Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For folklorists, historians, philosophers or theologians this is very different from the use of "myth" simply indicating that something is not true. Instead, the truth value of a myth is not a defining criterion.[6]
Hindu myths can be found in the Vedas, the itihasa (Ramayana and Mahabharata), and the major Puranas. Other sources include the Bengali literature, such as Mangal-Kāvya, and the Tamil literature, such as Divya Prabandham, Tirumurai and the Five Great Epics. These narratives play a crucial role in the Hindu tradition and are considered real and significant within their cultural and spiritual context, offering profound insights into the beliefs and values of Hinduism.
According to Joseph Campbell, the Indus Valley (2600–1900 BCE) may have left traces in the beliefs and traditions of Hinduism. Artefacts have revealed motifs that are also employed and revered by Hindus today, such as primary male deities worshipped by a ruling elite, mother goddesses, nature spirits, snake worship, as well as the reverence of other theriomorphic (animal-shaped) beings.[7] These themes would be maintained by the Dravidian folk religion even after the decline of its parent civilisation around 1800 BCE.[8]
A major factor in the development of Hinduism was the Vedic religion. The Indo-Aryan migration brought their distinct beliefs to the Indian subcontinent, where the Vedas were composed around 1500 BCE. The Indo-Aryans Vedic pantheon of deities included the chief god Indra, the sun deity Surya, Ushas, as well as Agni.[9][10]
According to Williams, from 900 to 600 BCE, the protests of the populace against sacrifices made towards the Vedic gods and rebellions against the Brahmin class led to the embrace of reform by the latter and the composition of the fourth Veda and the Vedanta texts. About half of the Upanishads were mystical and unitive, speaking of experiencing the divine as the one (ekam), while the other half promoted devotion to one or more deities. New gods and goddesses were celebrated, and devotional practices began to be introduced.[12]
Sramanic movements
Elements such as those emerging from Buddhism and Jainism made their "heteroprax" contributions to later Hindu mythology, such as temples, indoor shrines, and rituals modeled after service to a divine king. Renunciate traditions contributed elements that questioned sacrifices and the killing of animals, and promoted asceticism and vegetarianism. All of these themes would be incorporated by the Brahmin classes into the later Hindu synthesis, which developed in response to the sramanic movements between ca. 500–300 BCE and 500 CE, and also found their way into Hindu mythology.[12]
The era from 400 BCE to 400 CE was the period of the compilation of India’s great epics, the Mahabharata and Ramayana. These were central manifestations of the newly developing Hindu synthesis, contributing to a specific Hindu mythology, emphasising divine action on earth in Vishnu's incarnations and other divine manifestations. The lore of the devas and the asuras expanded. Epic mythology foreshadowed the rich polytheism of the next two periods. The Mahabharata contained two appendices that were extremely important sources for later mythological development, the Bhagavad Gîta and the Harivamsa.
According to Williams, the mythology of the Puranas can be broken into three periods (300–500; 500–1000; 1000–1800), or the whole period may simply be referred to as the Hindu Middle Ages. This age saw the composition of the major Puranic texts of the faith, along with the rise of sectarianism, with followers amassing around the cults of Vishnu, Shiva, or Devi. The three denominations within this period help locate in time historical developments within the sectarian communities, the rise and decline of Tantrism and its influence on mainstream mythology, the tendencies in Puranic mythologising of subordinating Vedic gods and past heroes to ever-increasing moral weaknesses, going on to be identified as a period of exuberant polytheism. However, this was also accompanied with the belief in monotheism, the idea that all paths lead to the Ultimate Reality, Brahman.[12]
According to Williams, during the Tantric period from 900 to 1600 CE, the mythology of Tantra and Shaktism revived and enriched blood sacrifice and the pursuit of pleasure as central themes. Tantra’s stories differed radically in meaning from those of epic mythology, which favored devotion, asceticism, and duty. There was either a revival or emphasis that was placed on the shakti or the cosmic energy of goddesses, a concept that had emerged during the Indus Valley Civilisation.[12]
Modern Period
In the contemporary era, the mythologies of the dominant traditions of Vaishnavism, Shaivism, and Shaktism prevail.[13] Several myths were found or invented to make tribals or former "outcastes" Hindus and bring them within the cultural whole of a reconstructed Hindu mythological community.
Mythical themes and types
Depictions of episodes from Hindu mythology
Academic studies of mythology often define mythology as deeply valued stories that explain a society's existence and world order: those narratives of a society's creation, the society's origins and foundations, their god(s), their original heroes, mankind's connection to the "divine", and their narratives of eschatology (what happens in the "after-life"). This is a very general outline of some of the basic sacred stories with those themes. In its broadest academic sense, the word myth simply means a traditional story. However, many scholars restrict the term "myth" to sacred stories.[14]Folklorists often go further, defining myths as "tales believed as true, usually sacred, set in the distant past or other worlds or parts of the world, and with extra-human, inhuman, or heroic characters".[15]
In classical Greek, muthos, from which the English word myth derives, meant "story, narrative." Hindu mythology does not often have a consistent, monolithic structure. The same myth typically appears in various versions, and can be represented differently across different regional and socio-religious traditions.[16] Many of these legends evolve across these texts, where the character names change or the story is embellished with greater details.[16][17] According to Suthren Hirst, these myths have been given a complex range of interpretations.[16] While according to Doniger O'Flaherty, the central message and moral values remain the same.[17] They have been modified by various philosophical schools over time, and are taken to have deeper, often symbolic, meaning.[16]
↑ The term myth is used here in its academic sense, meaning "a traditional story consisting of events that are ostensibly historical, though often supernatural, explaining the origins of a cultural practice or natural phenomenon." It is not being used to mean "something that is false".
↑ Deretic, Irina. “Why are myths true: Plato on the veracity of myths.” Vestnik of Saint Petersburg University. Philosophy and Conflict Studies (2020): vol. 36, issue 3, pp. 441–451.
↑ Opler, Morris E.; Campbell, Joseph (January 1962). "The Masks of God: Primitive Mythology". The Journal of American Folklore. 75 (295): 82. doi:10.2307/537862. ISSN0021-8715. JSTOR537862.
Macdonell, Arthur Anthony (1978). Vedic Mythology ((reprint)ed.). Motilal Banarsidass. ISBN978-81-208-1113-3. Archived from the original on 24 April 2023. Retrieved 28 December 2017.
Clay Sanskrit Library publishes classical Indian literature, including the Mahabharata and Ramayana, with facing-page text and translation. Also offers searchable corpus and downloadable materials.
Shiva, also known as Mahadeva or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism.
Varuna is a Hindu god, associated with the sky, oceans, and water. In the Vedic scriptures, he is paired with the god Mitra and is the lord of Ṛta (justice) and Satya (truth). Varuna is also mentioned as an Aditya, the sons of the goddess Aditi.
In Hinduism, Daksha is one of the prajapati, the agents of creation, as well as a divine king-rishi. His iconography depicts him as a man with a stocky body and a handsome face or the head of a goat.
Lakshmi, also known as Shri, is one of the principal goddesses in Hinduism, revered as the goddess of wealth, fortune, prosperity, beauty, fertility, royal power and abundance. She along with Parvati and Sarasvati, forms the trinity called the Tridevi.
Kalki, also called Kalkin, is the prophesied tenth and final incarnation of the Hindu god Vishnu. According to Vaishnava cosmology, Kalki is destined to appear at the end of the Kali Yuga, the last of the four ages in the cycle of existence (Krita). His arrival will mark the end of the Kali Yuga and herald the beginning of the Satya Yuga, the most virtuous age, before the ultimate dissolution of the universe (Mahapralaya).
Avatar is a concept within Hinduism that in Sanskrit literally means 'descent'. It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being.
Puranas are a vast genre of Hindu literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Mahadevi. The Puranic genre of literature is found in both Hinduism and Jainism.
In Hinduism, Itihasa-Purana, also called the fifth Veda, refers to the traditional accounts of cosmogeny, myths, royal genealogies of the lunar dynasty and solar dynasty, and legendary past events, as narrated in the Itihasa and the Puranas. They are highly influential in Indian culture, and many classical Indian poets derive the plots of their poetry and drama from the Itihasa. The Epic-Puranic chronology derived from the Itihasa-Puranais an influential frame of reference in traditional Indian thought.
Kama, also known as Kamadeva and Manmatha, is the Hindu god of erotic love, desire, pleasure and beauty. He is depicted as a handsome young man decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. He often portrayed alongside his consort and female counterpart, Rati.
Pushan is a Hindu Vedic solar deity and one of the Adityas. He is the god of meeting. Pushan is responsible for marriages, journeys, roads, and the feeding of cattle. He was a psychopomp, conducting souls to the other world. He protected travelers from bandits and wild beasts, and protected men from being exploited by other men. He was a supportive guide, a "good" god, leading his adherents towards rich pastures and wealth.
In Hinduism, there are diverse approaches to conceptualizing God and gender. Many Hindus focus upon impersonal Absolute (Brahman) which is genderless. Other Hindu traditions conceive God as bigender, alternatively as either male or female, while cherishing gender henotheism, that is without denying the existence of other gods in either gender.
The following list consists of notable concepts that are derived from Hindu culture and associated cultures’ traditions, which are expressed as words in Sanskrit or other Indic languages and Dravidian languages. The main purpose of this list is to disambiguate multiple spellings, to make note of spellings no longer in use for these concepts, to define the concept in one or two lines, to make it easy for one to find and pin down specific concepts, and to provide a guide to unique concepts of Hinduism all in one place.
Yama, also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of Dharma, though the two deities have different origins and myths.
Vaishnavism is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as the sole supreme being leading all other Hindu deities, that is, Mahavishnu. Its followers are called Vaishnavites or Vaishnavas, and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2010 estimate by Johnson and Grim, Vaishnavism is the largest Hindu sect, constituting about 641 million or 67.6% of Hindus.
Vishnu, also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism.
Brahma is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu and Shiva. He is associated with creation, knowledge, and the Vedas. Brahma is prominently mentioned in creation legends. In some Puranas, he created himself in a golden embryo known as the Hiranyagarbha.
Shakti in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a male deity and, more specifically, is identified as the consort of the god Shiva.
Yamuna is a sacred river in Hinduism and the main tributary of the Ganges River. The river is also worshipped as a Hindu goddess called Yamuna. Yamuna is known as Yami in early texts, while in later literature, she is called Kalindi. In Hindu scriptures, she is the daughter of Surya, the sun god, and Sanjna, the cloud goddess. She is also the twin sister of Yama, god of death. She is associated with the deity Krishna as one of his eight principal consorts, called the Ashtabharya. Yamuna plays an important role in Krishna's early life as a river. According to Hindu scriptures, bathing in or drinking Yamuna's waters removes sin.
The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa and the Puranas. These texts have an authoritaive status in Indian tradition, and narrate cosmogeny, royal chronologies, myths and legendary events. The central dates here are the Kurukshetra War and the start of the Kali Yuga. The Epic-Puranic chronology is referred to by proponents of Indigenous Aryans to propose an earlier dating of the Vedic period, and the spread of Indo-European languages out of India, arguing that "the Indian civilization must be viewed as an unbroken tradition that goes back to the earliest period of the Sindhu-Sarasvati Valley traditions ."
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