Robert Margouleff | |
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Birth name | Robert Margouleff |
Born | New York, United States | August 8, 1940
Genres | |
Occupations | |
Years active | 1960–present |
Robert Margouleff is an American record producer, recording engineer, electronic music pioneer, audio expert, and film producer. [1]
Margouleff was an early customer, friend and collaborator of fellow New Yorker and music instrument pioneer Robert Moog, contributing early insight toward Moog's musical instrument development for artists to routinely program and use synthesizers. [2] He also was an early creative resource at Andy Warhol's "factory", eventually co-producing Ciao! Manhattan (1972), a semi-biographical cult film tale of 1960s counterculture film actress and socialite Edie Sedgwick, one of Warhol's "superstars".
In 1968, Robert Margouleff purchased a Moog Series IIIc, which was intended to be the "first orchestra of synthesizers". [3] He soon went on to meet well-known bassist Malcolm Cecil, who approached him to learn more about this synthesizer. In exchange for Cecil teaching Margouleff how to use the recording console, Margouleff taught Cecil how to use the Moog. In just two weeks, the duo set to build the largest synthesizer in the world. [3] A few weeks later, they jointly formed a group known as TONTO's Expanding Head Band, through which they explored the nearly unlimited capabilities of their machine. They recorded the album Zero Time (1971), attracting attention from many other leading artists of that era to the newly emerging music technology. [4]
Beginning in 1972, Margouleff and Cecil worked with Stevie Wonder on a string of award-winning albums, including Music of My Mind (1972), Talking Book (1972), Innervisions (1973) and Fulfillingness' First Finale (1974), all of which featured Margouleff and Cecil as associate producers, engineers and synthesizer programmers.
TONTO was pivotal in the duo's relationship with Wonder because it allowed him to arrange his own tracks and to be involved in each step of the recording process. [3] Over a three-day stretch, the trio recorded 17 songs together for their first release. [3] After Fulfillingness' First Finale , Margouleff and Moog ceased collaboration with Wonder, due to unfair business relations and a changed relationship with him.[ citation needed ]
Margouleff described the relationship between himself, Cecil and Wonder as "like three meteors in the sky and they're all flying towards one another. For one brief second there's this huge bright light when all three meteors cross paths at the same time and there's just this brilliant flash... and it just goes away. That's how it was with me, Steve, and Malcolm." [3]
In 1975, TONTO's Expanding Head Band resumed with It's About Time and the pair collaborated on Billy Preston's album It's My Pleasure . Margouleff went on to produce music with Jeff Beck, Robin Trower, David Sanborn, Depeche Mode, Oingo Boingo, the Doobie Brothers, Quincy Jones, Bobby Womack, the Isley Brothers, Gil Scott-Heron, Weather Report, Stephen Stills, Dave Mason, Little Feat, Joan Baez, Steve Hillage, Paul Rodgers, GWAR and many others. [5]
In 1980, Margouleff produced the Freedom of Choice album for American new wave band Devo. On working with Margouleff, Devo's co-founder and principal songwriter Gerald Casale said, "He just brought the right kind of tone and energy to the fact that we [were] using mini-Moogs". [6] In an interview for Rhino Records, Casale described how Devo's demos for the album, which featured extensive usage of the Moog Bass, convinced Margouleff to work with them. [7]
Margouleff is currently a partner in Safe Harbor Pictures LLC. in Los Angeles, California, where he has developed a fully tape-less 2D / 3D High definition production workflow, from shooting to editing. As an avid sailor and documentary filmmaker, Margouleff is producing Tall Ships of the World, a 13-episode series about America's greatest sailing ships, which will be available on Blu-ray in 3D.
In 1997, Margouleff was a principal founder of Mi Casa Multimedia in Hollywood, California, a leading boutique surround sound (multi-channel audio) mixing studio specializing in home theatre DTS and DVD / HD DVD releases for major motion picture studios. Mi Casa Multimedia studios is located in a former home of actor Béla Lugosi. [8]
Margouleff was invited to present as the Keynote Speaker for the 129th AES Convention on November 4, 2010, at the Moscone Center in San Francisco, California. His lecture was titled "What the Hell Happened?", which examined the influence of fast-paced technological developments on creativity in the music industry and the recording arts.
In 2013, the National Music Centre acquired TONTO. [9]
Margouleff is the son of Great Neck Estates Mayor Jean Margouleff [10] and Ruth Margouleff. He also has one sister. [11]
With Malcolm Cecil
Engineering, production, programming credits with Cecil
Credits with other artists [12]
(see also Malcolm Cecil Discography, Margouleff and Cecil (together) Discography)
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Freedom of Choice is the third studio album by the American new wave band Devo, released in May 1980 on Warner Bros. Records. The album contained their biggest hit, "Whip It", which hit No. 8 and No. 14 on the Billboard Club Play Singles and Pop Singles charts, respectively. Freedom of Choice peaked at No. 22 on the Billboard Pop Albums chart.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Diamonds & Rust is the sixteenth studio album by American singer-songwriter Joan Baez, released in 1975. The album covered songs written or played by Bob Dylan, Stevie Wonder, The Allman Brothers, Jackson Browne and John Prine. Diamonds & Rust, however, also contains a number of her own compositions, including the title track, a distinctive song written about Bob Dylan, which has been covered by various other artists.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Tonto's Expanding Head Band was a British-American electronic music duo consisting of Malcolm Cecil and Robert Margouleff. Despite releasing only two albums in the early 1970s, the duo were influential in the development of electronic music and helped bring the synthesizer to the mainstream through session and production work for other musicians and extensive commercial advertising work.
Fulfillingness' First Finale is the seventeenth studio album by American singer, songwriter, musician, and producer Stevie Wonder, released on July 22, 1974, by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
3 + 3 is the eleventh album released by the Isley Brothers for the Epic label under their T-Neck imprint on August 7, 1973. In 2020, the album was ranked at 464 on Rolling Stone's 500 Greatest Albums of All Time list.
It's My Pleasure is the tenth studio album by Billy Preston, released in June 1975 on A&M Records. The album shows the modernisation of Preston's music, placing a heavier emphasis on synthesizers. It was also his first collaboration with the singer Syreeta Wright who sings on one track. The album is notable for featuring harmonica by Stevie Wonder on two tracks. George Harrison also appears, playing guitar on "That's Life".
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his tenth Number-1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
"Boogie On Reggae Woman" is a 1974 funk song by American Motown artist Stevie Wonder, released as the second single from his seventeenth studio album, Fulfillingness' First Finale, issued that same year. Despite the song's title, its style is firmly funk/R&B and neither boogie nor reggae. It continued Wonder's successful Top Ten streak on the pop charts, reaching number three and also spent two weeks at number one on the soul charts. Billboard ranked it as the No. 26 song for 1975. At the 17th Grammy Awards, Stevie Wonder won the Best R&B Vocal Performance, Male for this song.
Live It Up is the twelfth album by the Isley Brothers, released on September 7, 1974. It was their second major-distributed album with Epic Records under their T-Neck subsidiary.
The Heat Is On is the thirteenth studio album by American soul and funk group The Isley Brothers, released June 7, 1975, on T-Neck Records and Epic Records. Written and produced entirely by the group, the album was recorded in 1975 at Kendum Recorders in Burbank, California. The Heat Is On features musical elements of rock, and is divided between uptempo funk songs and soul ballads.
Malcolm Cecil was a British jazz bassist, record producer, engineer, electronic musician and teacher. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
Perfect Angel is the second studio album by American singer Minnie Riperton, released on May 24, 1974 by Epic Records. The album contains the biggest hit of Riperton's career, "Lovin' You", which topped the U.S. Pop Singles chart for one week in early April 1975.
"Living for the City" is a 1973 single by Stevie Wonder from his Innervisions album. It reached number 8 on the Billboard Hot 100 chart and number 1 on the R&B chart. Rolling Stone ranked the song number 104 on their 2004 list of the "500 Greatest Songs of All Time".
Zero Time is the debut album by British-American electronic music duo Tonto's Expanding Head Band, released on 15 June 1971 by Embryo Records. The album is a showcase for TONTO, a multitimbral, polyphonic synthesiser built by the two members of the band, Malcolm Cecil and Robert Margouleff, as a developed version of the Moog III synth in 1969. The duo began producing their own music together on the synth with the intention to push the machine's abilities, and their own abilities as musicians, to the limit. Recording their compositions in New York, they approached TONTO with no pre-conceived notions and intended to make music intrinsic to the synthesiser.
"Golden Lady" is a song by the American musician Stevie Wonder, released in 1973 on his album Innervisions. While it was never released as a single, the album itself peaked at number 4 on the Billboard Top 200. The love song, written by Stevie Wonder, contrasts with the other songs on the record that comment upon societal issues within America. Examples include his comments on drug addiction within the song "Too High" and his political commentary on US President Richard Nixon in "He's Misstra Know-It-All".
It's About Time is the second and final album by British-American electronic music duo Tonto, previously known as Tonto's Expanding Head Band, released in 1974 by Polydor Records. The album is a showcase for TONTO, a multitimbral, polyphonic synthesizer built by the two members of the band, Malcolm Cecil and Robert Margouleff, as a developed version of the Moog III synth in 1969.