History and format
The origins of the Pandav Lila are intermingled with Hindu mythology . It has always been performed by village amateurs, and not professionals, and is usually sponsored by the Rajputs of Uttarakhand. [2] A performance is often called a Śrāddha, which is a Hindu ritual of ancestor worship, and the lila is seen as a form of ancestor worship; today, many Garhwalis self-identify as the descendants of the Pandavas. [6] The performances are usually held between November and February, and a particular village may not host it every year. [7] People may travel to a nearby village to witness the lila. [7] Sax writes that "most villagers in Garhwal are probably within walking distance of a pandav lila in any given year". [8]
Every village can have its own variation, and some may place a greater emphasis on singing or drama. [7] The performances begin at night and last till early mornings. The episodes from the epic are not necessarily performed in a linear order, as the intention is not to convey the epic's story but dance out or enact specific scenes that the artists or villagers are familiar with. [7] As the story progresses and the action intensifies, they begin to start earlier in the day and continue till morning next day. The most-awaited episode is often a battle between a father and a son, Arjuna and Nagarjuna, which is known by the name gainda (Hindi for rhinoceros), as it involves Arjuna killing the rhinoceros that belongs to his son. [4] The weapons used in the drama are worshipped and are never allowed to touch the ground, so they can retain their power, and are taken care of till the next lila. [9] As it is practically impossible to enact the whole of Mahabharata, the longest epic poem in existence, the performers can choose their own episodes for enactment. [10]
The Mahābhārata is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism, the other being the Rāmāyaṇa. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas.
The Pandavas is a group name referring to the five legendary brothers, Yudhishtira, Bhima, Arjuna, Nakula and Sahadeva, who are central figures of the Hindu epic Mahabharata. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different Devas (gods) due to Pandu's cursed inability to naturally conceive children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After the split, the other part of the kingdom was ruled by their cousins, the Kauravas. However, the Pandavas lost their kingdom to Duryodhana when Yudhishtira gambled it away during a game of dice. The bet Yudhishtira agreed to was that the Pandavas would hand the kingdom to the Kauravas and go into exile for 13 years. After this time the Kauravas refused to return the kingdom. As a result, the Pandavas waged a civil war against their extended family, and this conflict was known as the Kurukshetra War. With the help of the god Krishna, the Pandavas eventually won the war with the death of the Kauravas, albeit at great cost.
Duryodhana, also known as Suyodhana, is the primary antagonist in the Hindu epic Mahabharata. He was the eldest of the Kauravas, the hundred sons of the king Dhritarashtra and his queen Gandhari.
Subhadra is a princess of Dvārakā mentioned in the Hindu epic Mahabharata. She is the sister of deities Krishna and Balarama in Hindu scriptures. Subhadra married Arjuna, one of the Pandava brothers and had a son named Abhimanyu.
The bhankora is a type of brass instrument made of copper that is prominently used in the folk music of Uttarakhand in India, especially in the Garhwal region. The instrument is aerophonic and used in religious Garhwal folk god summoning, most notably the Pandav Lila and Nanda Devi Raj Jat. The instrument is played only by upper class Garhwalis during the Naubat, Dhanyal, and Dev Jatra types of religious ritual performances. The bhankora is made of copper and is about 36 inches long and about 3 inches in diameter; it creates a sweet melodious sound and tone.
Uttarā was the princess of Matsya, as described in the Hindu epic Mahabharata. She was the daughter of King Virata and Queen Sudeshna, at whose court the Pandavas spent a year in concealment during their exile. During this period, she learned music and dance from Arjuna, the third Pandava, and later married his son, Abhimanyu. Uttarā was widowed at a young age during the Kurukshetra War. Following the Pandavas' victory in the war, she and her unborn son were attacked by Ashwatthama, and were saved by the divine intervention of Krishna. Her son Parikshit saved the Kuru lineage from extinction, and became a well-known monarch celebrated in both the Mahabharata and the Bhagavata Purana.
Pragjyotisha is a mythological kingdom that is mentioned in a multitude of Hindu epics. It came to be associated with the historical Kamarupa after Bhaskaravarman of the Varman dynasty by drawing his lineage from Naraka/Bhagadatta of the legendary Pragjyotisha to bring his peripheral kingdom closer to mainland traditions at a time when he was emerging as a powerful king with interests in North India. The identification with the mythical Naraka/Bhagadatta lineage continued to be used by the Mlechchhas and Palas for roughly similar purposes.
Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis.
Mahabharat is an Indian Hindi-language epic television series based on the ancient Sanskrit epic Mahabharata. The original airing consisted of a total of 94 episodes and were broadcast from 2 October 1988 to 24 June 1990 on Doordarshan. It was produced by B. R. Chopra and directed by his son, Ravi Chopra. The music was composed by Raj Kamal. The script was written by Pandit Narendra Sharma and the Hindi/Urdu poet Rahi Masoom Raza, based on the epic by Vyasa. Costumes for the series were provided by Maganlal Dresswala. The serial claims to have used the Critical Edition of Bhandarkar Oriental Research Institute as its basic source with Vishnu Sitaram Sukthankar and Shripad Krishna Belwalkar as its primary editor.
Kedarnath Temple is a Hindu temple, one of the twelve jyotirlinga of Shiva. The temple is located on the Garhwal Himalayan range near the Mandakini river, in the state of Uttarakhand, India. Due to extreme weather conditions, the temple is open to the general public only between the months of April and November. During the winters, the vigraha (deity) of the temple is carried down to Ukhimath to be worshipped for the next six months. Kedarnath is seen as a homogeneous form of Shiva, the 'Lord of Kedarkhand', the historical name of the region.
Ramlila is any dramatic folk re-enactment of the life of Rama according to the ancient Hindu epic Ramayana or secondary literature based on it such as the Ramcharitmanas. It particularly refers to the thousands of the Hindu god Rama-related dramatic plays and dance events, that are staged during the annual autumn festival of Navaratri in India. After the enactment of the legendary war between good and evil, the Ramlila celebrations climax in the Vijayadashami (Dussehra) night festivities where the giant grotesque effigies of evil such as of the rakshasa (demon) Ravana are burnt, typically with fireworks.
Panch Kedar, rendered Pancha Kedara in Sanskrit, refers to five Hindu temples or holy places of the Shaivite sect dedicated to god Shiva. They are located in the Garhwal Himalayan region in Uttarakhand, India. They are the subject of many legends that directly link their creation to Pandavas, the heroes of the Indian epic Mahabharata.
Rudranath Temple is a Hindu temple dedicated to God Shiva, located in the Garhwal Himalayan mountains in Uttarakhand, India. Located at 3,600 metres (11,800 ft) above sea level, this natural rock temple is situated within a dense forest of rhododendron dwarfs and Alpine pastures. The temple is the fourth temple to be visited in the Panch Kedar pilgrimage circuit, comprising five Shiva temples in the Garhwal region to be visited in a strict pecking order starting with Kedarnath at an altitude of 3,583 m, the Tungnath (तुंगनाथ)(3,680 m or 12,070 ft), Rudranath (रुद्रनाथ), Madhyamaheshwar (मध्यमहेश्वर) and Kalpeshwar (कल्पेश्वर).
Madhyamaheshwar or Madmaheshwar is a Hindu temple dedicated to Shiva, located in Gaundar, a village in the Garhwal Himalayas of Uttarakhand, India. Situated at an elevation of 3,497 m (11,473.1 ft), it is one of the Panch Kedar pilgrimage circuits, comprising five Shiva temples in the Garhwal region. The other temples in the circuit include: Kedarnath, Tungnath and Rudranath which are culturally visited before Madhyamaheshwar and, Kalpeshwar generally visited after Madhyamaheshwar. The middle (madhya) or belly part or navel (nabhi) of Shiva is worshipped here. The temple is believed to have been built by the Pandavas, the central figures of the Hindu epic Mahabharata.
Kalpeshwar is a Hindu temple dedicated to Shiva located at an elevation of 2,200 m (7,217.8 ft) in the Urgam valley in the Garhwal region of Uttarakhand state in India. The temple's ancient legend linked to the Pandavas, heroes of the epic Mahabharata, is the fifth temple of the Panch Kedar of Shiva's five anatomical divine forms; the other four temples in the order of their worship are Kedarnath, Rudranath, Tungnath and Madhyamaheshwar temples; all in the Kedar Khand region of the Garhwal Himalayas. Kalpeshwar is the only Panch Kedar temple accessible throughout the year. At this small stone temple, approached through a cave passage, the matted tress (jata) of Shiva is worshipped. Earlier it was approachable only by 12 km (7.5 mi) trek from the nearest road head of Helang on the Rishikesh-Badrinath road but now the road goes up to Devgram village from where the trek now is just 300 metres. The road is accessible to bicycles and small cars except in monsoons.
Uttarakhand is a state in the northern part of India. It is often referred to as the "Devbhoomi" due to its religious significance and numerous Hindu temples and pilgrimage sites found throughout the state. As a result, religious tourism forms a major portion of the tourism in the state. Uttarakhand is known for the natural environment of the Himalayas. 2019 Tourist Arrivals Domestic – 40,000,000 per/year and Foreigner – 150,000 per year. Tourism business in Uttarakhand generated ₹ 23,000 crores during 2013–14.
Ramman is a religious festival and ritual theatre of the Garhwal region in India. It is a festival of the Garhwali People celebrated in many villages of the region. Although there are many Rammans, such as the Jak Ramman, one of the most popular is the masked Ramman of the Saloor Dungra village of the Painkhanda Valley in the Chamoli district in Uttarakhand, India.
Doleshwor Mahadeva is a Hindu Temple of Lord Shiva located in Suryabinayak, south eastern part of Bhaktapur District, Nepal, and is believed to be the head part of Kedarnath temple located in Uttarakhand, India.
Dhol damau or dhol damaun is the term used to collectively refer to two folk instruments of Uttarakhand and lower Himachal Pradesh, the dhol and damau, which are almost always played together on special occasions; though they may be played separately. The two instruments play a vital role in the lives of villagers, who often live in remote valleys of the region, and every important event is accompanied by their playing, which is considered auspicious. They are played according to the ancient oral treatise of Dhol Sagar that lists specific rhythmic patterns for every occasion, from celebrating birth and christening to religious ceremonies, folk dramas like Pandav Lila, and death rituals. Traditionally, they have been played by specific caste groups like auji, bajgi, das or dholi.
Naiṇī, Nāgnī or Nāginā Devī is the name of nine Hindu Goddesses belonging to the shape-shifting serpent deities or Nāgas, who rule as goddesses and mothers over the lower part of the Pindar river valley in the Garhwal Himalaya region of Uttarakhand, India. Seven of these goddesses establish the rule over their territory through a journey (yātrā) of six months, during which they are carried around, embodied in the shape of a bamboo pole clothed with saris.
