 1958 but not released until 1960 on the Atlantic label. The complete album was also included with 3 other Newman releases in the 2 CD reissue / compilation, It's Mister Fathead.
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich, released on Norman Granz' Clef Records. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune." Krupa and Rich would record again for Verve Records; their album Burnin' Beat was released in 1962.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
Big Swing Face is a 1967 live album by the Buddy Rich Big Band. Its "The Beat Goes On" is a feature for Buddy Rich's daughter Cathy, whose vocal performance was overdubbed at United Recording in Hollywood. A reissue in 1996 doubles the listing with nine unreleased performances from the same engagement at the Chez Club in Hollywood.
Swingin' New Big Band is a 1966 live album by Buddy Rich and his big band.
The New One! also released as Take it Away! is a 1968 studio recording by the Buddy Rich Big Band.
Duke Ellington at Fargo, 1940 Live is a live album by the Duke Ellington Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 1980. The album was recorded at a dance in Fargo, North Dakota.