Verve Records is an active American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, Oscar Peterson, Jon Batiste, and Diana Krall among others as well as a diverse mix of other recordings that fall outside of jazz including albums from disparate artists like the Velvet Underground, Kurt Vile, Arooj Aftab, Frank Zappa and the Mothers of Invention and many more. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records.
Ciao! Manhattan is a 1972 American avant garde film starring Edie Sedgwick. A scripted drama in which most of the actors play themselves, it centers on a character very closely based on Sedgwick and deals with the pain of addiction and the lure of fame.
Betty Davis was an American singer, songwriter, and model. She was known for her controversial sexually oriented lyrics and performance style, and was the second wife of trumpeter Miles Davis. Her AllMusic profile describes her as "a wildly flamboyant funk diva with few equals ... [who] combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis".
Billy Martin is an American jazz drummer, best known as a member of jazz-funk trio Medeski Martin & Wood.
Histoire de Melody Nelson is a 1971 concept album by French singer and songwriter Serge Gainsbourg. Produced by Jean-Claude Desmarty, the album was released on March 24, 1971 through Philips Records. Its narrative follows an illicit romance which develops between the middle-aged narrator and fourteen-year-old girl Melody Nelson, portrayed on the album and its cover art by Gainsbourg's then-partner Jane Birkin.
Sharkboy is an alternative rock band from Brighton, England, formed and led from the early 1990s by Avy, lead singer, songwriter and guitarist. She first released albums with Nude Records home of Suede and continues to release independently through her creative audio-visual studio. /
Di doo dah is the debut solo album by Jane Birkin, released in 1973 on Fontana Records. Subsequent reissues in 2001 and 2010 included two bonus tracks from the 1972 7" single "La Décadanse" by Birkin and Serge Gainsbourg.
Bell Records was an American record label founded in 1952 in New York City by Arthur Shimkin, the owner of the children's record label Golden Records, and initially a unit of Pocket Books, after the rights to the name were acquired from Benny Bell who used the Bell name to issue risque novelty records. A British branch was also active in the 1960s and 1970s. Bell Records was shut down in late 1974, and its assets were transferred to Columbia Pictures' new label, Arista Records.
The Wheedle is the title character of a popular children's book by author Stephen Cosgrove. The character eventually evolved into a popular mascot generally associated with the city of Seattle.
Sylvie Simmons is a London-born, California-based music journalist, named as a "principal player" in Paul Gorman's book on the history of the rock music press In Their Own Write. A widely regarded writer and rock historian since the late 1970s, she is one of the few women to be included among the predominantly male rock elite. Simmons is the author of a number of books, including biography and cult fiction. Simmons is also a singer-songwriter, ukulele player and recording artist.
Donald Ray Fritts was an American session musician and songwriter. A recording artist in his own right, he was Kris Kristofferson's keyboardist for over forty years. In 2008, he was inducted into the Alabama Music Hall of Fame.
The Numero Group is an archival record label that creates compilations of previously released music, reissues original albums, and creates album reconstructions from a variety of musical genres. The label, known as Numero, was founded in 2003 by Rob Sevier, Ken Shipley, and Tom Lunt. The label's focus since founding has been to research and preserve obscure recorded material and ephemera by artists and entrepreneurs who found little commercial success upon their material's initial release.
Betty Davis is the eponymous debut studio album by American funk singer Betty Davis, released through Just Sunshine Records in 1973. The album was produced by Greg Errico and features contributions from a number of noted musicians such as Neal Schon, Merl Saunders, Sylvester, Larry Graham, Pete Sears, and The Pointer Sisters.
Kearney Whitsell Barton was an American record producer active in Seattle, Washington, from the 1950s to the 2000s. Particularly known for his 1950s and 1960s-era recordings of garage rock bands, Barton recorded many Pacific Northwest musicians such as The Fleetwoods, The Ventures, The Wailers, The Sonics, The Frantics, The Kingsmen, Quincy Jones, Ann and Nancy Wilson, Bonnie Guitar, and Dave Lewis.
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.
Donnie and Joe Emerson are an American musical duo. Their late 1970s work was largely unknown until it was rediscovered by a new generation of fans in the 21st century.
Hippopotamomus is the fifth studio album by British musician Momus, released in 1991 through Creation Records.
Pacific Breeze: Japanese City Pop, AOR and Boogie 1976–1986 is a 2019 compilation album. The album was released by Light in the Attic Records on May 3, 2019, as the third part of their Japan Archival Series, starting with Even a Tree Can Shed Tears: Japanese Folk & Rock 1969–1973.
Nasty Gal is the third studio album by American funk musician Betty Davis. It was released in 1975 on Island Records and was Davis' first album on a major label.
U.F.O. is the debut album by psychedelic folk singer-songwriter Jim Sullivan, released in 1969. The album was unpopular upon release, but has gained a cult following in part due to the mysterious disappearance of Sullivan. While it is commonly known as U.F.O., a 1970 pressing on Century City Records titled the album simply as Jim Sullivan.
