Country Joe McDonald | |
|---|---|
| McDonald performing at Parr Meadows 1979 | |
| Background information | |
| Also known as | Country Joe |
| Born | Joseph Allen McDonald January 1, 1942 Washington, D.C. |
| Genres | |
| Occupations | Singer, songwriter, musician, political activist |
| Instruments | Vocals, acoustic guitar |
| Years active | 1959–present |
| Labels |
|
| Website | countryjoe |
Joseph Allen "Country Joe" McDonald (born January 1, 1942) [1] is an American singer/songwriter, musician, film composer and the lead singer and co-founder of the 1960s psychedelic folk-rock group Country Joe and the Fish. [2]
Since the group's breakup in 1971, McDonald has performed as a solo artist and, in the spirit of Woody Guthrie, continued to musically espouse his political views through his original songs.
McDonald was born in Washington, D.C., and grew up in El Monte, California, where he had moved with his parents, Florence and Worden McDonald. [3]
His father was the son of a Presbyterian minister of Scottish descent. Born in Oklahoma and raised on a farm a 100 miles from Woody Guthrie's birthplace of Okemah, Worden worked for the phone company and, as a young man, traveled the country riding the rails, working odd jobs. [4] His mother, Florence Plotnick, [5] was the daughter of Russian Jewish immigrants and served for many years as the City Auditor of Berkeley, California. [6] [7] [8] In their youth, both were Communist Party members and named their son after Joseph Stalin, though they later renounced the cause. [9] [10]
In high school, McDonald was student conductor and president of the marching band. [3] At the age of 17, he enlisted in the U.S. Navy and spent three years stationed in Japan. After his enlistment, he attended California State Los Angeles for a year, during which he started printing a small magazine called Et Tu. [11] In the early 1960s, he dropped out of college and moved to Berkeley with his first wife hoping to become a folk musician. He began busking on Telegraph Avenue and worked at Jon and Dierdra Lundberg's guitar shop, Lundberg Fretted Instruments. [2] [12] He performed on Gert Chiarito's Midnight Special, an influential radio show on the local Berkeley station KPFA and formed the Berkeley String Quartet with Carl Shrager, Bob Cooper and Bill Steele. [13] He also formed the Instant Action Jug Band with future bandmate Barry Melton. [14] [15] [16] [17] Both bands frequently played at the Jabberwock folk music club and coffee shop on Telegraph Avenue.
McDonald became involved with the Free Speech Movement and the wave of demonstrations against the Vietnam War at UC Berkeley. Soon he met Ed Denson, John Fahey's co-founder of Takoma Records. Together they launched Rag Baby, a magazine focused on the San Francisco folk music scene. [18] McDonald proposed doing "talking issues" of the magazine - audio supplements - which led him and Barry "The Fish" Melton to co-found Country Joe and the Fish. The band's first songs I-Feel-Like-I'm Fixing-To-Die-Rag, Superbird, Bassstrings, Thing Called Love and Section 43 were self-released through these "talking issues" of Rag Baby. [19] At the time, McDonald and Melton were living in the building behind the Jabberwock and sold Rag Baby at events on UC Berkeley's Sproul Plaza and at Moe's Bookstore on Telegraph. [20] Denson began managing the band. Country Joe and the Fish played their first show under that name on November 5, 1965, joining The Fugs and Allen Ginsberg in a chemistry lab at UC Berkeley. [21] [16] [22]
McDonald has recorded 33 albums and written hundreds of songs over a career spanning 60 years. Country Joe & the Fish were a pioneer psychedelic rock band known for their eclectic performances at the Avalon Ballroom, the Fillmore Auditorium, the 1967 Monterey Pop Festival, and the original 1969 Woodstock Festival and the 1979 reunion.
By 1966, Country Joe & The Fish were signed to Vanguard Records and quickly released a series of albums produced by Sam Charters. [23] Their debut, Electric Music for the Mind and Body (May 1967), which spent 38 weeks on the Billboard charts and is regarded as a seminal work of psychedelic rock. [24] [25] [26] [27] It was followed by I-Feel-Like-I'm-Fixin’-to-Die (November 1967), which spent 28 weeks on the Billboard charts and included the title track that firmly established the band as key figures in the anti-war movement, both Electric Music for the Mind and Body and I-Feel-Like-I'm-Fixin'-To-Die remained on the Billboard chats for nearly two years.
The band played numerous Bay Area shows throughout 1966 at the Avalon Ballroom, Filmore Auditorium and the Matrix with the Grateful Dead, Quicksilver Messenger Service, Buffalo Springfield, and Big Brother and the Holding Company. [28] [29] Their next album, Together (1968), featured Rock & Soul Music, which they performed at the Woodstock concert. The album, whose cover displayed wedding photos of McDonald's marriage to his new wife Robin, reached #23 on the Billboard charts, though internal tensions with the band were beginning to surface. [30] [27] [31] [32]
In January 1967, McDonald appeared at San Francisco's Polo Field for the first Human Be-In. [33] Throughout the rest of the year—during the explosion of the San Francisco music scene and the Summer of Love—the band played nearly every day, sharing bills with the Grateful Dead, Steve Miller, Big Brother and the Holding Company, Paul Butterfield, the Youngbloods, Moby Grape, the Doors, Jefferson Airplane, the San Francisco Mime Troupe, Howlin’ Wolf, the Jimi Hendrix Experience, Canned Heat, Richie Havens, John Fahey, the Jim Kweskin Jug Band, James Cotten Blues Band, Sam & Dave, and poets and writers such as Richard Brautigan and Kenneth Patchen. [29] [34]
In April 1967, they performed at the Mobilization to End the War in Vietnam alongside Eldridge Cleaver, Coretta Scott King, Judy Collins, Big Brother and the Holding Company, and Robert Scheer. [35] They also appeared at the Fantasy Fair and Magic Mountain Festival on Mount Tamalpais with the Doors, the Byrds, Hugh Masekela, Tim Buckly and Captain Beefheart. The band frequently played political events, including a benefit for the Delano grape strikers, and gave two performances at San Quentin Prison—once in 1967 with the Grateful Dead and again in 1969 with the Sons of Champlin. [36] [37]
In 1969, the band released Here We Are Again , which featured guest appearances by Jack Casady of Jefferson Airplane and David Getz and Peter Albin of Big Brother & The Holding Company. [38] The album spent 11 weeks on the Billboard charts and included Here I Go Again, later covered by Twiggy. Their final Vanguard album, CJ Fish (1970), was produced by Tom Wilson, renowned for his work with Bob Dylan, Simon & Garfunkel, and The Velvet Underground. Shortly after its release, the band disbanded.
His best known song, The Fish Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag (1965), is a black comedy novelty song about the Vietnam War, whose familiar chorus --"One, two, three, what are we fighting for?" [39] became widely known amongst the Woodstock generation and Vietnam veterans of the '60s and '70s. McDonald wrote the song in about 20 minutes for an anti-Vietnam War play, [40] and told the New York Time that he "was inspired to write a song about how soldiers have no choice in the matter, but to follow orders, but with the irreverence of rock n' roll. It was essentially punk rock before punk existed." [41]
The original Fish Cheer consisted of the band leading the audience in a call-and-response with the audience, spelling the word "F-I-S-H," with McDonald yelling out, "What's that spell?" twice, the audience responding, and then a third call immediately followed by the song. The cheer evolved into the "Fuck Cheer" in the wake of the Berkeley Free Speech Movement. The F-I-S-H Cheer appeared on the original recording of "I-Feel-Like-I'm-Fixin'-To-Die Rag" on the LP of the same name. It quickly became popular, with audiences enthusiastically joining in during live performances.
During the summer of 1968, while the band was playing the Schaefer Music Festival tour, [42] drummer Gary "Chicken" Hirsh suggested to spell the word "fuck" instead of "fish". Although the audience embraced it, festival management did not and banned the band off the tour for life. The Ed Sullivan Show then canceled a scheduled appearance, telling them to keep the money they had already been paid in exchange for never playing on the show. [42] The modified cheer remained a staple at most of the band's live shows throughout the years, including Woodstock.
In Worcester, Massachusetts, McDonald was arrested for obscenity and fined $500 for uttering "fuck" in public. [43] Although the song was banned at radio, it went on to appear in such films and television, including Hambuger Hill, More American Graffiti and HBO's Generation Kill, in which Marines sing it while on patrol. [44] [45]
McDonald's first two solo albums, Thinking of Woody Guthrie (1969) and Tonight, I'm Singing Just For You (1970), were recorded for Vanguard in Nashville, Tennessee with Sam Charters producing and Nashville A-Team players Hargus "Pig" Robbins, Grady Martin and Buddy Harmon. [46] Tonight, I'm Singing Just For You, which featured him, his wife and daughter on the cover, also featured the gospel group The Jordanairs. [47]
Thinking of Woody Guthrie was one of first major Guthrie tribute albums, and etablished him as a prominent interpreter of Guthrie's work, which he had admired since youth. [48] [49] [50] The album led to his participation in the 1970 Woody Guthrie All-Star Tribute at The Hollywood Bowl with Joan Baez, Pete Seeger, Arlo Guthrie, Odetta, Ramblin' Jack Elliot, Peter Fonda and Will Greer. [51] [52] For the event, at the request of Marjorie Guthrie, Woody's widow, and Harold Leventhol, McDonald set Guthrie's Woman At Home to music. [53] [54] [55] [56] This was the first time the Guthrie family collaborated with an recording artist to add music to Woody Guthrie's lyrics.
McDonald's third solo album, War, War, War , (1971) featured the poems of Robert W. Service, set to music. [57] [58] In 1972, a live performance at The Bitter End, was released as Incredible Live!, featuring liner notes from Studs Terkle. [59] [60] His 1973 Vanguard LP Paris Sessions, was reviewed by Robert Christgau in Christgau's Record Guide: Rock Albums of the Seventies (1981), in which he said: "Amazing. The man (repeat: man) has written feminist songs that are both catchy and sensible. Despite the real/honest prison poem and the silly, outdated record fan routines, his best in about five years." [61]
In January 1970, McDonald testified at the Chicago Seven Trial. [62] [63] He was one of the over one hundred witnesses the defense called, including Norman Mailer, Dick Gregory, Judy Collins, Arlo Guthrie, Phil Ochs and Allen Ginsberg. During the trial Judge Julias J. Hoffman forbade him from singing I-Feel-Like-I'm-Fixin-To-Die-Rag in court. McDonald recited the lyrics instead. [64] [65]
In 1971, McDonald joined the FTA Show an antiwar traveling vaudeville show, performing alongside Jane Fonda, Donald Sutherland, Holly Near, Ben Vereen, and members of The Committee. [66] [67] He released a three-song EP Resist! with Grootna, and raised funds for the show, which was written in part at his home. [68] [69] He grew disenchanted by the show, which his then-wife Robin was a writer on, [70] [71] and left before the filming of the FTA Show documentary, though his involvement with the show landed him on Richard Nixon's "enemies list." [72]
McDonald was actively involved in the Save The Whales movement of the mid-70s. Inspired by Farley Mowat's book A Whale For A Killing, he wrote Save The Whales! [73] which he recorded for his album Paradise With An Ocean View (1976). [74] [75] He performed the song at many Save The Whales concerts including a 1976 concert with Joni Mitchell and poet Gary Snyder, [76] [77] and John Sebastian and Fred Neil's 1977 Rolling Coconut Revue in Japan with Jackson Browne, Warren Zevon, Odetta and others. [78] [79] He began working with Greenpeace [80] [81] and was invited to take part in an event in British Columbia involving the Rainbow Warrior ship, and participated in an benefit concert for the Cousteau Society, along with Crosby, Stills & Nash. After meeting Jacques Cousteau and learning about the annual baby seal kills, he wrote the song Blood on The Ice, which he later recorded on his album Goodbye Blues. [82] His music appears in the 2015 documentary How To Save The World about the origins of Greenpeace. [83]
Like many folk musicians of the era, McDonald was influenced by Pete Seeger both artistically and personally. He later performed at Seeger's festival marking the 20th anniversary of Clearwater, the sloot launched as part of efforts to restore the Hudson River. [3] [7] In the early 1970s, Seeger recorded a cover of I-Feel-Like-I'm-Fixin-To-Die-Rag with the intention of releasing it as a single, but Columbia Records declined to distribute it. [9] [10] [3] Seeger left the label soon after, but continued to perform the song at live concerts. [5] [8] [14]
Throughout the 2000s, McDonald performed his Tribute to Woody Guthrie show, which featured Guthrie's songs alongside spoken-word pieces drawn from the writings of Guthrie, Malvina Reynolds, and McDonald's father—himself an Oklahoma Dust Bowl refugee. [84] [85] [86] In 2007, he released a live recording of the show, A Tribute To Woody Guthrie Performed by Country Joe McDonald. [87] [54] Joel Selvin of The San Francisco Chronical described the performance as one which "McDonald channels this wry, compassionate man's wisdom without ever getting in the way, a refreshingly egoless performance by someone who remains as amazed by Guthrie as anyone." [88]
During the 80s and 90s, McDonald released several albums on his own Rag Baby Records, named after the magazine he started in 1965. These releases include Joady Guthrie's Spys on Wall Street (1985), which he produced, as well as his own Superstitious Blues (1991) and Carry On (1995). [89] [90] [91] Both albums feature Jerry Garcia on tracks Clara Barton, Starship Ride, Lady with the Lamp, and Blues for Michael, the latter a tribute to their mutual friend, blues guitarist Michael Bloomfield. [92] [93] [94] [95] [12] McDonald and Garcia performed Starship Ride and Lady with the Lamp live together at least once in 1989 in San Francisco. [96] Garcia also appears on Country Joe & The Fish Live! at the Filmore West 1969. [97] [98]
Later releases included McDonald's 50 (2017), [99] and Natural Imperfections, (2005), a collaboration between McDonald and soundscape ecologist Bernie Krause—best known as one half of the experimental duo Beaver and Krause. The instrumental project blends field recordings with atmospheric composition, aiming to immerse listeners “into the magical world of nature and music.” [100] [101]
McDonald appears in the lyric of The Beach Boys song California Saga on Holland (1973). The lyric is a reference to the 1970 Big Sur Folk Festival, where The Beach Boys performed alongside McDonald, Joan Baez and Linda Rondstadt. The lyric evokes the atmosphere and communal spirit of the festival: "Have you ever been to a festival/a Big Sur congregation? Where Country Joe will do his show/And sing about liberty/And the people there in the open air/are one big family". [102] [103] [104] [105]
In 2003 McDonald was sued for copyright infringement over his signature song, specifically the "One, two, three, what are we fighting for?" chorus part, as derived from the 1926 early jazz classic "Muskrat Ramble", co-written by Kid Ory. The suit was brought by Ory's daughter Babette, who held the copyright at the time. Since decades had already passed from the time McDonald composed his song in 1965, Ory based her suit on a new version of it recorded by McDonald in 1999. The court, however, upheld McDonald's laches defense, noting that Ory and her father were aware of the original version of the song, with the same questionable section, for some three decades without bringing a suit. In 2006, Ory was ordered to pay McDonald $395,000 for attorney fees and had to sell her copyrights to do so.[ citation needed ]
McDonald has reconvened on occasion with his bandmates from Country Joe and the Fish, notably for their 1977 album Reunion. [106] In 2004, McDonald regrouped again with three of the original members (Bruce Barthol, David Bennett Cohen, and Gary "Chicken" Hirsh) and they toured the United States and the United Kingdom as the "Country Joe Band".
In 2005, McDonald joined a larger protest against California Governor Arnold Schwarzenegger's proposed budget cuts at the California State Capitol Building. [107] Later in 2005, political commentator Bill O'Reilly compared McDonald to Cuban President Fidel Castro, remarking on McDonald's involvement in Cindy Sheehan's protests against the Iraq War. [108] [109] McDonald originally met Sheehan in 2004 and he wrote the song "Support the Troops after hearing her speak about her son Casey Sheehan." [110] [111]
In 2015, McDonald (with assistance from Alec Palao), formed The Electric Music Band; the intention of the group was to perform the early psychedelic material of the early career of Country Joe And The Fish. The band has performed Electric Music For The Mind And Body in its entirety, and band members include Palao, the Rain Parade's Matt Piucci and Derek See of the Chocolate Watchband.
In 2019, McDonald was scheduled to play on Woodstock's 50th Anniversary festival, which was cancelled after negotiations between partners failed. [112]
McDonald's long-standing commitment to Vietnam veterans and the peace movement is evident throughout his career. He successfully led the effort to create the Vietnam Veterans Memorial in Berkeley, California and was involved in establishing the Vietnam Veterans Memorial in San Francisco. [113] [114] [115] He has performed at GI coffeehouses and commemorative events and benefits across the country for organizations such as San Francisco's Sword to Plowshares, Vietnam Veterans Against the War, and at ceremonies at the Vietnam Veterans Memorial in Washington, D.C. [116] [117] [118] [119] [120] [121] [122] He also took part in the three-day Vietnam War Summit at the LBJ Library in 2016, appearing alongside notable figures such as former Secretary of State John Kerry, filmmaker Ken Burns, activist Tom Hayden, Henry Kissinger, and musician Peter Yarrow. [123] [120] [124] [125]
As both a solo artist and a member of Country Joe & The Fish, McDonald has written and recorded numerous songs about veterans and war. His albums War, War, War and The Vietnam Experience focus entirely on themes of conflict and its aftermath, featuring tracks such as “Agent Orange.” [126] He also performed at the 1986 “Welcome Home Vietnam Veterans” benefit concert at the LA Forum with Whoopi Goldberg, Jon Voight, Brian Wilson and Neil Young. [127] [128] [129]
McDonald has recounted a story he attributed to Phil Butler, a former Hanoi Hilton prisoner of war and co-founder of Veterans for Peace, stating that the Viet Cong occasionally played American music to demoralize captives, but that hearing I-Feel-Like-I'm-Fixin-to-Die-Rag instead boosted their morale. He has also related an account from a Vietnam veteran who said that a friend died in his arms during the war, and that the friend's final words were, “Whoopee, we’re all gonna die.” [130]
In 1970, McDonald wrote several songs for Danish filmmaker Jens Jorgen Thorsen's adaptation of Henry Miller's Quiet Days in Clichy. [131] [132] That same year, he appeared with Country Joe & The Fish, as the leader of a gang of outlaws called The Crackers in the psycheledic western Zachariah , starring Don Johnson. [133] [134]
Throughout the 70s, he continued to work both as an actor and composer. He appeared in and contributed music to Qué Hacer (1972), the Chilean film directed by Saul Landau and Nina Serrano and inspired by the election of Salvador Allende. [135] [136] [137] He also appeared in Roger Corman's Gas-s-s-s (1970), alongside Bud Cort, Talia Shire and Cindy Williams, and later in More American Graffiti (1979). [138] [139] He also appeared alongside Laura Linney and Olympia Dukakis in the 1993 mini-series Tales of The City. [140]
McDonald was married to Kathe Werum from 1963 to 1966.
McDonald has noted that his girlfriend at the time, Janis Joplin, showed much anger for breaking up with her to be with Robin Menken but asked him to write a song about her; the result was "Janis". [39] [141]
On 31 March 1968, McDonald married Robin Menken, a year after his divorce from Werum. [142]
In 1968, Menken gave birth to the couple's first daughter, Seven Anne McDonald, in San Francisco. Seven had a career as a TV child actor in the late 1970s and early 1980s, [143] managed Johnny Depp's Viper Room nightclub and the alternative rock band Smashing Pumpkins in the 1990s, [144] [145] and wrote for Details , Elle , LA Weekly and Harper's Bazaar magazines in the 1990s and 2000s. [144] Seven was the subject of and inspiration behind his song "Silver and Gold". [142]
Seven's name was the inspiration behind the character Six on Blossom, cited by Don Reo on PeopleTV special Blossom Cast Reunion aired 2017, timestamp 10:07-10:33. Don's son went to school with Seven, Don asked his son if she would be cool with his naming a character Seven, Seven said no, so it was either Six or Eight. [146]
McDonald has four other children, Devin (b. 1976) and Tara (b. 1980) from his marriage to Janice Taylor, and Emily (b. 1988) and Ryan (b. 1991) from his marriage to Kathy Wright. [142]
McDonald lives in Berkeley, California. [147]
McDonald and his band Country Joe & The Fish were the subject on a film called "How We Stopped The War" (1968) directed by Oscar nominated writer/editor David Webb Peoples ( Unforgiven, Blade Runner, Twelve Monkeys ). [153]