Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
A Time to Love is the twenty-third studio album by Stevie Wonder, his first since Conversation Peace in 1995. Originally to have been completed in 2004, it was finally released to stores on October 18, 2005, following an exclusive digital release on Apple's iTunes Music Store on September 27.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles, California, at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top-10 singles. Music videos were produced for the album's first, third, and fourth singles.
"Superstition" is a song by American singer-songwriter Stevie Wonder. It was released on October 24, 1972, as the lead single from his fifteenth studio album, Talking Book (1972), by Tamla. The lyrics describe popular superstitions and their negative effects.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Tonto's Expanding Head Band was a British-American electronic music duo consisting of Malcolm Cecil and Robert Margouleff. Despite releasing only two albums in the early 1970s, the duo were influential in the development of electronic music and helped bring the synthesizer to the mainstream through session and production work for other musicians and extensive commercial advertising work.
Fulfillingness' First Finale is the seventeenth studio album by American singer, songwriter, musician, and producer Stevie Wonder, released on July 22, 1974, by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
"Higher Ground" is a song written by Stevie Wonder which first appeared on his 1973 album Innervisions. The song reached number 4 on the Billboard Hot 100 and number 1 on the US Hot R&B Singles chart. Wonder wrote and recorded the song in a three-hour burst of creativity in May 1973. The album version of the song contains an extra verse and runs 30 seconds longer than the single version. The unique wah-wah clavinet sound in the song was achieved with a Mu-Tron III envelope filter pedal. The bass line is provided by a Moog synthesizer and using overdubs, Wonder played all instruments on the track, including drums and percussion.
3 + 3 is the eleventh album released by the Isley Brothers for the Epic label under their T-Neck imprint on August 7, 1973. In 2020, the album was ranked at 464 on Rolling Stone's 500 Greatest Albums of All Time list.
Beck, Bogert & Appice is the only studio album by the rock band Beck, Bogert & Appice, released on March 26, 1973. The group was a power trio featuring guitarist Jeff Beck, bassist Tim Bogert, and drummer Carmine Appice.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his tenth Number-1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
In Square Circle is the twentieth studio album by American singer-songwriter Stevie Wonder, released in 1985. The album features the hit singles "Part-Time Lover", "Go Home", "Overjoyed", and "Land of La La". The album earned Wonder a Grammy for Best Male R&B Vocal Performance at the 1986 Grammy Awards.
I'm in You is the fifth studio album by English musician and songwriter Peter Frampton. It was released on 3 June 1977, almost a year and a half after his 1976 signature breakthrough live album, Frampton Comes Alive! It was recorded at Electric Lady Studios in New York, where Frampton's Camel was recorded four years earlier. Stevie Wonder, Richie Hayward, Mike Finnigan and Mick Jagger are featured on the album.
Frampton's Camel is the second studio album by English musician and songwriter Peter Frampton, recorded and released in 1973. It was the first album that Frampton recorded in the United States. Most of the album was written in New York City. It reached #110 on the US Billboard 200 Album Chart.
Malcolm Cecil was a British jazz bassist, record producer, engineer, electronic musician and teacher. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
Inner Worlds is an album by the Mahavishnu Orchestra. It was the group's sixth album release, as well as their last for nearly ten years.
Robert Margouleff is an American record producer, recording engineer, electronic music pioneer, audio expert, and film producer.
"Living for the City" is a 1973 single by Stevie Wonder from his Innervisions album. It reached number 8 on the Billboard Hot 100 chart and number 1 on the R&B chart. Rolling Stone ranked the song number 104 on their 2004 list of the "500 Greatest Songs of All Time".
