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Poi is a performing art and also the name of the equipment used for its performance. As a skill toy, poi is an object or theatrical prop used for dexterity play or an object manipulation. As a performance art, poi involves swinging tethered weights through a variety of rhythmical and geometric patterns. Poi artists may also sing or dance while swinging their poi. Poi can be made from various materials with different handles, weights, and effects (such as fire).
Poi originated with the Māori people of New Zealand, where it is still practised today. Poi has also gained a following in other countries. The expansion of poi culture has led to a significant evolution of the styles practised, the tools used, and the definition of the word "poi".
In the Māori language, poi can mean the physical objects used by the dancers, the choreography itself, or the accompanying music. [1] In Māori culture, poi performance is usually practised by women. Some legends indicate that it was first used by men to develop wrist flexibility for the use of hand weapons such as the club-like patu, mere, and kotiate, [2] but recent academic study has found no evidence to confirm this story. [3]
Māori poi come in two forms: short, with strings equal to the length of the fingertips to the wrist; and long, with strings equal to the distance from fingertips to shoulder. [4] [5] A performance includes storytelling and singing in conjunction with choreographed poi routines and is often presented alongside other disciplines, such as waiata a ringa , haka and tītī tōrea (included in kapa haka performances). Poi feature in the 1980s hit song "Poi E". [6]
Originally, poi were most commonly made from harakeke (New Zealand flax, Phormium tenax ) and raupō ( Typha orientalis ). Makers stripped and scraped flax to provide the muka (inner flax fibre), which was twisted into two strands to make the taura (cord) as well as the aho (ties). A large knot was tied at one end of the cord, around which the core was formed from the pithy middle of the raupō stem. Dampened strips of raupō stems were then wrapped around the ball and tied off around the cord, forming the covering . The other end of the cord was often decorated with a mukamuka, a tassel made from muka formed around a smaller knot. Occasionally, smaller tassels called poi piu were affixed to the base of the poi ball. [7] Construction and design varied widely depending on regional, tribal, and personal preferences.
Another variety of poi is poi tāniko. In this construction, the outer shell was made of finely woven muka using a pattern based on a fishing net; [8] these poi sometimes included strands that were dyed yellow to form a diamond pattern known as Te Karu ō te Atua (the Eye of God).
In the late 19th century and the first half of the 20th century, a cottage industry developed from the manufacture of raupō poi for sale to tourists, especially in the Rotorua area. Tourist-friendly variations included miniature poi that could be worn in buttonholes and as earrings.
Today, most performance poi are made from durable and readily available modern materials. Cores are often made of foam or crumpled paper, while skins consist of plastic or loomed fabrics, such as tulle. Tassels are usually made of wool.[ citation needed ]
Modern poi coexists with traditional Māori poi and enjoys a broader, worldwide audience.
Traditional Māori poi is generally performed in group choreography at cultural events, with vocal and musical accompaniment. By contrast, modern poi is generally performed by individuals, without singing and with less structured choreography. The tools and styles used are more varied. Many people first encounter poi in the form of fire spinning, but fire spinning is just one form of this highly varied art.
Modern poi borrows significantly from other physical arts, including various schools of dance and many object manipulation arts. Poi is practised around the world and can often be seen at large festivals like Burning Man and the European Juggling Convention.
Unlike many physical arts, learning poi does not usually involve formal education. Most spinners learn from each other or teach themselves using DVDs or online resources. A strong sense of community and self-teaching are key elements of modern poi.
Beginners often learn using a simple pair of practice poi, which are typically constructed from soft materials such as socks or stockings that are weighted with soft household objects such as bean bags, juggling balls, balloons filled with legumes, or small toys. Simple poi can also be constructed from tennis balls and lengths of rope.
More advanced practice poi models can include swivels (for orbital-type tricks), weighted handles (for tosses), or incorporate contact stage balls to enable the spinner to execute contact poi moves (i.e., rolls and fishtails).
Performers often use poi with bright, contrasting colors to enhance aesthetics and emphasize patterns. Some performance poi also incorporate tails or streamers for visual effect.
Poi can be performed in the dark to dramatic effect when spinners use poi containing a light source, such as UV-sensitive materials, LED lights, or chemical glow sticks. Glowstringing, or using glowsticks swung from shoelaces, is popular at festivals and raves. It is also noted that while poi focuses on the manipulation of the head (the other side of the cord/chain from where you are holding), glowstringing focuses on the manipulation of the cord.
Fire poi use wicks made from Kevlar or Technora or another flame resistant material for the weighted ends. The wicks are soaked in fuel, set on fire, and then spun for dramatic effect.
A scientific study conducted at the University of Auckland showed significant improvements in grip strength, balance, and attention after one month of poi practice. [9]
Titel | Record | Record Setter | nationality | reference |
---|---|---|---|---|
Most poi weaves in one minute | 83 | David Rush [10] | italy | Guinness World Record [11] |
Most poi sprial wraps in one minute | 77 | M. Sakthi poorani | india | Guinness World Record [12] |
Most poi airwraps in one minute | 77 | K. Gokulnath | italy | Guinness World Record [13] |
Most 3 beat weaves in 30 seconds | 72 | Amber Leigh Buckwald | amerika | Record Setter [14] |
Longest Hyperloop | 53.32 sec | Kai Siegenthaler [15] | german | Record Setter [16] |
4 Poi no beat fountain | 10 min 16 sec | Bow Juggler [17] | Youtube-Video [18] | |
Most consecutive fire poi juggling catches on a balance board | 49 | Kai Siegenthaler [15] | german | Guinness World Record [19] [20] |
Juggling is a physical skill, performed by a juggler, involving the manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipulation of one object or many objects at the same time, most often using one or two hands but other body parts as well, like feet or head. Jugglers often refer to the objects they juggle as props. The most common props are balls, clubs, or rings. Some jugglers use more dramatic objects such as knives, fire torches or chainsaws. The term juggling can also commonly refer to other prop-based manipulation skills, such as diabolo, plate spinning, devil sticks, poi, cigar boxes, contact juggling, hooping, yo-yo, hat manipulation and kick-ups.
Contact manipulation is a form of object manipulation that focuses on the movement of objects such as balls in contact with the body. Although often used in conjunction with "toss juggling", it differs in that it involves the rolling of one or more objects without releasing them into the air.
New Zealand flax describes the common New Zealand perennial plants Phormium tenax and Phormium colensoi, known by the Māori names harakeke and wharariki respectively. Although given the common name 'flax' they are quite distinct from the Northern Hemisphere plant known as flax .
Haka are a variety of ceremonial dances in Māori culture. A performance art, haka are often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted accompaniment. Haka have been traditionally performed by both men and women for a variety of social functions within Māori culture. They are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals.
Fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect.
Traditional Māori music, or pūoro Māori, is composed or performed by Māori, the indigenous people of New Zealand, and includes a wide variety of folk music styles, often integrated with poetry and dance.
Waka are Māori watercraft, usually canoes ranging in size from small, unornamented canoes used for fishing and river travel to large, decorated war canoes up to 40 metres (130 ft) long.
Kapa haka is the term for Māori action songs and the groups who perform them. The phrase translates to 'group' 'dance'. Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance.
Juggling practice has developed a wide range of patterns and forms which involve different types of manipulation, different props, numbers of props, and numbers of jugglers. The forms of juggling shown here are practiced by amateur, non-performing, hobby jugglers as well as by professional jugglers. The variations of juggling shown here are extensive but not exhaustive as juggling practice develops and creates new patterns on a regular basis. Jugglers do not consciously isolate their juggling into one of the categories shown; instead most jugglers will practice two or more forms, combining the varieties of juggling practice. Some forms are commonly mixed, for example: numbers and patterns with balls; while others are rarely mixed, for example: contact numbers passing. Many Western jugglers also practice other forms of object manipulation, such as diabolo, devil sticks, cigar box manipulation, fire-spinning, contact juggling, hat manipulation, poi, staff-spinning, balancing tricks, bar flair and general circus skills.
Plate spinning is a circus manipulation art where a person spins plates, bowls and other flat objects on poles, without them falling off. Plate spinning relies on the gyroscopic effect, in the same way a top stays upright while spinning. Spinning plates are sometimes gimmicked, to help keep the plates on the poles.
A fire fan is a fan shaped object usually constructed of non-combustible materials such as welded metal and Kevlar wick that is set alight. They are used for fire performance.
Twirling is a form of object manipulation where an object is twirled by one or two hands, the fingers or by other parts of the body. Twirling practice manipulates the object in circular or near circular patterns. It can also be done indirectly by the use of another object or objects as in the case of devil stick manipulation where handsticks are used. Twirling is performed as a hobby, sport, exercise or performance.
A patu is a club or pounder used by the Māori. The word patu in the Māori language means to strike, hit, beat, kill or subdue.
Object manipulation are when you dexterity play in which one or more when their people physically interact is when they play with one or more or many object. Many object manipulation skills are recognised circus skills. Other object manipulation skills are linked to sport, magic, and everyday objects or practices. Many object manipulation skills use special props made for that purpose: examples include the varied circus props such as balls, clubs, hoops, rings, poi, staff, and devil sticks; magic props such as cards and coins; sports equipment such as nunchaku and footballs. Many other objects can also be used for manipulation skills. Object manipulation when the ordinary items may be not considered there to be the object manipulation because it is when the object isn't used into an the unusually stylised or skilful way or for a when physical interaction is outside of its socially acknowledged context or when differently from its original purpose.
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Phormium tenax is an evergreen perennial plant native to New Zealand and Norfolk Island that is an important fibre plant and a popular ornamental plant. The plant grows as a clump of long, straplike leaves, up to two metres long, from which arises a much taller flowering shoot, with dramatic yellow or red flowers.
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Maureen Robin Lander is a New Zealand weaver, multimedia installation artist and academic. Lander is of Ngāpuhi and Pākehā descent and is a well-respected and significant artist who since 1986 has exhibited, photographed, written and taught Māori art. She continues to produce and exhibit work as well as attend residencies and symposia both nationally and internationally.
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