Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Indian religions, in any language. The term bhajanam means reverence and originates from the root word bhaj, which means to revere, as in 'Bhaja Govindam' . The term bhajana also means sharing.
A raga or raag is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The rāga is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each rāga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience.
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences.
Kirtana, also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent.
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education.
The venu is one of the ancient transverse flutes of Indian classical music. It is an aerophone typically made from bamboo, that is a side blown wind instrument. It continues to be in use in the South Indian Carnatic music tradition. It is referred to as nadi and tunava in the Rigveda and other Vedic texts of Hinduism. In northern Indian music, a similar flute is called bansuri. In the south, it is also called by various other names such as pullanguḻal (புல்லாங்குழல்) in Tamil, oodakuḻal (ഓടകുഴൽ) or kurungu kuḻal in Malayalam (Kerala) and ಕೊಳಲು (koḷalu) or ಮುರಳಿ (muraļi) in Kannada (Karnataka). It is known as pillana grōvi or vēṇuvu (వేణువు) in Telugu. It is also called as Carnatic Flute.
The following list consists of notable concepts that are derived from Hindu culture and associated cultures traditions, which are expressed as words in Sanskrit or other Indic languages and Dravidian languages. The main purpose of this list is to disambiguate multiple spellings, to make note of spellings no longer in use for these concepts, to define the concept in one or two lines, to make it easy for one to find and pin down specific concepts, and to provide a guide to unique concepts of Hinduism all in one place.
Gurunath is a commonly used term when praising what is considered by devotees the ultimate source of compassion, love and truth - irrespective of sectarian divides whether they may be devotees of Shiva, the Lord of Transformation in the Hindu pantheon (Shaivaite) or of Vishnu, the Lord of Preservation and Sustenance in the Hindu pantheon (Vaishnav) or any other devotee (bhakta) of a Hindu God or Goddess.
Pandit Vishnu Narayan Bhatkhande was an Indian musicologist who wrote the first modern treatise on Hindustani classical music, an art which had been propagated for centuries mostly through oral traditions. During those earlier times, the art had undergone several changes, rendering the raga grammar documented in scant old outdated texts.
Lalmani Misra was an Indian classical musician.
Pandit Chhannulal Mishra is a celebrated Hindustani classical singer from Banaras, a noted exponent of the Kirana gharana (school) of the Hindustani classical music and especially the Khayal and the 'Purab Ang' – Thumri.
Bhaskar Raghunath Bakhale was a Hindustani classical vocalist, a composer, and a teacher.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
Worship in Hinduism is an act of religious devotion usually directed to one or more Hindu deities. A sense of Bhakti or devotional love is generally invoked. This term is probably a central one in Hinduism, but a direct translation from the Sanskrit to English is difficult. Worship takes a multitude of forms depending on geography and language. Worship is not confined to any place of worship, and it will often incorporate personal reflection, music, dance and poetry. Hindus usually perform worship in temples or at home to achieve some specific end or to integrate the body, mind and spirit. The aim is to live a pure life in order to help the performer reincarnate into a higher being.
The taal, manjira, jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pair of small hand cymbals. The word taal comes from the Sanskrit word Tālà, which literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc. It is a type of Ghana vadya.
The veena, also spelled vina, comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others.
Shanno Khurana is a noted Indian classical vocalist and composer, from the Rampur-Sahaswan gharana of Hindustani classical music. A disciple of the doyen of the gharana, Ustad Mushtaq Hussain Khan, she is known for performing rare bandish and raag, though her singing style includes genres like khayal, tarana, thumri, dadra, tappa, to chaiti and bhajan. Born and brought up in Jodhpur, she started singing on All India Radio in 1945 in Lahore, later shifted to Delhi, where she continued her singing on All India Radio, Delhi and in concerts and music festivals. She also pursued music education, finally earning her M.Phil. and PhD in music from the Kairagarh University, and has undertakes extensive research on folk music of Rajasthan.
Krishnarao Ganesh Phulambrikar (1898–1974), popularly known as Master Krishnarao, was an Indian vocalist, classical musician and composer of Hindustani music. He was credited with the creation of three Hindustani ragas and several bandishes. Phulambrikar, a recipient of the Sangeet Natak Akademi Fellowship, was also the music composer of several movies, including Dharmatma, a 1935 Hindi film starring Bal Gandharva, a renowned Marathi singer and Padosi, a 1941 directorial venture of V. Shantaram. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1971, for his contributions to music.
Sanātanī (सनातनी) is a term used to describe Hindu duties that incorporate teachings from The Vedas, The Upanishads, and other Hindu religious texts and scriptures such as The Ramayana and The Bhagavad Gita, which itself is often described as a concise guide to Hindu philosophy and a practical, self-contained guide to life. The word sanatani is coined from Sanātana Dharma which refers to the idea that its origins lie beyond human history, as revealed in the Hindu texts.
