Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
Music of Russia denotes music produced from Russia and/or by Russians. Russia is a large and culturally diverse country, with many ethnic groups, each with their own locally developed music. Russian music also includes significant contributions from ethnic minorities, who populated the Russian Empire, the Soviet Union and modern-day Russia. Russian music went through a long history, beginning with ritual folk songs and the sacred music of the Russian Orthodox Church. The 19th century saw the rise of highly acclaimed Russian classical music, and in the 20th century major contributions by various composers such as Igor Stravinsky as well as Soviet composers, while the modern styles of Russian popular music developed, including Russian rock, Russian hip hop and Russian pop.
Music of the Central African Republic includes many different forms. Western rock and pop music, as well as Afrobeat, soukous and other genres have become popular nationwide. The sanza is a popular instrument.
The music of the nomadic and rural Turkmen people is closely related to Kyrgyz and Kazakh folk forms. Important musical traditions in Turkmen music include traveling singers and shamans called bakshy, who act as healers and magicians and sing either a cappella or with instruments such as the two-stringed lute called dutar.
Music of Kazakhstan refers to a wide range of musical styles and genres deriving from Kazakhstan. Kazakhstan is home to the Kazakh State Kurmangazy Orchestra of Folk Instruments, the Kazakh State Philharmonic Orchestra, the Kazakh National Opera and the Kazakh State Chamber Orchestra. The folk instrument orchestra was named after Kurmangazy Sagyrbayuly, a well-known composer and dombra player from the 19th century.
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia.
The music of North Korea includes a wide array of folk, pop, light instrumental, political, and classical performers. Beyond patriotic and political music, popular groups like Pochonbo Electronic Ensemble and Moranbong Band perform songs about everyday life in the DPRK and modern light pop reinterpretations of classic Korean folk music. Music education is widely taught in schools, with President Kim Il Sung first implementing a program of study of musical instruments in 1949 at an orphanage in Mangyongdae. Musical diplomacy also continues to be relevant to the Democratic People's Republic of Korea, with musical and cultural delegations completing concerts in China and France in recent years, and musicians from Western countries and South Korea collaborating on projects in the DPRK.
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga, Uzemchins, Barga, Kazakhs and Khalha.
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the klong thap and khim, the jakhe, the klong jin, and the klong kaek . Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos.
The music of Albania is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South. It is an integral part of the national identity, strongly influenced by the country's long and turbulent history, which forced Albanians to protect their culture from their overlords by living in rural and remote mountains.
The music of Greenland is a mixture of two primary strands, Inuit and Danish, mixed with influences from the United States and United Kingdom.
Music of Serbia represents the musical heritage of Serbia, both historical and modern. It has a variety of traditional music styles, which are part of the wider Balkan musical tradition, with its own distinctive sound and characteristics.
The Epic of Manas is a very long and traditional epic poem of the Kyrgyz people of Central Asia, versions of which date to the 19th century and contain historical events of the 18th century; Kyrgyz tradition holds it to be much older. Manas is said to be based on Bars Bek who was the first khagan of the Kyrgyz Khaganate. The plot of Manas revolves around a series of events that coincide with the history of the region in the 9th century, primarily the interaction of the Kyrgyz people with other Turkic and Chinese people.
The komuz or qomuz is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi, Hebisi , and Hunbusi.
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
The culture of Kyrgyzstan has a wide mix of ethnic groups and cultures, with the Kyrgyz being the majority group. It is generally considered that there are 40 Kyrgyz clans, symbolized by the 40-rayed yellow sun in the center of the flag. The red lines inside the sun visualise the crown of a yurt, the traditional dwelling of nomadic farmers, once the main population of the Central Asian area. The dominant religion of Kyrgyzstan is Sunni Islam (91%). The Russian population is Russian Orthodox.
The kobyz or kylkobyz, or qobyz, is an ancient Turkic bowed string instrument, spread among Kazakhs, Karakalpaks, Bashkirs, and Tatars. The Kyrgyz variant is called the kyl-kyyak).
The temir komuz is a Kyrgyz jaw harp, while the komuz is a three-stringed fretless lute. As an instrument, the temir komuz is unrelated to the komuz in terms of style and structure; however, it takes its name from the other popular Turkic instrument.
Darkestrah is a Kyrgyz pagan metal band, formed in 1999 in Bishkek, Kyrgyzstan. Throughout their career the band has blended folklore music with metal elements. In its lyrics and in musical composition, the band uses national folk musical instruments, such as the komuz and kyl-kyak, and references shamanism and Tengrism. The band also takes influence from genres such as progressive rock and post-rock, generally constructing lengthy, rhythmically complex songs that often feature several discrete movements.
Roza Amanova is a famous Kyrgyz singer. Dastanchy, composer, and komuz players. People's Artist of the Kyrgyz Republic (2009). Honored Artist of Kazakhstan (1998). Laureate of the State Prize of the Kyrgyz Republic named after Toktogul in literature, art, and architecture (2011). Member of the Union of Composers of the Kyrgyz Republic. Chairman of the Kyrgyz Traditional Music Foundation. Doctor of Art History, Professor.
Soviet postage stamp depicting traditional Kyrgyz musical instruments
The back of the Kyrgyz 1 Som banknote shows some traditional instruments, including a komuz (centre)
A traditional Kyrgyz manaschi performing part of the epic poem
