The music of North Korea includes a wide array of folk, popular, light instrumental, political, and classical performers. Beyond patriotic and political music, popular music groups like Pochonbo Electronic Ensemble and Moranbong Band perform songs about everyday life in the DPRK and modern light pop reinterpretations of classic Korean folk music. Music education is widely taught in schools, with President Kim Il Sung first implementing a program of study of musical instruments in 1949 at an orphanage in Mangyongdae. [1] Musical diplomacy also continues to be relevant to the Democratic People's Republic of Korea, with musical and cultural delegations completing concerts in China [2] and France [3] in recent years, and musicians from Western countries and South Korea collaborate on projects in the DPRK. [4] [5]
After the division of Korea in 1945 and the establishment of North Korea in 1948, revolutionary song-writing traditions were channeled into support for the state, eventually becoming a style of patriotic song called taejung kayo (대중가요) in the 1980s [6] combining classical Western symphonic music, the Soviet socialist realism style, and Korean traditional musical forms. [7] The songs are generally sung by female and male performers - either a choir, small groups or a soloist - with accompanying bands or choirs accompanied by a large orchestra (either Western style or a hybrid of western and traditional) or a concert band, and in recent years, a pop band or big band/jazz band with guitars, electric guitars, keyboards, strings, a drum kit and brass section with occasional accordions and traditional instrumentation.
North Korean music follows the principles of Juche (self-reliance) ideology. [8] The characteristic march like, upbeat music of North Korea is carefully composed, rarely individually performed, and its lyrics and imagery have a clear optimistic content.
Much music is composed for movies, television dramas, and TV movies, and the works of the Korean composer Isang Yun (1917–1995), who spent much of his life in Germany, are popular in North Korea.
DPRK-pop | |
---|---|
Native name | 조선-팝 |
Etymology | Democratic People's Republic of Korea's popular music |
Other names | North Korean popular music (NK-pop) |
Stylistic origins |
Under Kim Il Sung's era, only ideologically correct music was allowed. Jazz in particular was considered out of bounds. [9] Many artists however found their way around these limitations by writing ideologically correct lyrics while taking liberties with the score. Under Kim Jong Il, previously forbidden genres, even jazz, became permissible and encouraged. [10] In 2010, a brutal death metal group purporting to be from North Korea, called Red War (붉은전쟁), released a three-track demo online. However, as of 2014 the group are believed to be disbanded. [11] The metal music archive Spirit of Metal currently lists two bands that claim to originate from North Korea, Red War and the pornogrind band Teagirl. [12]
Many North Korean pop songs are usually performed by a young female singer with an electric ensemble, percussionist, and accompanying singers and dancers, today there's even male singers or a chorus in community or company pop bands. Some North Korean pop songs such as "Whistle"—set to the lyrics of North Korean poet Cho Ki-chon [13] —have become popular in South Korea. [14] Common lyrical themes include military might ("We Shall Hold Bayonets More Firmly", "Look At Us!", "One Against a Hundred"), economic production and thrift ("The Joy of Bumper Harvest Overflows Amidst the Song of Mechanisation", "Attain the Cutting Edge (The CNC Song)", "I Also Raise Chickens", "Potato Pride", "Chollima on the Wing"), patriotism ("My Country Is the Best", "We Have Nothing To Envy", "Onwards Toward the Final Victory") and glorification of the party and leaders ("Where Are You, Dear General?", "No Motherland Without You", "Don't Ask My Name", "The General Uses Warp", "Footsteps"). Songs like "We Are One" and "Reunification Rainbow" sing of the hopes for Korean reunification. There are also songs with more casual themes, such as "Women Are Flowers" and "Ballad of Gold Mountains". [15] [16] [17]
In 2012, North Korea's first major girl band, the Moranbong Band, made its world debut. [18] It is a group of about sixteen North Korean women (eleven instrumentalists and five singers) which was hand-selected by Kim Jong Un. [19]
BBC radio disc jockey Andy Kershaw noted, on a visit to North Korea with Koryo Tours in 2003, that the only recordings available were by the pop singers Jon Hye-yong, Kim Kwang-suk, Jo Kum-hwa and Ri Pun-hui, and the groups Wangjaesan Light Music Band, the Mansudae Art Troupe and the Pochonbo Electronic Ensemble, who play in a style Kershaw refers to as "light instrumental with popular vocal". [15] There is also the State Symphony Orchestra, the Sea of Blood Opera Company, two choruses, an orchestra and an ensemble dedicated to Isang Yun's compositions, all in Pyongyang. The Pyongyang Film Studios also produces many instrumental songs for its films, and several programs on Korean Central Television have music made and performed by the Central Radio and Television Orchestra. [20]
North Korean pop music is available for visitors to Pyongyang at the Koryo Hotel or Number One Department Store, as well as gift shops in tourist destinations. [16] International and Western music can be enjoyed by locals and tourists at the Grand People's Study House, Pyongyang's central library. [21] [22]
A lot of songs composed during Korea under Japanese rule, which are known in South Korea today as Trot are called "Enlightenment Period song" (계몽기 가요). [23] [24] It is no longer composed as propaganda music has since displaced other musical forms. [25] [26] Those songs were only orally-recorded for a long time. However, it was intentionally revived during the Kim Jong Il administration: in the late 2000s, Korean Central Television aired a TV program that introduced those "Enlightenment songs". [27]
Alongside contemporary pop songs, groups like Pochonbo Electronic Ensemble have recorded arrangements of Korean folk songs. [28] The Korean folk song "Arirang" continues to be widely popular in the DPRK, with UNESCO inscribing the song to the Representative List of the Intangible Cultural Heritage of Humanity in 2014, representing the Democratic People's Republic of Korea. [29]
Like Korean music in general, North Korean music includes kinds of both folk and classical, courtly music, including genres like sanjo, pansori, and nongak. Pansori is long vocal and percussive music played by one singer and one drummer. The lyrics tell one of five different stories, but is individualized by each performer, often with updated jokes and audience participation. Nongak is a rural form of percussion music, typically played by twenty to thirty performers. Sanjo is entirely instrumental that shifts rhythms and melodic modes during the song. Instruments include the changgo drum set against a melodic instrument, such as the gayageum or ajaeng. [15]
In North Korea, traditional instruments have been adapted in order to allow them to compete with Western instruments. Many older musical forms remain and are used in both traditional performances that have been attuned to the ideas and the way of life of the modern North Korean communist state and to accompany modern songs in praise of Kim Il Sung, his son and successor, Kim Jong Il, and Kim Jong Un from 2012 onward, plus songs that wish for a reunited Korea, thus creating a mix of traditional and Western music that is truly North Korean, a unique variant of Korean music as a whole mixing the old and the new.
The modern Ongnyugeum zithers and the Sohaegeum four stringed fiddle are North Korean modernized versions of traditional Korean musical instruments, both used in traditional and modern musical forms.
Military music, in contrast, often makes extensive use of Western brass, woodwind, and percussion instruments, often omitting the Korean ones entirely. Although usually original compositions, the melodies are not easily distinguishable from Western ones in the absence of their lyrics, which heavily feature the customary ideologically oriented content.
The contemporary culture of North Korea is based on traditional Korean culture, but has developed since the division of Korea in 1945. Juche, officially the Juche idea, is the state ideology of North Korea; It is considered a variation of Marxist-Leninism. Juche displays Korea's cultural distinctiveness as North Korea is the creator and sole adopter of the ideology.
The Pochonbo Electronic Ensemble (PEE) is an orchestra from North Korea (DPRK). It is famous for its performances of revolutionary and folk songs, as well as some covers of pop songs in the west, including one notable cover of "Brother Louie" by Modern Talking. They have been reported to be one of the country's most popular groups.
The Wangjaesan Light Music Band is a light music (kyŏngŭmak) group in North Korea. It is one of two popular music groups that were established by North Korea in the 1980s, both named after places where Kim Il Sung fought the Japanese in 1930s. It takes its name from Mount Wangjae in Onsong-gun, North Hamgyong Province, on the border with China, where Kim Il Sung is said to have held a meeting for anti-Japanese activities in 1933.
The Mansudae Art Troupe is a North Korean troupe of musicians that create light-classical operas and music, as well as dance pieces.
The State Symphony Orchestra of the DPRK is a symphonic orchestra in North Korea and the first classical music ensemble to be established there.
Kim Kwang-suk was a North Korean singer of the Pochonbo Electronic Ensemble.
Hyon Song-wol is a North Korean singer, band leader, and politician. She is the leader of the Moranbong Band and of the Samjiyon Orchestra. She was formerly a featured vocalist for the Pochonbo Electronic Ensemble in the early 2000s, a pop group which found fame in North Korea in the late 1980s and 1990s. She has been a member in the Central Committee of the Workers' Party of Korea since 2017.
Kim Ok Ju is a North Korean singer. She is currently a singer for the Band of the State Affairs Commission but does solo work also. She was previously a part of the famed pop group Moranbong Band.
Korean revolutionary opera (Korean: 조선혁명가극) is a tradition of revolutionary opera in North Korea inspired by Chinese Revolutionary Opera which blossomed during the Cultural Revolution. It is characterized by a highly melodramatic style and reoccurring themes of patriotism and glorification of Juche, President Kim Il Sung, and the working people, as well as a focus on socialist realist themes. Composers of North Korean revolutionary opera are employed by the North Korean government and the fundamental principles of North Korean revolutionary opera were dictated by Kim Jong Il in his speech On the Art of Opera.
The Unhasu Orchestra was a musical group based in Pyongyang, North Korea. It performed primarily with Western instruments, sometimes performing alongside traditional Korean soloists. The orchestra has a concert hall, the Unhasu Theater in Pyongyang, dedicated for its use. Ri Sol-ju, the wife of Kim Jong-un, was a singer in this group. According to ex-North Korean senior government official Thae Yong-ho, the orchestra was disbanded on the 12th August 2013.
The Moranbong Band, also known as the Moran Hill Orchestra, is a North Korean girl group. Performing interpretive styles of pop, rock, and fusion, they are the first all-female band from the DPRK, and made their world debut on 6 July 2012. Their varied musical style has been described as symphonic because it is "putting together different kinds of sounds, and ending in a harmonious, pleasing result."
Chongbong Band is a North Korean light music choir and orchestra. The group consists of seven members: singers and instrumentalists playing mainly brass instruments. According to KCNA, the band members are instrumentalists of the Wangjaesan Art Troupe and singers of the Moranbong Band's chorus.
The Samjiyon Band is a North Korean classical music ensemble.
The Central Military Band of the Korean People's Army (Korean: 조선인민군군악단), also sometimes known as the Korean People's Army Marching Band or DPRK Army Orchestra is a North Korean musical group/marching band based in Pyongyang and is the sole military band of the Korean People's Army. The Women's Military Marching Band of the Ministry of People's Security of the DPRK is the all-female unit of the central band.
Revolutionary Sites (Korean: 혁명사적지) are designated historical sites in North Korea. The sites were designated by Kim Jong Il when he began working at the Propaganda and Agitation Department of the Workers' Party of Korea in 1966. He would send troops all over the country to unearth sites that "were supposedly once forgotten and undiscovered". By converting North Korea into a "huge open museum", Kim's goal in designating the sites was to solidify the North Korean cult of personality centered around him and his father Kim Il Sung.
The State Merited Chorus and Symphony Orchestra of the Korean People's Army (Korean: 조선인민군공훈국가합창단) is the principal musical performing unit of the Korean People's Army (KPA), based in the North Korean capital city of Pyongyang. As the second oldest military chorus and instrumental ensemble, it serves as one of the outstanding premier musical ensembles within the whole KPA proper and has been hailed as a model institution. It has been in existence since February 1947.
Sonu Hyang-hui (Korean: 선우향희) is a North Korean violinist. She is best known for her role as leader of the string section of the Moranbong Band.
On the Art of Opera is a 1974 treatise by Kim Jong Il on opera. According to Korea University associate professor of North Korean studies Jae-Cheon Lim, it is one of the most important North Korean works on the arts. At the time of writing, Kim had just started his career in the North Korean cultural industry. The piece takes as its framework the Juche ideology and "seed" theory that Kim had previously applied to cinema. Because opera is a mixed art form, Kim finds it particularly revealing of a nation's artistic state and important for the application of his seed theory. Kim finds hierarchies between and within elements of opera, like instruments subordinate to vocals and music over dance. The main thrust of the work is to replace classical – mainly Western but also certain forms of Korean – opera with an allegedly superior Korean revolutionary opera. Kim analyzes various Western operatic forms such as aria, recitative, and leitmotif to reject them. In Kim's view, the ideal revolutionary opera should be based on stanzaic and strophic songs, of which the highest form is a supposedly novel form of offstage chorus called pangchang. The opera that is, according to Kim, most characteristic of his ideas is Sea of Blood, which is to be emulated.
"Where Are You, Dear General?" is a North Korean song, supposedly written by Kim Jong Il. Since at least 2008, the song plays through speakers of the Pyongyang Railway Station in the morning, albeit heavily distorted.
Ri Kyong Suk is a North Korean singer.
"Potato Pride" is a North Korean propaganda tune in which the elder of the village receives his government ration of potatoes and shares it with his fellow villagers.