Easter Island is an island and special territory of Chile in the southeastern Pacific Ocean, at the southeasternmost point of the Polynesian Triangle in Oceania. The island is most famous for its nearly 1,000 extant monumental statues, called moai, which were created by the early Rapa Nui people. In 1995, UNESCO named Easter Island a World Heritage Site, with much of the island protected within Rapa Nui National Park.
Rongorongo is a system of glyphs discovered in the 19th century on Rapa Nui that appears to be writing or proto-writing. Numerous attempts at decipherment have been made, with none being successful. Although some calendrical and what might prove to be genealogical information has been identified, none of these glyphs can actually be read. If rongorongo does prove to be writing and proves to be an independent invention, it would be one of very few independent inventions of writing in human history.
The Rapa Nui are the indigenous Polynesian peoples of Easter Island. The easternmost Polynesian culture, the descendants of the original people of Easter Island make up about 60% of the current Easter Island population and have a significant portion of their population residing in mainland Chile. They speak both the traditional Rapa Nui language and the primary language of Chile, Spanish. At the 2017 census there were 7,750 island inhabitants—almost all living in the village of Hanga Roa on the sheltered west coast.
The flag of Easter Island is the flag of Easter Island, a special territory of Chile. It was first flown in public alongside the national flag on 9 May 2006.
Paschalococos disperta, the Rapa Nui palm or Easter Island palm, formerly Jubaea disperta, was the native coccoid palm species of Easter Island. It disappeared from the pollen record circa AD 1650.
The Father Sebastian Englert Anthropological Museum is a museum in the town of Hanga Roa on Rapa Nui in Chilean Polynesia. Named for the Bavarian missionary, Fr. Sebastian Englert, OFM Cap., the museum was founded in 1973 and is dedicated to the conservation of the Rapa Nui cultural patrimony.
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text A of the rongorongo corpus, also known as Tahua, is one of two dozen surviving texts.
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text C of the rongorongo corpus, also known as Mamari, is one of two dozen surviving rongorongo texts. It contains the Rapa Nui calendar.
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text D of the rongorongo corpus, also known as Échancrée ("notched"), is one of two dozen surviving texts. This is the tablet that started Jaussen's collection.
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text E of the rongorongo corpus, also known as Keiti, is one of two dozen known rongorongo texts, though it survives only in photographs and rubbings.
Text P of the rongorongo corpus, the larger of two tablets in St. Petersburg and therefore also known as the Great or Large St Petersburg tablet, is one of two dozen surviving rongorongo texts, and one of three recording the so-called "Grand Tradition".
Text R of the rongorongo corpus, the smaller of two tablets in Washington and therefore also known as the Small Washington tablet, is one of two dozen surviving rongorongo texts.
Text S of the rongorongo corpus, the larger of two tablets in Washington and therefore also known as the Great or Large Washington tablet, is one of two dozen surviving rongorongo texts.
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text F of the rongorongo corpus, also known as the (Stephen) Chauvet tablet, is one of two dozen surviving texts.
Text K of the rongorongo corpus, also known as the (Small) London tablet, is one of two dozen surviving rongorongo texts. It nearly duplicates the recto of tablet G.
Text L of the rongorongo corpus, also known as (London) reimiro 2, is the smaller of two inscribed reimiro in London and one of two dozen surviving rongorongo texts.
Text J of the rongorongo corpus, also known as (London) reimiro 1, is the larger of two inscribed reimiro in London and one of two dozen surviving rongorongo texts.
There have been numerous attempts to decipher the rongorongo script of Easter Island since its discovery in the late nineteenth century. As with most undeciphered scripts, many of the proposals have been fanciful. Apart from a portion of one tablet which has been shown to deal with a lunar calendar, none of the texts are understood, and even the calendar cannot actually be read. The evidence is weak that rongorongo directly represents the Rapa Nui language – that is, that it is a true writing system – and oral accounts report that experts in one category of tablet were unable to read other tablets, suggesting either that rongorongo is not a unified system, or that it is proto-writing that requires the reader to already know the text. Assuming that rongorongo is writing, there are three serious obstacles to decipherment: the small number of remaining texts, comprising only 15,000 legible glyphs; the lack of context in which to interpret the texts, such as illustrations or parallel texts which can be read; and the fact that the modern Rapa Nui language is heavily mixed with Tahitian and is unlikely to closely reflect the language of the tablets—especially if they record a specialized register such as incantations—while the few remaining examples of the old language are heavily restricted in genre and may not correspond well to the tablets either.
A mo‘ai kavakava is a small wooden figure of a style originated by the Rapa Nui culture of Easter Island.
The Raŋitoki fragment is a possibly authentic member of the rongorongo corpus.
), and one reimiro is preserved with a long rongorongo text.
