Novelty songs | |
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Stylistic origins | Popular music |
Cultural origins | 1910s, United States |
Derivative forms | Wizard rock |
Other topics | |
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. [1] [2] They had a resurgence of interest in the 1950s and 1960s. [3] The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. [4] Humorous songs, or those containing humorous elements, are not necessarily novelty songs.
Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV program. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song "They're Coming to Take Me Away, Ha-Haaa!", by Napoleon XIV, has little music and is set to a rhythm tapped out on a snare drum, a tambourine, and the bare sides of the musicians' legs.
A book on achieving an attention-grabbing novelty single is The Manual (How to Have a Number One the Easy Way) , written by The KLF. It is based on their achievement of a UK number-one single with "Doctorin' the Tardis", a 1988 dance remix mashup of the Doctor Who theme music released under the name of 'The Timelords'. It argued that (at the time) achieving a number one single could be achieved less by musical talent than through market research, sampling and gimmicks matched to an underlying danceable groove. [5] [6]
Novelty songs were a major staple of Tin Pan Alley from its start in the late 19th century. They continued to proliferate in the early years of the 20th century, some rising to be among the biggest hits of the era. [7] Varieties included songs with an unusual gimmick, such as the stuttering in "K-K-K-Katy" or the playful boop-boop-a-doops of "I Wanna Be Loved By You", which made a star out of Helen Kane and inspired the creation of Betty Boop; silly lyrics like "Yes! We Have No Bananas"; playful songs with a bit of double entendre, such as "Don't Put a Tax on All the Beautiful Girls"; and invocations of foreign lands with emphasis on general feel of exoticism rather than geographic or anthropological accuracy, such as "Oh By Jingo!", "The Sheik of Araby", and "The Yodeling Chinaman". These songs were perfect for the medium of Vaudeville, and performers such as Eddie Cantor and Sophie Tucker became well known for such songs.
Zez Confrey's 1920s instrumental compositions, which involved gimmicky approaches (such as "Kitten on the Keys") or maniacally rapid tempos ("Dizzy Fingers"), were popular enough to start a fad of novelty piano pieces that lasted through the decade. The fad was brought about by the increasing availability of audio recordings by way of the player piano and the phonograph; whereas much of Tin Pan Alley's repertoire was sold in the form of sheet music and thus had to be simple enough for an amateur pianist to play, novelty piano brought virtuoso -level performance to the home and to those who would not normally attend classical concerts.
At the outbreak of World War II in 1939, "Hitler Has Only Got One Ball" (set to the tune of British Army bandmaster F. J. Ricketts's popular World War I–era "Colonel Bogey March") was sung by British troops. [8] A 1940s novelty song was Spike Jones' 1942 "Der Fuehrer's Face", which included raspberries in its chorus. Tex Williams's "Smoke! Smoke! Smoke! (That Cigarette)" topped the Billboard best-sellers chart for six weeks and the country music chart for 16 weeks in 1947 and 1948. Hank Williams Sr.'s "Move It On Over", his first hit song, has some humor and novelty elements (about a man having to share the doghouse when his lover kicks him out of the house), but contemporaries (among them Jerry Rivers) disputed this and noted that many men had been faced with eviction under similar circumstances. The 1953 #1 single "(How Much Is) That Doggie in the Window?" became notable both for its extensive airplay and the backlash from listeners who found it increasingly annoying.[ citation needed ] Satirists such as Stan Freberg, Allan Sherman, and Tom Lehrer used novelty songs to poke fun at contemporary pop culture in the 1950s and early 1960s.
In 1951, Frank Sinatra was paired in a CBS television special with TV personality Dagmar. Mitch Miller at Columbia Records became intrigued with the pairing and compelled songwriter Dick Manning to compose a song for the two of them. The result was "Mama Will Bark", a novelty song performed by Sinatra with interspersed spoken statements by Dagmar, saying things like "mama will bark", "mama will spank", and "papa will spank". The recording even includes the sound of a dog yowling. It is regarded by both music scholars and Sinatra enthusiasts to be perhaps the worst song he ever recorded. Sinatra would record few others before he left Columbia and joined Capitol Records in 1952.
Dickie Goodman faced a lawsuit for his 1956 novelty song "The Flying Saucer", which sampled snippets of contemporary hits without permission and arranged them to resemble interviews with an alien landing on Earth. [9] Goodman released more hit singles in the same vein for the next two decades including his gold record RIAA certified hit "Mr. Jaws" in 1975, which charted #1 in Cash Box and Record World and was based on the movie Jaws .
Among the more far out songs of this genre were the two released in 1956 by Nervous Norvus, "Transfusion" and "Ape Call".
The Coasters had novelty songs such as "Charlie Brown" [10] and "Yakety Yak". "Yakety Yak" became a #1 single on July 21, 1958, and is the only novelty song (#346) included in the Songs of the Century. "Lucky Ladybug" by Billy and Lillie was popular in December 1958. Lonnie Donegan's 1959 cover of the 1924 novelty song "Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?)" was a transatlantic hit, reaching #5 on the Billboard charts two years after its release; it was one of the earliest top-5 hits to come from the United Kingdom in the rock era, preceding the British Invasion.
Three songs using a sped-up recording technique became #1 hits in the United States in 1958–59: David Seville's "Witch Doctor" and Ragtime Cowboy Joe, Sheb Wooley's "The Purple People Eater", and David Seville's "The Chipmunk Song (Christmas Don't Be Late)", which used a speeded-up voice technique to simulate three chipmunks' voices. [11] The technique (which Dickie Goodman had also used on "The Flying Saucer") would inspire a number of other knockoffs, including The Nutty Squirrels and Russ Regan's one-off group Dancer, Prancer and Nervous.
In 1960, 16-year-old Brian Hyland had a novelty hit with the song "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini", by Paul Vance and Lee Pockriss, which topped the Billboard single chart. [12] The Trashmen reached the top 5 with "Surfin' Bird", a surf rock medley of two novelty songs originally recorded by The Rivingtons. In 1964, the Grammy for Best Country and Western Album was awarded to Roger Miller. Miller was known to sing novelty songs.
In 1965, "A Windmill in Old Amsterdam", a song written by Ted Dicks and Myles Rudge, became a UK hit for Ronnie Hilton. [13] The song spent a total of 13 weeks on the UK Singles Chart peaking at No. 23 in the chart of 17 February 1965. [14] The song's composers were granted an Ivor Novello Award in 1966 for the Year's Outstanding Novelty Composition. [15]
Chuck Berry's "My Ding-a-Ling" reached #1 on the Billboard Hot 100 in 1972, [16] and Ray Stevens, known for such novelty hits as "Ahab the Arab", "Gitarzan", and "Mississippi Squirrel Revival", had a #1 hit with "The Streak" in 1974. [17] Comedy act Cheech & Chong recorded a number of musical bits that can be classified as novelty songs, including "Basketball Jones"(1973) and "Earache My Eye" (1974). Warren Zevon's lone chart hit was the novelty number "Werewolves of London". [18] Other novelty songs in the '70s are Jimmy Castor Bunch "King Kong"(1975), Rick Dees' "Disco Duck" (1976) and The Fools' "Psycho Chicken" [19] (1978). "Weird Al" Yankovic would emerge as one of the most prolific parody acts of all time in the 1980s, with a career that would span four decades; he would join Cliff Richard in being one of the few acts to have at least one top-40 hit in the U.S. in four consecutive decades (1950s through the 1980s for Richard, 1980s to 2010s for Yankovic).
Randy Brooks wrote a Christmas novelty song and it was originally recorded by the duo Elmo Shropshire and his then-wife Patsy in 1979, called "Grandma Got Run Over by a Reindeer". It tells the tragic-comic story of a family grandmother (loosely based on Brooks's uncle Foster Brooks) who meets her end on Christmas Eve. After having drunk too much eggnog and forgetting to take her medicine, she staggers out of her family's house late Christmas Eve, is run over by Santa Claus' entourage, and found trampled at the scene the next morning. It has become a staple of Christmas music playlists on American radio since its original release. [20] [21]
An underground novelty music scene began to emerge in the 1960s, beginning with the homosexually themed songs of Camp Records and the racist humor of Johnny Rebel, then in the 1970s and 1980s with X-rated albums by David Allan Coe and Clarence "Blowfly" Reid.
Novelty songs have been popular in the UK as well. In 1991, "The Stonk" novelty song raised over £100,000 for the Comic Relief charity. In 1993, "Mr Blobby" became the second novelty song to reach the coveted Christmas number one slot in the UK, following Benny Hill's 1971 chart-topper "Ernie (The Fastest Milkman in the West)". [22] Many popular children's TV characters would try to claim the Christmas number one spot after this. In 1997, the Teletubbies who reached number one the previous week failed to gain it with their single "Say Eh-oh!".[ citation needed ] They came second in the charts to The Spice Girls second of three consecutive Christmas number ones, with "Too Much".[ citation needed ] Later on at the turn of the millennium, Bob the Builder was successful in achieving a Christmas number one in 2000, with "Can We Fix It?". However, Bob the Builder did have another number one single a year later with a cover of Lou Bega's "Mambo No.5", and also had another less successful single in 2008 with "Big Fish Little Fish".
Some novelty music draws its appeal from its unintentional novelty; so-called "outsider musicians" with little or no formal musical training often will produce comical results (see for instance, Florence Foster Jenkins, Mrs. Miller, the Portsmouth Sinfonia, The Shaggs, and William Hung).
After the fictitious composer P.D.Q. Bach repeatedly won the "Best Comedy Album" Grammy from 1990 to 1993, the category was changed to "Best Spoken Comedy Album".[ citation needed ] When "Best Comedy Album" was reinstated in 2004, "Weird Al" Yankovic won for Poodle Hat .[ citation needed ]
Novelty songs were popular on U.S. radio throughout the 1970s and 1980s, to the point where it was not uncommon for novelty songs to break into the top 40. Freeform and album-oriented rock stations made use of novelty songs; some of the best-known work from progressive rocker Frank Zappa, for instance, is his extensive body of mostly adult-oriented novelty music. Zappa's "Bobby Brown (Goes Down)" was a smash hit in Europe despite its sexually explicit storyline, and "Valley Girl" was a Top 40 hit in the US, while his "Don't Eat the Yellow Snow" and "Dancin' Fool" also reached the top 100 in his native United States. Beginning in 1970, Dr. Demento's nationally syndicated radio show gave novelty songs an outlet for much of the country; this lasted through the mid-2000s, when the show (mirroring trends in the genre) faded in popularity until its terrestrial cancellation in June 2010.
In the 21st century, novelty songs found a new audience online; the hit song "The Fox (What Does the Fox Say?)" by Norwegian comedy duo Ylvis was featured on the kids compilation album So Fresh Pop Party 13 in 2014. Likewise, rapper Big Shaq [23] 's 2017 hit "Man's Not Hot", which depicts a man who refuses to take off his jacket, received widespread attention and inspired countless memes as a result of its success, with the man behind the song being British comedian Michael Dapaah. The children's novelty song "Baby Shark" received widespread attention when Korean education brand Pinkfong's cover version from an online viral video reached the top 40 in the U.S. and several other countries.
In the United Kingdom, the novelty hit has mainly become a feature of the "Christmas chart battle" [24] (apart from a few viral hits found earlier in a year), with novelty act LadBaby [25] [26] reaching Number One five times in a row, [27] with all five songs being parodies of other popular songs reworked to incorporate a running gag that revolves around sausage rolls. More often than not, the UK Christmas novelty records were recorded for charity, with LadBaby's Christmas chart rivals in 2020 also including The Dancing Binmen (Jack Johnson, Henry Wright and Adrian Breakwell) with their song "Boogie Round The Bins At Christmas Time", [28] [29] and "Merry Christmas, Baked Potato" from comedian Matt Lucas, with fellow chart contender "Raise The Woof!" being promoted as the first ever Christmas record for dogs. [30]
Title | Artist | Highest charting | Date |
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“Gimme Dat Ding” | The Pipkins | 9 | June 1970 |
“Amos Moses” | Jerry Reed | 8 | January 1971 |
“When You're Hot, You're Hot” | Jerry Reed | 9 | May 1971 |
“Hot Rod Lincoln” | Commander Cody and His Lost Planet Airmen | 9 | April 1972 |
“Coconut” | Harry Nilsson | 8 | July 1972 |
"My Ding-a-Ling" | Chuck Berry, first recorded by Dave Bartholomew in 1952 | 1 | September 1972 [48] |
“The Cover of "Rolling Stone"”[ dubious – discuss ] | Dr. Hook & the Medicine Show, written by Shel Silverstein | 6 | March 1973 |
“Uneasy Rider” | Charlie Daniels | 9 | July 1973 |
“Spiders and Snakes” | Jim Stafford | 3 | December 1973 |
"The Streak" | Ray Stevens | 1 | April 1974 [49] |
“Wildwood Weed” | Jim Stafford | 7 | July 1974 |
"Convoy" | C. W. McCall | 1 | January 1976 |
“Junk Food Junkie” | Larry Groce | 9 | February 1976 |
"Disco Duck" | Rick Dees and his Cast Of Idiots | 1 | September 1976 [50] |
“Short People” | Randy Newman | 2 | December 1977 |
“Barbie Girl” | Aqua | 7 | April 1997 |
“The Fox (What Does the Fox Say?)” | Ylvis | 6 | October 2013 |
Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season. Music associated with Christmas may be purely instrumental, or in the case of carols, may employ lyrics about the nativity of Jesus Christ, traditions such as gift-giving and merrymaking, cultural figures such as Santa Claus, or other topics. Many songs simply have a winter or seasonal theme, or have been adopted into the canon for other reasons.
"Jingle Bells" is one of the most commonly sung Christmas songs in the world. It was written in 1850 by James Lord Pierpont at Simpson Tavern in Medford, Massachusetts. It was published under the title "The One Horse Open Sleigh" in September 1857. It has been claimed that it was originally written to be sung by a Sunday school choir for Thanksgiving, or as a drinking song. Although it has no original connection to Christmas, it became associated with winter and Christmas music in the 1860s and 1870s, and it was featured in a variety of parlor song and college anthologies in the 1880s. It was first recorded in 1889 on an Edison cylinder; this recording, believed to be the first Christmas record, is lost, but an 1898 recording - also from Edison Records - survives.
"Ahab the Arab" is a novelty song written and recorded by Ray Stevens in 1962.
"Santa Claus Is Comin' to Town" is a Christmas song written by J. Fred Coots and Haven Gillespie, and first recorded by Harry Reser and His Orchestra. When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold. The version for Bluebird Records by George Hall and His Orchestra was very popular in 1934 and reached the various charts of the day. The song has been recorded by over 200 artists including Mariah Carey, Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Mitch Miller, Boxcar Willie, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, Kylie Minogue, the Carpenters, Michael Bublé, Luis Miguel, Michael Bolton, the Jackson 5 and Lady Gaga.
The Four Preps are an American popular music male quartet. In the 1950s, 1960s, and 1970s, the group amassed eight gold singles and three gold albums. Their million-selling signature tunes included "26 Miles ", "Big Man", "Lazy Summer Night", and "Down by the Station".
Comedy rock is rock music that is comedic in nature. It is often mixed with satire or irony.
"Gonna Get Along Without Ya Now" is a popular song written by bandleader and occasional songwriter Milton Kellem The first known recorded version was released in 1951 by Roy Hogsed. Since then it has been done in several styles and tempos.
"Abraham, Martin and John" is a 1968 song written by Dick Holler. It was first recorded by Dion, in a version that was a substantial North American chart hit in 1968–1969. Near-simultaneous cover versions by Smokey Robinson and the Miracles and Moms Mabley also charted in the U.S. in 1969, and a version that same year by Marvin Gaye became the hit version in the UK. It was also a hit as part of a medley for Tom Clay in 1971, and has subsequently been recorded by many other artists. Holler was particularly impressed that Bob Dylan covered the song.
"White Christmas" is a song reminiscing about an old-fashioned Christmas setting. Written by Irving Berlin for the 1942 musical film Holiday Inn, the song won the Academy Award for Best Original Song at the 15th Academy Awards. Originally sung by Bing Crosby, it topped the Billboard chart for 11 weeks and returned to the number one position again in December 1943 and 1944. His version would return to the top 40 a dozen times in subsequent years.
American vocalist Frank Sinatra recorded 59 studio albums and 297 singles in his solo career, spanning 54 years.
"3 a.m. Eternal" is a song by British acid house group the KLF, taken from their fourth and final studio album, The White Room (1991). Numerous versions of the song were released as singles between 1989 and 1992 by their label KLF Communications. In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart, number two on the UK Dance Singles Chart and number five on the US Billboard Hot 100, and leading to the KLF becoming the internationally biggest-selling singles band of 1991.
"Justified & Ancient" is a song by British band the KLF. It was featured on their 1991 studio album, The White Room, but its origins date back to the duo's debut album, 1987 .
"Doctorin' the Tardis" is a novelty single by the Timelords. The song is predominantly a mash-up of the Doctor Who theme music and Gary Glitter's "Rock and Roll" with sections from "Block Buster!" by The Sweet. The single was not well received by critics but was a commercial success, hitting number one on the UK and New Zealand singles charts, and reaching the top 10 in Australia, Finland, Ireland and Norway.
"The Chipmunk Song (Christmas Don't Be Late)" is a 1958 novelty Christmas song written and recorded by Ross Bagdasarian (under the stage name of David Seville). Bagdasarian sang the song, varying the tape speeds to produce high-pitched "chipmunk" voices, with the vocals credited to Alvin and the Chipmunks, Seville's cartoon virtual band and later media franchise. The song was nominated for Record of the Year in the 1st Annual Grammy Awards, where it also won three Awards.
"The Things We Did Last Summer" is a popular song about nostalgia from 1946. The words were written by Sammy Cahn, with the composition by Jule Styne. The most well known version is the 1946 Top ten hit by Jo Stafford. Versions by Frank Sinatra and by Vaughn Monroe also charted that year. Shelley Fabares had a hit cover in 1962 on the pop chart. Several recordings have been made, including versions by Frank Sinatra, Vaughn Monroe, and Dean Martin who recorded different versions for his 1959 and 1966 Christmas LPs.
The discography of the American country, pop, and novelty artist Ray Stevens consists of 50 studio albums, 125 singles, 3 live albums, 67 compilation albums, 3 box sets, and 1 extended play. Stevens released his first single in 1957 and his first full album in 1962. Dozens of Stevens' singles have charted on the Billboard Hot Country Songs chart and two of them reached #1 on the Billboard Hot 100 chart: "The Streak" and "Everything Is Beautiful". The former and a cover of the jazz standard "Misty" are his biggest hits on the country charts.
"I Love Rock 'n' Roll" is a rock song written by Alan Merrill and Jake Hooker and first recorded by the Arrows, a British rock band, in 1975. A 1981 cover version by Joan Jett & the Blackhearts, released as the first single from her album of the same name, became Jett's highest-charting hit, reaching number one on the Billboard Hot 100 and becoming the No. 3 song for 1982. The single was certified platinum by the Recording Industry Association of America, representing two million units shipped to stores. Jett's version was inducted into the Grammy Hall of Fame in 2016.
The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".
The singles discography of American country musician Tammy Wynette contains 65 singles, 6 music videos, 3 promotional singles and 2 featured singles. Wynette signed with Epic Records in 1966 and her debut single "Apartment No. 9" was released the same year. Her single "Your Good Girl's Gonna Go Bad" (1967) became a major hit, reaching number 3 on the Billboard Hot Country Singles chart. Its follow-up singles: "My Elusive Dreams", "I Don't Wanna Play House", "Take Me to Your World" and "D-I-V-O-R-C-E", became number 1 hits on the Hot Country Singles chart.
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