Nukuʻalofa is the capital and largest city of Tonga. It is located on the north coast of the island of Tongatapu, in the country's southernmost island group.
A Christmas carol is a carol on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music.
Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into the Mass as well.
The music of Polynesia is a diverse set of musical traditions from islands within a large area of the central and southern Pacific Ocean, approximately a triangle with New Zealand, Hawaii and Easter Island forming its corners. Traditional Polynesian music is largely an inseparable part of a broader performance art form, incorporating dance and recital of oral traditions; most literature considers Polynesian music and dance together. Polynesian music expanded with colonial European contact and incorporated instruments and styles introduced through a process of acculturation that continues to the present day. Although the European tradition of hymn-singing brought by Christian missionaries was probably the most important influence, others are evident; Hawaii's influential kī hōʻalu music incorporated the Spanish guitar introduced in the late 19th century, and later introduced the steel guitar to country music. Hip hop and R&B influences have created a contemporary Urban Pasifika music genre with a strong Polynesian identity and supported by the annual Pacific Music Awards in New Zealand.
The Music of Wales, particularly singing, is a significant part of Welsh national identity, and the country is traditionally referred to as "the land of song".
Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence and lament, and its forms vary widely around the world. Church music, hymnals, gospel and worship music are a part of Christian media and also include contemporary Christian music which itself supports numerous Christian styles of music, including hip hop, rock, contemporary worship and urban contemporary gospel.
The music of Zambia has a rich heritage which falls roughly into categories of traditional, popular and Christian music.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
The Music of Samoa is a complex mix of cultures and traditions, with pre- and post-European contact histories. Since American colonization, popular traditions such as rap and hip hop have been integrated into Samoan music.
The Tonga national rugby union team represents the Tonga Rugby Union in men's international rugby union. The team is nicknamed ʻIkale Tahi . Like their Polynesian neighbours, the Tongans start their matches with a traditional challenge – the Sipi Tau. They are members of the Pacific Islands Rugby Alliance (PIRA) along with Fiji and Samoa. The Ikale Tahi achieved a historic 19–14 victory over France in the 2011 Rugby World Cup, but having lost to New Zealand and Canada, were unable to achieve what would have been their first-ever presence at the quarter-finals.
Music of Goa refers to music from the state of Goa, on the west coast of India. A wide variety of music genres are used in Goa ranging from Western art music to Indian classical music. Konkani music is also popular across this tiny state. Being a former territory of Portugal, Goa has a dominant western musical scene with the use of instrument such as the violin, drums, guitar, trumpet and piano. It has also produced a number of prominent musicians and singers for the world of Indian music. Portuguese Fado also has significance in Goa.
The Tongan archipelago has been inhabited for perhaps 3,000 years, since settlement in late Lapita times. The culture of its inhabitants has surely changed greatly over this long time period. Before the arrival of European explorers in the late 17th and early 18th centuries, the Tongans were in frequent contact with their nearest Oceanic neighbors, Fiji and Samoa. In the 19th century, with the arrival of Western traders and missionaries, Tongan culture changed dramatically. Some old beliefs and habits were thrown away and others adopted. Some accommodations made in the 19th century and early 20th century are now being challenged by changing Western civilization. Hence Tongan culture is far from a unified or monolithic affair, and Tongans themselves may differ strongly as to what it is "Tongan" to do, or not do. Contemporary Tongans often have strong ties to overseas lands. They may have been migrant workers in New Zealand, or have lived and traveled in New Zealand, Australia, or the United States. Many Tongans now live overseas, in a Tongan diaspora, and send home remittances to family members who prefer to remain in Tonga. Tongans themselves often have to operate in two different contexts, which they often call anga fakatonga, the traditional Tongan way, and anga fakapālangi, the Western way. A culturally adept Tongan learns both sets of rules and when to switch between them.
The Free Wesleyan Church of Tonga is a Methodist denomination in Tonga. It is the largest Christian denomination in the nation and is often mistaken to be its state church. It has its roots in the arrival of the first missionaries from the London Missionary Society and the ministry of the Wesleyan Methodist Mission Society, the latter of which cemented its Methodist identity.
Sunrise service is a worship service specifically on Easter Sunday practiced by some Christian denominations, such as the Moravian Church. The sunrise service takes place outdoors, sometimes in a park, and the attendees are seated on outdoor chairs or benches, or else they stand throughout.
The ʻotuhaka is a traditional Tongan group dance with prominent Samoan influence wherein the performers are seated and make gestures with their arms only, with some accentuation from head and body.
The lakalaka is a Tongan group dance where the performers are largely standing still and make gestures with their arms only. It is considered as the national dance of Tonga and part of the intangible human heritage. It is the ideal dance at formal occasions, like the birthday of the king or the opening of a church.
The Tuʻungafasi or Tongan music notation is a subset of the standard music notation, originally developed by the missionary James Egan Moulton in the 19th century for singing church hymns in Tonga.
Contemporary worship is a form of Christian worship that emerged within Western evangelical Protestantism in the 20th century. It was originally confined to the charismatic movement, but is now found in a wide range of churches, including many which do not subscribe to a charismatic theology. Contemporary worship uses contemporary worship music in an informal setting. Congregational singing typically comprises a greater proportion of the service than in conventional forms of worship. Where contemporary worship is practiced in churches with a liturgical tradition, elements of the liturgy are frequently kept to a minimum. The terms historic worship, traditional worship or liturgical worship are sometimes used to describe conventional worship forms and distinguish them from contemporary worship.
Assyrian folk/pop music, also known as Assyrian folk-pop, is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk.
In Uvea (Wallis) and Futuna, dances play a major cultural role. One sees dance in fakahaha'aga (festivals), to'oto'oga, or just for pure pleasure. In Uvea, the term faiva is used for dance, whereas the term mako is used. In Uvea and Futuna there is a katoaga which is only celebrated with the visit of chiefs and if lucky, with the Lavelua (King). As the years go by, dance and culture is still alive and well in Uvea and Futuna. The normal fakapale is given to the dancers for their magnificent dance. The following dances of Uvea and Futuna below are just some of the dances, or are the main dances seen in Wallisian and Futunan culture.
