 | This article needs additional citations for verification .(April 2015) |
| Music of Melanesia |
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The music of Vanuatu may refer to any kind of music played in the country of Vanuatu.
| | This article needs additional citations for verification .(April 2015) |
| Music of Melanesia |
|---|
The music of Vanuatu may refer to any kind of music played in the country of Vanuatu.
Traditional music (known in Bislama as kastom singsing or kastom tanis) is still thriving in the rural areas of Vanuatu. [1] Musical instruments consist mostly of idiophones: drums of various shape and size, slit gongs, as well as rattles, among others. In various regions, aerophones, such as conch shells, whistles or bamboo flutes, are (or used to be) played. Membranophones and chordophones were also found in some areas, but have fallen into disuse during colonial times.
The large slit gongs which symbolize Vanuatu belong to these traditional instruments; they were most often used as musical drums to accompany certain dances, but also sometimes – though seldom – as a ritual means of communication; although widespread throughout Vanuatu, they are used vertically only in central areas of the archipelago (mainly on Ambrym). So-called traditional music is actually a very general cover term encompassing a wide and complex variety of musical genres known by every local community – in a way very similar to the vague term classical music of Western societies.
Another musical genre that has become widely popular during the 20th century in all areas of Vanuatu, is known as string band music. It combines guitars, ukulele, and popular songs.
More recently the music of Vanuatu, as an industry, grew rapidly in the 1990s. [2] The early part of that decade saw bands like Huarere and Tropic Tempo forge a distinctly ni-Vanuatu modern musical identity, and more bands have followed in their footsteps, including XX-Squad and Vanessa Quai. Popular genres of commercial music, which are currently being played in town, include African new wave, Reggae, zouk music and reggaeton. African Zouk, Reggae and Reggaeton, a variation of hip-hop rapped in Spanish, played alongside its own distinctive beat, is especially played in the local nightclubs of Vanuatu with, mostly, an audience of Westerners and tourists. Reggae is also becoming the Nations favorite and the local upcoming reggae stars are not limited to Naio Band, Stan and The Earthforce band, Tujah, Smol Fyah and Metoxide! [ citation needed ]
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.
The music of Papua New Guinea has a long history.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Panama is a Central American country, inhabited mostly by mestizos. The music of Panama is heavily based on the folk music of Spain, particularly that of Andalusia and was influenced first by the indigenous populations of Kunas, Teribes, Ngobe Bugle and others, and then by the black population who were brought over, first as slaves from Africa, between the 16th century and the 19th century, and then voluntarily to work on the Panamanian Railroad and Canal projects between the 1840s and 1914.
Mauritius has 2 genres of music that originate from the Island. The traditional music of Mauritius which is known as sega music and also Seggae Music. Other genres like reggae, ragga, zouk, soukous and Indian music are also popular, but these genres do not originate from Mauritius, despite famous local singers such as Kaya, who successfully combined Reggae Music with sega music to create Mauritian Seggae. Well-known traditional sega singers from Mauritius include Ti Frére, Marlene Ravaton, Serge Lebrasse, Michel Legris and Fanfan.
The music of the Virgin Islands reflects long-standing West Indian cultural ties to the island nations to the south, the islands' African heritage and European colonial history, as well as recent North American influences. Though the United States Virgin Islands and British Virgin Islands are politically separate, they maintain close cultural ties. From its neighbors, the Virgin Islands has imported various pan-Caribbean genres of music, including calypso music and soca music from Trinidad and reggae from Jamaica.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
A slit drum or slit gong is a hollow percussion instrument. In spite of its often being called a drum, it is not a true drum because it lacks a drumhead, the membrane stretched across the top of a true drum. It is classed instead as an idiophone in which the entire instrument vibrates.
Melanesian music refers to the various musical traditions found across the vast region of Melanesia.
The coladeira is a music genre from the Cape Verde islands in the central Atlantic Ocean.
Alexandre François is a French linguist specialising in the description and study of the indigenous languages of Melanesia. He belongs to Lattice, a research centre of the CNRS and École Normale Supérieure dedicated to linguistics.
This article presents an overview of the culture of Vanuatu.
In Vanuatu, a slit drum is a musical instrument that is traditionally played by men of high rank.
