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A creation myth (or creation story) is a cultural, religious or traditional myth which describes the earliest beginnings of the present world. Creation myths are the most common form of myth, usually developing first in oral traditions, and are found throughout human culture. A creation myth is usually regarded by those who subscribe to it as conveying profound truths, though not necessarily in a historical or literal sense. They are commonly, though not always, considered cosmogonical myths, that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Caribbean
The Australian Aboriginal concepts of "The Dreaming" or "Dreamtime". [1]
In mythopoeia, an artificial mythology created by writers of prose or other fiction, traditional mythological themes and archetypes are integrated into fiction. Some works of mythopoeia also feature creation myths:
A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
The Tower of Babel is an origin myth and parable in the Book of Genesis meant to explain the existence of different languages and cultures.
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
In Mesopotamian religion, Tiamat is the primordial sea, mating with Abzû (Apsu), the groundwater, to produce the gods in the Babylonian epic Enûma Elish, which translates as "when on high." She is referred to as a woman, and has—at various points in the epic—a number of anthropomorphic features and theriomorphic features.
The cosmic egg, world egg or mundane egg is a mythological motif found in the cosmogonies of many cultures and civilizations, including in Proto-Indo-European mythology. Typically, there is an egg which, upon "hatching", either gives rise to the universe itself or gives rise to a primordial being who, in turn, creates the universe. The egg is sometimes lain on the primordial waters of the Earth. Typically, the upper half of the egg, or its outer shell, becomes the heaven (firmament) and the lower half, or the inner yolk, becomes the Earth. The motif likely stems from simple elements of an egg, including its ability to offer nourishment and give rise to new life, as is reflected by the Latin proverb omne vivum ex ovo.
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions.
Religious cosmology is an explanation of the origin, evolution, and eventual fate of the universe from a religious perspective. This may include beliefs on origin in the form of a creation myth, subsequent evolution, current organizational form and nature, and eventual fate or destiny. There are various traditions in religion or religious mythology asserting how and why everything is the way it is and the significance of it all. Religious cosmologies describe the spatial lay-out of the universe in terms of the world in which people typically dwell as well as other dimensions, such as the seven dimensions of religion; these are ritual, experiential and emotional, narrative and mythical, doctrinal, ethical, social, and material.
The Genesis creation narrative is the creation myth of both Judaism and Christianity, told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story modern scholars of biblical criticism identify the account as a composite work made up of two stories drawn from different sources.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths. Traditionally, the world was created on Chinese New Year and the animals, people, and many deities were created during its 15 days.
Since the emergence of the Big Bang theory as the dominant physical cosmological paradigm, there have been a variety of reactions by religious groups regarding its implications for religious cosmologies. Some accept the scientific evidence at face value, some seek to harmonize the Big Bang with their religious tenets, and some reject or ignore the evidence for the Big Bang theory.
Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.
The creation of life from clay can be seen as a miraculous birth theme that appears throughout world religions and mythologies. It can also be seen as one of gods who craft humans out of earthly materials. As such, this class of story falls within a larger set of divine or cosmogonic origin stories about creation, whether through divine emergence or divine craft.
Korean creation narratives are Korean shamanic narratives which recount the mythological beginnings of the universe. They are grouped into two categories: the eight narratives of mainland Korea, which were transcribed by scholars between the 1920s and 1980s, and the Cheonji-wang bon-puri narrative of southern Jeju Island, which exists in multiple versions and continues to be sung in its ritual context today. The mainland narratives themselves are subdivided into four northern and three eastern varieties, along with one from west-central Korea.
*Manu and *Yemo are thought to have been a duo in Proto-Indo-European mythology. In the creation myth, Manu kills Yemo as a foundational part of the origin of the universe. Yemo is sometimes also interpreted as a primordial hermaphrodite.