The Sangam literature, historically known as 'the poetry of the noble ones', connotes the early classical Tamil literature and is the earliest known literature of South India. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from 300 BCE to 300 CE. K.A. Nilakanta Shastri suggests that this body of literature reflects events over a span of four or five generations, amounting to about 120 to 150 years, thus placing the Sangam age roughly between 100 CE and 250 CE. Swamikannu Pillai dated Paripatal, one of the Sangam era text, to the 7th century CE. Kamil Zvelebil, on the other hand, proposed that the most plausible date for the bulk of early Tamil literature is the 2nd century CE, with the exceptions of works like Paripatal, Kalittokai, and Tirumurukaraarruppatai, which belong to a later period. When he took into consideration the cumulative evidence of the linguistic, epigraphic, archaeological, numismatic and historical data, both internal and external, he concluded that the ancient Tamil literature may be dated between 100 BCE and 250 CE.
The Eight Anthologies, known as Eṭṭuttokai or "Eight Collections" in the literature, is a classical Tamil poetic work that forms part of the Eighteen Greater Texts (Patiṉeṇmēlkaṇakku) anthology series of the Sangam Literature. The Eight Anthologies and its companion anthology, the Ten Idylls (Pattuppāṭṭu), is the oldest available Tamil literature. According to Kamil Zvelebil, a scholar of Tamil literature and history, dating these Eight Anthologies or their relative chronology is difficult, but the scholarship so far suggested that the earliest layers were composed sometime between the 1st century BCE and 2nd century CE, while the last layers were completed between 3rd and 5th century CE.
The Sangam landscape is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇais or modes, depending on the nature, location, mood and type of relationship represented by the poem. Each tiṇai was closely associated with a particular landscape, and imagery associated with that landscape—its flowers, trees, wildlife, people, climate and geography—was woven into the poem in such a way as to convey a mood, associated with one aspect of a romantic relationship.
Kuṟuntokai is a classical Tamil poetic work and traditionally the second of the Eight Anthologies (Ettuthokai) in the Sangam literature. The collection belongs to the akam (love) category, and each poem consists of 4 to 8 lines each. The Sangam literature structure suggests that the original compilation had 400 poems, but the surviving Kuruntokai manuscripts have 402 poems. According to Takanobu Takahashi – a Tamil literature scholar, these poems were likely composed between 100 CE and 300 CE based on the linguistics, style and dating of the authors. Kamil Zvelebil, a Tamil literature and history scholar, states that the majority of the poems in the Kuruntokai were likely composed between the 1st century BCE and the 2nd century CE. The Kuruntokai manuscript colophon states that it was compiled by Purikko (உரை), however nothing is known about this compiler or the patron.
The Paripādal is a classical Tamil poetic work and traditionally the fifth of the Eight Anthologies (Ettuthokai) in the Sangam literature. According to Tolkappiyam, Paripadal is a kind of verse dealing only with love (akapporul) and does not fall under the general classification of verses. It has a minimum of 25 lines and a maximum of 400 lines. It is an "akam genre", odd and hybrid collection which expresses love in the form of religious devotion (Bhakti) to gods and goddesses predominantly to Maha Vishnu and Murugan. According to Kamil Zvelebil, a Tamil literature and history scholar. This is the only anthology in the Eight Anthologies collection that is predominantly religious, though the other seven anthologies do contain occasional mentions and allusions to gods, goddesses and legends.
Tirumurukātṟuppatai is an ancient devotional Tamil poem in the Sangam literature genre entirely dedicated to the god Murugan. Murugan is described as the nephew of the god Vishnu, who is called Mayon or the ruler of the worlds. Authored by Nakkiranar, it is the first poem in the Ten Idylls (Pattuppāṭṭu) anthology. The poem is generally dated to the late classical period, with some scholars suggesting it may have been composed a few centuries later.
Arunagirinathar was a Tamil Shaiva saint-poet who lived during the 14th century in Tamil Nadu, India. In his treatise A History of Indian Literature (1974), Czech Indologist Kamil Zvelebil places Arunagirinathar's period between circa 1370 CE and circa 1450 CE. He was the creator of Tiruppukal, a book of poems in Tamil in praise of Murugan.
The Murugan Temple is a Hindu temple, on the hill of Tiruttani, Tiruvallur district, Tamil Nadu, India, dedicated to Murugan. The hill has 365 steps indicating 365 days of the year. It is fifth among the six abodes of Murugan The other five are Palani Murugan Temple, Swamimalai Murugan Temple, Thiruchendur Murugan Temple, Thiruparankundram and Pazhamudircholai Murugan Temple. Tiruttani is 87 kilometres (54 mi) from Chennai. It is the only adobe located within the Greater Chennai Metropolitan Area limit. During the Sangam era, Tiruttani was known as Kundruthoradal. After killing the asura Tarakasura in Tiruchendur, he came here to subside his anger, so Surasamharam is not conducted here.
The Swaminatha Swamy Temple is a Hindu temple dedicated to god Murugan. It is located in Swamimalai, 5 km from Kumbakonam, on the banks of a tributary of river Kaveri in Thanjavur District, 290 km from Chennai, the capital of Tamil Nadu, India. The temple is fourth abode of Murugan among six (Arupadaiveedugal). The shrine of the presiding deity, Swaminathaswamy is located atop a 60 ft (18 m) hillock and the shrine of his mother Meenakshi (Parvati) and father Shiva (Sundareswarar) is located downhill. The temple has three gopuram, three precincts and sixty steps and each one is named after the sixty Tamil years. The temple has six daily rituals at various times from 5:30 a.m. to 9 p.m., and three yearly festivals on its calendar. The annual Vaikasi Visagam festival is attended by thousands of devotees from far and near.
Tamil mythology refers to the folklore and traditions that are a part of the wider Dravidian pantheon, originating from the Tamil people. This body of mythology is a fusion of elements from Dravidian culture and the parent Indus Valley culture, both of which have been syncretised with mainstream Hinduism.
Iraiyaṉār Akapporuḷ, or Kaḷaviyal eṉṟa Iraiyaṉār Akapporuḷ, literally "Iraiyanar's treatise on the love-theme, called 'The study of stolen love'" is an early mediaeval work on Tamil poetics, specifically, on the literary conventions associated with the akam tradition of Tamil love poetry. The date of the work is uncertain, but it is generally taken to have been composed between the fifth and eighth centuries.
In Tamil poetics, tinai is a type of poetical mode or theme. A thinai consists of a complete poetical landscape - a definite time, place, season in which the poem is set - and background elements characteristic of that landscape - including flora and fauna, inhabitants, deities and social organisation. These collectively provide imagery for extended poetic metaphors, which set the mood of the poem.
Devasena is the Hindu goddess of aspirations, and the consort of the war god Kartikeya (Murugan). She is also known as Devayanai, Deivanai, and Deivayanai in Tamil texts. Her name is also spelled as Teyvanai or Tevayanai.
The Six Abodes of Murugan are six temples situated in the state of Tamil Nadu in South India, dedicated to the Hindu deity Murugan. These six sacred abodes of Murugan are mentioned in Tamil Sangam literature, in the texts of Tirumurukāṟṟuppaṭai, written by Nakkīraṉãr, and in Tiruppukaḻ, written by Arunagirinathar. The six abodes are Thiruparankundram, Tiruchendur, Palani, Swamimalai, Tiruttani, and Pazhamudircholai.
Kaumaram is a Hindu denomination that primarily venerates the Hindu deity of war, Kartikeya, also known as Kumaran, Murugan, Arumugan, and Subrahmanyan. Devotees of Kumaran, called Kaumaras, also revere members of his family: Parvati, Shiva, and Ganesha, as well his consorts, Devasena and Sundaravalli, the daughters of Vishnu in Tamil tradition. The important theological texts relating to Kumara are a part of the Shaiva agama canon. This sub-tradition is found among the Tamils, Kannadigas, and the Vedda, in South India, Sri Lanka, and among the Tamil diaspora worldwide. The love story of Kumara/Murugan and his wife Valli, a girl from a local tribe, is popular in Tamil Nadu, where Kumara acquired the status of a national god.
Kartikeya, also known as Skanda, Subrahmanya, Shanmukha and Murugan, is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.
Sattainathar temple, Sirkazhi is a Hindu temple dedicated to Shiva located in Sirkali, Tamil Nadu, India. The temple is incarnated by the hymns of Thevaram and is classified as Paadal Petra Sthalam. It is an ancient temple complex with three different Shiva shrines in three stories.
Siruvapuri Balasubramani temple is a 500-year old was built by villagers which is located near Chennai in Thiruvallur, India. The temple's original name in government records was Chinnambedu.
Kanthaswamy Temple in Cheyyur, in Chengalpattu district in the South Indian state of Tamil Nadu, is dedicated to the Hindu god Murugan. Constructed in the Dravidian style of architecture, the temple was constructed during the Cholas during the 10th century. Murugan is worshipped as Kanthaswamy along with his consorts Valli and Deivasena. A granite wall surrounds the temple, enclosing all its shrines.
Uthiyur Hills also known as Poṉṉūthi Hills, Uuthi Malai are a range of mountains in the Kongu Region and span the Tiruppur district of Tamil Nadu. The hills is under control of Anamalai Tiger Reserves.
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