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Bhawaiya is a musical form or a popular folk music that originated in Northern Bengal, especially the Rangpur Division in Bangladesh, Cooch Behar district of West Bengal, India, and the undivided Goalpara district of Assam, India. [4] [5] [6] [7] [8] It has recurrent themes of the "working class", mahouts , mahishals (buffalo herders), and gariyals (cart drivers). Lyrics express pangs of separation and loneliness of their womenfolk, [9] with elongated tones accentuating pain, longing and "deep emotion". [10] Bhawaiya is generally believed to have originated in the 16th century under Biswa Singha, [11] and has evolved into stage performances since the 1950s. [12] The lyrics of Bhawaiya songs are non-denominational. [13] Bhawaiya is really popular during the Bengali occasion of Eid Al Fitr and Eid Al Adha. [14]
There are various explanations of the meaning of Bhawaiya. Low-lying land with shrubs and other vegetables are called bhawa. According to some researchers, Bhawaiya is derived from the word Bawaiya, which is subsequently derived from the word bao (breeze). The derivative of the word Bhawaiya is Bhav > Bhao + Iya = Bhawaiya; the meaning of this word is emotionally charged. According to Abbasuddin Ahmed, this music is like the random and pleasant wind blowing from North Bengal called Bhawaiya. According to a survey taken of performers of Bhawaiya (conducted by the Folk Cultural and Tribal Cultural Centre, Government of West Bengal), the name is derived from the word Bhao, which was transformed into Bhav. These songs carry a deep emotion of biraha or separation and loneliness. [15]
Bangladeshi film director Shahnewaz Kakoli's movie Uttarer Sur (Northern Symphony) is based on the life of a Bhawaiya singer and tells the story about the gradual demise of this music in the northern part of Bangladesh due to poverty. The movie was screened in the 18th Kolkata International Film Festival. [16]
Assamese, also Asamiya ( অসমীয়া), is an Indo-Aryan language spoken mainly in the north-eastern Indian state of Assam, where it is an official language, and it serves as a lingua franca of the wider region. The easternmost Indo-Iranian language, it has over 15 million speakers according to Ethnologue.
The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
Bengali music comprises a long tradition of religious and secular song-writing over a period of almost a millennium. Composed with lyrics in the Bengali language, Bengali music spans a wide variety of styles.
The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand.
Nazrul Sangeet, also Nazrul Geeti, refers to the songs written and composed by Kazi Nazrul Islam, the national poet of Bangladesh. Nazrul Geeti incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes. Nazrul wrote and composed nearly 4,000 songs, which are widely popular in Bangladesh and India. Some of the most notable Nazrul Sangeet include Notuner Gaan, the national marching song of Bangladesh and O Mon Romzaner Oi Rozar Sheshe and an Islamic song on the festival of Eid-ul-Fitr.
The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.
The dotara is a two-stringed, plucked musical instrument from South Asia, with most contemporary models having four playing strings. Comparatively, the sarod is a slightly larger and more elaborate instrument, being built with an additional set of resonant sympathetic strings. However, the dotara is still quite resonant and projective of its own sound, due to its rounded shape and overall construction. It is commonly played in Bangladesh and the Indian states of Assam, West Bengal and Bihar. It was mentioned in a 14th-century Saptakanda Ramayana. Later, it was adopted by the ascetic cults of Bauls and Fakirs.
Goalpariya is a group of Indo-Aryan dialects spoken in the Goalpara region of Assam, India. Along with Kamrupi, they form the western group of Assamese dialects. The North Bengali dialect is situated to its west, amidst a number of Tibeto-Burman speech communities. The basic characteristic of the Goalpariya is that it is a composite one into which words of different concerns and regions have been amalgamated. Deshi people speak this language and there are around 20 lakhs people.
Rangpuri is an eastern Indo-Aryan language of the Bengali-Assamese branch, spoken in Rangpur Division in Bangladesh, northern West Bengal and western Goalpara of Assam in India. Many are bilingual in Bengali and Assamese in their respective regions. According to Glottolog, it forms the Central-Eastern Kamta group with the Kamta language. Together with Rajbanshi and Surjapuri they form the Kamta group of languages.
Pratima Barua Pandey was an Indian folk singer from the royal family of Gauripur in Western Assam's Dhubri district. Barua Pandey, a national awardee, best known for her Goalpariya songs Hastir Kanya and Mur Mahut Bandhure, was the daughter of Prakritish Chandra Barua (Lalji) and niece of filmmaker Pramathesh Barua of Devdas fame.
Goalpariya Lokogeet is a folk music of Goalpara, sung to traditional lyrics. It is sung by goalpariya language speaking people. It was primarily Pratima Barua Pandey, who raised the profile of this hitherto unknown genre of music nationally in India. This genre of music is being kept alive by the Koch Rajbongshi community in their music festivals. Currently, albums of Goalpariya songs are released commercially; and Goalpariya musical motifs and instruments are increasingly used in popular music in India. Some noted singers are Bina Das Borthakur, Mini Bhattacharya, Nazmul Hoque, Allauddin Sarkar, Hamida Sarkar, Abdul Jabber, Rahima Begum Kalita ,Ayaan Anisur Etc.
Hemanga Biswas was an Indian singer, composer, author and political activist, known for his literature in Bengali and Assamese, advocacy of peoples music, drawing from genres of folk music, including Bhatiali originally popular among the fishermen of Bengal.
The Rajbanshi, also Rajbongshi and Koch-Rajbongshi, are peoples from Lower Assam, North Bengal, eastern Bihar, Terai region of eastern Nepal, Rangpur division of North Bangladesh and Bhutan who have in the past sought an association with the Koch dynasty. Today, they speak various Indo-Aryan languages, though in the past they might have spoken Tibeto-Burman languages. The community is categorized as OBC in Assam, SC in West Bengal, and ST in Meghalaya. They are the largest Scheduled Caste community of West Bengal.
Surjapuri is an Eastern Indo-Aryan language is an eastern Indo-Aryan language of the Bengali-Assamese branch, spoken in Eastern India including North Bengal, West Bengal, and some eastern parts of Purnia division of Bihar, as well as Jhapa District in Nepal, Goalpara Division of Assam in India and Rangpur Division in Bangladesh. Among speakers in some regions, it is known as 'Deshi Bhasa'. It possesses similarities with Kamatapuri, Assamese, Bengali, and Maithili.
Goalpara region, largely congruous to the historical undivided Goalpara district, is a region that is associated with the people and culture of Goalpara. It is bounded on the north by Bhutan, on the east by the Kamrup region, in the south by Meghalaya and in the west by Cooch Behar and Jalpaiguri in West Bengal and Rangpur in Bangladesh. The natural landmarks are: Sankosh and Brahmaputra rivers on the west, the Manas river on the east in the north bank, and a corresponding region in the south bank; the Garo Hills in the south and Bhutan Hills in the north.
Domahi, or Domasi and Damhi, is a popular harvesting festival, celebrated in the Kamrup and eastern Goalpara regions of Western Assam. It marks the commencement and end of the harvesting season, and start and end of the Kamrupi and Goalpariya new years.
The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India.
Mustafa Zaman Abbasi is a Bangladeshi musicologist. He was awarded Ekushey Padak in 1995 by the Government of Bangladesh. Abbasi is the youngest son of folk singer-composer Abbas Uddin Ahmed. As of 2016, he serves as a senior research scholar at the "Kazi Nazrul Islam and Abbasuddin Research and Study Centre" of Independent University, Bangladesh.
Abbasuddin Ahmed was a Bengali folk song composer and singer born in the Bengal province of British India. He was known for Bhawaiya folk song which is a style commonly found in Rangpur, Undivided Goalpara district and Cooch Behar
Ahom [aho]
Census Data Finder/C Series/Population by Religious Communities
2011census/C-01/DDW00C-01 MDDS.XLS