Metres
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Tamil prosody defines several metres in six basic elements [1] covering the various aspects of rhythm. Most classical works and many modern works are written in these metres.
Tolkappiyam represents the older tradition in Tamil prosody while yapparungalam and yapparungalakkarigai represent the later tradition. The prosodic structure of literary works from the Sangam era has to be analysed according to the Tolkappiyam. The rules given in Yapparungalakkarigai are used in the scansion of later works.
The development of Tamil prosody can be broadly broken into four stages. The first stage is predominantly indigenous, pre-Sanskritic and extra-Sanskritic. It is based on a basic metrical unit named acai which forms the basis for all the important classical metres of Tamil. The second stage (c. 600 CE) marks the influence of Sanskritic prosody on the Tamil metre and ends with the overwhelming incorporation of the akshara (syllable) and matra (mora) based metrics alongside the indigenous Tamil ones. [2]
The third stage is marked by the gradual coming together of poetry and music starting with the use of fixed melody types (paṇ) in Shaiva and Vaishnava Bhakti texts. The stage culminates with the spread of musical forms in the 17th, 18th, and early 19th-century. The final stage appears with the introduction of free verse and prose-poetry in the early 20th century. [2]
The basic prosodic unit is the asai (acai) which is composed of ezhuttu (eḻuttu), the letters of the Tamil language or more accurately, the speech sounds in Tamil. Asais are the components of the metrical foot or cīr which, in turn, are the components of the adi (aṭi), a line of poetry. Other elements include todai (toṭai, alliteration) and vannam (vaṇṇam, "rhythmic effect", lit. colour or beauty). [3]
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In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Tamil literature includes a collection of literary works that have come from a tradition spanning more than two thousand years. The oldest extant works show signs of maturity indicating an even longer period of evolution. Contributors to the Tamil literature are mainly from Tamil people from south India, including the land now comprising Tamil Nadu, Kerala, Eelam Tamils from Sri Lanka, as well as the Tamil diaspora.
Shloka or śloka (Sanskrit: श्लोक śloka, from the root श्रु śru, lit. 'hear' in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature.
The Kural is one of the most important forms of classical Tamil language poetry. It is a very short poetic form being an independent couplet complete in 2 lines, the first line consisting of 4 words and the second line consisting of 3. As one of the five types of Venpa stanza, it must also conform to the grammar for Venpa, the most difficult and the most highly esteemed of stanzaic structures in classical Tamil literature. The Tirukkuṛaḷ by Tiruvalluvar, one of the greatest philosophical works in Tamil, is a typical example.
Venpa or Venba is a form of classical Tamil poetry. Classical Tamil poetry has been classified based upon the rules of metric prosody. Such rules form a context-free grammar. Every venba consists of between two and twelve lines. The venpa meter is used in songs of the types neṭu veṇ pāṭṭu, kuṟu veṇ pāṭṭu 'short song in venpa meter', kaikkiḷai "one-sided love," and paripāṭṭu 'song that is quite accommodative' and in satirical compositions.
Tolkāppiyam, also romanised as Tholkaappiyam, is the most ancient extant Tamil grammar text and the oldest extant long work of Tamil literature. It is the earliest Tamil text mentioning Gods, perhaps linked to Hindu deities.
George Luzerne Hart, III is Professor Emeritus of Tamil language at the University of California, Berkeley. His work focuses on the classical Tamil literature and on identifying the relationships between the Tamil and Sanskrit literature. In 2015 the Government of India awarded him the title of Padma Shri, the fourth highest civilian honour.
The Sangam literature, historically known as 'the poetry of the noble ones', connotes the early classical Tamil literature and is the earliest known literature of South India. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from 300 BCE to 300 CE. K.A. Nilakanta Shastri suggests that this body of literature reflects events over a span of four or five generations, amounting to about 120 to 150 years, thus placing the Sangam age roughly between 100 CE and 250 CE. Swamikannu Pillai dated Paripatal, one of the Sangam era text, to the 7th century CE. Kamil Zvelebil, on the other hand, proposed that the most plausible date for the bulk of early Tamil literature is the 2nd century CE, with the exceptions of works like Paripatal, Kalittokai, and Tirumurukaraarruppatai, which belong to a later period. When he took into consideration the cumulative evidence of the linguistic, epigraphic, archaeological, numismatic and historical data, both internal and external, he concluded that the ancient Tamil literature may be dated between 100 BCE and 250 CE.
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Kalittokai is a classical Tamil poetic work and the sixth of Eight Anthologies (Ettuthokai) in the Sangam literature. It is an "akam genre – love and erotic – collection par excellence", according to Kamil Zvelebil – a Tamil literature and history scholar. The anthology contains 150 poems and was compiled by one of the authors named Nallantuvanar. The collection has a different tone, metre and style than earlier Sangam literature, evidence that it is a late Sangam work, likely from the 3rd-century CE or after. Naccinarkiniyar, a Tamil scholar who lived during the 14th-century CE, has commented on this work.
Nāgavarma I (c. 990) was a noted Jain writer and poet in the Kannada language in the late 10th century. His two important works, both of which are extant, are Karnātaka Kādambari, a champu based romance novel and an adaptation of Bana's Sanskrit Kādambari, and Chandōmbudhi, the earliest available work on Kannada prosody which Nāgavarma I claims would command the respect even of poet Kalidasa. According to the scholars K.A. Nilakanta Shastri and R. Narasimhacharya, Nāgavarma I belonged to a migrant Brahmin family originally from Vengi. According to the modern Kannada poet and scholar Govinda Pai, Nāgavarma I lived from 950 CE to 1015 CE. So popular was Nāgavarma I's poetic skills that King Bhoja of Malwa presented him with horses, in appreciation of his poetic skills.
The Aindra school of Sanskrit grammar is one of the eleven schools of Sanskrit grammar mentioned in Pāṇini's Ashtadhyayi. It is named after Indra as a reference to Lord Indra, the king of deities in Hindu mythology. Arthur Coke Burnell, a renowned orientologist, in his 1875 book, "On the Aindra school of Sanskrit grammars", describes this school. Burnell believed that most non-Pāṇinian systems of Sanskrit grammar were traceable to this school of grammar, believed to be the oldest and reputed to be founded by Indra himself.
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Nacciṇārkkiṇiyar, also spelled Naccinarkkiniyar or Nachinarkiniyar, was a 14th-century Tamil and Sanskrit scholar famous for his commentaries on Sangam literature and post-Sangam medieval Tamil literature. His commentary on some of the most studied Tamil texts such as the Tolkappiyam, Kuruntokai and Civaka Cintamani have guided scholarship that followed him, including modern era studies of Tamil literature. According to Kamil Zvelebil, a Tamil literature scholar, Naccinarkiniyar had a "keen poetic sense, awareness of word values". He vividly analyzed the primary text and secondary literature on that primary text, in a sophisticated impartial manner seen in modern era scholarship. He paid attention to minute details with a critical observation, states Zvelebil, and Naccinarkiniyar's work shows "a clear mind and a vast erudition" of Tamil and Sanskrit works.
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Old Tamil is the period of the Tamil language spanning from the 3rd century BCE to the seventh century CE. Prior to Old Tamil, the period of Tamil linguistic development is termed as Proto-Tamil. After the Old Tamil period, Tamil becomes Middle Tamil. The earliest records in Old Tamil are inscriptions from between the 3rd and 1st century BCE in caves and on pottery. These inscriptions are written in a variant of the Brahmi script called Tamil-Brahmi. The earliest long text in Old Tamil is the Tolkāppiyam, an early work on Tamil grammar and poetics, whose oldest layers could be as old as the mid-2nd century BCE. Old Tamil preserved many features of Proto-Dravidian, the reconstructed common ancestor of the Dravidian languages, including inventory of consonants, the syllable structure, and various grammatical features.
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