Procession of the Tamil deity Perumal, identified with Vishnu
Tamil mythology refers to the folklore and traditions that are a part of the wider Dravidian pantheon, originating from the Tamil people.[1] This body of mythology is a fusion of elements from Dravidian culture and the parent Indus Valley culture, both of which have been syncretised with mainstream Hinduism.[2]
Other names: Arumugan, Sanmugan, Singaravelan, Kathiresan, Karthikeyan, Senan, Subramaniyan and Kandhan.
Murugan, also known as Kandhan, Kumaran,[5]Kartikeyan, and Subramaniyan, is the Hindu god of war and victory.[6][7][8] He is the son of Parvati and Shiva, brother of god Ganesha, whose life has many versions in Hinduism.[9] An important deity around South Asia since ancient times, Karthikeyan is particularly popular and predominantly worshipped in South India, Sri Lanka, Singapore and Malaysia as Murugan.[6][9][7]
Murugan is an ancient god, traceable to the Vedic era. Originally a god of the Kurinji hillfolk of Tamilakam, this Dravidian deity of Murugan was syncretised with the Vedic god known as Subrahmanya. Archaeological evidence from 1st-century CE and earlier,[10] where he is found with Hindu god Agni (fire), suggest that he was a significant deity in early Hinduism.[6] He is found in many medieval temples all over India, such as at the Ellora Caves and Elephanta Caves.[11]
The iconography of Murugan varies significantly; he is typically represented as an ever-youthful man, riding or near a peacock, dressed with weapons sometimes near a rooster. Most icons show him with one head, but some show him with six heads reflecting the legend surrounding his birth.[6][9][7] He grows up quickly into a philosopher-warrior, destroys evil in the form of asuras Taraka, teaches the pursuit of ethical life and the theology of Shaiva Siddhanta.[7][8] After defeating the asura Surapadman, Murugan marries the two daughters of Vishnu, Devasena and Sundaravalli. He has inspired many poet-saints, such as Arunagirinathar.[8][12]
Ayyappan (Malayalam: അയ്യപ്പന്),(Tamil: ஐயப்பன்) (also called Sastavu, or Sasta) is a Hindu deity predominantly worshipped in Kerala, an erstwhile region of Tamilakam. Ayyappan is believed to be an incarnation of Dharma Sasta, who is the offspring of Shiva and Vishnu (as Mohini, the only female avatar of Vishnu) and is generally depicted in a yogic posture, wearing a jewel around his neck, hence earning him the moniker Manikandan. Ayyappan may bear a historical relationship to the tutelary deityAyyanar in Tamil Nadu.[13] According to tradition, the asura princess Mahishi was enraged at the trick the gods had pulled on her brother, the asura king Mahishasura. As Mahishasura was blessed with invulnerability against all men, the gods had sent goddess Durga, to fight and kill him. Thus, Mahishi began performing a fearsome set of austerities, and pleased the creator god Brahma. She asked for the boon of invulnerability, but Brahma said it was not possible. Mahishi hence instead asked for invulnerability to all men, except by the son of Shiva and Vishnu. This was believed to be ingenious since both the aforementioned deities were males, and thus incapable of bearing offspring. He granted her the boon of ruling the universe and being invulnerable to all, but the son of Shiva and Vishnu. Since such a person did not exist, she thought that she was safe and began conquering and plundering the world.
The gods implored Shiva and Vishnu to save them from this catastrophe. Vishnu found a possible solution to the problem. When Vishnu had taken on the Kurma Avatar, he also had to manifest himself as Mohini, the enchantress, to save the nectar of immortality, amritam, from the demons who were not willing to share it with the gods. If he were to take on the form of Mohini again, then the female Mohini and the male Shiva could have the divine child who would combine their powers and vanquish Mahishi.
Some versions give a slightly more detailed version of the union of Shiva with Vishnu. One version tells of the asura Bhasmasura, who had so pleased Shiva with his austerities that the latter offered him a boon of anything he wished. So, Bhasmasura asked for the ability to burn to ashes anything which he placed his hand over. No sooner had Shiva granted this, than Bhasmasura ran after the god, threatening to turn him into ash.
Shiva called on Vishnu for help. He hid himself in a peepal tree as Bhasmasura followed him, and there began to search for the destroyer. Vishnu became aware of these events, and decided that he would take the female form Mohini, "the enchantress", to neutralise the asura's powers. When Bhasmasura saw Vishnu in this form, he was bewitched by her beauty. He earnestly tried to court her. Mohini instructed Bhasmasura to hold his hand over his head, and vow fidelity. With this act, Bhasmasura was reduced to ashes.
Vishnu found Shiva and explained the whole affair to him. Shiva asked if he too could see Vishnu in this female form. When Vishnu appeared thus, Shiva was overcome with passion, and the two engaged in intercourse. The two gods thus became "Harihara Murthi", that is, a composite form of Shiva and Vishnu as one god.
From this union, Dharma Sastha was born. He combined in himself the powers of both Vishnu and Shiva. Ayyappan is an incarnation of Dharma Sastha and is a visible embodiment of their essential identity. Vishnu gifted the new-born deity with a little bejeweled bell necklace, and so this god is called Manikandan.[14] He is also known as Dharma Shasthavu, and Kerala Putran.
Perumal (Tamil: பெருமாள்), also Tirumal (Tamil: திருமால்), is the Hindudeity venerated in the Sri Vaishnavism sect of Hinduism.[15] Perumal is considered to be another name of Vishnu, and was traditionally the deity associated with the forests.
Mentions in Sangam literature
Tamil Sangam literature (200 BCE to 500 CE) mentions Mayon or the "dark one," as the supreme deity who creates, sustains, and destroys the universe and was worshipped in the mountains of Tamilakam. The verses of Paripadal describe the glory of Perumal in the most poetic of terms.
In fire, you are the heat; in blossoms, the fragrance; among the stones, you are the diamond; in speech, truth; among virtues, you are love; in valour—strength; in the Veda, you are the secret; among elements, the primordial; in the burning sun, the light; in moonshine, its sweetness; you are all, and you are the substance and meaning of all.
Perumal (Vishnu) was the only deity who enjoyed the status of Paramporul during the Sangam age. The reference to Mukkol Bhagavars in Sangam literature indicates that only Vaishnavaite saints holding Tridanda existed during the age and Perumal was glorified as the supreme deity, whose "divine lotus feet can burn all our evils and grant moksha" (maru piraparukkum maasil sevadi). During the post-Sangam period, his worship was further glorified by the alvars and Vaishnavaacharyas. The veneration of Perumal is primarily performed in Tamil Nadu in sacred ceremonies and temples by the Iyengar community.[17]
The story of Chidambaram begins with Shiva strolling into the Thillai Vanam (vanam meaning forest and thillai trees – botanical name Exocoeria agallocha, a species of mangrove trees – which currently grows in the Pichavaram wetlands near Chidambaram). In the Thillai forests resided a group of sages or 'rishis' who believed in the supremacy of magic and that God can be controlled by rituals and mantras or magical words.[18] Shiva strolled in the forest with resplendent beauty and brilliance, assuming the form of Bhikshatana, a simple mendicant seeking alms. He was followed by Vishnu, as Mohini. The sages and their wives were enchanted by the brilliance and the beauty of the handsome mendicant and his companion. On seeing their womenfolk enchanted, the rishis got enraged and invoked scores of serpents (nāgas) by performing magical rituals. Shiva lifted the serpents and donned them as ornaments on his matted locks, neck and waist. Further enraged, the sages invoked a fierce tiger, whose skins and dons were used by Shiva as a shawl around his waist and then followed by a fierce elephant, which was devoured and ripped to death by Shiva (Gajasamharamurthy).
The rishis gathered all their spiritual strength and invoked a powerful demon Muyalakan – a symbol of complete arrogance and ignorance. Shiva wore a gentle smile, stepped on the demon's back, immobilized him and performed the Ánanda Tandava (the dance of eternal bliss) and disclosed his true form. The sages surrender, realizing that Shiva was beyond magic and rituals.[18]
Once Indra killed a demon, even though the demon did not harm anyone. This act brought a curse upon Indra that forced him to continue wandering until he was walking around looking for a way where no one would tell him which way to go will redeem him from his sin. After much wandering, Indra was freed from his suffering through the power of a Shivalingam in a forest, and so he built a small temple at that site.
It so happened that at that time in South India there was a Pandyanking called Malayadhwaja Pandiyan[19] ruling a small city by the name Manavur, which was quite near to this Shivalinga. He was the son of Kulashekara Pandyan. He learned about the Shivalinga and decided to build a huge temple for Shiva in the forest Kadambavanam (vanam means forest). He also developed the region into a fine princely state called Madurai.
The king was childless and sought an heir for the kingdom. Shiva granted him his prayers through an Ayonija child (one born not from the womb). This child was three years old and actually the incarnation of goddess Parvati the consort of Shiva. She was born with fish-shaped eyes. It was said that the extra breast would disappear when she met her future husband. She was named Mīnakshi, (meaning fish eyed) from the words mīna (meaning fish) and akṣi (meaning eyes). Mīnakshi also means "the one who has eyes like that of a fish". Fishes are said to feed their younger ones with their eyes, similarly goddess looks after her devotees. Just by her sight our miseries disappear.
She grew up to be a Shiva-Shakti personification. After the death of the king, she ruled the kingdom with skillful administration.
In one of her expeditions she went to the Himalayas and there, on seeing Shiva, her extra breast disappeared. Many of the gods and goddesses came to witness their marriage.
At the wedding celebrations the gods refused to have the served food unless Shiva performed a majestic dance for everybody gathered at the place. At this there was the dance of Chidambaram, the cosmic dance in front of his wife Minakshi. It epitomised and merged all life force and beauty into one whole. In the end Minakshi was merged with the shivalingam and became the representation of life and beauty.
Kodungallur Bhagavathy Temple was built to commemorate the martyrdom of Kannagi. It is said that sixth avatar of Vishnu, Sage Parasurama built this temple for the prosperity of the people. According to the old chronicles, this Bhagavathi temple was created in the heart of the town many centuries ago to serve a special purpose.[20]
Deity of Kodungallur Bhagavathy in the temple
Legend says that, after the creation of Kerala by Parasurama, he was harassed by a demon called Daruka. To kill this evil demon, Parashurama prayed to Shiva for help. As advised by Shiva, Parasurama constructed the shrine and installed the Shakti Devi as Bhagavathi. The deity in the temple, it is believed, is Parashakthi herself. According to legends, it was Bhadrakali who killed the demon Daruka. She is worshipped as goddess Pattini in Sri Lanka by the SinhaleseBuddhists, Kannaki Amman by the Sri Lankan TamilHindus (See Hinduism in Sri Lanka) and as Kodungallur Bhagavathy and Attukal Bhagavathy in the South Indian state of Kerala.[21]
Kannagi is also viewed as a brave woman who could demand justice directly from the King and even dared to call him "unenlightened king" in the Cilappatikaram.
Mariamman is a Hindugoddess of rain, predominant in the rural areas of South India. Mariamman's worship originated in the traditions of Dravidian folk religion, the faith practised by the inhabitants of the south before its syncretism with Vedic Hinduism. She is the main Tamil mother goddess, predominant in the rural areas of South India. Mariamman is usually pictured as a beautiful young woman with a red-hued face, wearing a red dress. Sometimes, she is portrayed with many arms—representing her many powers—but in most representations she has only two or four.[22]
Mariamman is generally portrayed in the sitting or standing position, often holding a trident (trishula) in one hand and a bowl (kapala) in the other. One of her hands may display a mudra, usually the abhaya mudra, to ward off fear. She may be represented with two demeanours—one displaying her pleasant nature, and the other her terrifying aspect, with fangs and a wild mane of hair.
Other deities
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Other deities that fall under the scope of the Tamil pantheon include:
Tamil mythology, while heavily influenced by mainstream Hindu mythology, offers a number of variations in the existence of regional deities, divergences in legends, and relationships in the overall pantheon.
Parvati is regarded to be the sister of Vishnu.[23] Vishnu is sometimes referred to as the ceremonial sister of the goddess in Shaivism.
Vishnu is featured with three consorts: Sridevi, Bhudevi, and Niladevi, all of them manifestations of Lakshmi. While Bhudevi is sometimes regarded to be a consort of Vishnu, Niladevi is widely excluded in mainstream Hinduism.
Murugan is regarded to be the younger brother of Ganesha.[24] The deity is the elder brother of Ganesha in the Puranas.
Murugan is regarded to have two consorts, Valli and Devayanai, the daughters of Vishnu.[25] He is celibate in the Puranas.
The Alvars (Tamil: ஆழ்வார், romanized:Āḻvār, lit. 'The Immersed') were Tamil poet-saints of South India who espoused bhakti (devotion) to the Hindu god Vishnu in their songs of longing, ecstasy, and service. They are venerated in Vaishnavism, which regards Vishnu as the Ultimate Reality.[27]
The devotional outpourings of the Alvars, composed during the early medieval period of Tamil history, were the catalysts behind the Bhakti movement through their hymns of worship to Vishnu and his avatars. They praised the Divya Desams, the 108 divine realms of deities affiliated to Vaishnavism. The poetry of the Alvars echoes bhakti to God through love, and in the ecstasy of such devotions they sang hundreds of songs which embodied both depth of feeling and the felicity of expressions. The collection of their hymns is known as the Naalayira Divya Prabandham. The bhakti literature that sprang from Alvars has contributed to the establishment and sustenance of a culture that deviated from the Vedic religion and rooted itself in devotion as the only path for salvation. In addition, they contributed to Tamil devotional verses independent of a knowledge of Sanskrit. As a part of the legacy of the alvars, five Vaishnava philosophical traditions (sampradayas) developed over a period of time.
Siddhars (Tamil: சித்தர்) are saints in India, mostly affiliated with the Shaiva denomination in Tamil Nadu, who professed and practised an unorthodox type of Sadhana, or spiritual practice, to attain liberation. Yogic powers referred to as Siddhis are believed to be acquired by constant practice of certain yogic disciplines. Those who acquire these Siddhis are called Siddhas.[28] These Siddhars can be compared to mystics of the western civilization. Siddhars are people who are believed to control and transcend the barriers of time and space by meditation (yoga), after the use of substances called rasayanas that transform the body to make it potentially deathless, and a particular breathing-practice, a type of Pranayama. Through their practices, they are believed to have reached stages of insight which enabled them to tune into the powers hidden in various material substances and practices, useful for the suffering and ignorant mankind. Typically, Siddhars were saints, doctors, alchemists, and mystics all at once. They wrote their findings in the form of poems in Tamil language, on palm leaves that are collected and stored in what are known today as the palm leaf manuscript, today still owned by private families in Tamil Nadu and handed down through the generations, as well as public institutions such in universities all over the world (India, Germany, Great Britain, U.S.).[29]
In this way, Siddhars developed, among other branches of a vast knowledge-system, what is now known as Siddha medicine, practised mainly in Tamil Nadu as traditional native medicine. A rustic form of healing that is similar to Siddha medicine has since been practised by experienced elderly in the villages of Tamil Nadu. (This has been misunderstood as Paatti Vaitthiyam, Naattu marunthu and Mooligai marutthuvam. While paati vaitthiyam or naatu marunthu is traditional Tamil medicine and mooligai marutthuvam is ayurvedic medicine.) They are also founders of Varmam – a martial art for self-defence and medical treatment at the same time. Varmam are specific points located in the human body which when pressed in different ways can give various results, such as disabling an attacker in self-defence, or balancing a physical condition as an easy first-aid medical treatment.
Tamil Siddhars were the first to develop pulse-reading ("naadi paarththal" in Tamil) to identify the origin of diseases. This method was later copied and used in ayurvedha.[30]
Siddhars have also written many religious poems. It is believed that most of them have lived for ages, in a mystic mountain called Sathuragiri, near Thanipparai village in Tamil Nadu.
One of the best-known Siddhars was Agastya, who is believed to be the founding father of Siddha culture.
Abithana Chintamani states Siddhars are either of the 9 or 18 persons enlisted, but sage Agastya states that there are many who precede these and follow 9 or 18 persons. Many of the great Siddhars are regarded to have powers magical and spiritual.
There are 18 Siddhars in the Tamil Siddha tradition:
Hindu mythology is the body of myths attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedas, the itihasa the Puranas, and mythological stories specific to a particular ethnolinguistic group like the Tamil Periya Puranam and Divya Prabandham, and the Mangal Kavya of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts.
Avatar is a concept within Hinduism that in Sanskrit literally means 'descent'. It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being.
Ayyappan, also known as Dharmasastha and Manikandan, is the Hindu deity of truth and righteousness. According to Hindu theology, he is described as the son of Shiva and Vishnu in the form of Mohini, thus representing a bridge between Shaivism and Vaishnavism.
Dhanvantari is the physician of the devas in Hinduism. He is regarded as an avatar of Vishnu. He is mentioned in the Puranas as the god of Ayurveda.
Uthamar Kovil in Uthamarkoil, a village in the outskirts of Tiruchirappalli in the South Indian state of Tamil Nadu, is dedicated to the Hindu Trimurti of Vishnu, Shiva, and Brahma. Constructed in the Dravidian style of architecture, the temple is glorified in the Nalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Purushothaman Perumal and his consort Lakshmi as Poornavalli Thayar.
Mohini is the Hindu goddess of enchantment. She is the only female avatar of the Hindu god Vishnu. She is portrayed as a femme fatale, an enchantress, who maddens lovers and demons, sometimes leading them to their doom. Mohini is introduced into Hinduism in the narrative epic of the Mahabharata. Here, she appears as a form of Vishnu following the Churning of the Ocean, a mesmerising beauty who distributes the amrita to the weakened devas (gods) and depriving it to the dominant asuras (demons), allowing the former to defeat the latter with their newfound immortality.
Perumal or Thirumal is a Hindu deity. Perumal is worshipped mainly among Tamil Hindus in South India and the Tamil diaspora, who consider Perumal to be a form of Vishnu.
The village deities of Southern India are the numerous spirits and other beings venerated as part of the Dravidian folk tradition in villages throughout South India. These deities, mainly goddesses, are intimately associated with the well-being of the village, and can have either benevolent or violent tendencies. These deities are presently in various stages of syncretism or assimilation with mainstream Hindu traditions.
Azhagiya Manavalan Perumal Temple in Uraiyur, a suburb Tiruchirappalli in the south Indian state of Tamil Nadu, is dedicated to the Hindu God Azhagiya Manavalan (Vishnu) and Goddess Kamalavalli (Lakshmi). Constructed in the Dravidian style of architecture, the temple is glorified in the Divya Prabandha, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divyadesam dedicated to Lakshmi Narayana.
The Jagad Rakshaka Perumal Temple or Thirukoodalur in Vadakurangaduthurai, a village in the outskirts of Kumbakonam in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Vishnu. Constructed in the Dravidian style of architecture, the temple is glorified in the Nalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Jakath Rakshaka and his consort Lakshmi as Pushpavalli.
Shasta is a Hindu deity, described as the son of the deities Shiva and Mohini, Vishnu's female avatar. In South India, he is identified with the Ayyanar, Nattarayan or Sattan in Tamil Nadu, as Ayyanayake in Sinhala and the Ayyappan in Kerala. His principal function is to act as a kuladevata of a given clan, as well as act as a guardian of a village's boundaries.
The Thirumohoor Kalamegaperumal Temple is a Hindu temple near Melur, Madurai district in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Vishnu. Constructed in the Dravidian style of architecture, the temple is glorified in the Nalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Kalamega Perumal and his consort Lakshmi as Mohanavalli Thayar. As per Hindu legend, the presiding deity is believed to have appeared as the divine enchantress Mohini to allure the asuras to support the devas, the celestial deities. The temple is also known as Mohanapuram and Mohanakshetram.
Kartikeya, also known as Skanda, Subrahmanya, Shanmukha and Murugan, is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.
The Bhaktavatsala Perumal Temple is a temple dedicated to Hindu god Vishnu, located in Thirukannamangai, a village in Tiruvarur district in the South Indian state of Tamil Nadu. Constructed in Dravidian style of architecture, the temple is glorified in the Nalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is counted as one among the 108 Divya Desams dedicated to Vishnu. Vishnu is worshipped as Bhaktavatsala Perumal and his consort Lakshmi as Kannamangai Nayagi.
Ulagalantha Perumal Temple or Trivikrama Temple is a Hindu temple dedicated to Vishnu located in Tirukkoyilur, Tamil Nadu, India. Constructed in the Dravidian style of architecture, the temple is glorified in the Naalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Ulagalantha Perumal and his consort Lakshmi as Poongothai. The temple is believed to have been built by the Medieval Cholas, with later contributions from Vijayanagara kings and Madurai Nayaks. The temple covers an area of 5 acres (20,000 m2) and has a temple tower that is the third tallest in Tamil Nadu, measuring 192 ft (59 m) in height.
Hinduism in Tamil Nadu finds its earliest literary mention in the Sangam literature dated to the 5th century BCE. The total number of Tamil Hindus as per 2011 Indian census is 63,188,168 which forms 87.58% of the total population of Tamil Nadu. Hinduism is the largest religion in Tamil Nadu.
Sri Mariamman Temple is Medan's oldest Hindu Temple. This temple was built in 1884 for the worship of Goddess Mariamman. The temple is situated in the area known as Kampung Madras or Medan's Little India. This temple is also devoted to the Hindu Gods Ganesha, and Murugan, children of Mariamman. The Gate is decorated by gopuram, namely storey tower which can usually be found at the gate of the Hindus temples in South India. The temple is a meeting point for worshippers during Thaipusam and Deevapali festivals.
Tamil Hindus are the Tamil-speaking people who follow Hinduism.
Vaishnavism in Tamil Nadu is documented in ancient Tamil Sangam literature dating back to the 5th century BCE. Maha Vishnu, also known as Perumal, is notably the most frequently mentioned deity in Sangam Literature. Some of the earliest known mentions of Perumal, and the Tamil devotional poems ascribed to him, are found in Paripāṭal – the Sangam era poetic anthology. He is a popular Hindu deity, particularly among Tamils in Tamil Nadu and the Tamil diaspora, as well as in Vaishnava temples. One of the richest and largest Hindu temples complexes is dedicated to Perumal in South India. [where? citation needed]
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