Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
A Time to Love is the twenty-third studio album by Stevie Wonder, his first since Conversation Peace in 1995. Originally to have been completed in 2004, it was finally released to stores on October 18, 2005, following an exclusive digital release on Apple's iTunes Music Store on September 27.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Music of My Mind is the fourteenth studio album by American soul musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. # 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's classic period.
"Uptight (Everything's Alright)" is a song recorded by American singer-songwriter Stevie Wonder for the Tamla (Motown) label. One of his most popular early singles, "Uptight (Everything's Alright)" was the first hit single Wonder co-wrote.
Fulfillingness' First Finale is the seventeenth studio album by American singer-songwriter Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
"Fingertips" is a 1963 hit single recorded live by "Little" Stevie Wonder for Motown's then Tamla label.
The Jazz Soul of Little Stevie is the debut studio album by Stevie Wonder released in September 1962 on the Tamla Motown label.
Signed, Sealed & Delivered is the 12th studio album by American recording artist Stevie Wonder, released on August 7, 1970, by Tamla Records. The album featured four hits that hit the Billboard Hot 100: "Signed, Sealed, Delivered I'm Yours" (#3), "Heaven Help Us All" (#9), "Never Had a Dream Come True" (#26) and Wonder's cover of The Beatles' "We Can Work It Out" (#13). The album hit #25 on the Billboard Pop Albums chart as well as #7 on the R&B Albums chart.
Natural Wonder is a live album by American musician Stevie Wonder, released in 1995 and recorded in Osaka, Japan and Tel Aviv, Israel. The tour featured different symphony orchestras at some venues, conducted by touring conductor Henry Panion III. It is his fourth live album after Recorded Live: The 12 Year Old Genius (1963), Stevie Wonder Live (1970), and Live at the Talk of the Town.
"Lately" is a song by American singer Stevie Wonder recorded for his album Hotter than July (1980). The song reached number three in the United Kingdom, and was later covered by R&B group Jodeci and released as a promotional single for the live album Uptown MTV Unplugged in June 1993, which reached number one on the R&B charts and the top 5 on the Billboard Hot 100.
Love Lives Forever is the sixth and final studio album by American soul singer Minnie Riperton. Released posthumously in 1980, it was co-produced by her husband Richard Rudolph and released on her then-label Capitol Records. It consists of tracks Riperton recorded in 1978 during vocal sessions prior to her death, and music recorded after her early death, occurred on July 12, 1979.
Someday at Christmas is the eighth studio album by Stevie Wonder, first released on November 27, 1967 by Motown Records under its Tamla imprint. Produced by Henry Cosby, it marked Wonder's first Christmas album. Someday at Christmas consists of twelve tracks, featuring four cover versions of Christmas standards and carols, as well as eight original songs, chiefly penned by Ron Miller along with his wife Aurora as well as Bryan and Deborah Wells, including its title track and "What Christmas Means to Me". "Twinkle Twinkle Little Me" had been included two years earlier on The Supremes' Christmas album Merry Christmas.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
The Superstars is the third album by the Dutch soundalike studio group Stars on 45, released on the CNR Records label in the Netherlands in March 1982. In the US, the album was retitled Stars On Long Play III, released on Radio Records and credited to 'Stars On'. In the UK, Ireland, Australia and New Zealand, the album was instead titled Stars Medley, again credited to Starsound and released by CBS Records. Just like the first Stars on 45 album The Superstars was also issued in the Soviet Union and large parts of the Eastern Bloc by the state-owned label Melodiya, credited to Stars on 45 but released under the title Discotheque Stars 2.
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
"No Podrás" is a song written and composed by Alejandro Zepeda and Peter Skrabak, originally recorded by Mexican recording artist Cristian Castro. Lyrically, the song describes the end of a relationship between two lovers where the protagonist tells the lover that she will not forget how much he loved her. The song was released by Fonovisa Records as the lead single from Castro's debut studio album Agua Nueva (1992). It peaked at number three on the US Billboard Hot Latin Songs chart. It was well received by music critics, despite negative reception of its parent album.
The Origin is the debut album by the band The Origin, released in 1990. The single, "Growing Old", peaked at number 19 on the Billboard Modern Rock Tracks chart.
