Tribute to Uncle Ray | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 1962 | |||
Recorded | 1962 | |||
Studio | Hitsville U.S.A. Studio A, Detroit, Michigan | |||
Genre | Jazz pop [1] | |||
Length | 31:13 | |||
Label | Tamla | |||
Producer | Henry Cosby, Clarence Paul | |||
Little Stevie Wonder chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Tom Hull | B [3] |
New Record Mirror | [4] |
Tribute to Uncle Ray is the second studio album by Little Stevie Wonder, released by Motown in October 1962, shortly after The Jazz Soul of Little Stevie . Even though it was released second, it had been recorded first, when Wonder was 11 years old. [5] The album was an attempt by Berry Gordy and Motown to associate the young "Little Stevie Wonder" with the successful and popular Ray Charles, who was also a blind African-American musician. [6] Like Wonder's debut, this album failed to generate hit singles, as Motown struggled to find a sound to fit Wonder, who was just 12 when this album was released.
All songs composed by Ray Charles, except where indicated.
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
William "Smokey" Robinson Jr. is an American R&B and soul singer, songwriter, record producer, and former record executive. He was the founder and frontman of the pioneering Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins, when they were called The Five Chimes, until 1972, when he retired from the group to focus on his role as Motown Records vice president. Robinson returned to the music industry as a solo artist the following year. He left Motown in 1999.
Motown is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.
Syreeta Wright, who recorded professionally under the mononym Syreeta, was an American singer-songwriter, best known for her music during the early 1970s through the early 1980s. Wright's career heights were songs in collaboration with her ex-husband Stevie Wonder and musical artist Billy Preston.
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown, to commemorate its 25th anniversary. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's reunion with the Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was written by Buz Kohan, Ruth Robinson, and de Passe.
The Originals, often called "Motown's best-kept secret", were a successful Motown R&B and soul group during the late 1960s and the 1970s, most notable for the hits "Baby I'm for Real", "The Bells", and the disco classic "Down to Love Town." Formed in 1966, the group originally consisted of baritone singer Freddie Gorman, tenor/falsetto Walter Gaines, and tenors C. P. Spencer and Hank Dixon. Ty Hunter replaced Spencer when he left to go solo in the early 1970s. They had all previously sung in other Detroit groups, Spencer having been an original member of the (Detroit) Spinners and Hunter having sung with the Supremes member Scherrie Payne in the group Glass House. Spencer, Gaines, Hunter, and Dixon were also members of the Voice Masters. As a member of the Holland–Dozier–Gorman writing-production team, Gorman was one of the co-writers of Motown's first number 1 pop hit "Please Mr. Postman", recorded by the Marvelettes. In 1964 the Beatles released their version and in 1975 the Carpenters took it to number 1 again. In 2006, "Please Mr. Postman" was inducted into the Songwriters Hall of Fame.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
The Jazz Soul of Little Stevie is the debut studio album by Little Stevie Wonder, released in September 1962 on the Tamla Motown label.
Recorded Live: The 12 Year Old Genius is the first live album by Little Stevie Wonder. The album was released on the Tamla record label in May 1963, the same month as the single release of "Fingertips". "Fingertips" topped both the Billboard Hot 100 chart and the R&B Singles chart, and Recorded Live: The 12 Year Old Genius topped the Billboard 200, all of which happened in 1963. This is the last album to use the "Little" in Stevie Wonder's name. Starting with the next album, he would go by the name of just "Stevie Wonder." Wonder was the second and youngest solo artist to chart on the Billboard Top LPs under the age of 18. He was only 13 years old when that occurred.
With a Song In My Heart is the third studio album by Stevie Wonder, released in 1963 on the Tamla (Motown) label. The album was the first to drop Wonder's "Little" nickname, as the 13-year-old singer went the same route of his label mate Marvin Gaye and covered a set of standards. Like Gaye and other Motown acts, label president Berry Gordy wanted all of his artists to be established on a crossover basis. The album did not immediately spell success for Wonder on the adult contemporary set. Veteran jazz arranger Ernie Wilkins arranged and conducted the album.
Up-Tight is a 1966 album by American singer Stevie Wonder, released by Motown on the Tamla label. It was his fifth studio release.
Down to Earth is the sixth studio album by American singer-songwriter Stevie Wonder, released on November 16, 1966, on the Tamla (Motown) label. The album was a departure from Wonder's earlier, teen pop-driven albums, and, along with its predecessor, Up-Tight, it re-established the sixteen-year-old Wonder, whose voice had recently changed, as a Motown hitmaker.
The Supremes Sing Country, Western & Pop is the fourth studio album recorded by the Supremes, issued by Motown in February 1965. The album was presented as a covers/tribute album of country songs, as Ray Charles had done with his album Modern Sounds in Country and Western Music. However, over half of the selections on The Supremes Sing Country, Western & Pop were written in-house by Motown staffer Clarence Paul. One of the songs on the album is "My Heart Can't Take It No More", which the Supremes had recorded in 1962 and released in 1963 as a single.
The Complete Stevie Wonder is a digital compilation featuring the work of Stevie Wonder. Released a week before the physical release of A Time to Love, the set comprises almost all of Wonder's officially released material, including single mixes, extended versions, remixes, and Workout Stevie Workout, a 1963 album which was shelved and replaced by With a Song in My Heart. The set also contains a digital (PDF) booklet and three music videos: "Overjoyed", "Part-Time Lover" and "So What the Fuss".
"Pops, We Love You " is a 1978 single recorded and released by Motown stars Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder, as a tribute to Berry "Pops" Gordy Sr. who had died that year from cancer.
Anna Ruby Gaye was an American businesswoman, composer and songwriter. An elder sister of Motown founder Berry Gordy, she became a record executive in the mid-to-late 1950s distributing records released on Checker and Gone Records before forming the Anna label with Billy Davis and her sister Gwen Gordy Fuqua. Gordy later became known as a songwriter for several hits including the Originals' "Baby, I'm for Real", and at least two songs on Marvin Gaye's What's Going On album. The first wife of Gaye, their turbulent marriage later served as inspiration for Gaye's 15th studio album, Here, My Dear.