Hindu deities

Last updated

Ganesha Basohli miniature circa 1730 Dubost p73.jpg
The Hindu God Vishnu LACMA M.70.5.1 (1 of 12).jpg
Bearded Shiva.jpg
Durga Mahisasuramardini.JPG
Raja Ravi Varma, Goddess Lakshmi, 1896.jpg
Saraswati.jpg
Examples of Hindu deities (from top): Ganesha, Vishnu, Shiva, Durga, Lakshmi and Saraswati.

Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. [1] [2] [3] The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. [4] [5] [note 1]

Contents

The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism's diverse traditions. [6] [7] The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy, [8] [9] to thirty-three major deities in the Vedas, [10] to hundreds of deities mentioned in the Puranas of Hinduism. [11] Illustrations of major deities include Vishnu, Lakshmi, Shiva, Parvati, Brahma and Saraswati. These deities have distinct and complex personalities, yet are often viewed as aspects of the same Ultimate Reality called Brahman. [12] [note 2] From ancient times, the idea of equivalence has been cherished for all Hindus, in its texts and in early 1st-millennium sculpture with concepts such as Harihara (Half Vishnu, Half Shiva) [13] and Ardhanārīshvara (half Shiva, half Parvati), [14] with myths and temples that feature them together, declaring they are the same. [15] [16] [17] Major deities have inspired their own Hindu traditions, such as Vaishnavism, Shaivism and Shaktism, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism. [18] [19] [20] Some Hindu traditions, such as Smartism from the mid 1st millennium CE, have included multiple major deities as henotheistic manifestations of Saguna Brahman, and as a means to realizing Nirguna Brahman. [21] [22] [23] In Samkhya philosophy, Devata or deities are considered as "natural sources of energy" who have Sattva as the dominant Guna. [24]

Hindu deities are represented with various icons and anicons in sculptures and paintings, called Murtis and Pratimas. [25] [26] [27] Some Hindu traditions, such as ancient Charvakas, rejected all deities and concept of god or goddess, [28] [29] [30] while 19th-century British colonial era movements such as the Arya Samaj and Brahmo Samaj rejected deities and adopted monotheistic concepts similar to Abrahamic religions. [31] [32] Hindu deities have been adopted in other religions such as Jainism, [33] and in regions outside India, such as predominantly Buddhist Thailand and Japan, where they continue to be revered in regional temples or arts. [34] [35] [36]

In ancient and medieval era texts of Hinduism, the human body is described as a temple, [37] [38] and deities are described to be parts residing within it, [39] [40] while the Brahman (Absolute Reality, God) [21] [41] is described to be the same, or of similar nature, as the Atman (Self), which Hindus believe is eternal and within every living being. [42] [43] [44]

Devas and devis

Goddess Durga and a pantheon of other gods and goddesses being worshipped during Durga Puja Festival in Kolkata. jii. ddi. blk slttlek duurgaa pujo 2018.jpg
Goddess Durga and a pantheon of other gods and goddesses being worshipped during Durga Puja Festival in Kolkata.

Deities in Hinduism are referred to as Deva (masculine) and Devi (feminine). [45] [46] [47] The root of these terms means "heavenly, divine, anything of excellence". [48]

In the earliest Vedic literature, all supernatural beings are called Asuras. [49] [50] By the late Vedic period (c. 500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. [6] [7] In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful, but malevolent counterparts referred to as the Asuras. [51]

Hindu deities are part of Hindu mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism. [52] [53]

Characteristics of Vedic-era deities

In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of specialized knowledge, creative energy, exalted and magical powers ( Siddhis ). [54] [55]

Rudra.gif
ThreeHeadedShivaGandhara2ndCentury.jpg
Indian - Festival Image of Shiva - Walters 543084.jpg
Vedic era deities evolved. Rudra (left) is represented in Vedic literature, is shown as Shiva-Rudra 2nd-century sculpture (middle), and as Shiva (meaning kind) in 13th-century artwork (right). The iconography evolved, retaining some symbolic elements such as trident, axe, or antelope. [56] [57]

The most referred to Devas in the Rigveda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity. Indra and Soma are two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas. [34]

The Vedas describes a number of significant Devis such as Ushas (dawn), Prithvi (earth), Aditi (cosmic moral order), Saraswati (river, knowledge), Vāc (sound), Nirṛti (destruction), Ratri (night), Aranyani (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi, among others, mentioned in the Rigveda . [58] Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era. [59] All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (c. 500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one Brahman, the Supreme power. [59] [60]

Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology. [61] [62] According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's nature, and the Hindu formulation of Devas and Asuras is an eternal dance between these within each person. [63] [64]

The Devas and Asuras, Angels and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution, or transformation. In this case, the Titan is potentially an Angel, the Angel still by nature a Titan; the Darkness in actu is Light, the Light in potentia Darkness; whence the designations Asura and Deva may be applied to one and the same Person according to the mode of operation, as in Rigveda 1.163.3, "Trita art thou (Agni) by interior operation".

Ananda Coomaraswamy, Journal of the American Oriental Society [62]

Characteristics of medieval-era deities

In the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad. [6] [7] According to the Bhagavad Gita (16.6–16.7), all beings in the universe have both the divine qualities (daivi sampad) and the demonic qualities (asuri sampad) within them. [7] [65] The sixteenth chapter of the Bhagavad Gita states that pure god-like saints are rare, as are pure demon-like evil individuals among human beings. Instead, the majority of humanity is multi-charactered with a few or many faults. [7] According to Jeaneane Fowler, the Gita states that desires, aversions, greed, needs, emotions in various forms "are facets of ordinary lives". It is only when they turn to lust, hate, cravings, arrogance, conceit, anger, harshness, hypocrisy, violence, cruelty and such negativity- and destruction-inclined tendencies that natural human inclinations metamorphose into something demonic (Asura). [7] [65]

Indra is a Vedic era deity, found in south and southeast Asia. Above Indra is part of the seal of a Thailand state. Seal Surin.png
Indra is a Vedic era deity, found in south and southeast Asia. Above Indra is part of the seal of a Thailand state.

The Epics and medieval era texts, particularly the Puranas, developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies. [66] [67] [68] Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi. [66] Other texts and commentators such as Adi Shankara explain that Hindu deities live or rule over the cosmic body as well as in the temple of the human body. [37] [69] They remark that the Sun deity is the eyes, the Vāyu the nose, the Prajapati the sexual organs, the Lokapalas the ears, Chandra the mind, Mitra the inward breath, Varuna the outward breath, Indra the arms, Bṛhaspati the speech, Vishnu, whose stride is great, is the feet, and Māyā is the smile. [69]

Symbolism

Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self. [70] Virocana leaves with the first given answer, believing now he can use the knowledge as a weapon. In contrast, Indra keeps pressing the sage, churning the ideas, and learning about means to inner happiness and power. Edelmann suggests that the Deva-Asura dichotomies in Hindu mythology may be seen as "narrative depictions of tendencies within our selves". [70] Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers". [71]

In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence. [72] [73] The "Asuras who become Devas" in contrast are driven by an inner voice, seek understanding and meaning, prefer moderation, principled behavior, aligned with Ṛta and Dharma , knowledge and harmony. [72] [73] [74]

The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being. [75] In the Bhāgavata Purana, saints and gods are born in families of Asuras, such as Mahabali and Prahlada, conveying the symbolism that motivations, beliefs and actions rather than one's birth and family circumstances define whether one is Deva-like or Asura-like. [75]

Ishvara

Ishvara is, along with Shiva, Vishnu and Brahma, one of the 17 deities commonly found in Indonesian Surya Majapahit Hindu arts and records. However, Ishvara represents different concepts in various Hindu philosophies. Surya Majapahit Diagram.svg
Ishvara is, along with Shiva, Vishnu and Brahma, one of the 17 deities commonly found in Indonesian Surya Majapahit Hindu arts and records. However, Ishvara represents different concepts in various Hindu philosophies.

Another Hindu term that is sometimes translated as the deity is Ishvara, or various deities are described, state Sorajjakool et al., as "the personifications of various aspects of the same Ishvara". [76] The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism. [77] [78] [79] In ancient texts of Indian philosophy, Ishvara means supreme Self, Brahman (Highest Reality), ruler, king or husband depending on the context. [77] In medieval era texts, Ishvara means God, Supreme Being, personal god, or special Self depending on the school of Hinduism. [5] [79] [80]

Among the six systems of Hindu philosophy, Samkhya and Mimamsa do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, Vaisheshika, Vedanta, and Nyaya schools of Hinduism discuss Ishvara but assign different meanings.

Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons, and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists. [29] [81] Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of an omniscient, omnipresent, omnipotent deity (God). [82]

Vaisheshika school of Hinduism, as founded by Kanada in the 1st millennium BCE, neither required nor relied on a creator deity. [83] [30] Later Vaisheshika school adopted the concept of Ishvara, states Klaus Klostermaier, but as an eternal God who co-exists in the universe with eternal substances and atoms, but He "winds up the clock, and lets it run its course". [83]

Ancient Mimamsa scholars of Hinduism questioned what is Ishvara (deity, God)? [84] They considered a deity concept unnecessary for a consistent philosophy and moksha (soteriology). [84] [85]

In the Samkhya school of Hindu philosophy, Isvara is neither a creator-God nor a savior-God. [86] This is called one of the several major atheistic schools of Hinduism by some scholars. [87] [88] [89] Others, such as Jacobsen, state that Samkhya is more accurately described as non-theistic. [90] Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy. [12]

In the Yoga school of Hinduism, it is any "personal deity" (Ishta Deva or Ishta Devata) [91] or "spiritual inspiration", but not a creator God. [80] [87] Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation". [92]

The Advaita Vedanta school of Hinduism asserted that there is no dualistic existence of a deity (or deities). [12] [93] There is no otherness nor distinction between Jiva and Ishvara. [94] [95] God (Ishvara, Brahman) is identical with the Atman (Self) within each human being in Advaita Vedanta school, [96] and there is a monistic Universal Absolute Oneness that connects everyone and everything. [43] [95] [97]

In Dvaita sub-school of Vedanta Hinduism, Ishvara is defined as a creator God that is distinct from Jiva (individual Selfs in living beings). [44] In this school, God creates individual Self (Atman), but the individual Self never was and never will become one with God; the best it can do is to experience bliss by getting infinitely close to God. [23]

Number of deities

Yantra as aniconic deities
Sriyantra.svg
Sri Yantra symbolizing the goddess Tripura Sundari
Yantras or mandalas (shown) are 3-D images. [98] In Tantra, a minority tradition in Hinduism, [99] they are considered identical with deity. [100] Similar tantric yantras are found in Jainism and Buddhism as well. [101]

Yāska, the earliest known language scholar of India (c. 500 BCE), notes Wilkins, mentions that there are three deities (Devas) according to the Vedas, "Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky". [102] This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas, [note 3] either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Ashvins in the Brahmanas layer of Vedic texts. [106] [48]

The Rigveda states in hymn 1.139.11,

ये देवासो दिव्येकादश स्थ पृथिव्यामध्येकादश स्थ ।
अप्सुक्षितो महिनैकादश स्थ ते देवासो यज्ञमिमं जुषध्वम् ॥११॥ [107]

O ye eleven gods whose home is heaven, O ye eleven who make earth your dwelling,
Ye who with might, eleven, live in waters, accept this sacrifice, O gods, with pleasure.
– Translated by Ralph T. H. Griffith [108]

Gods who are eleven in heaven; who are eleven on earth;
and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice.
– Translated by HH Wilson [109]

Rigveda 1.139.11

One or one-ness

Thirty-three koti (33 supreme) divinities are mentioned in other ancient texts, such as the Yajurveda. Most by far, are goddesses state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture. [110] Scholars state all deities are typically viewed in Hinduism as "emanations or manifestation of genderless principle called Brahman, representing the many facets of Ultimate Reality". [110] [111] [112] In Hinduism, the concept is that "God, the universe, human beings and all else is essentially one thing" and there is a connected oneness where the same God resides within every human being as Atman, the eternal Self. [112] [113]

Iconography and practices

Indian murti (statue) proportions posture shape design 05.jpg
Indian murti (statue) proportions posture shape design 06.jpg
Indian murti (statue) proportions posture shape design 10.jpg
Proper Murti design is described in ancient and medieval Indian texts (Bengali). They describe proportions, posture, and expressions among other details, often referencing nature. [114] [115] [116]

A Hindu prayer before cutting a tree for a Murti

Oh, Tree! you have been selected for the worship of a deity,
Salutations to you!
I worship you per rules, kindly accept it.
May all who live in this tree, find residence elsewhere,
May they forgive us now, we bow to them.

Brihat Samhita 59.10 - 59.11 [117] [118]

Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (Sanskrit: मूर्ति, IAST: Mūrti), or Vigraha or Pratima. [26] A Murti is itself not the god in Hinduism, but it is an image of god and represents emotional and religious value. [119] A literal translation of Murti as an idol is incorrect, states Jeaneane Fowler when the idol is understood as superstitious end in itself. [119] Just like the photograph of a person is not the real person, a Murti is an image in Hinduism but not the real thing, but in both cases, the image reminds of something of emotional and real value to the viewer. [119] When a person worships a Murti, it is assumed to be a manifestation of the essence or spirit of the deity, the worshipper's spiritual ideas and needs are meditated through it, yet the idea of ultimate reality or Brahman is not confined in it. [119]

A Murti of a Hindu deity is typically made by carving stone, woodworking, metal casting, or through pottery. Medieval era texts describing their proper proportions, positions and gestures include the Puranas, Agamas and Samhitas particularly the Shilpa Shastras. [25] The expressions in a Murti vary in diverse Hindu traditions, ranging from Ugra symbolism to express destruction, fear and violence (Durga, Parvati, Kali), as well as Saumya symbolism to express joy, knowledge, and harmony (Parvati, Saraswati, Lakshmi). Saumya images are most common in Hindu temples. [120] Other Murti forms found in Hinduism include the Linga. [121]

A Murti is an embodiment of the divine, the Ultimate Reality or Brahman to some Hindus. [25] In the religious context, they are found in Hindu temples or homes, where they may be treated as a beloved guest and serve as a participant of Puja rituals in Hinduism. [122] A murti is installed by priests, in Hindu temples, through the Prana Pratishtha ceremony, [123] whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend. [124] In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti. [125]

Temple and worship

Jatalinga sur cuve a ablution (musee Guimet) (5153565239).jpg
tullsi-trr.JPG
Namaste to the rising sun, Hindu culture religion rites rituals sights.jpg
Along with murtis, Hindus use nature and aniconic symbols for deities. The lingam (left) symbolizes Shiva and Parvati, [126] the Tulasi plant in a square base (center) is symbolism for Vishnu, [127] and sunrise (or rivers) are revered as aspects of the spiritual everywhere. [128]

In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home, or as an amulet. The worship performed by Hindus is known by several regional names, such as Puja. [129] This practice in front of a murti may be elaborate in large temples, or be a simple song or mantra muttered in home, or offering made to sunrise or river or symbolic an icon of a deity. [130] [131] [132] Archaeological evidence of deity worship in Hindu temples trace Puja rituals to Gupta Empire era (c. 4th century CE). [133] [134] In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional. [135] [136]

The Puja practice is structured as an act of welcoming, hosting, and honoring the deity of one's choice as one's honored guest, [137] and remembering the spiritual and emotional significance the deity represents to the devotee. [119] [129] Jan Gonda, as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps (Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with Dhupa or Aarti along with food (Naivedhya) is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses goodbye to the deity. [138] [139] The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation. [140]

Deity worship ( Bhakti ), visiting temples, and Puja rites are not mandatory and are optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some. [141] [142] Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic, or humanist. [1]

Devotees engage with deities in more personalized relationships. Ramanuja differentiates between three types of devotees: power-seekers, liberation-seekers, and those seeking love and communion with the deity. While all three are considered dharmic, they are not equally significant in terms of liberation. Power-seekers pursue goals for overall benefit, while liberation-seekers seek unity with the divine. The highest form of devotion is characterized by selfless love for the divine. [143]

Examples

Six Hinduism deities. Surya, Parvati, Hanuman, Lakshmi, Vishnu, and Indra. All of these statues came from India, except Vishnu (from the Thai-Cambodian border). Various eras. National Museum of Scotland, Edinburgh Six Hinduism deities. Surya, Parvati, Hanuman, Lakshmi, Vishnu, and Indra. All of them came from India, except Vishnu (from the Thai-Cambodian border). Various eras. National Museum of Scotland, Edinburgh.jpg
Six Hinduism deities. Surya, Parvati, Hanuman, Lakshmi, Vishnu, and Indra. All of these statues came from India, except Vishnu (from the Thai-Cambodian border). Various eras. National Museum of Scotland, Edinburgh

Major deities have inspired a vast genre of literature such as the Puranas and Agama texts as well their own Hindu traditions, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism. [19] [20] Vishnu and his avatars are at the foundation of Vaishnavism, Shiva for Shaivism, Devi for Shaktism, and some Hindu traditions such as Smarta traditions who revere multiple major deities (five) as henotheistic manifestations of Brahman (absolute metaphysical Reality). [111] [144] [145]

While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism. [111] Julius Lipner, and other scholars, state that pluralism and "polycentrism" – where other deities are recognized and revered by members of different "denominations", has been the Hindu ethos and way of life. [19] [146]

Trimurti and Tridevi

The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE. [147] The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature. [148] Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Parvati in the text Devi Mahatmya, in the Shakta tradition, which further assert that Devi is the Brahman (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva. [147] The other triads, formulated as deities in ancient Indian literature, include Sun (creator), Air (sustainer) and Fire (destroyer); Prana (creator), Food (sustainer) and Time (destroyer). [147] These triads, states Jan Gonda, are in some mythologies grouped together without forming a Trinity, and in other times represented as equal, a unity and manifestations of one Brahman. [147] In the Puranas, for example, this idea of threefold "hypostatization" is expressed as follows,

They [Brahma, Vishnu, Shiva] exist through each other, and uphold each other; they are parts of one another; they subsist through one another; they are not for a moment separated; they never abandon one another.

Vayu Purana, 5.17, Translated by Jan Gonda [147]

The triad appears in Maitrayaniya Upanishad, for the first time in recognized roles known ever since, where they are deployed to present the concept of three Guṇa – the innate nature, tendencies and inner forces found within every being and everything, whose balance transform and keeps changing the individual and the world. [148] [149] It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts. [147] The Bhagavad Gita, in verses 9.18, 10.21-23 and 11.15, asserts that the triad or trinity is manifestation of one Brahman, which Krishna affirms himself to be. [150] However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations. [148] The triad, with Brahma creating, Vishnu preserving and Shiva destroying, balances the functioning of the whole universe.

Avatars of Hindu deities

The ten avatars of Vishnu, (Clockwise, from top left) Matsya, Kurma, Varaha, Vamana, Krishna, Kalki, Buddha, Parshurama, Rama and Narasimha, (in centre) Radha and Krishna. Painting currently in Victoria and Albert Museum. Avatars.jpg
The ten avatars of Vishnu, (Clockwise, from top left) Matsya, Kurma, Varaha, Vamana, Krishna, Kalki, Buddha, Parshurama, Rama and Narasimha, (in centre) Radha and Krishna. Painting currently in Victoria and Albert Museum.

Hindu mythology has nurtured the concept of the avatar (avatāra), which represents the descent of a deity on earth. [151] [152] This concept is commonly translated as "incarnation", [151] and is an "appearance" or "manifestation". [153] [154]

The concept of the avatar is most developed in Vaishnavism tradition, and associated with Vishnu, particularly with Rama and Krishna. [155] [156] Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the Samudra Manthana, in the form of Mohini, to resolve a conflict between the devas and the asuras. His male avatars include Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha, and Kalki. [156] In some lists, Balarama replaces the Buddha. [157] Various texts, particularly the Bhagavad Gita , discuss the idea of an avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world. [152]

In Shaktism traditions, the concept appears in its legends as the various manifestations of Devi, the divine-mother principle in Hinduism. [158] The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in the eastern states of India, as well as Tantra traditions. [159] [160] [161] Twenty-one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions focus directly on Shiva rather than the avatar concept. [151]

Major regional and pan-Indian Hindu deities

Name Other NamesAvatārs or Associated DeitiesGeography Image Early illustrative art
Vishnu Nārāyana,
Venkateshwara, Jagannatha, Dattatreya, Hari, Other names of Rama and Krishna
Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Kalki, Vithoba, Perumal, Balarama, Mohini, Buddha, Hayagriva India, Nepal, Sri Lanka, Indonesia Vishnu Kumartuli Park Sarbojanin Arnab Dutta 2010.JPG KINGS of BAKTRIA. Agathokles. Circa 185-170 BC. AR Drachm (3.22 gm, 12h). Bilingual series. BASILEWS AGAQOKLEOUS with Indian god Balarama-Samkarshana.jpg
2nd century BCE
Shiva Mahādeva, Pashupati,
Tripurantaka, Vishvanatha,
Dakshinamurti, Nilakantha, Kālāntaka, Rudra, Nataraja, Sadashiva, Dattatreya
Bhairava, Veerabhadra
 Batara Guru (Indonesia) [162]  [163] 
Achalanatha (Japan) [164] [165]
India, Nepal, Sri Lanka, China Shiva Kanachur MP.JPG Shiva temple with trident standard Audumbara State Punjab 1st century BCE.jpg
1st century BCE [166]
Brahmā Adi Prajāpati, Virinci, Vaidyanatha, Vacpati, Varishtadeva, Kamalaja, Srashta, Karta, Dhata Bonten (Japan), [167]
Phra Phrom (Thailand)
India, Nepal, Sri Lanka, Southeast Asia Thai - Seated Brahma - Walters 542555.jpg Shiva Linga Delhi National Museum 01-13.jpg
6th century CE
Ganesha Ganapati, Vināyaka, Lambodara, Gajānana Kangiten (Japan)India, Nepal, Sri Lanka Balinese Hindu Puja Offerings, Ubud Bali Indonesia 2010.jpg Ganesha, Lord of Obstacles LACMA M.84.67.jpg
7th century CE
Kārtikeya Skanda, Murugan, Mangala, Kumara, Subrahmanya, ShanmukhaIndia, Sri Lanka, Malaysia, Nepal Balaskandha.jpg Skanda, from Kannuaj.jpg
2nd century BCE
Pārvati Uma, Devi, Gauri,
Durga, Kāli, Annapurna
Umahi (烏摩妃, Japan) [168] India, Nepal, Sri Lanka Lalita statue.jpg Calcutta ei05-72.jpg
5th century CE
Lakshmi Sridevi, Bhargavi, Kamalāsanā, Padmavati, Chanchala Sita, Radha, Rukmini,
Kisshōten (Japan)
Dewi Sri (Indonesia)
Nang Kwak (Thailand) [169]
India, Nepal, Sri Lanka Gajalakshmi.jpeg Coin of Azilises showing Gaja Lakshmi standing on a lotus 1st century BCE.jpg
1st century BCE
Saraswati Vāgishvari, Vīnāpāni, Sharada Benzaiten (Japan),
Biàncáitiān (China),
Thurathadi (Myanmar),
Suratsawadi (Thailand) [170]
India, Nepal, Java, Bali, Sri Lanka A Saraswati Statue in park.jpg Indian - Sarasvati - Walters 2550.jpg
10th century CE
Durgā Pārvati, Kāli, Mahishāsuramardini
Betari Durga (Indonesia) [171] India, Nepal, Sri Lanka, Bangladesh Durga at Rewalsar Lake. 2010.jpg Aihole si05-1471.jpg
8th century CE
Kāli Durga, Parvati India, Nepal, Sri Lanka, Bangladesh Kaliposter1940s.jpg Goddess Kali.jpg
12th century CE
Mariamman Durga, Parvati India (mostly in South India),
Southeast Asia, Sri Lanka
Mariamman.jpg Tamil nadu, epoca cola, tridente con mariyammai, dea del vaiolo, x sec..JPG
10th century CE
Harihara (Half Vishnu - Half Shiva) Shankaranarayana India, Sri Lanka, Nepal Indian god-sivakesava.JPG Harihara. Cave3Badami.jpg
6th century CE
Ardhanārīshvara (Half Shiva - Half Parvati) India, Nepal, Sri Lanka God marriage AS.jpg Kushana Ardhanareswar.jpg
1st century CE
Hanuman Anjaneya, Maruti, Bajarangabali, Sankatamochana, Pavanasuta India, Nepal, Sri Lanka Ravivarmapress.jpg StandingHanumanCholaDynasty11thCentury.jpg
11th century CE

See also

Notes

  1. For translation of deva in singular noun form as "a deity, god", and in plural form as "the gods" or "the heavenly or shining ones", see: Monier-Williams 2001, p. 492 and Renou 1964, p. 55
  2. [a] Hark, Lisa; DeLisser, Horace (2011). Achieving Cultural Competency. John Wiley & Sons. Three gods, Brahma, Vishnu, and Shiva, and other deities are considered manifestations of and are worshipped as incarnations of Brahman.
    [b] Toropov & Buckles 2011: The members of various Hindu sects worship a dizzying number of specific deities and follow innumerable rites in honor of specific gods. Because this is Hinduism, however, its practitioners see the profusion of forms and practices as expressions of the same unchanging reality. The panoply of deities are understood by believers as symbols for a single transcendent reality.
    [d] Orlando O. Espín, James B. Nickoloff (2007). An Introductory Dictionary of Theology and Religious Studies. Liturgical Press. While Hindus believe in many devas, many are monotheistic to the extent that they will recognise only one Supreme Being, a God or Goddess who is the source and ruler of the devas.
  3. The list of Vedic Devas somewhat varies across the manuscripts found in different parts of South Asia, particularly in terms of guides (Aswins) and personified Devas. One list based on Book 2 of Aitereya Brahmana is: [103] [104]
    • Devas personified: Indra (Śakra), Varuṇa, Mitra, Aryaman, Bhaga, Aṃśa, Vidhatr (Brahma), [105] Tvāṣṭṛ, Pūṣan, Vivasvat, Savitṛ (Dhatr), Vishnu.
    • Devas as abstractions or inner principles: Ānanda (bliss, inner contentment), Vijñāna (knowledge), Manas (mind, thought), Prāṇa (life-force), Vāc (speech), Ātmā (Self within each person), and five manifestations of Rudra/ShivaĪśāna, Tatpuruṣa, Aghora, Vāmadeva, Sadyojāta
    • Devas as forces or principles of nature – Pṛthivī (earth), Agni (fire), Antarikṣa (atmosphere, space), Jal (water), Vāyu (wind), Dyauṣ (sky), Sūrya (sun), Nakṣatra (stars), Soma (moon)
    • Devas as guide or creative energy – Vasatkara, Prajāpati

Related Research Articles

<span class="mw-page-title-main">Shiva</span> Major deity in Hinduism

Shiva, also known as Mahadeva or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism.

<span class="mw-page-title-main">Varuna</span> Hindu deity associated with water

Varuna is a Hindu god, associated with the sky, oceans, and water. In the Vedic scriptures, he is paired with the god Mitra and is the lord of Ṛta (justice) and Satya (truth). Varuna is also mentioned as an Aditya, the sons of the goddess Aditi.

<span class="mw-page-title-main">Indra</span> Hindu god of rain, weather, storms, and thunder

Indra is the king of the devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war.

<span class="mw-page-title-main">Hindu mythology</span>

Hindu mythology is the body of myths attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedas, the itihasa the Puranas, and mythological stories specific to a particular ethnolinguistic group like the Tamil Periya Puranam and Divya Prabandham, and the Mangal Kavya of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts.

<span class="mw-page-title-main">Asura</span> Mythical beings in Indian religions

Asuras are a class of beings in Indian religions. They are described as power-seeking beings related to the more benevolent Devas in Hinduism. In its Buddhist context, the word is translated as "titan" or "antigod".

<span class="mw-page-title-main">Prajapati</span> Vedic deity identified with Brahma

Prajapati is a Vedic deity of Hinduism and he is a form of Brahma, the creator god.

<span class="mw-page-title-main">Avatar</span> Material appearance or incarnation of a god on Earth in Hinduism

Avatar is a concept within Hinduism that in Sanskrit literally means 'descent'. It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being.

<i>Murti</i> Idol, symbol, statue or icon in Hindu religion

In the Hindu tradition, a murti is a devotional image, such as a statue or icon, of a deity or saint used during puja and/or in other customary forms of actively expressing devotion or reverence - whether at Hindu temples or shrines. A mūrti is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are mūrti; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A mūrti itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God.

<i>Deva</i> (Hinduism) Male celestial being in Hinduism

Deva means "shiny", "exalted", "heavenly being", "divine being", "anything of excellence", and is also one of the Sanskrit terms used to indicate a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi. The word is a cognate with Latin deus ("god") and Greek Zeus.

<i>Ishvara</i> Hindu epithet

Ishvara is a concept in Hinduism, with a wide range of meanings that depend on the era and the school of Hinduism. In ancient texts of Hindu philosophy, depending on the context, Ishvara can mean supreme Self, ruler, lord, king, queen or husband. In medieval era Hindu texts, depending on the school of Hinduism, Ishvara means God, Supreme Being, personal God, or special Self. In Shaivism, Ishvara is an epithet of Shiva. In Vaishnavism it is synonymous with Vishnu, like in his epithet of Venkateswara. In traditional Bhakti movements, Ishvara is one or more deities of an individual's preference (Iṣṭa-devatā) from Hinduism's polytheistic canon of deities. In modern-day sectarian movements such as Arya Samaj and Brahmoism, Ishvara takes the form of a monotheistic God. In the Yoga school of Hinduism, it is any "personal deity" or "spiritual inspiration". In Advaita Vedanta, Ishvara is the manifested form of Brahman.

<i>Smarta</i> tradition Tradition in Hinduism linked to Advaita Vedanta

The Smartatradition, also called Smartism, is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Uttara Mīmāṃsā, Advaita, Yoga, and theism. The Smarta tradition rejects theistic sectarianism, and is notable for the domestic worship of five shrines with five deities, all treated as equal – Ganesha, Shiva, Shakti, Vishnu and Surya. The Smarta tradition contrasted with the older Shrauta tradition, which was based on elaborate rituals and rites. There has been a considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism, Vaishnavism, and Shaktism.

<span class="mw-page-title-main">God and gender in Hinduism</span>

In Hinduism, there are diverse approaches to conceptualizing God and gender. Many Hindus focus upon impersonal Absolute (Brahman) which is genderless. Other Hindu traditions conceive God as bigender, alternatively as either male or female, while cherishing gender henotheism, that is without denying the existence of other gods in either gender.

<span class="mw-page-title-main">God in Hinduism</span> Hindu conception of God

In Hinduism, the conception of God varies in its diverse religio-philosophical traditions. Hinduism comprises a wide range of beliefs about God and Divinity, such as henotheism, monotheism, polytheism, panentheism, pantheism, pandeism, monism, agnosticism, atheism, and nontheism.

<span class="mw-page-title-main">Indrani</span> Consort of Indra in Hindu mythology

Indrani, also known as Shachi, is the queen of the devas in Hinduism. Described as tantalisingly beautiful, proud and kind, she is the daughter of the asura Puloman and the consort of the king of the devas, Indra.

<span class="mw-page-title-main">Vishnu</span> Major deity in Hinduism

Vishnu, also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism.

<i>Devi</i> Term for goddess in Hinduism

Devī is the Sanskrit word for 'goddess'; the masculine form is deva. Devi and deva mean 'heavenly, divine, anything of excellence', and are also gender-specific terms for a deity in Hinduism.

<i>Brahman</i> Metaphysical concept, unchanging Ultimate Reality in Hinduism

In Hinduism, Brahman connotes the highest universal principle, the Ultimate Reality of the universe. In major schools of Hindu philosophy, it is the non-physical, efficient, formal and final cause of all that exists. It is the pervasive, infinite, eternal truth, consciousness and bliss which does not change, yet is the cause of all changes. Brahman as a metaphysical concept refers to the single binding unity behind diversity in all that exists.

<span class="mw-page-title-main">Brahma</span> Creator god in Hinduism

Brahma is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu and Shiva. He is associated with creation, knowledge, and the Vedas. Brahma is prominently mentioned in creation legends. In some Puranas, he created himself in a golden embryo known as the Hiranyagarbha.

<span class="mw-page-title-main">Shakti</span> Divine feminine energy in Hinduism

Shakti in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a male deity and, more specifically, is identified as the consort of the god Shiva.

<span class="mw-page-title-main">Worship in Hinduism</span> Act of religious devotion usually directed to one or more Hindu deities

Worship in Hinduism is an act of religious devotion usually directed to one or more Hindu deities, invoking a sense of Bhakti or devotional love. This term is probably a central one in Hinduism, but a direct translation from the Sanskrit to English is difficult. Worship in Hinduism takes many forms, and its expression vary depending on geographical, linguistic, and cultural factors. Hindu worship is not limited to a particular place and Hindus perform worship in temples and within the home. It often incorporates personal reflection, music, dance, poetry, rituals, and ceremonies. Worship in Hinduism serves various purposes, including seeking blessings, guidance, or specific outcomes, as well as fostering a sense of inner peace and spiritual growth. It can also be an expression of devotion (bhakti) to the deity. The aim is to lead a pure life in order to progress spiritually and eventually attain liberation (moksha) from the cycle of rebirth.

References

Citations

  1. 1 2 Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, ISBN   978-0-415-45677-7, p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu."
  2. Lester Kurtz (ed.), Encyclopedia of Violence, Peace and Conflict, ISBN   978-0123695031, Academic Press, 2008
  3. M. K. Gandhi, The Essence of Hindu, Editor: V. B. Kher, Navajivan Publishing, see p. 3; According to Gandhi, "a man may not believe in God and still call himself a Hindu."
  4. Radhakrishnan and Moore (1967, Reprinted 1989), A Source Book in Indian Philosophy, Princeton University Press, ISBN   978-0691019581, pp. 37-39, 401-403, 498-503
  5. 1 2 Mircea Eliade (2009), Yoga: Immortality and Freedom, Princeton University Press, ISBN   978-0691142036, pp. 73-76
  6. 1 2 3 Nicholas Gier (2000), Spiritual Titanism: Indian, Chinese, and Western Perspectives, State University of New York Press, ISBN   978-0791445280, pp. 59-76
  7. 1 2 3 4 5 6 Jeaneane D. Fowler (2012), The Bhagavad Gita, Sussex Academic Press, ISBN   978-1845193461, pp. 253-262
  8. Renou 1964 , p. 55
  9. Mike Burley (2012), Classical Samkhya and Yoga - An Indian Metaphysics of Experience, Routledge, ISBN   978-0415648875, pp. 39-41;
    Lloyd Pflueger, Person Purity and Power in Yogasutra, in Theory and Practice of Yoga (Editor: Knut Jacobsen), Motilal Banarsidass, ISBN   978-8120832329, pp. 38-39;
    Kovoor T. Behanan (2002), Yoga: Its Scientific Basis, Dover, ISBN   978-0486417929, pp. 56-58
  10. Scarborough, Jack (2000). The Origins of Cultural Differences and Their Impact on Management. Greenwood Publishing Group. p. 131. ISBN   978-1-56720-439-1.
  11. Sanjukta Gupta (2013), Lakṣmī Tantra: A Pāñcarātra Text, Motilal Banarsidass, ISBN   978-8120817357, p. 166
  12. 1 2 3 Knut Jacobsen (2008), Theory and Practice of Yoga : 'Essays in Honour of Gerald James Larson, Motilal Banarsidass, ISBN   978-8120832329, pp. 77-78
  13. David Leeming (2001), A Dictionary of Asian Mythology, Oxford University Press, ISBN   978-0195120530, p. 67
  14. Ellen Goldberg (2002), The Lord who is half woman: Ardhanārīśvara in Indian and feminist perspective, State University of New York Press, ISBN   0-791453251, pp. 1–4
  15. TA Gopinatha Rao (1993), Elements of Hindu Iconography, Vol. 2, Motilal Banarsidass, ISBN   978-8120808775, pp. 334-335
  16. Fred Kleiner (2012), Gardner's Art through the Ages: A Global History, Cengage, ISBN   978-0495915423, pp. 443-444
  17. Cynthia Packert Atherton (1997), The Sculpture of Early Medieval Rajasthan, Brill, ISBN   978-9004107892, pp. 42-46
  18. Lance Nelson (2007), An Introductory Dictionary of Theology and Religious Studies (Editors: Orlando O. Espín, James B. Nickoloff), Liturgical Press, ISBN   978-0814658567, pp. 562-563
  19. 1 2 3 Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd Edition, Routledge, ISBN   978-0-415-45677-7, pp. 371-375
  20. 1 2 Frazier, Jessica (2011). The Continuum Companion to Hindu Studies . London: Continuum. pp.  1–15. ISBN   978-0-8264-9966-0.
  21. 1 2 For dualism school of Hinduism, see: Francis X. Clooney (2010), Hindu God, Christian God: How Reason Helps Break Down the Boundaries between Religions, Oxford University Press, ISBN   978-0199738724, pp. 51-58, 111-115;
    For monist school of Hinduism, see: B. Martinez-Bedard (2006), Types of Causes in Aristotle and Sankara, Thesis - Department of Religious Studies (Advisors: Kathryn McClymond and Sandra Dwyer), Georgia State University, pp. 18-35
  22. Michael Myers (2000), Brahman: A Comparative Theology, Routledge, ISBN   978-0700712571, pp. 124-127
  23. 1 2 Thomas Padiyath (2014), The Metaphysics of Becoming, De Gruyter, ISBN   978-3110342550, pp. 155-157
  24. Sharma 1990, p. 17.
  25. 1 2 3 Klaus Klostermaier (2010), A Survey of Hinduism, State University of New York Press, ISBN   978-0791470824, pp. 264-267
  26. 1 2 "pratima (Hinduism)". Encyclopædia Britannica. Retrieved 21 August 2011.
  27. PK Acharya, An Encyclopedia of Hindu Architecture, Oxford University Press, p. 426
  28. V. V. Raman (2012), Hinduism and Science: Some Reflections, Zygon - Journal of Religion and Science, 47(3): 549–574, Quote (p. 557): "Aside from nontheistic schools like the Samkhya, there have also been explicitly atheistic schools in the Hindu tradition. One virulently anti-supernatural system is/was the so-called Charvaka school."
  29. 1 2 John Clayton (2010), Religions, Reasons and Gods: Essays in Cross-cultural Philosophy of Religion, Cambridge University Press, ISBN   978-0521126274, p. 150
  30. 1 2 A Goel (1984), Indian philosophy: Nyāya-Vaiśeṣika and modern science, Sterling, ISBN   978-0865902787, pages 149-151;
    R. Collins (2000), The Sociology of Philosophies, Harvard University Press, ISBN   978-0674001879, p. 836
  31. Naidoo, Thillayvel (1982). The Arya Samaj Movement in South Africa. Motilal Banarsidass. p. 158. ISBN   81-208-0769-3.
  32. Glyn Richards (1990), The World's Religions: The Religions of Asia (Editor: Friedhelm Hardy), Routledge, ISBN   978-0415058155, pp. 173-176
  33. John E. Cort (1998), Open Boundaries: Jain Communities and Cultures in Indian History, State University of New York Press, ISBN   978-0791437865, pp. 218-220
  34. 1 2 Hajime Nakamura (1998), A Comparative History of Ideas, Motilal Banarsidass, ISBN   978-8120810044, pp. 26-33
  35. Ellen London (2008), Thailand Condensed: 2,000 Years of History & Culture, Marshall Cavendish, ISBN   978-9812615206, p. 74
  36. Trudy Ring et al. (1996), International Dictionary of Historic Places: Asia and Oceania, Routledge, ISBN   978-1884964046, p. 692
  37. 1 2 Jean Holm and John Bowker (1998), Sacred Place, Bloomsbury Academic, ISBN   978-0826453037, pp. 76-78
  38. Michael Coogan (2003), The Illustrated Guide to World Religions, Oxford University Press, ISBN   978-0195219975, p. 149
  39. Alain Daniélou (2001), The Hindu Temple: Deification of Eroticism, ISBN   978-0892818549, pp. 82-83
  40. Patrick Olivelle (1992), The Samnyasa Upanisads, Oxford University Press, ISBN   978-0195070453, pp. 147-148 with footnotes 2 and 5
  41. Brodd, Jeffrey (2003). World Religions. Winona, MN: Saint Mary's Press. ISBN   978-0-88489-725-5.
  42. Monier-Williams 1974 , pp. 20–37
  43. 1 2 John Koller (2012), Routledge Companion to Philosophy of Religion (Editors: Chad Meister, Paul Copan), Routledge, ISBN   978-0415782944, pp. 99-107
  44. 1 2 R Prasad (2009), A Historical-developmental Study of Classical Indian Philosophy of Morals, Concept Publishing, ISBN   978-8180695957, pp. 345-347
  45. Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 496
  46. John Stratton Hawley and Donna Marie Wulff (1998), Devi: Goddesses of India, Motilal Banarsidass, ISBN   978-8120814912, p. 2
  47. William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, ISBN   978-0791435809, p. 18
  48. 1 2 Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 492
  49. Wash Edward Hale (1999), Ásura in Early Vedic Religion, Motilal Barnarsidass, ISBN   978-8120800618, pp. 5-11, 22, 99-102
  50. Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 121
  51. Encyclopædia Britannica
  52. Don Handelman (2013), One God, Two Goddesses, Three Studies of South Indian Cosmology, Brill Academic, ISBN   978-9004256156, pp. 23-29
  53. Wendy Doniger (1988), Textual Sources for the Study of Hinduism, Manchester University Press, ISBN   978-0719018664, p. 67
  54. George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, ISBN   978-0195332612, pp. 24-33
  55. Bina Gupta (2011), An Introduction to Indian Philosophy, Routledge, ISBN   978-0415800037, pp. 21-25
  56. Stella Kramrisch (1994), The Presence of Siva, Princeton University Press, ISBN   978-0691019307, pp. 338-339
  57. M Chakravarti (1995), The concept of Rudraa-Śiva through the ages, Motilal Banarsidass, ISBN   978-8120800533, pp. 59-65
  58. David Kinsley (2005), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, ISBN   978-8120803947, pp. 6-17, 55-64
  59. 1 2 David Kinsley (2005), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, ISBN   978-8120803947, pp. 18, 19
  60. Christopher John Fuller (2004), The Camphor Flame: Popular Hinduism and Society in India, Princeton University Press, ISBN   978-0691120485, p. 41
  61. Wash Edward Hale (1999), Ásura in Early Vedic Religion, Motilal Barnarsidass, ISBN   978-8120800618, p. 20
  62. 1 2 Ananda Coomaraswamy (1935), "Angel and Titan: An Essay in Vedic Ontology", Journal of the American Oriental Society, volume 55, pp. 373–374, JSTOR   594758.
  63. Ananda Coomaraswamy (1935), "Angel and Titan: An Essay in Vedic Ontology", Journal of the American Oriental Society, volume 55, pp. 373–418
  64. Nicholas Gier (1995), Hindu Titanism, Philosophy East and West, Volume 45, Number 1, p. 76, see also 73-96
  65. 1 2 Christopher K Chapple (2010), The Bhagavad Gita: Twenty-fifth–Anniversary Edition, State University of New York Press, ISBN   978-1438428420, pp. 610-629
  66. 1 2 Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, ISBN   978-3447025225, pp. 1-5, 12-21
  67. Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, ISBN   978-0415172813, pp. 437-439
  68. Gregory Bailey (2003), The Study of Hinduism (Editor: Arvind Sharma), The University of South Carolina Press, ISBN   978-1570034497, p. 139
  69. 1 2 Alain Daniélou (1991), The Myths and Gods of India, Princeton/Bollingen Paperbacks, ISBN   978-0892813544, pp. 57-60
  70. 1 2 Jonathan Edelmann (2013), Hindu Theology as Churning the Latent, Journal of the American Academy of Religion, Volume 81, Issue 2, pp. 439-441
  71. William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, ISBN   978-0791435809, pp. 17, 27, 32
  72. 1 2 Nicholas Gier (1995), Hindu Titanism, Philosophy East and West, Volume 45, Number 1, pp. 76-80
  73. 1 2 Stella Kramrisch and Raymond Burnier (1986), The Hindu Temple, Volume 1, Motilal Banarsidass, ISBN   978-8120802230, pp. 75-78
  74. William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, ISBN   978-0791435809, pp. 50, 72-73
  75. 1 2 Jonathan Edelmann (2013), Hindu Theology as Churning the Latent, Journal of the American Academy of Religion, Volume 81, Issue 2, pp. 440-442
  76. Siroj Sorajjakool, Mark Carr and Julius Nam (2009), World Religions, Routledge, ISBN   978-0789038135, p. 38
  77. 1 2 Monier Williams, Sanskrit-English dictionary, Izvara, Sanskrit Digital Lexicon, University of Cologne, Germany
  78. James Lochtefeld, "Ishvara", The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing. ISBN   0-8239-2287-1, p. 306
  79. 1 2 Dale Riepe (1961, Reprinted 1996), Naturalistic Tradition in Indian Thought, Motilal Banarsidass, ISBN   978-8120812932, pp. 177-184, 208-215
  80. 1 2 Ian Whicher, The Integrity of the Yoga Darsana, State University of New York Press, ISBN   978-0791438152, pp. 82-86
  81. G Oberhammer (1965), Zum problem des Gottesbeweises in der indischen Philosophie, Numen, 12: 1-34
  82. Francis X. Clooney (2010), Hindu God, Christian God: How Reason Helps Break Down the Boundaries, Oxford University Press, ISBN   978-0199738724, pp. 18-19, 35-39
  83. 1 2 Klaus Klostermaier (2007), A Survey of Hinduism, Third Edition, State University of New York, ISBN   978-0791470824, p. 337
  84. 1 2 FX Clooney (1997), What's a god? The quest for the right understanding of devatā in Brāhmaṅical ritual theory (Mīmāṃsā), International Journal of Hindu Studies, August 1997, Volume 1, Issue 2, pp. 337-385
  85. P. Bilimoria (2001), Hindu doubts about God: Towards Mimamsa Deconstruction, in Philosophy of Religion: Indian Philosophy (Editor: Roy Perrett), Volume 4, Routledge, ISBN   978-0-8153-3611-2, pp. 87-106
  86. A Malinar (2014), Current Approaches: Articles on Key Themes, in The Bloomsbury Companion to Hindu Studies (Editor: Jessica Frazier), Bloomsbury Academic, ISBN   978-1472511515, p. 79
  87. 1 2 Lloyd Pflueger, Person Purity and Power in Yogasutra, in Theory, and Practice of Yoga (Editor: Knut Jacobsen), Motilal Banarsidass, ISBN   978-8120832329, pp. 38-39
  88. Mike Burley (2012), Classical Samkhya and Yoga - An Indian Metaphysics of Experience, Routledge, ISBN   978-0415648875, p. 39
  89. Richard Garbe (2013), Die Samkhya-Philosophie, Indische Philosophie Volume 11, ISBN   978-1484030615, pp. 25-27 (in German)
  90. Knut Jacobsen (2008), Theory and Practice of Yoga: 'Essays in Honour of Gerald James Larson, Motilal Banarsidass, ISBN   978-8120832329, pp. 15-16
  91. Orlando Espín and James Nickoloff (2007), An Introductory Dictionary of Theology and Religious Studies, Liturgical Press, ISBN   978-0814658567, p. 651
  92. Ian Whicher (1999), The Integrity of the Yoga Darsana: A Reconsideration of Classical Yoga, State University of New York Press, ISBN   978-0791438152, p. 86
  93. JN Mohanty (2001), Explorations in Philosophy, Vol 1 (Editor: Bina Gupta), Oxford University Press, pp. 107-108
  94. Paul Hacker (1978), Eigentumlichkeiten dr Lehre und Terminologie Sankara: Avidya, Namarupa, Maya, Isvara, in Kleine Schriften (Editor: L. Schmithausen), Franz Steiner Verlag, Weisbaden, pp. 101-109 (in German), also pp. 69-99
  95. 1 2 William Indich (2000), Consciousness in Advaita Vedanta, Motilal Banarsidass, ISBN   978-8120812512, p. 5
  96. William James (1985), The Varieties of Religious Experience, Harvard University Press, ISBN   978-0674932258, p. 404 with footnote 28
  97. Lance Nelson (1996), Living liberation in Shankara and classical Advaita, in Living Liberation in Hindu Thought (Editors: Andrew O. Fort, Patricia Y. Mumme), State University of New York Press, ISBN   978-0791427064, pp. 38-39, 59 (footnote 105)
  98. Alain Daniélou (1991), The Myths and Gods of India, Princeton/Bollingen Paperbacks, ISBN   978-0892813544, pp. 350-354
  99. Serenity Young (2001), Hinduism, Marshall Cavendish, ISBN   978-0761421160, p. 73
  100. David R Kinsley (1995), Tantric Visions of the Divine Feminine: The Ten Mahāvidyās, Motilal Banarsidass, ISBN   978-8120800533, pp. 136-140, 122-128
  101. RT Vyas and Umakant Shah, Studies in Jaina Art and Iconography and Allied Subjects, Abhinav, ISBN   978-8170173168, pp. 23-26
  102. WJ Wilkins (2003), Hindu Gods and Goddesses, Dover, ISBN   978-0486431567, pp. 9-10
  103. Hermann Oldenberg (1988), The Religion of the Veda, Motilal Banarsidass, ISBN   978-8120803923, pp. 23-50
  104. AA MacDonell, Vedic mythology , p. PA19, at Google Books, Oxford University Press, pp. 19-21
  105. Francis X Clooney (2010), Divine Mother, Blessed Mother, Oxford University Press, ISBN   978-0199738731, p. 242
  106. George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, ISBN   978-0195332612, pp. 90, 112
  107. ऋग्वेद: सूक्तं १.१३९ Sanskrit, Wikisource
  108. The Rig Veda/Mandala 1/Hymn 139 Verse 11, Ralph T. H. Griffith, Wikisource
  109. The Rig Veda Samhita Verse 11, HH Wilson (Translator), Royal Asiatic Society, WH Allen & Co, London
  110. 1 2 Lynn Foulston, Stuart Abbott (2009). Hindu goddesses: beliefs and practices. Sussex Academic Press. pp. 1–3, 40–41. ISBN   9781902210438.
  111. 1 2 3 David Lawrence (2012), The Routledge Companion to Theism (Editors: Charles Taliaferro, Victoria S. Harrison and Stewart Goetz), Routledge, ISBN   978-0415881647, pp. 78-79
  112. 1 2 Jeffrey Brodd (2003), World Religions: A Voyage of Discovery, Saint Mary's Press, ISBN   978-0884897255, p. 43
  113. Christopher John Fuller (2004), The Camphor Flame: Popular Hinduism and Society in India, Princeton University Press, ISBN   978-0691120485, pp. 30-31, Quote: "Crucial in Hindu polytheism is the relationship between the deities and humanity. Unlike Jewish, Christian and Islamic monotheism, predicated on the otherness of God and either his total separation from man and his singular incarnation, Hinduism postulates no absolute distinction between deities and human beings. The idea that all deities are truly one is, moreover, easily extended to proclaim that all human beings are in reality also forms of one supreme deity - Brahman, the Absolute of philosophical Hinduism. In practice, this abstract monist doctrine rarely belongs to an ordinary Hindu's statements, but examples of permeability between the divine and human can be easily found in popular Hinduism in many unremarkable contexts".
  114. Abanindranth Tagore, Some notes on Indian Artistic Anatomy, pp. 1-21
  115. Stella Kramrisch (1958), Traditions of the Indian Craftsman, The Journal of American Folklore, Vol. 71, No. 281, pp. 224-230
  116. John Cort (2011), Jains in the World, Oxford University Press, ISBN   978-0199796649, pp. 20-21, 56-58
  117. Brihat Samhita of Varaha Mihira, PVS Sastri and VMR Bhat (Translators), Reprinted by Motilal Banarsidass ( ISBN   978-8120810600), p. 520
  118. Sanskrit: (Source), pp. 142-143 (note that the verse number in this version is 58.10-11)
  119. 1 2 3 4 5 Jeaneane D Fowler (1996), Hinduism: Beliefs and Practices, Sussex Academic Press, ISBN   978-1898723608, pp. 41-45
  120. Gopinath Rao, Elements of Hindu Iconography Madras, Cornell University Archives, pp. 17-39
  121. Stella Kramrisch (1994), The Presence of Siva, Princeton University Press, ISBN   978-0691019307, pp. 179-187
  122. Michael Willis (2009), The Archaeology of Hindu Ritual, Cambridge University Press, ISBN   978-0521518741, pp. 96-112, 123-143, 168-172
  123. Heather Elgood (2000), Hinduism and the Religious Arts, Bloomsbury Academic, ISBN   978-0304707393, pp. 14-15, 32-36
  124. Harold Coward and David Goa (2008), Mantra: 'Hearing the Divine In India and America, Motilal Banarsidass, ISBN   978-8120832619, pp. 25-30
  125. James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, ISBN   978-0-8239-3180-4, p. 726
  126. Stella Kramrisch (1994), The Presence of Siva, Princeton University Press, ISBN   978-0691019307, pp. 243-249
  127. Scott Littleton (2005), Gods, Goddesses, And Mythology, Volume 11, Marshall Cavendish, ISBN   978-0761475590, p. 1125
  128. Mukul Goel (2008), Devotional Hinduism: Creating Impressions for God, iUniverse, ISBN   978-0595505241, p. 77
  129. 1 2 James Lochtefeld (2002), Puja in The Illustrated Encyclopedia of Hinduism, Volume 2, Rosen Publishing, ISBN   0-823922871, pp. 529–530
  130. Flood, Gavin D. (2002). The Blackwell Companion to Hinduism. Wiley-Blackwell. pp. 6–7. ISBN   978-0-631-21535-6.
  131. Paul Courtright (1985), in Gods of Flesh/Gods of Stone (Joanne Punzo Waghorne, Norman Cutler, and Vasudha Narayanan, eds), ISBN   978-0231107778, Columbia University Press, see Chapter 2
  132. Lindsay Jones, ed. (2005). Gale Encyclopedia of Religion. Vol. 11. Thomson Gale. pp. 7493–7495. ISBN   0-02-865980-5.
  133. Willis, Michael D. (2009). "2: 6". The Archaeology of Hindu Ritual. Cambridge University Press.
  134. Willis, Michael D. (2008). "The Formation of Temple Ritual in the Gupta Period: pūjā and pañcamahāyajña". Prajñādhara: Gouriswar Bhattacharya Felicitation Volume, Edited by Gerd Mevissen. Gerd Mevissen.
  135. Puja, Encyclopædia Britannica (2011)
  136. Hiro G. Badlani (2008), Hinduism: A path of ancient wisdom, ISBN   978-0595436361, pp. 315-318
  137. Paul Thieme (1984), "Indische Wörter und Sitten", in Kleine Schriften, Vol. 2, pp. 343–370
  138. Fuller, C. J. (2004), The Camphor Flame: Popular Hinduism and Society in India, Princeton, NJ: Princeton University Press, pp. 66–73, 308, ISBN   978-069112048-5
  139. Diana L. Eck (2008), Darśan: Seeing the Divine Image in India, Motilal Banarsidass, ISBN   978-8120832664, pp. 47-49
  140. Diana L. Eck (2008), Darśan: Seeing the Divine Image in India, Motilal Banarsidass, ISBN   978-8120832664, pp. 45-46
  141. Jonathan Lee and Kathleen Nadeau (2010), Encyclopedia of Asian American Folklore and Folklife, Volume 1, ABC, ISBN   978-0313350665, pp. 480-481
  142. Jean Holm and John Bowker (1998), Worship, Bloomsbury Academic, ISBN   978-1855671119, p. 83, Quote: "Temples are the permanent residence of a deity and daily worship is performed by the priest, but the majority of Hindus visit temples only on special occasions. Worship in temples is wholly optional for them".
  143. Lipner, Julius (2017). Hindu images and their worship with special reference to Vaisnavism: a philosophical-theological inquiry. Routledge Hindu studies series. London; New York: Routledge, Taylor & Francis Group. pp. 152–153. ISBN   978-1-138-29113-3.
  144. Guy Beck (2005), Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity, SUNY Press, ISBN   978-0791464151, pp. 1-2
  145. What is Hinduism?. Himalayan Academy. 2007. ISBN   9781934145272 . Retrieved 16 October 2011.
  146. Andrew J Nicholson (2013), Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, Columbia University Press, ISBN   978-0231149877, pp. 167-168
  147. 1 2 3 4 5 6 Jan Gonda (1969), The Hindu Trinity, Anthropos, 63/64, 1/2, pp. 212-226
  148. 1 2 3 GM Bailey (1979), Trifunctional Elements in the Mythology of the Hindu Trimūrti, Numen, Vol. 26, Fasc. 2, pp. 152-163
  149. James G. Lochtefeld, Guna, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. 1, Rosen Publishing, ISBN   9780823931798, p. 265
  150. Rudolf V D'Souza (1996), The Bhagavadgītā and St. John of the Cross, Gregorian University, ISBN   978-8876526992, pp. 340-342
  151. 1 2 3 James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, ISBN   978-0-8239-3180-4, pp. 72-73
  152. 1 2 Sheth, Noel (January 2002). "Hindu Avatāra and Christian Incarnation: A Comparison". Philosophy East and West. 52 (1 (Jan. 2002)). University of Hawai'i Press: 98–125. doi:10.1353/pew.2002.0005. JSTOR   1400135. S2CID   170278631.
  153. Matchett, Freda (2001). Krishna, Lord or Avatara?: the relationship between Krishna and Vishnu. 9780700712816. p. 4. ISBN   978-0-7007-1281-6.
  154. Christopher Hugh Partridge, Introduction to World Religions, pg. 148
  155. Kinsley, David (2005). Lindsay Jones (ed.). Gale's Encyclopedia of Religion. Vol. 2 (Second ed.). Thomson Gale. pp. 707–708. ISBN   0-02-865735-7.
  156. 1 2 Bryant, Edwin Francis (2007). Krishna: A Sourcebook. Oxford University Press. p. 18. ISBN   978-0-19-514891-6.
  157. Laser, Tammy (15 July 2014). Gods & Goddesses of Ancient India. The Rosen Publishing Group, Inc. p. 18. ISBN   978-1-62275-390-1.
  158. Hawley, John Stratton; Vasudha Narayanan (2006). The life of Hinduism. University of California Press. p. 174. ISBN   978-0-520-24914-1.
  159. David Kinsley (1988), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, ISBN   0-520063392, pp. 45-48, 96-97
  160. Sally Kempton (2013), Awakening Shakti: The Transformative Power of the Goddesses of Yoga, ISBN   978-1604078916, pp. 165-167
  161. Eva Rudy Jansen, The Book of Hindu Imagery: Gods, Manifestations and Their Meaning, Holland: Binkey Kok, ISBN   978-9074597074, pp. 133-134, 41
  162. Hariani Santiko (1997), The Goddess Durgā in the East-Javanese Period, Asian Folklore Studies, Vol. 56, No. 2, pp. 209-226
  163. R. Ghose (1966), Saivism in Indonesia during the Hindu-Javanese period, The University of Hong Kong Press, pages 15-17
  164. Jiro Takei and Marc P Keane (2001), SAKUTEIKI, Tuttle, ISBN   978-0804832946, p. 101
  165. Miyeko Murase (1975), Japanese Art: Selections from the Mary and Jackson Burke Collection, The Metropolitan Museum of Art (New York), ISBN   978-0870991363, p. 31
  166. M Chakravarti (1995), The concept of Rudra-Śiva through the ages, Motilal Banarsidass, ISBN   978-8120800533, pp. 148-149
  167. Robert Paine and Alexander Soper (1992), The Art and Architecture of Japan, Yale University Press, ISBN   978-0300053333, p. 60
  168. Joe Cribb (1999), Magic Coins of Java, Bali and the Malay Peninsula, British Museum Press, ISBN   978-0714108810, p. 77
  169. Jonathan Lee, Fumitaka Matsuoka et al. (2015), Asian American Religious Cultures, ABC, ISBN   978-1598843309, p. 892
  170. Kinsley, David (1988), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, ISBN   0-520-06339-2, pp. 94-97
  171. Francine Brinkgreve (1997), Offerings to Durga and Pretiwi in Bali, Asian Folklore Studies Vol. 56, No. 2, pp. 227-251

Sources

Further reading