Ciao! Manhattan | |
---|---|
Directed by | John Palmer David Weisman |
Written by | John Palmer David Weisman |
Produced by | Robert Margouleff David Weisman |
Starring | Edie Sedgwick Wesley Hayes Isabel Jewell Paul America Baby Jane Holzer Pat Hartley Jean Margouleff Viva Brigid Berlin Roger Vadim |
Cinematography | John Palmer Kjell Rostad |
Edited by | Robert Farren |
Music by | Gino Piserchio |
Distributed by | Maron Films (1973) Plexifilm (2002) |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Ciao! Manhattan is a 1972 American avant garde film starring Edie Sedgwick. Written and directed by John Palmer and David Weisman, Warhol superstar Susan Bottomly (International Velvet) was initially intended to star in the film. When Sedgwick was cast as her replacement the film came to center on a character resembling Sedgwick, dealing with the pain of addiction and the lure of fame.
Ciao! Manhattan is the semi-biographical tale of 1960s counterculture icon Edie Sedgwick. [1] The film follows young Susan Superstar (Sedgwick) through her tumultuous party years in Manhattan as one of Warhol's Superstars. Through actual audio recordings of Sedgwick's account of her time in Warhol's Factory in New York City, paired with clips from the original unfinished script started in 1967, Ciao! captures the complete deterioration of Sedgwick's fictional alter-ego. The striking similarities between Sedgwick and Susan's life story, especially when recounted by Sedgwick in the midst of drug-induced audio interviews, make the film's candid depiction of excess and celebrity especially haunting. [2] The film is dedicated to the memory of Sedgwick and ends with the headlines announcing Sedgwick's (not Susan Superstar's) death, thus inseparably associating the fictional and the genuine figure.
Warhol superstar Susan Bottomly who had starred in Chelsea Girls (1966) was originally intended to star in the film. [3] David Weisman, who co-wrote and co-directed the film recalled:
Edie Sedgwick was never intended to be the lead in this film ... It was going to be a beautiful young lady who had just appeared at the Factory by the name of Susan Bottomly [International Velvet] and she was just this startling young ingenue whose father was the District Attorney of Boston and had convicted the Boston Strangler... we had to.. get releases from everybody and so Susan Bottomly was 17 and we needed her father's permission so at the last minute he refused and she was out but in the script her name, the character name, was Susan. [3]
Production of Ciao! Manhattan began on March 26, 1967 as a project of Factory regulars John Palmer, David Weisman, Genevieve Charbin, Chuck Wein, Bob Margouleff, Gino Piserchio, with supplemental roles and tasks fulfilled by various other hangers-on. The film originally followed the excessively hip lives of Midtown scenesters Sedgwick and fellow Warhol Superstar Paul America as they lived life in the fast lane (literally speeding down the West Side Highway on massive amounts of amphetamine).[ citation needed ]
The project was riddled with budget problems and an unfinished, nonsensical script of debauchery, drug use and paranoia. [4] Unreliable actors and rampant drug abuse behind the camera pushed shooting out of control as both Sedgwick and America went missing, putting production on hold. With barely any direction and no end in sight, the film's backers, Bob Margouleff's parents, lost faith in their son's project, and Palmer and Weisman were left with the fragments of an unpresentable film. To salvage these fragments, Palmer and Weisman decided to reshape the script to include the previously shot footage as flashback sequences to tell Sedgwick's tragic story through the persona of Susan Superstar.
In the Fall of 1970, they resumed filming on the "Lucky" Baldwin estate in Arcadia, California. [4] [5] For a month, they shot Susan recounting her past through the dazed euphoria of perpetual substance abuse. In 1971, the film went into post-production and later that year Sedgwick died from acute barbiturate intoxication.
Ciao! Manhattan was completed on May 25, 1972, and had its premiere in Amsterdam in July 1972 to critical acclaim,[ citation needed ] due in part to Sedgwick's onscreen presence and representation of a culture that she helped to define. The successful screenings continued in London, Germany, France, San Diego, Denver, and Tempe, Arizona, but then the film disappeared for nearly a decade until interest in Edie Sedgwick was sparked again by the best-selling book Edie: An American Biography by George Plimpton and Jean Stein in 1982.[ citation needed ]
In the years since its original release, Ciao! Manhattan has become a cult classic, due in large part to the film being Edie Sedgwick's last starring vehicle. [6] On July 19, 2002, exactly 30 years after its world premiere in Amsterdam, Ciao! opened at New York's Cinema Village. In October 2002, Plexifilm released a special edition DVD with additional 35mm outtake footage, rare pictures and interviews with the cast and crew of the film. [7]
On April 22, 2017, Light in the Attic Records released the film's official soundtrack on their Cinewax imprint, for the occasion of Record Store Day. The first vinyl pressing was limited to 3,000 copies, and it contains the prominent songs featured in the film (by Richie Havens, John Phillips, Kim Milford, and the duo of Skip Battin and Kim Fowley), in addition to most of the incidental electronic music performed by Gino Piserchio. Before this release, the film's soundtrack never had been released in any form. A CD version of the soundtrack is also available. [8]
Edith Minturn Sedgwick Post was an American actress, model, and socialite, who was one of Andy Warhol's superstars, starring in several of his short films during the 1960s. Her prominence led to her being dubbed an "It Girl", while Vogue magazine named her a "Youthquaker".
Brigid Emmett Berlin, also known as Brigid Polk, was an American artist and Warhol superstar.
Warhol superstars were a clique of New York City personalities promoted by the pop artist Andy Warhol during the 1960s and early 1970s. These personalities appeared in Warhol's artworks and accompanied him in his social life. Warhol would simply film them, and declare them "superstars".
Andrea Feldman was an American actress and Warhol superstar. She committed suicide in 1972.
Factory Girl is a 2006 American biographical film directed by George Hickenlooper. It is based on the rapid rise and fall of 1960s underground film star and socialite Edie Sedgwick, known for her association with the artist Andy Warhol.
Janet Susan Mary Hoffmann, known professionally as Viva, is an American actress, writer and former Warhol superstar.
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films. It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.
Plexifilm was an independent DVD label and film production company co-founded by Gary Hustwit and Sean Anderson in 2001. Plexifilm produced original films, released films theatrically, and produced, distributed and marketed DVDs.
a, also known as a: A Novel, is a 1968 book by the American artist Andy Warhol published by Grove Press. It is a nearly word-for-word transcription of tapes recorded by Warhol and Ondine over a two-year period in 1965–1967.
Paul Johnson, better known as Paul America, was an American actor who was a member of Andy Warhol's Superstars. He starred in one Warhol-directed film, My Hustler (1965), and also appeared in Edie Sedgwick's final film Ciao! Manhattan (1972).
Jane Holzer, is an American art collector and real estate investor. She is best known as a Warhol superstar, and she also worked as a model, actress, and film producer. Nicknamed Baby Jane Holzer, she appeared on the cover of British Vogue in 1964, and she was referred to as one of the "fashion revolutionaries" by Women's Wear Daily in 1966.
Chuck Wein was an American promoter and manager of entertainment acts whose celebrity stemmed from his five-year (1964–1969) association with Andy Warhol and from his discovery of Edie Sedgwick who became a Warhol superstar of 1965. He was also a film director.
Beauty No. 2 is a 1965 American avant-garde film by directed by Andy Warhol and starring Edie Sedgwick and Gino Piserchio. Chuck Wein also has a role in the film but never appears onscreen. Wein wrote the scenario and is also credited as assistant director.
Susan Dunn Whittier Bottomly, also known as International Velvet, is a former American model and actress.
Eugene "Gino" Piserchio was an American actor, composer and musician. Piserchio was noted for being an accomplished musician. He was one of the first musicians to master the Moog synthesizer.
Robert Margouleff is an American record producer, recording engineer, electronic music pioneer, audio expert, and film producer.
Light in the Attic Records is an independent record label that was established in 2002 in Seattle, Washington by Matt Sullivan. The label is known for its roster of reissue projects and for its distribution catalog. Light in the Attic has re-released work by The Shaggs, Betty Davis, Serge Gainsbourg, Jim Sullivan, Jane Birkin, Monks and The Free Design. The label has also released albums by contemporary bands The Black Angels and Nicole Willis & The Soul Investigators.
Four Stars is a 1967 avant-garde film by Andy Warhol, consisting of 25 hours of film. In typical Warhol fashion of the period, each reel of the film is 35 minutes long, or 1200 ft. in length, and is shot in sync-sound.
David Weisman was an American film producer, author, and graphic artist, most noted for his films Ciao! Manhattan and Kiss of the Spider Woman. He was the brother of film director Sam Weisman.
Space (1965) is an underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gino Piserchio, Dorothy Dean, Ed Hennessey, singer-songwriter Eric Andersen, and Norman Levine. Unlike many of Warhol's other films made at The Factory, this film involved a moving camera, moving around the actors as they stood still.
Notes
This article needs additional citations for verification .(August 2010) |
Bibliography