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The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
Bangladeshi classical music is based on modes called ragas . In composing these songs, the melodies of north Indian dingading ragas are used. As far as the Charyagiti (9th century), ragas have been used in Bengali music. Jaydev’s Gitagovindam, Padavali Kirtan, Mangal Giti, Shyamasangit, Tappa, Brahma Sangeet and Tagore songs have been inspired by Ragas. The use of north Indian ragas in Bangla songs began in 18th century. [1] This trend gathered momentum during the 19th and 20th centuries. The pioneers of these trend were Ramnidhi Gupta, Kali Mirza, Raghunath Roy and the founder of the Bishnupur Gharana, Ramshanker Bhattacharya. [2] Nawab of Lakhnau, Wajid Ali Shah played an important role in this trend. He was dethroned by the British empire in 1856 and banished to Metiaburuz, Kolkata. During his 30-year exile, he patronized music, specially dhrupad, tappa, thumri and kheyal. And, thus made a lasting impact on Bangladeshi music. [3] All traditional Bengali music tend to be based on various variations of Hindustani Classical Music. Rabindranath Tagore had a deep appreciation for north Indian ragas, successfully introduced ragas in his songs. He was followed by Dwijendralal Roy, Rajanikanta Sen and Atulprasad Sen. [4] [5] [6]
Folk has come to occupy the lives of Bangladeshis almost more than any other genre of Bengali music. Among the luminaries of the different folk traditions are Lalon Fokir, Abbasuddin Ahmed, Shah Abdul Karim, Radharaman Dutta, Hason Raja, Khursheed Nurali (Sheerazi), Ramesh Shil and Kari Amir Uddin Ahmed. Folk songs are characterised by simple musical structure and words. Before the advent of radio, entertainment in the rural areas relied on a large extent on stage performances by folk singers. With the arrival of new communication technologies and digital media, many folk songs were modernised and incorporated into modern songs (Adhunik songeet).
Folk music can be classified into several subgenres:
Baul is the most commonly known category of Bangladeshi folk songs. It is mostly performed by hermits who are followers of Sufism in Bangladesh. Present day Sufis earn mainly from performing their music. Baul songs incorporate simple words expressing songs with deeper meanings involving creation, society, lifestyle and human emotions. The songs are performed with very little musical support to the main carrier, the vocal. Instruments used include the Ektara ("one-string"), Dotara ("two-strings"), ba(n)shi (country flute made from bamboo) and cymbals.
Rabindra Sangeet (Bengali : রবীন্দ্রসঙ্গীতRobindro shonggit, Bengali pronunciation: [ɾobindɾoʃoŋɡit] ), also known as Tagore Songs, are songs written and composed by Rabindranath Tagore. They have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. "Sangeet" means music, "Rabindra Sangeet" means Songs of Rabindra.
Rabindra Sangeet used Indian classical music and traditional folk music as sources. [11]
Nazrul Geeti or Nazrul Sangeet, literally "music of Nazrul," are songs written and composed by Kazi Nazrul Islam, a Bengali poet and national poet of Bangladesh and active revolutionary during the Indian Independence Movement. Nazrul Sangeet incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes.
Shah Abdul Karim known as "Baul Samrat" or king of baul music, he has composed over 1600 baul songs, some of his notable songs include Keno Piriti Baraila Re Bondhu, Murshid Dhono He Kemone Chinibo Tomare, Nao Banailo Banailo Re Kon Mestori, Ashi Bole Gelo Bondhu and Mon Mojale Ore Bawla Gaan. He referred to his compositions as Baul Gaan. He holds voice against unfairness, injustice, prejudice and communalism through his writings. Karim portraits Bhati area's people love, wish and happiness amid the writings. He got inspiration from another legendary musician Fakir Lalon Shah. Karim wrote many spiritual songs including Marfati or Dehatatta. Bangla Academy has translated ten songs of his in the English language. Karim wrote many spiritual songs including Marfati or Dehatatta. Bangla Academy has translated ten songs of his in English.
Lalon also known as Fakir Lalon Shah,Lalon Shah,Lalon Fakir. Lalon composed numerous songs and poems, which describe his philosophy. Lalon left no written copies of his songs, which were transmitted orally and only later transcribed by his followers. Also, most of his followers could not read or write either, so few of his songs are found in written form.
Western style popular music began to influence strongly the music of Bangladesh in the early 1970's. And then several recording studios were established in Dhaka, which produced many pop style songs about national heroes. [12] Ferdous Wahid, who started out as a singer in the early 1970s, said "I wanted to introduce western music in Bangladesh, so after the Liberation War I decided to do pop music for our country’s people". [13]
Azam Khan, Fakir Alamgir, Ferdous Wahid, Pilu Momtaz, Najma Zaman, and Firoz Shai are considered the pioneer who brought the glory to Bangladesh pop music. In particular, Azam Khan is known as the pop-guru or pop-samrat of Bangladesh. [14]
In the genre of film music, well-known are such singers as Sabina Yasmin, Runa Laila, Andrew Kishore and so on. Sabina Yasmin has won Bangladesh National Film Award for Best Female Playback Singer 14 times, and Runa Laila has won the award 7 times. On the other hand, Andrew Kishore has won Bangladesh National Film Award for Best Male Playback Singer 8 times.
Common instruments are:
"Amar Sonar Bangla" is the national anthem of Bangladesh. An ode to Mother Bengal, the lyrics were written by Bengali polymath Rabindranath Tagore, while the melody is derived from Baul singer Gagan Harkara's "Ami Kothay Pabo Tare", set to Dadra tala. The modern instrumental rendition was arranged by Bangladeshi musician Samar Das.
The Baul are a group of mystic minstrels of mixed elements of Sufism and Vaishnavism from different parts of Bangladesh and the neighboring Indian states of West Bengal, Tripura and Assam's Barak Valley and Meghalaya. Bauls constitute both a syncretic religious sect of troubadours and a musical tradition. Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims. They can often be identified by their distinctive clothes and musical instruments. Lalon Shah is regarded as the most celebrated Baul saint in history.
Bengali music comprises a long tradition of religious and secular song-writing over a period of almost a millennium. Composed with lyrics in the Bengali language, Bengali music spans a wide variety of styles.
Rabindra Sangeet, also known as Tagore Songs, are songs from the Indian subcontinent written and composed by the Bengali polymath Rabindranath Tagore, winner of the 1913 Nobel Prize in Literature, the first Indian and also the first non-European to receive such recognition. Tagore was a prolific composer with approximately 2,232 songs to his credit. The songs have distinctive characteristics in the music of Bengal, popular in India and Bangladesh.
Dewan Hason Raja Chowdhury, or simply known as Hason Raja, Bengali: হাসন রাজা; 21 December 1854 – 6 December 1922), was a Bengali mystic poet and songwriter from Sylhet, Bengal Presidency. His unique style of music made him one of the most prominent figures in Bengali folk culture.
Lalon, also known as Lalon Shah, Lalon Fakir, Shahji and titled Fakir, Shah, was a prominent Bengali spiritual leader, philosopher, mystic poet and social reformer born in Jhenaidah, Bengal Subah. Regarded as an icon of Bengali culture, he inspired and influenced many philosophers, poets and social thinkers including Rabindranath Tagore, Kazi Nazrul Islam and Allen Ginsberg. Lalon's philosophy of humanity rejects all distinctions of caste, class, and creed and takes stand against theological conflicts and racism. It denies all worldly affairs in search of the soul and embodied the socially transformative role of sub-continental Bhakti and Sufism.
The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.
Bengali literature denotes the body of writings in the Bengali language and which covers Old Bengali, Middle Bengali and Modern Bengali with the changes through the passage of time and dynastic patronization or non-patronization. Bengali has developed over the course of roughly 1,400 years. If the emergence of the Bengali literature supposes to date back to roughly 650 AD, the development of Bengali literature claims to be 1600 years old. The earliest extant work in Bengali literature is the Charyapada, a collection of Buddhist mystic songs in Old Bengali dating back to the 10th and 11th centuries. The timeline of Bengali literature is divided into three periods: ancient (650–1200), medieval (1200–1800) and modern. Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures, Islamic epics, Vaishnava texts, translations of Arabic, Persian and Sanskrit texts, and secular texts by Muslim poets. Novels were introduced in the mid-19th century. Nobel laureate Rabindranath Tagore is the best known figure of Bengali literature to the world. Kazi Nazrul Islam, notable for his activism and anti-British literature, was described as the Rebel Poet and is now recognised as the National poet of Bangladesh.
Swagatalakshmi Dasgupta is a Bengali musician and exponent of Rabindra Sangeet.
Calcutta Youth Choir was set up in 1958 by Ruma Guha Thakurta with Salil Chowdhury and Satyajit Ray.
Baul Shah Abdul Karim was a Bangladeshi Baul musician. He was awarded the Ekushey Padak in 2001 by the Government of Bangladesh. Some of his notable songs include "Agey Ki Shundor Din Kataitam", "Keno Piriti Baraila Re Bondhu", "Murshid Dhono He Kemone Chinibo Tomare", "Nao Banailo Banailo Re Kon Mestori", "Ashi Bole Gelo Bondhu" and "Mon Mojale Ore Bawla Gaan", Bonde Maya lagaise". He is widely regarded as one of the greatest Baul musicians. He referred to his compositions as Baul Gaan. Unlike bauls who are not married and have children, Shah Abdul Karim was married and had a son.
The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where they form the dominant ethnolinguistic group and the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years. After the partition, Bangladeshi culture became distinct from the mainstream Bengali culture, thus their culture evolved differently, still there are many commonalities in Bangladeshi culture & West Bengali culture which connects them both together as Bengali culture.
Anusheh Anadil is a Bangladeshi musician, artist, cultural activist, and social entrepreneur. The band 'Bangla' was the first female lead band from Bangladesh that became iconically popular in both Bangladesh and West Bengal (India), for their first album Kingkortobbobimuro (2002). Their rendition of spiritual folk songs, along with their own original songs, became a revolution for bringing the sounds of the village bard into popular culture. They helped popularize the philosophy of Fakir Lalon Shai, as a breath of fresh air, to the urban youth. Bangla's second album Prottutponnomotitto (2005) is a tribute to Fakir Lalon Shai. The album questions religious extremism and corrupt politics by using songs of the insightful mystic. The band 'Bangla' inspired many young musicians from both sides of Bengal to rediscover their roots.
Haramoni is the title of 13-volume collection of Bengali folksongs by Muhammed Mansooruddin. Mansooruddin collected more than 5,000 folksongs from different parts of Bengal. He compiled them in a series of volumes and the titled them after the name of a regular section of monthly literary magazine Probashi that was earmarked for publishing folk songs collected from rural areas. Haramoni literally means Lost Jewels.
Fahmida Nabi is a Bangladeshi singer. She usually vocalizes classical and modern-style songs. She also sang songs of Rabindra Sangeet and Nazrul Geeti genre. She won Bangladesh National Film Award for Best Female Playback Singer for her performance in the film Aha! (2007). She also received Channel i Performance Award (2008) and the Meril-Prothom Alo Award (2008). She served as a judge for the reality television music show CloseUp 1. She is an ambassador of Bangladesh Center for Communication Programs (BCCP).
Badrunnesa Dalia is a Bangladeshi mainstream Nazrul Sangeet and Rabindra Sangeet singer, performer and a music teacher. She is noted for her versatility as a multi-genre artist (singer).
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Muhammad Mansuruddin was a Bengali author, literary critic, essayist, lexicographer and biographer from Bangladesh. He was an authority on folklore and was famous for a huge collection of age-old folk songs, mostly anthologised in thirteen volumes under the title Haramoni. In recognition of his lifelong contribution to folklore collection and research, the Rabindra Bharati University awarded him D.Litt. degree in 1987.