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A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creator god in Bushongo religion is called Bumba. Other names for him include M'Bombo and M'Bomba. He is said to have originally existed alone in darkness, in a universe consisting of nothing but primordial water. M'Bombo was said to appear like a gigantic man in form and white in colour. The creation took place when he vomited the sun, moon, animals and then humanity.
The world tree is a motif present in several religions and mythologies, particularly Indo-European, Siberian, and Native American religions. The world tree is represented as a colossal tree which supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworld. It may also be strongly connected to the motif of the tree of life, but it is the source of wisdom of the ages.
Traditional Sámi spiritual practices and beliefs are based on a type of animism, polytheism, and what anthropologists may consider shamanism. The religious traditions can vary considerably from region to region within Sápmi.
Erlik, Erlig, Erlik Khan, Erleg or Yerleg is the god of death and the underworld, sometimes referred to as Tamag (hell) in Turkic mythology. Er means Earth, in the depths of which Erlik lives in. From the underworld, Erlik brings forth death, plague and evil spirits to torment humans and take their souls into his realm. Since Tengrism is not based on a written corpus but encompasses the experienced spiritual life of Turkic people, there are no unanimous beliefs among all Turkic people. Erlik has already been mentioned in the Orkhon writings and shows a consistent pattern as the lord of the underworld among Turkic belief systems.
Umay is the goddess of fertility in Turkic mythology and Tengriism and as such related to women, mothers and children. Umay not only protects and educates babies, but also may separate the soul from the dead, especially young children. Umay resembles earth-mother goddesses found in various other world religions and the angel of life and death. From Umai, the essence of fire was born.
Potrimpo was a god of seas, earth, grain, and crops in the pagan Baltic, and Prussian mythology. He was one of the three main gods worshiped by the Old Prussians. Most of what is known about this god is derived from unreliable 16th-century sources.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
Coyote is a mythological character common to many cultures of the Indigenous peoples of North America, based on the coyote animal. This character is usually male and is generally anthropomorphic, although he may have some coyote-like physical features such as fur, pointed ears, yellow eyes, a tail and blunt claws. The myths and legends which include Coyote vary widely from culture to culture.
Turkic mythology refers to myths and legends told by the Turkic people. It features Tengrist and Shamanist strata of belief along with many other social and cultural constructs related to the nomadic and warrior way of life of Turkic and Mongol peoples in ancient times. Turkic mythology shares numerous points in common with Mongol mythology. Turkic mythology has also been influenced by other local Asiatic and Eurasian mythologies. For example, in Tatar mythology elements of Finnic and Indo-European mythologies co-exist. Beings from Tatar mythology include Äbädä, Alara, Şüräle, Şekä, Pitsen, Tulpar, and Zilant.
The Mongol mythology is the traditional religion of the Mongols.
Buga is a creator god and omnipotent highest power in the mythology of the Tungusic peoples.
A cosmic ocean, primordial waters, or celestial river is a mythological motif that represents the world or cosmos enveloped by a vast primordial ocean. Found in many cultures and civilizations, the cosmic ocean exists before the creation of the earth. From the primordial waters the earth and the entire cosmos arose. The cosmic ocean represents or embodies chaos.
Mbombo, also called Bumba, is the creator god in the religion and mythology of the Kuba people of Central Africa in the area that is now known as Democratic Republic of the Congo. In the Mbombo creation myth, Mbombo was a giant in form and white in color. The myth describes the creation of the universe from nothing.
The Mandé creation narrative is the traditional creation myth of the Mandinka of southern Mali.
The Ainu creation myths are the traditional creation accounts of the Ainu peoples of Japan. Their stories share common characteristics with Japanese creation myths and earth diver creation stories commonly found in Central Asian and Native American cultures. Ainu mythology divides time into three tenses: "Mosir sikah ohta", "mosir noskekehe", and "mosir kes". In one version, the creator deity sends down a water wagtail to create habitable land in the watery world below. The little bird fluttered over the waters, splashing water aside, and then he packed patches of the earth firm by stomping them with his feet and beating them with his tail. In this way, islands where the Ainu were later to live were raised to float upon the ocean.
The creation of life from clay is a miraculous birth theme that appears throughout world religions and mythologies.
Uno Nils Oskar Harva was a Finnish religious scholar, who founded the discipline in Finland together with Rafael Karsten. A major figure in North Eurasian ethnology and study of religion, Harva is best known for his body of work on Finno-Ugric and Altaic religions. He is considered to be one of the foremost 20th-century European interpreters of shamanism.
Korean creation narratives are Korean shamanic narratives which recount the mythological beginnings of the universe. They are grouped into two categories: the eight narratives of mainland Korea, which were transcribed by scholars between the 1920s and 1980s, and the Cheonji-wang bon-puri narrative of southern Jeju Island, which exists in multiple versions and continues to be sung in its ritual context today. The mainland narratives themselves are subdivided into four northern and three eastern varieties, along with one from west-central Korea.
References
- Leeming, David A. (2009), Creation Myths of the World (2nd ed.), ABC-CLIO, ISBN 978-1-59884-174-9
- Y.Z. (June 1824), "Some Account of the Tungousians in general and the Transbaikal Tungousians in particular", Asiatic Journal and Monthly Register, Wm. H. Allen & Co, 17 (102): 593–602
- Sproul, Barbara C. (2013), Primal myths : Creation Myths Around the World
- Holmberg, Uno (1964), MacCulloch, John Arnott; Moore, George Foot (eds.), The Mythology of All Races, vol. 4 Finno-Ugric, Siberian, Cooper Square Publishers, Inc., New York
Further reading
- Spasskiy, G. (1822), "Zabaykalskie tungusy", Sibirskiy Sbornik (in Russian), 19–20
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