Music of Kyrgyzstan

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Kyrgyz music is nomadic and rural, and is closely related to Turkmen and Kazakh folk forms. Kyrgyz folk music is characterized by the use of long, sustained pitches, with Russian elements also prominent.

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Traditional music

Travelling musicians and shamans called manaschi are popular for their singing and komuz-playing. Their music is typically heroic epics, such as the most famous story, the Manas epic (20 times longer than Homer's Odyssey), which is the patriotic tale of a warrior named Manas, and his descendants, who fight with the Chinese. [1] There are modern reciters of the Manas who are very popular, such as Rysbek Jumabaev and Sayaqbay Karalaev. [2]

Aside from the komuz, Kyrgyz folk instruments include the kyl kiak (qyl-qyiyak), a two-stringed upright bow instrument (cf. fiddle), sybyzgy, a side-blown flute, chopo-choor and the temir ooz komuz (mouth komuz), also known as jaw harp in some countries. The komuz is the national instrument of Kyrgyzstan. It is a plucked string instrument. The kyl kiak, however, is also an important symbol of Kyrgyz identity. It is a string instrument, related to the Mongolian morin khuur, and is associated with horses and the vital role they play in Kyrgyz culture. [3] Shamanistic elements of Kyrgyz folk culture remain, including the dobulba (a frame drum), the asa-tayak (a wooden device decorated with bells and other objects) and the earlier mentioned kyl kiak.

A widespread variety of instrumental music called kui (or küü) tells narratives that revolve around a musical journey. [1] The narrative, which is entirely expressed without words, is sometimes punctuated with exaggerated gestures to mark important parts of the story. [3]

Performers

A group of Kyrgyz musicians performing in a yurt camp in Karakol Kyrgyz Musicians in Karakol.jpg
A group of Kyrgyz musicians performing in a yurt camp in Karakol

Modern interpreters of Kyrgyz traditional music include the Kambarkan national folk ensemble. [3]

Salamat Sadikova is a popular traditional Kyrgyz singer with a strong voice, who is capable of holding notes for a remarkably long duration. Her repertoire includes contemporary folk-style compositions as well as folk songs. [3]

Other notable acts include Tengir-Too, the Djunushov Brothers, Jusup Aisaev, Gulnur Satylganova, and Zere Asylbek. Kyrgyz writer and musician Elmirbek Imanaliyev died in April 2020. [4]

Western classical music

During the Soviet rule, Kyrgyz music and performance arts has incorporated many Western genres and influences. The Kyrgyz State Theatre of Opera and Ballet named after Abdylas Maldybayev  [ ru ] was established in 1926. Kyrgyz composers created numerous operas and music for ballet performances.

Contemporary music

Rock and metal music is popular in Kyrgyzstan. Darkestrah is a well-known metal band from Bishkek, now based in Germany. Their music combines traditional Kyrgyz folk music with black metal. Since the 2010s rap music by local artists in both Kyrgyz and Russian has significantly gained popularity. [5] In the 2020s the capital of Kyrgyzstan witnessed a wave of protest rap songs, most famously the song Sayasat ("Politics"), in which the rapper Begish unleashed a scathing critique against corruption in Kyrgyz politics. [6] Other politically-motivated rap songs deal with environmental issues such as the extreme air pollution in Bishkek. [7] There is also a new pop genre called Z-Pop which influenced mainly by K-Pop and western pop music.

Related Research Articles

<span class="mw-page-title-main">Bishkek</span> Capital and largest city of Kyrgyzstan

Bishkek, formerly known as Pishpek and Frunze, is the capital and largest city of Kyrgyzstan. Bishkek is also the administrative centre of the Chüy Region. Bishkek is situated near the border with Kazakhstan and has a population of 1,074,075, as of 2021. Bishkek is the primate city of Kyrgyzstan—it is the sole metropolis in the country, and about 17% of all inhabitants of the country live in Bishkek's metropolitan area.

Music of Kazakhstan refers to a wide range of musical styles and genres deriving from Kazakhstan. Kazakhstan is home to the Kazakh State Kurmangazy Orchestra of Folk Instruments, the Kazakh State Philharmonic Orchestra, the Kazakh National Opera and the Kazakh State Chamber Orchestra. The folk instrument orchestra was named after Kurmangazy Sagyrbayuly, a well-known composer and dombra player from the 19th century.

<i>Epic of Manas</i> Kyrgyz traditional epic poem

The Epic of Manas is a very long and traditional epic poem of the Kyrgyz people of Central Asia. Versions of the poem which date to the 19th century and contain historical events of the 18th century, though Kyrgyz tradition holds it to be much older. Manas is said to be based on Bars Bek, the first khagan of the Kyrgyz Khaganate. The plot of Manas revolves around a series of events that coincide with the history of the region, primarily the interaction of the Kyrgyz people with other Turkic, Mongolic and Chinese peoples.

<span class="mw-page-title-main">Komuz</span> Central Asian stringed musical instrument

The komuz or qomuz is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi, Hebisi , and Hunbusi.

The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, Tam origin of the bowed string Use of the bowed string is thought to originate with nomads who mainly used the snake-skin, covered horsetail-bowed lute. In Mongolia instruments like the morin khuur or horse-head fiddle survive today.

<span class="mw-page-title-main">Culture of Kyrgyzstan</span>

The culture of Kyrgyzstan has a wide mix of ethnic groups and cultures, with the Kyrgyz being the majority group. It is generally considered that there are 40 Kyrgyz clans, symbolized by the 40-rayed yellow sun in the center of the flag. The red lines inside the sun visualise the crown of a yurt, the traditional dwelling of nomadic farmers, once the main population of the Central Asian area. The dominant religion of Kyrgyzstan is Sunni Islam (91%). The Russian population is Russian Orthodox.

<span class="mw-page-title-main">Kobyz</span> Turkic bowed string instrument

The kobyz or kylkobyz, or qobyz, is an ancient Turkic bowed string instrument, spread among Kazakhs, Karakalpaks, Bashkirs, and Tatars. The Kyrgyz variant is called the kyl-kyyak).

<span class="mw-page-title-main">Ala-Too Square</span> Central square in Bishkek, Kyrgyzstan

Ala-Too Square is the central square in Bishkek, Kyrgyzstan.

Rysbek Jumabayev is a revered manaschi. He has performed around the world, including in New York and London, and parts of his recitation of Manas have been recorded by the Aga Khan Music Initiative in Central Asia.

Salamat Sadikova is a folk singer and the head of the coordinating council for the El-Ene Party in Kyrgyzstan. Widely regarded as a national treasure, she is often referred to by the sobriquet "The Voice of Kyrgyzstan," which is also the name of one of her albums.

<span class="mw-page-title-main">Temir komuz</span> Musical Instrument

The temir komuz is a Kyrgyz jaw harp, while the komuz is a three-stringed fretless lute. As an instrument, the temir komuz is unrelated to the komuz in terms of style and structure; however, it takes its name from the other popular Turkic instrument.

Talas is a town in northwestern Kyrgyzstan, located in the Talas river valley between two mountain ranges. Its area is 13 square kilometres (5.0 sq mi), and its resident population was 40,308 in 2021. It is the administrative headquarters of Talas Region. The town was founded by East Slavic settlers in 1877. To the south is the Besh-Tash valley with the Besh-Tash National Park.

<span class="mw-page-title-main">Aitysh Public Fund</span>

Aitysh Public Fund is a charitable organization, which aims to promote and develop culture throughout Kyrgyzstan. Founded by public figure, producer and director Sadyk Sher-Niyaz in 2001 in the capital of Bishkek, the structure of the Fund consists of the Union of Improvised Singing ‘Aitysh’, Film Production Company ‘Aitysh Film’, International Film Festival "Kyrgyzstan - Land of Short Films", Manas Cinema network and Literary Organization ‘Kalemger’.

<span class="mw-page-title-main">Darkestrah</span> Kyrgyz pagan metal band

Darkestrah is a Kyrgyz pagan metal band, formed in 1999 in Bishkek, Kyrgyzstan. Throughout their career the band has blended folklore music with metal elements. In its lyrics and in musical composition, the band uses national folk musical instruments, such as the komuz and kyl-kyak, and references shamanism and Tengrism. The band also takes influence from genres such as progressive rock and post-rock, generally constructing lengthy, rhythmically complex songs that often feature several discrete movements.

Manas Studies is a separate line of research within Kyrgyz studies, which looks into the scientific study of the Kyrgyz Manas epic. Representatives of this scientific area are called Manas Studies scholars.

Talantaaly Bakchiev is a manaschi, representative of the 'middle generation', and academic. He was president of the “Manas” and Chingiz Aitmatov National Academy.

Doolot Sydykov, is a manaschi.

Roza Amanova is a famous Kyrgyz singer. Dastanchy, composer, and komuz players. People's Artist of the Kyrgyz Republic (2009). Honored Artist of Kazakhstan (1998). Laureate of the State Prize of the Kyrgyz Republic named after Toktogul in literature, art, and architecture (2011). Member of the Union of Composers of the Kyrgyz Republic. Chairman of the Kyrgyz Traditional Music Foundation. Doctor of Art History, Professor.

<span class="mw-page-title-main">Dance in Kyrgyzstan</span> Traditional and performative dance

Dance in Kyrgyzstan includes reconstructed traditional dances and modern theatrical dance. No descriptions of traditional dances exist; all of the modern folk dances are created after the establishment of the Soviet rule in Central Asia. Theatrical dance flourished during the 20th century with many innovative ballet performances and choreographed dancing in opera.

References

  1. 1 2 Broughton, Simon and Sultanova, Razia. "Bards of the Golden Road". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 24-31. Rough Guides Ltd, Penguin Books. ISBN   1-85828-636-0
  2. "Almaty or Bust". Central Asia in Words and Pictures. Archived from the original on November 6, 2005. Retrieved September 27, 2005.
  3. 1 2 3 4 "Welcome to Kyrgyzmusic.com". Kyrgyzmusic.com. Retrieved September 27, 2005.
  4. "Condolences for passing of famous author and state artist of Kyrgyzstan Elmirbek Imanaliyev". Turksoy.
  5. Coppenrath, Florian (2022-08-09). "'People Were Waiting for That': Protest Rap and Public Mood in Bishkek". Europe-Asia Studies. 74 (7): 1300–1321. doi: 10.1080/09668136.2022.2052806 . ISSN   0966-8136.
  6. Coppenrath, Florian (2022-08-09). "'People Were Waiting for That': Protest Rap and Public Mood in Bishkek". Europe-Asia Studies. 74 (7): 1300–1321. doi: 10.1080/09668136.2022.2052806 . ISSN   0966-8136.
  7. Leupold, David (2023-08-09). "Skyrise, Smog and Seismic Menace. In the El Dorado of Bishkek's Elite Housing". Europe-Asia Studies. 75 (7): 1120. doi: 10.1080/09668136.2023.2185203 . ISSN   0966-8136.