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The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Children of Nuggets: Original Artyfacts from the Second Psychedelic Era, 1976–1996 is a box set compilation album of alternative pop music, released in 2005 by Rhino Records. The set consists of four compact discs of songs recorded between 1976 and 1996, with most of the recordings stemming from the 1980s. The title refers to the original Nuggets LP, which was first issued in 1972 and whose music influenced the bands featured on Children of Nuggets.
Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969 is a four-disc box set from Rhino Records, released in 2001.
Mouse and the Traps is the name of an American garage rock band from Tyler, Texas, United States, that released numerous singles between 1965 and 1969, two of which, "A Public Execution" and "Sometimes You Just Can't Win", became large regional hits. The leader of the band, nicknamed "Mouse", was Ronny Weiss. Two of their best known songs, "A Public Execution" and a cover of "Psychotic Reaction", are not actually credited to this band but, respectively, to simply Mouse and Positively 13 O'Clock instead. Their tangled history also included one single that was released anonymously under the name Chris St. John. The band are not to be confused with the girl group Mousie and The Traps who recorded for Toddlin' Town records around the same time.
Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock.
Love Is the Song We Sing: San Francisco Nuggets 1965–1970 is the fourth Nuggets box set released by Rhino Records. It was released in 2007 and packaged as an 8 1/2 x 11" 120 page hardcover book, the first 73 pages of which were made up mostly of vintage photographs. The compilation focuses on San Francisco Sound bands. Its title is derived from the first line of "Get Together," two versions of which open and close the four-disc set. Although the liner notes cite the 1965 Rag Baby EP as the source for the Country Joe & the Fish track "I-Feel-Like-I'm-Fixin'-To-Die Rag", it was actually taken from the 1967 LP I-Feel-Like-I'm-Fixin'-To-Die.
Robert "Bobby" Winkelman is an American singer, song writer, rhythm guitarist, and bass guitarist. He was a founding member of the East Bay band, "The Epics".
Ace of Cups is an American rock band formed in San Francisco in 1967 during the Summer of Love era. It has been described as one of the first all-female rock bands.
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
The Mystery Trend was an American garage rock band formed in San Francisco, California in 1964. The band was among the first wave of San Francisco rock groups to emerge from the city's growing music scene. Exhibiting music prowess leaning toward R&B, the Mystery Trend were set apart from their contemporaries who later developed into psychedelic rock groups. Their recording output was limited, with the group's one single, "Johnny Was a Good Boy", being released in 1967.
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.
The Sting-rays were a British rock band from Greater London which recorded on Ace Records' garage and psychedelic subsidiary Big Beat and Joe Foster's Kaleidoscope Sound in the 1980s.
No Way Out is the debut album by the American garage rock band The Chocolate Watchband, and was released in September 1967 on Tower Records. It blended both garage and psychedelic rock influences, and was marked by distorted guitar instrumentals that were early examples of protopunk. It features the band's harder-edged interpretations of songs, with only three original compositions. The album was preceded by two non-album singles, "Sweet Young Thing" and "Misty Lane", and track singles, "No Way Out" and "Are You Gonna be There ". However, none of the singles managed to chart. Like its singles, No Way Out failed to reach the Billboard 200, but it established the group as a popular live act, and later became noted as a garage rock classic.
"I Ain't No Miracle Worker" is a song by the American garage rock band, the Brogues, written by Annette Tucker and Nancie Mantz, and released as the group's second and final single on Challenge Records, in November 1965. The composition is now considered a classic of the musical genre of garage rock, and has reappeared on several compilation albums and has been covered by other musical artists. The Brogues' original rendition was musically influenced by their contemporaries on the R&B circuit and the British Invasion.
The Brigands were an American garage rock act who are best known for the 1966 song, "(Would I Still Be) Her Big Man", which appeared as the A-side of a single released on Epic Records. Little is known about them other than that the song was recorded in New York City. Their origins are unknown, but some have attributed their residence to Forest Hills, Long Island, New York. Others have speculated that they were an ensemble of session musicians who recorded the song as a one-time act under the moniker "the Brigands." One reason mentioned by exponents of this hypothesis is that there would be more known about them, if they had indeed been an actual performing unit. They point out that there are no printed artifacts available, such as flyers and listings of live performances, records of battles of the bands, and newspaper clippings. They also point out that, since the song was released on Epic Records and produced by Artie and Kris Resnick, who wrote the Young Rascals' "Good Lovin'" and other popular hits of the time, it is unlikely that such an unknown band would have received the attention of such well-known and established fixtures, unless the song had been recorded by a "ghost band" of session musicians under their tutelage.
"Bad Girl" is a song by the American garage rock band the Zakary Thaks, written by the whole group—Chris Gerniottis, Pete Stinson, Stan Moore, Rex Gregory, and John Lopez—and was first released for the band's debut single on J-Beck Records in July 1966. The song was an immensely successful regional hit in Texas, precipitating "Bad Girl"'s national release on Mercury Records later in the year. Since its initial distribution, the tune has received further recognition for its appearance on several compilation albums.
The Midnite Sound of the Milky Way is a garage rock compilation available on compact disc put out by Big Beat Records (UK) that consists of songs recorded at the Midnite Sound recording studio in Danville, Illinois during the 1960s. The Midnite Sound studio one of many such venues pushing out obscure garage rock in the mid-1960s. The set was compiled by Alec Palao, who also wrote the liner notes. The compilation features twenty four tracks by different various artists who recorded there, and all except four have not been previously compiled. The Midnite Sound recording were often typified by an echo-laden sound, giving them a characteristically "outer space" vibe. The performers tended to be, even by 1960s garage rock norms, untutored and naively strange and noncommercial racket. The groups and artists who recorded at Midnite Sound tended to be less British Invasion-influenced than most, sometimes displaying rockabilly and pre-Beatles stylistics. The best-known act to record for the label was rockabilly/garage rocker Dean Carter, who is known for the song "Rebel Woman", which has appeared on several other compilations such as his Call of the Wild anthology on Big Beat Records. He does not appear on this set, but two performers here, George Jacks and The 12th Knight, do renditions of the song.
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964 to 1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the Nuggets from California: Live at the Avalon 1966 anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the Nuggets from California compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehner Patten left to form Kak, who recorded for Epic Records. Yoder subsequently went on to join Blue Cheer in one of their later configurations.
You Got Yours! East Bay Garage 1965-1967 is a compilation album featuring American garage rock bands that were active in the San Francisco Bay area between 1965 and 1967. It was released on September 18, 2007 on Big Beat Records and is the twenty-third installment of the Nuggets from the Golden State album series. Generally overshadowed by the garage scenes located in Los Angeles and San Jose, the San Francisco scene was uniquely influenced by the surplus of folk rock, which would eventually develop into psychedelic rock. For the most part, the groups presented on You Got Yours! do not exemplify the teenage-angst and rawness associated with the garage rock genre, but rather display a level of professionalism not expected from an adolescent band.
Uptight Tonight: The Ultimate 1960s Garage Punk Primer is a garage rock compilation put out in 2005 by Big Beat Records. The set consists of twenty-six tracks that, with a few exceptions, focus on the harder and more aggressive side of the genre. Steve Legget, commenting in AllMusic, writes that Uptight Tonight "...rips out the attitude and trash riffs pretty darn well, making it perhaps the ultimate single-disc set of this raggedly endearing rock style." The packaging includes well-researched liner notes written by Alec Palao, which provide helpful biographical information about the artists and their songs, as well as extensive photographs of the bands."
References
- 1 2 3 4 Rathert, Kevin (November 25, 2015). "Alec Palao, Man of Many Musical Hats". It's Psychedelic Baby. Retrieved April 21, 2023.
- 1 2 Mead, Matt (August 5, 2018). "Alec Palao – The Action producer talks to Louder Than War". Louder Than War. Retrieved April 21, 2023.
- ↑ Hann, Michael (July 30, 2021). "Big quiffs, zombies and dead crows: the wild world of psychobilly". The Guardian. Retrieved April 21, 2023.
- ↑ Chandler, Chip (August 27, 2015). "Label packs Kitchen Cinq into anthology". Amarillo Globe-News . Retrieved April 25, 2023.
- ↑ Spacek, Nick (October 23, 2020). "Alec Palao on the fortuitous nature of finding unreleased garage rock for Double Whammy!". The Pitch . Retrieved April 21, 2023.
- ↑ "Preservation Award Established". Popular Music and Society. Vol. 30. London: Routledge. October 2007. p. 553.
- ↑ "Crosscurrents: Oakland Museum takes 'Vinyl' off the shelf". KALW Public Media. May 12, 2014. Retrieved April 21, 2023.
- ↑ Ruggiero, Bob (May 29, 2019). "Classic Rock Corner: Psychedelic Rock Unearthed in Poppies". HoustonPress. Retrieved April 21, 2023.
- ↑ Sullivan, James (June 19, 2001). "A rock collector who leaves no stone unturned". SFGate. Retrieved April 21, 2023.
- 1 2 3 Alec Palao credits at AllMusic
- ↑ "Alec Palao staff bio". Ace Records. Retrieved April 21, 2023.
- ↑ "The Collector: Alec Palao: The Revolution Will Be Archived". Record Collector . No. 466. April 27, 2017. Retrieved April 21, 2023.
- ↑ Selvin, Joel (May 21, 2000). "Entertainment: Ad Libs". CTInsider. Retrieved April 29, 2023.