Lyrics

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Lyrics in sheet music. This is a homorhythmic (i.e., hymn-style) arrangement of a traditional piece entitled "Adeste Fideles
" (the original Latin lyrics to "O Come, All Ye Faithful") in standard two-staff format for mixed voices. Play Adeste Fideles sheet music sample.svg
Lyrics in sheet music. This is a homorhythmic (i.e., hymn-style) arrangement of a traditional piece entitled " Adeste Fideles " (the original Latin lyrics to "O Come, All Ye Faithful") in standard two-staff format for mixed voices. Play

Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.

Contents

Etymology

A lyrist on the Standard of Ur, c. 2500 BC Ur lyre.jpg
A lyrist on the Standard of Ur, c.2500 BC

The word lyric derives via Latin lyricus from the Greek λυρικός (lurikós), [1] the adjectival form of lyre . [2] It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. [3] Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, [4] as opposed to the chanted formal epics or the more passionate elegies accompanied by the flute. The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry""poetry accompanied by the lyre" i.e. "words set to music"eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5] Stainer and Barrett used the word as a singular substantive: "Lyric, poetry or blank verse intended to be set to music and sung". By the 1930s, the present use of the plurale tantum "lyrics" had begun; it has been standard since the 1950s for many writers. [1] The singular form "lyric" is still used to mean the complete words to a song by authorities such as Alec Wilder, [6] Robert Gottlieb, [7] and Stephen Sondheim. [8] However, the singular form is also commonly used to refer to a specific line (or phrase) within a song's lyrics.

History

Poems

The differences between poem and song may become less meaningful where verse is set to music, to the point that any distinction becomes untenable. This is perhaps recognised in the way popular songs have lyrics.

However, the verse may pre-date its tune (in the way that "Rule Britannia" was set to music, and "And did those feet in ancient time" has become the hymn "Jerusalem"), or the tune may be lost over time but the words survive, matched by a number of different tunes (this is particularly common with hymns and ballads).

Possible classifications proliferate (under anthem, ballad, blues, carol, folk song, hymn, libretto, lied, lullaby, march, praise song, round, spiritual). Nursery rhymes may be songs, or doggerel: the term does not imply a distinction. The ghazal is a sung form that is considered primarily poetic. See also rapping, roots of hip hop music.

Analogously, verse drama might normally be judged (at its best) as poetry, but not consisting of poems (see dramatic verse).

In Baroque music, melodies and their lyrics were prose. Rather than paired lines they consist of rhetorical sentences or paragraphs consisting of an opening gesture, an amplification (often featuring sequence), and a close (featuring a cadence); in German Vordersatz- Fortspinnung -Epilog. [9] For example:

When I was a child,                                  [opening gesture] I spoke as a child,                                  [amplification...] I understood as a child,                             [...] I thought as a child;                                [...] But when I became a man, I put away childish things. [close] - 1 Corinthians 13:11

Shifter

In the lyrics of popular music a "shifter" [10] is a word, often a pronoun, "where reference varies according to who is speaking, when and where", [11] such as "I", "you", "my", "our". For example, who is the "my" of "My Generation"?

See Royalties

As of 2021, there are many websites featuring song lyrics. This offering, however, is controversial, since some sites include copyrighted lyrics offered without the holder's permission. The U.S. Music Publishers Association (MPA), which represents sheet music companies, launched a legal campaign against such websites in December 2005. The MPA's president, Lauren Keiser, said the free lyrics web sites are "completely illegal" and wanted some website operators jailed. [12]

Lyrics licenses could be obtained worldwide through one of the two aggregators: LyricFind and Musixmatch.[ citation needed ] The first company to provide licensed lyrics was Yahoo!, quickly followed by MetroLyrics.[ citation needed ] Several lyric websites are providing licensed lyrics, such as SongMeanings [13] and LyricWiki (defunct as of 2020).

Many competing lyrics web sites are still offering unlicensed content, causing challenges around the legality and accuracy of lyrics. [14] In an attempt to crack down unlicensed lyrics web sites, a U.S. federal court has ordered LiveUniverse, a network of websites run by MySpace co-founder Brad Greenspan, to cease operating four sites offering unlicensed song lyrics. [15]

Academic study

Lyrics can be studied from an academic perspective. For example, some lyrics can be considered a form of social commentary. Lyrics often contain political, social, and economic themes—as well as aesthetic elements—and so can communicate culturally significant messages. These messages can be explicit, or implied through metaphor or symbolism. Lyrics can also be analyzed with respect to the sense of unity (or lack of unity) it has with its supporting music. Analysis based on tonality and contrast are particular examples. Former Oxford Professor of Poetry Christopher Ricks famously published Dylan's Visions of Sin, an in-depth and characteristically Ricksian analysis of the lyrics of Bob Dylan; Ricks gives the caveat that to have studied the poetry of the lyrics in tandem with the music would have made for a much more complicated critical feat.

Search engines

Search risk

A 2009 report published by McAfee found that, in terms of potential exposure to malware, lyrics-related searches and searches containing the word "free" are the most likely to have risky results from search engines, both in terms of average risk of all results, and maximum risk of any result. [16]

Google

Beginning in late 2014, Google changed its search results pages to include song lyrics. When users search for a name of a song, Google can now display the lyrics directly in the search results page. [17] When users search for a specific song's lyrics, most results show the lyrics directly through a Google search by using Google Play. [18]

See also

Related Research Articles

<span class="mw-page-title-main">Alcaeus</span> Greek lyric poet

Alcaeus of Mytilene was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria. He was a contemporary of Sappho, with whom he may have exchanged poems. He was born into the aristocratic governing class of Mytilene, the main city of Lesbos, where he was involved in political disputes and feuds.

<span class="mw-page-title-main">Hymn</span> Religious song for the purpose of adoration or prayer

A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns.

Lyric may refer to:

<span class="mw-page-title-main">Ode</span> Type of lyric poem.

An ode is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode. Different forms such as the homostrophic ode and the irregular ode also enter.

<span class="mw-page-title-main">Libretto</span> Text used in an extended musical work such as an opera or musical

A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.

<span class="mw-page-title-main">Muses</span> Inspirational goddesses of literature, science, and the arts

In ancient Greek religion and mythology, the Muses are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.

<span class="mw-page-title-main">Archilochus</span> Ancient Greek lyric poet (c. 680 – c. 645 BC)

Archilochus was a Greek lyric poet of the Archaic period from the island of Paros. He is celebrated for his versatile and innovative use of poetic meters, and is the earliest known Greek author to compose almost entirely on the theme of his own emotions and experiences.

<span class="mw-page-title-main">Simonides of Ceos</span> Greek lyric poet (c. 556–468 BC)

Simonides of Ceos was a Greek lyric poet, born in Ioulis on Ceos. The scholars of Hellenistic Alexandria included him in the canonical list of the nine lyric poets esteemed by them as worthy of critical study. Included on this list were Bacchylides, his nephew, and Pindar, reputedly a bitter rival, both of whom benefited from his innovative approach to lyric poetry. Simonides, however, was more involved than either in the major events and with the personalities of their times.

<span class="mw-page-title-main">Lyric poetry</span> Formal type of poetry

Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara, a seven-stringed lyre . It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which was principally limited to song lyrics, or chanted verse.

<span class="mw-page-title-main">John Brown's Body</span> United States marching song

"John Brown's Body", originally known as "John Brown's Song", is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune.

<span class="mw-page-title-main">Battle Hymn of the Republic</span> 1862 American song by Julia Ward Howe

The "Battle Hymn of the Republic", also known as the "Mine Eyes Have Seen the Glory" or the "Glory, Glory Hallelujah" outside of the United States, is an American patriotic song that was written by the abolitionist writer Julia Ward Howe during the American Civil War.

<span class="mw-page-title-main">Refrain</span> Repeated lines in music or poetry

A refrain is the line or lines that are repeated in music or in poetry—the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.

<span class="mw-page-title-main">Strophic form</span> Type of song structure

Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section.

<span class="mw-page-title-main">Anacreon</span> 6th century BC Greek lyric poet

Anacreon was a Greek lyric poet, notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, usually the lyre. Anacreon's poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals, and the observations of everyday people and life.

"O Come, All Ye Faithful", also known as "Adeste Fideles", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire.

<span class="mw-page-title-main">Music of ancient Greece</span> Musical traditions of ancient Greece

Music was almost universally present in ancient Greek society, from marriages, funerals, and religious ceremonies to theatre, folk music, and the ballad-like reciting of epic poetry. This played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, depictions on ceramics and relevant archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc.

Jewish music is the music and melodies of the Jewish people. There exist both traditions of religious music, as sung at the synagogue and in domestic prayers, and of secular music, such as klezmer. While some elements of Jewish music may originate in biblical times, differences of rhythm and sound can be found among later Jewish communities that have been musically influenced by location. In the nineteenth century, religious reform led to composition of ecclesiastic music in the styles of classical music. At the same period, academics began to treat the topic in the light of ethnomusicology. Edwin Seroussi has written, "What is known as 'Jewish music' today is thus the result of complex historical processes". A number of modern Jewish composers have been aware of and influenced by the different traditions of Jewish music.

<i>Epinikion</i> Genre of poetry

The epinikion or epinicion is a genre of occasional poetry also known in English as a victory ode. In ancient Greece, the epinikion most often took the form of a choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides, Bacchylides, and Pindar.

<span class="mw-page-title-main">Greek lyric</span> Body of lyric poetry written in dialects of Ancient Greek

Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods.

Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses. Originally, it was accompanied by a lyre, a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods. Other accompanying instruments in later years included other string instruments such as the kithara, barbiton, and phorminx, as well as wind instruments such as the aulos, a double-reeded instrument similar to an oboe.

References

  1. 1 2 "lyric" . Oxford English Dictionary (Online ed.). Oxford University Press . Retrieved 2014-01-15.(Subscription or participating institution membership required.)
  2. Liddell, Henry & al. A Greek–English Lexicon 9th ed., "λυρικός". Clarendon Press (Oxford), 1996. Hosted at the Perseus Project. Accessed 15 Jan 2014.
  3. Sidney, Philip. An Apologie for Poetrie op. cit. OED (1903).
  4. Miller, Andrew. Greek Lyric: An Anthology in Translation , pp. xii ff. Hackett Publishing (Indianapolis), 1996. ISBN   978-0872202917.
  5. Stainer, John & al. A Dictionary of Musical Terms, p. 276. (London), 1876.
  6. Wilder, Alec (1972). American Popular Song. New York: Oxford University Press. ISBN   978-0195014457.
  7. Gottlieb, Robert (2000). Reading Lyrics. New York: Pantheon Books. ISBN   9780375400810.
  8. Sondheim, Stephen (2011). Finishing the Hat. New York: Knopf. ISBN   9780679439073.
  9. Kelly, Thomas Forest (2011). Early Music: A Very Short Introduction, p.53. ISBN   978-0-19-973076-6.
  10. Durant (1984). Cited in Middleton, Richard (1990/2002). Studying Popular Music. Philadelphia: Open University Press. ISBN   0-335-15275-9.
  11. Middleton (1990), p.167.
  12. "Song sites face legal crackdown". BBC News. 12 December 2005. Retrieved 7 January 2007.
  13. "Advertising on SongMeanings". SongMeanings . Retrieved 21 July 2012. All of our lyrics are legally licensed through LyricFind.
  14. Plambeck, Joseph (May 9, 2010). "Lyrics Sites at Center of Fight Over Royalties". The New York Times . Retrieved May 9, 2010.
  15. "Court Orders LiveUniverse to Shutter Unlicensed Lyrics Sites". Digital Media Wire. August 11, 2010. Archived from the original on August 15, 2010. Retrieved September 5, 2010.
  16. Keats, Shane; Koshy, Eipe (2009). "The Web's Most Dangerous Search Terms" (PDF). McAfee. Archived (PDF) from the original on 2022-10-09. Retrieved 21 July 2012.
  17. Jose, Pagliery (23 December 2014). "Google now displays song lyrics in search results". CNN.com. Retrieved 23 December 2014.
  18. "Google Play". play.google.com. Retrieved 2016-04-15.

Further reading