Rapa Nui mythology

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All the fifteen standing moai of Ahu Tongariki. Ahu-Tongariki-2013.jpg
All the fifteen standing moai of Ahu Tongariki.

Rapa Nui mythology, also known as Pascuense mythology or Easter Island mythology, refers to the native myths, legends, and beliefs of the Rapa Nui people of Easter Island in the south eastern Pacific Ocean.

Contents

Origin myth

According to Rapa Nui mythology Hotu Matuꞌa was the legendary first settler and ariki mau ("supreme chief" or "king") of Easter Island. [1] Hotu Matu'a and his two-canoe (or one double-hulled canoe) colonising party were Polynesians from the now unknown land of Hiva Nuku Hiva, Hiva Oa, Fatu Hiva, Mount Oave, Marquesas Islands, Tahiti, Fenua. They landed at Anakena beach and his people spread out across the island, sub-divided it between clans claiming descent from his sons, and lived for more than a thousand years in their isolated island home at the southeastern tip of the Polynesian Triangle until the arrival of Dutch captain Jacob Roggeveen, who arrived at the island in 1722. [2]

Ancestor cult

The most visible element in the culture was the production of massive statues called moai that represented deified ancestors. It was believed that the living had a symbiotic relationship with the dead where the dead provided everything that the living needed (health, fertility of land and animals, fortune, etc.), and the living through offerings provided the dead with a better place in the spirit world. Most settlements were located on the coast and moai were erected along the coastline, watching over their descendants in the settlements before them, with their backs toward the spirit world in the sea. [3]

Tangata manu cult

The Tangata manu or bird-man cult succeeded the island's Moai era when warfare erupted over dwindling natural resources and construction of statues stopped. [4] The deity Make-make was the chief god of the birdman cult. The cult declined after the island population adopted Catholicism, though the birdman's popularity and memory were not erased and it is still present in the decoration of the island's church. [5]

Deities and heroes

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<span class="mw-page-title-main">Moai</span> Monolithic human figures on Easter Island

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<span class="mw-page-title-main">Motu Nui</span> Islet near Easter Island, national monument of Chile

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<span class="mw-page-title-main">Tangata manu</span> The winner of a traditional competition of Easter Island

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<span class="mw-page-title-main">Rapa Nui National Park</span> World Heritage Site in Easter Island

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<span class="mw-page-title-main">Makemake (deity)</span> Deity in the Rapa Nui mythology of Easter Island

Makemake in the Rapa Nui mythology of Easter Island is the creator of humanity, the god of fertility and the chief god of the "Tangata manu" or bird-man sect. He appeared to be the local form, or name, of the old Polynesian god Tane. He had no wife.

Hotu Matuꞌa was the legendary first settler and ariki mau of Easter Island and ancestor of the Rapa Nui people. Hotu Matuꞌa and his two-canoe colonising party were Polynesians from the now unknown land of Hiva. They landed at Anakena beach and his people spread out across the island, sub-divided it between clans claiming descent from his sons, and lived for more than a thousand years in their isolated island home at the southeastern tip of the Polynesian Triangle.

<span class="mw-page-title-main">King of Easter Island</span> Polynesian kingdom ended in 1888

Easter Island was traditionally ruled by a monarchy, with a king as its leader.

<span class="mw-page-title-main">Hoa Hakananai'a</span> Statue from Easter Island

Hoa Hakananai'a is a moai, a statue from Easter Island. It was taken from Orongo, Easter Island in 1868 by the crew of a British ship and is now in the British Museum in London.

<span class="mw-page-title-main">Orongo</span> Stone village and ceremonial center on Easter Island

Orongo is a stone village and ceremonial center at the southwestern tip of Rapa Nui. It consists of a collection of low, sod-covered, windowless, round-walled buildings with even lower doors positioned on the high south-westerly tip of the large volcanic caldera called Rano Kau. Below Orongo on one side a 300-meter barren cliff face drops down to the ocean; on the other, a more gentle but still very steep grassy slope leads down to a freshwater marsh inside the high caldera.

<span class="mw-page-title-main">Anakena</span> Beach on Easter Island

Anakena is a white coral sand beach in Rapa Nui National Park on Rapa Nui, a Chilean island in the Pacific Ocean. Anakena has two ahus; Ahu-Ature has a single moai and Ahu Nao-Nao has seven, two of which have deteriorated. It also has a palm grove and a car park.

<span class="mw-page-title-main">History of Easter Island</span>

Geologically one of the youngest inhabited territories on Earth, Easter Island, located in the mid-Pacific Ocean, was, for most of its history, one of the most isolated. Its inhabitants, the Rapa Nui, have endured famines, epidemics of disease, civil war, environmental collapse, slave raids, various colonial contacts, and have seen their population crash on more than one occasion. The ensuing cultural legacy has brought the island notoriety out of proportion to the number of its inhabitants.

<span class="mw-page-title-main">Sebastian Englert</span>

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<span class="mw-page-title-main">Hotu-iti</span>

Hotu-iti is an area of southeastern Easter Island that takes its name from a local clan. Located in Rapa Nui National Park, the area includes Rano Raraku crater, the Ahu Tongariki site, and a small bay. In the 15th and 16th centuries, the Hotu-iti clan was one of two polities on Easter Island.

<span class="mw-page-title-main">Ana Kai Tangata</span> Sea cave on Easter Island, Chile

Ana Kai Tangata is a sea cave in Easter Island that contains rock art of terns on its ceiling. It is located near Mataveri, and the cave opens up directly to the incoming surf. The cave is accessible and one of the most visited caves in Easter Island.

<span class="mw-page-title-main">Rapa Nui tattooing</span> Tattooing among Rapa Nui people

As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class.

<span class="mw-page-title-main">Aku-Aku (mythology)</span> Spirits of the dead in Rapa Nui mythology

Aku-Aku, also known as Aku, Akuaku or Varua, are humanoid spirits in Rapa Nui mythology of the Easter Island.

References

  1. Carlos Mordo, Easter Island (Willowdale, Ontario: Firefly Books Ltd., 2002)
  2. Steven L. Danver (22 December 2010). Popular Controversies in World History: Investigating History's Intriguing Questions. ABC-CLIO. pp. 223–224. ISBN   978-1-59884-077-3 . Retrieved 10 January 2012.
  3. Barbara A. West (2009). Encyclopedia of the peoples of Asia and Oceania. Infobase Publishing. pp. 683–684. ISBN   978-0-8160-7109-8 . Retrieved 10 January 2012.
  4. Phil Cousineau (1 July 2003). Once and Future Myths: The Power of Ancient Stories in Our Lives. Conari Press. pp. 181–182. ISBN   978-1-57324-864-8 . Retrieved 12 January 2012.
  5. Steven L. Danver (22 December 2010). Popular Controversies in World History: Investigating History's Intriguing Questions. ABC-CLIO. p. 225. ISBN   978-1-59884-077-3 . Retrieved 10 January 2012.

Further reading