Arjuna

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Arjuna
Arjuna statue.JPG
A statue of Arjuna in Bali
Personal Information
GenderMale
TitleGandivadhari
Affiliation
Weapon Bow and arrow
FamilyParents
Brothers (Kunti) Brothers (Indra)
Spouse
Children
Relatives

Arjuna (Sanskrit : अर्जुन, IAST : Arjuna) was an ancient prince of the Kuru Kingdom, located in the present-day India. He is one of the main protagonists of the Hindu epic Mahābhārata . He was the third of five Pandava brothers, from the lineage of the Kuru. In the Mahabharata War, Arjuna was a key warrior from the Pandava side in the battle of Kurukshetra. Before the beginning of the war, his mentor Krishna gave him the supreme knowledge of the Bhagavad Gita to overcome his moral dilemmas. In the epic, Arjuna is the closest friend and companion of Krishna. [1]

Contents

Arjuna was the son of Kunti, the wife of Kuru King Pandu, and the god Indra, who fathered him due to Pandu's curse. In the Mahabharata , Arjuna is depicted as a skilled archer from an early age, as a student who earns the favour of his preceptor Drona, as the rival of Karna, as the primary adversary of Kauravas, and the betrothed of Draupadi, who became the common wife of the Pandavas. Arjuna is twice exiled, first for breaking a pact with his brothers, and again with his brothers after his eldest brother is tricked into gambling away the throne. During his first exile, Arjuna married Ulupi, Chitrāngadā and Subhadra. From his four wives, Arjuna had four sons, one from each wife— Shrutakarma, Iravan, Babhruvahana and Abhimanyu. During his second exile, Arjuna gained many celestial weapons. Apart from being a warrior, Arjuna possessed skills in music and dance. At the end of the epic the Pandavas, accompanied by Draupadi, retire to the Himalayas, where everyone in time passes away to arrive in heaven.

Etymology and epithets

According to Monier Monier-Williams, the word Arjuna means white, clear or silver. [2] But Arjuna is known by many other names, such as: [3] [4]

Literary background

The story of Arjuna is told in the Mahabharata, one of the Sanskrit epics from the Indian subcontinent. The work is written in Classical Sanskrit and is a composite work of revisions, editing and interpolations over many centuries. The oldest parts in the surviving version of the text may date to near 400 BCE. [10]

The Mahabharata manuscripts exist in numerous versions, wherein the specifics and details of major characters and episodes vary, often significantly. Except for the sections containing the Bhagavad Gita which is remarkably consistent between the numerous manuscripts, the rest of the epic exists in many versions. [11] The differences between the Northern and Southern recensions are particularly significant, with the Southern manuscripts more profuse and longer. Scholars have attempted to construct a critical edition, relying mostly on a study of the "Bombay" edition, the "Poona" edition, the "Calcutta" edition and the "south Indian" editions of the manuscripts. The most accepted version is one prepared by scholars led by Vishnu Sukthankar at the Bhandarkar Oriental Research Institute, preserved at Kyoto University, Cambridge University and various Indian universities. [12]

Life and legends

Birth and early life

Arjuna was one of the five Pandava brothers of royal lineage, whose collective name derives from their father, and heir to the Lunar dynasty, Pandu. However, Pandu was under a curse whereby he would die if he had sexual relations with a woman, and so his sons were born using a mantra given to Kunti by sage Durvasa during her maiden days. His wives—Madri and Kunti—invoked different gods and were also blessed with children. [13] According to the legend, Arjuna was a demigod, who was born as a blessing after his mother Kunti invoked the god Indra on her husband's request. [14] [15] The Mahabharata and Puranas such as Devi Bhagavata also records Arjuna as a reincarnation of a rishi called Nara. [16] [17]

Despite being the younger brother of Dhritarashtra, it was Pandu who succeeded their father as king of Bharata. This was because Dhritarashtra was blind, a disability that caused him to forfeit his right to the royal succession. Dhritarashtra fathered 100 sons, known as the Kaurava brothers, and ascended the throne on the death of Pandu. [18] [19] The Pandava brothers were then brought up with their cousins, the Kauravas, and the education of all these boys was supervised by Bheeshma. [20] Among their teachers was the brahmin warrior called Drona, who considered Arjuna to be his favourite. [21] According to Swami Parmeshwaranand, Arjuna was Drona's most accomplished pupil. He notes an incident where Drona deemed that out of all his students, none but Arjuna had the steadfast focus to shoot the eye of a toy bird on a tree using a bow and arrow, and that Drona was proven right. [22]

After the princes completed their training, Arjuna defeated Drupada of Panchala, who was impressed by the prince's skills, as the gurudakshina for his beloved teacher Drona. [23] Later, Duryodhana and his maternal uncle Shakuni planned to burn the Pandavas alive along with their mother Kunti. They built a palace out of lac in a village named Varanāvata. The Pandavas, though, managed to escape the house of lac with the help of Vidura through a secret tunnel. [24]

Marriages and children

Arjuna piercing the eye of the fish as depicted in Chennakesava Temple built by Hoysala Empire Swayamvara Draupadi Arjuna Archery.jpg
Arjuna piercing the eye of the fish as depicted in Chennakesava Temple built by Hoysala Empire

Arjuna married Draupadi, [25] [26] the fire born daughter of Drupada, who was the king of Panchala. [27]

After the event of Lakshagriha, Arjuna, his mother and brothers decide to hide from Hastinapura. One day, Arjuna learns that Drupada is holding an archery tournament to determine who should marry his daughter. The tournament was to lift and string a bow, and fire arrows to pierce the eye of a golden fish only by looking at its reflection in the water. At the Swayamvara, almost all the assorted monarchs were unable to complete the challenge. In the end, Arjuna, dressed as a Brahmin, wins the tournament. [28] Annoyed by their defeat, the kings attack Arjuna, but he defeats them and runs home to tell his mother of his success, shouting "look what we have found". Commentators vary as to whether Kunti thought he was referring to alms found in the forest or to some great prize unknown to her. She tells him that the find must be shared with his brothers, as they had always shared such things in the past.

This misunderstanding, combined with the protocol that the oldest of the brothers, Yudhishthira, should marry first, leads to the agreement that all five brothers marry her. This is one of the rare examples of polyandry in Sanskrit literature. [25] [29] The brothers agreed that none should intrude if Draupadi was alone with one of the others, the penalty for doing so is a year to be spent in exile during which the culprit must remain celibate. [25]

When Arjuna, his siblings, mother and Draupadi returned to Hastinapura, Dhritarashtra determined to avoid a rivalry developing for control of Hastinapur by splitting the kingdom, with half of it being left to his own eldest son, Duryodhana, and half to the eldest son of Pandu, Yudhishthira. [18] [19]

Arjuna inadvertently broke the pact with his brothers, intruding as he sought to collect weapons whilst Yudhishthira, was alone with Draupadi. He felt obliged to go into exile despite Yudhishthira's attempts to dissuade him. [27] It was this event that led to him forming a close relationship with his cousin Krishna [a] because he ignored the celibacy condition of the pact [25] and married three people on his travels, the first of whom was a Naga princess named Ulupi, with whom he had a son called Iravan. His second marriage was with a princess of Manipura, Chitrangada, who bore a son named Babhruvahana. The third was with Subhadra, the sister of Krishna. This last event, which took place in Dvaraka, [27] is not the first meeting between Krishna and the Pandavas in the story but it does mark the start of a bond, sealed with the birth of the couple's child, Abhimanyu, whom Krishna adores. [31]

Burning of Khandava Forest

Burning of Khandava forest Fire vs Rain - The Defeat of Indra.jpg
Burning of Khandava forest

It was while at Indraprastha, the capital city of the Pandavas, [32] for the birth of Abhimanyu that Arjuna and Krishna become involved in what Alf Hiltebeitel describes as "one of the strangest scenes of the epic", this being the burning of the Khandava Forest. This story within a story has been interpreted in various ways. [31]

The essence of this part of the myth is that Arjuna and Krishna are in the forest when they are approached by a hungry person. They agree to help satisfy his hunger, at which point he reveals himself to be Agni, the god of fire. Agni's hunger can only be sated by consuming the entire forest and everything in it but his previous attempts to do this were thwarted by Indra, who is a protector of the forest and sent down rains to quench the fire. The cousins agree to fend off Indra and anyone else who might interfere; to this end, Arjuna armed himself with the Gandiva bow and Krishna with his Sudarshana Chakra, weapons suitable for a fight with the gods. They then begin to destroy the forest, battling against Indra and other gods, as well as demons, animals and snakes. Once the forest has gone, after six days of fire and slaughter, Arjuna and Krishna receive thanks from Indra, who had retreated with the other gods partway through the proceedings on being commanded by a mysterious voice to step back and watch. [33]

The game of dice

As heir to the lordship of Kurukshetra, Yudhishthira had attracted the unwelcome attention of his Kaurava cousin, Duryodhana, who sought the throne. [34] The royal consecration involved an elaborate Vedic ceremony called rajasuya which extended over several years and included the playing of a ritualised game of dice. [35] This particular game, described as "Indian literature's most notorious dice game" by Williams, [25] was rigged by Duryodhana, causing Yudhishthira to gamble and lose everything, including his kingdom and his shared wife Draupadi. [29] [36] He and his brothers only obtained their freedom because Draupadi offered herself to the Kauravas in exchange. She was then humiliated by them so much that revenge for her treatment became a further motivation for the Pandavas in the rivalry with their cousins. [29] During her humiliation, Karna called her an unchaste for marrying five men. This led Arjuna to take a vow of killing Karna. [37] The brothers, including Arjuna, were forced into a 12-year exile, to be followed by a year living incognito if Yudhishthira was to regain his kingdom. [36]

Exile of the Pandavas

While in this exile, Arjuna visited the Himalayas to get celestial weapons that he would be able to use against the Kauravas. Thereafter, he honed his battle skills with a visit to Swarga, the heaven of Indra, where he emerged victorious in a battle with the Daityas and also fought for Indra, his spiritual father, with the Gandiva. [14]

After the battle at Khandava, Indra had promised Arjuna to give him all his weapons as a boon for matching him in battle with the requirement that Shiva is pleased with him. During the exile, following the advice of Krishna to go on meditation or tapasya to attain this divine weapon, Arjuna left his brothers for a penance on Indrakeeladri Hill (Koppal, Karnataka). [38]

When Arjuna was in deep meditation, a wild boar ran towards him. He realized it and took out an arrow and shot it at the boar. But, another arrow had already pierced the boar. Arjuna was furious and he saw a hunter there. He confronted the hunter and they engaged in a fight. After hours of fighting, Arjuna was not able to defeat him and realized that the hunter was Shiva. Shiva was pleased and took his real form. He gave him Pashupatastra and told that the boar was Indra as he wanted to test Arjuna. After gaining the weapon, Indra took him to heaven and gave him many weapons. [38] [39]

During his exile, Arjuna was invited to the palace of Indra, his father. An apsara named Urvashi was impressed and attracted to Arjuna's look and talent so she expresses her love in front of him. But Arjuna did not have any intentions of making love to Urvashi. Instead, he called her "mother". Because once Urvashi was the wife of King Pururavas the ancestor of Kuru dynasty. Urvashi felt insulted and cursed Arjuna that he will be a eunuch for the rest of his life. Later on Indra's request, Urvashi curtailed the curse to a period of one year. [40] [41]

At Matsya Kingdom

Arjuna Sets Kama's Arrow Alight, folio from the Razmnama (Book of War) Arjuna Sets Kama's Arrow Alight, folio from the Razmnama (Book of War), 1598-99.jpg
Arjuna Sets Kama's Arrow Alight, folio from the Razmnama (Book of War)

Arjuna spent the last year of exile as a eunuch named Brihannala at King Virata’s Matsya Kingdom. He taught singing and dancing to the princess Uttarā. After Kichaka humiliated and tried to molest Draupadi, Arjuna consoled her and Bhima killed Kichaka. When Duryodhana and his army attacked Matsya, Uttara, Uttarā's brother, with Brihannala as his charioteer went to the army. Later that day, the year of Agyatavasa was over. Arjuna took Uttara away from the army to the forest where he had kept his divine bow, Gandiva, and revealed his identity to Uttara. He then fought Kaurava army and single-handedly defeated them including warriors like Bheeshma, Drona, Ashwatthama, Karna, Duryodhana etc. When Arjuna's identity was revealed to the court, Uttarā was married to Arjuna's son Abhimanyu. [40] [42]

Kurukshetra War

Bhagavat Gita

The Bhagavad Gita is a book within the Mahabharata that depicts a dialogue between Arjuna and Krishna immediately prior to the commencement of the Kurukshetra War between the Pandavas and Kauravas. According to Richard H. Davis,

The conversation deals with the moral propriety of the war and much else as well. The Gita begins with Arjuna in confusion and despair, dropping his weapons; it ends with Arjuna picking up his bow, all doubts resolved and ready for battle. [43]

In the war

Arjuna was a key warrior in Pandava's victory in the Kurukshetra. Arjuna's prowess as an archer was demonstrated by his success in slaying numerous warriors, including his own elder brother Karna and grandfather Bhishma.

  • Fall of Bheeshma : On the 10th day of battle, Shikhandi accompanied Arjuna on the latter's chariot and they faced Bheeshma who did not fire arrows at Shikhandi. He was then felled in battle by Arjuna, pierced by innumerable arrows. With Sikhandi in front, Bheeshma did not even look in that direction, Arjuna shot arrows at Bheeshma, piercing his entire body. [40]
  • Death of Bhagadatta : On the 12th day of the war, Arjuna killed the powerful king of Pragjyotisha Bhagadatta, along with his mighty elephant Supratika. [44]
  • Death of Jayadratha : Arjuna learns that Jayadratha blocked the other four Pandavas, at the entrance of Chakravyuha, due to which Abhimanyu entered alone and was killed unfairly by multiple Kaurava warriors on the 13th day of the war. Arjuna vowed to kill him the very next day before sunset, failing which he would kill himself by jumping into a fire. Arjuna pierced into the Kaurava army on the 14th day, killing two aukshohinis (4.2 Lakh soldiers) of their army, and finally beheaded Jayadratha on the 14th day of the war.
  • Death of Sudakshina: He killed Sudakshina the king of Kambojas on the 14th day using Indrastra killing him and a large part of his army. He also killed Shrutayu, Ashrutayu, Niyutayu, Dirghayu, Vinda, and Anuvinda during his quest to kill Jayadratha.
  • Death of Susharma : Arjuna on the 18th day killed King Susharma of Trigarta Kingdom, the main Kaurava ally.
  • Death of Karna : The much anticipated battle between Arjuna and Karna took place on the 17th day of war. The battle continued fiercely and Arjuna killed Karna by using Anjalikastra when Karna was weaponless. [40]

Later life and death

After the Kurukshetra War, Yudhishthira appointed Arjuna as the Prime Minister of Hastinapur. Yudhishthira performed Ashvamedha. Arjuna followed the horse to the land of Manipura and encountered Babhruvahana, one of his sons. None of them knew one another. Babhruvahana asked Arjuna to fight and injured his father during the battle. Chitrāngadā came to the battlefield and revealed that Arjuna was her husband and Babhruvahana's father. Ulupi, the second wife of Arjuna, revived Arjuna using a celestial gem called Nagamani. [45]

After Krishna left his mortal body, Arjuna took the remaining citizens of Dwaraka to Indraprastha. On the way, they were attacked by a group of bandits. Arjuna desisted from fighting seeing the law of time.

Upon the onset of the Kali Yuga , and acting on the advice of Vyasa, Arjuna and other Pandavas retired, leaving the throne to Parikshit (Arjuna's grandson and Abhimanyu's son). Giving up all their belongings and ties, the Pandavas, accompanied by a dog, made their final journey of pilgrimage to the Himalayas. The listener of the Mahabharata is Janamejaya, Parikshit's son and Arjuna's great-grandson. [46]

Outside Indian subcontinent

Indonesia

Krishna and Arjuna statue in Bali, Indonesia Krishna and Arjuna in Bali.JPG
Krishna and Arjuna statue in Bali, Indonesia

In the Indonesian archipelago, the figure of Arjuna is also known and has been famous for a long time. Arjuna especially became popular in the areas of Java, Bali, Madura and Lombok. In Java and later in Bali, Arjuna became the main character in several kakawin, such as Kakawin Arjunawiwāha, Kakawin Pārthayajña, and Kakawin Pārthāyana (also known as Kakawin Subhadrawiwāha. In addition, Arjuna is also found in several temple reliefs on the island of Java, for example the Surawana temple.

Wayang story

Arjuna wayang (puppetry) in Indonesian culture, especially Java Wayang show.jpg
Arjuna wayang (puppetry) in Indonesian culture, especially Java

Arjuna is a well-known figure in the world of wayang (Indonesian puppetry) in Javanese culture. Some of the characteristics of the wayang version of Arjuna may be different from that of Arjuna in the Indian version of the Mahābhārata book in Sanskrit. In the world of puppetry, Arjuna is described as a knight who likes to travel, meditate, and learn. Apart from being a student of Resi Drona at Padepokan Sukalima, he is also a student of Resi Padmanaba from the Untarayana Hermitage. Arjuna was a Brahman in Goa Mintaraga, with the title Bagawan Ciptaning. He was made the superior knight of the gods to destroy Prabu Niwatakawaca, the giant king of the Manimantaka country. For his services, Arjuna was crowned king in Dewa Indra's heaven, with the title King Karitin and get the gift of magical heirlooms from the gods, including: Gendewa (from Bhatara Indra), Ardadadali Arrow (from Bhatara Kuwera), Cundamanik Arrow (from Bhatara Narada). After the Bharatayuddha war, Arjuna became king in Banakeling State, the former Jayadrata kingdom.

Painting of Bharatayudha war Wayang Painting of Bharatayudha Battle.jpg
Painting of Bharatayudha war

Arjuna has a smart and clever nature, is quiet, conscientious, polite, brave and likes to protect the weak. He leads the Madukara Duchy, within the territory of the state of Amarta. For the older generation of Java, he was the embodiment of a whole man. Very different from Yudhisthira, he really enjoyed life in the world. His love adventures always amaze the Javanese, but he is different from Don Juan who always chases women. It is said that Arjuna was so refined and handsome that princesses, as well as the ladies-in-waiting, would immediately offer themselves. They are the ones who get the honor, not Arjuna. He is very different from Wrekudara. He displayed a graceful body and a gentleness that was appreciated by the Javanese of all generations.

Arjuna also has other powerful heirlooms, among others: The Kiai Kalanadah Keris was given to Gatotkaca when he married Dewi Gowa (Arjuna's son), Sangkali Arrow (from Resi Drona), Candranila Arrow, Sirsha Arrow, Sarotama Kiai Arrow, Pasupati Arrow (from Batara Guru), Panah Naracabala, Arrow Ardhadhedhali, Keris Kiai Baruna, Keris Pulanggeni (given to Abhimanyu), Terompet Dewanata, Cupu filled with Jayengkaton oil (given by Bagawan Wilawuk from Pringcendani hermitage) and Ciptawilaha Horse with Kiai Pamuk's whip. Arjuna also has clothes that symbolize greatness, namely Kampuh or Limarsawo Cloth, Limarkatanggi Belt, Minangkara Gelung, Candrakanta Necklace and Mustika Ampal Ring (formerly belonging to King Ekalaya, the king of the Paranggelung state). [47] [48]

In television and films

There have been serials and films based on Arjuna's life and exploits.

Television

TV SeriesPlayed byChannelCountry
Mahabharat (1988 TV series) Arjun [53] DD National India
Bharat Ek Khoj Lalit Mohan Tiwari
Shri Krishna (1993 TV series) Sandeep Mohan
Mahabharat Katha Arjun
Ek Aur Mahabharat Narendra Jha Zee TV
Jai Hanuman (1997 TV series) Manish Khanna DD Metro
Draupadi (2001 TV series) Rajesh Shringarpure Sahara One
Dwarkadheesh Bhagwaan Shree Krishn Gautam Sharma NDTV Imagine
Kahaani Hamaaray Mahaabhaarat Ki Harshad Chopda 9X
Mahabharat (2013 TV series) Shaheer Sheikh [54] Star Plus
Dharmakshetra Ankit Arora [55] EPIC
Suryaputra Karn Navi Bhangu Sony TV
Karn Sangini Kinshuk Vaidya Star Plus
Paramavatar Shri Krishna Ankit Bathla &TV
Radha Krishn Kinshuk Vaidya [56] Star Bharat

Films

FilmPlayed by
Draupadi Prithviraj Kapoor
Sri Krishnarjuna Yuddhamu Akkineni Nageswara Rao
Bhishma Sobhan Babu
Karnan Muthuraman
Mahabharat Pradeep Kumar
Babruvahana N. T. Rama Rao
Veerabhimanyu Kanta Rao
Pandava Vanavasam M. Balaiah
Sri Krishna Pandaveeyam Sobhan Babu
Sri Krishnavataram Ramakrishna
Daana Veera Soora Karna Nandamuri Harikrishna
Babruvahana Rajkumar
Kurukshetram Krishna
The Mahabharata Vittorio Mezzogiorno
Thalapathi Arvind Swami (Based on Arjuna's character)
Arjun: The Warrior Prince Yuddvir Bakolia (voice)
Mahabharat Ajay Devgn (voice)
Mahabharat Aur Barbareek Arjun
Kurukshetra Sonu Sood [57]
Memories of My Body Radithya Evandra (name of a character, Wahyu Juno, based on Arjuna)
Kalki 2898 AD Vijay Deverakonda

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<span class="mw-page-title-main">Kurukshetra War</span> War described in the Hindu epic Mahabharata

The Kurukshetra War, also called the Mahabharata War, is a war described in the Hindu epic poem Mahabharata, arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the Bhagavad Gita.

<span class="mw-page-title-main">Kunti</span> Mother of Pandavas in Hindu epic Mahabharata

Kunti, born Pritha, was the queen of Kuru in the Hindu epic Mahabharata. Kunti was married to Pandu and is the mother of Karna, Yudhishthira, Bhima, and Arjuna. She is depicted to possess beauty, intelligence and shrewdness.

<i>Mahabharat</i> (1988 TV series) 1988 TV series by B. R. Chopra based on Mahabharata

Mahabharat is an Indian Hindi-language epic television series based on the ancient Sanskrit epic Mahabharata. The original airing consisted of a total of 94 episodes and were broadcast from 2 October 1988 to 24 June 1990 on Doordarshan. It was produced by B. R. Chopra and directed by his son, Ravi Chopra. The music was composed by Raj Kamal. The script was written by Pandit Narendra Sharma and the Hindi/Urdu poet Rahi Masoom Raza, based on the epic by Vyasa. Costumes for the series were provided by Maganlal Dresswala. The serial claims to have used the Critical Edition of Bhandarkar Oriental Research Institute as its basic source with Vishnu Sitaram Sukthankar and Shripad Krishna Belwalkar as its primary editor.

<span class="mw-page-title-main">Bhishma Parva</span> Sixth book of the Mahabharata

The Bhishma Parva, or the Book of Bhishma, is the sixth of eighteen books of the Indian epic Mahabharata. It has 4 sub-books and 124 chapters.

<span class="mw-page-title-main">Drona Parva</span> Seventh book of the Mahabharata

The Drona Parva, or the Book of Drona, is the seventh of eighteen books of the Indian epic Mahabharata. Drona Parva traditionally has 8 parts and 204 chapters. The critical edition of Drona Parva has 8 parts and 173 chapters.

<span class="mw-page-title-main">Panchakanya</span> Group of five iconic heroines of Hindu epics

The Panchakanya is a group of five iconic women of the Hindu epics, extolled in a hymn and whose names are believed to dispel sin when recited. They are Ahalya, Draupadi, Kunti, Tara, and Mandodari. While Draupadi and Kunti are from the Mahabharata, Ahalya, Tara, and Mandodari are from the Ramayana. The Panchakanya are regarded to be ideal women who exemplify perfect wives in Hinduism.

<i>Mahabharat</i> (2013 TV series) Indian television series

Mahabharat is a 2013 Indian epic mythological television series based on the Sanskrit epic Mahabharata. It aired from 16 September 2013 to 16 August 2014 on Star Plus. The series is available digitally on Disney+ Hotstar. Produced by Swastik Productions Pvt. Ltd, it starred Saurabh Raj Jain, Pooja Sharma, Shaheer Sheikh and Aham Sharma.

<i>Suryaputra Karn</i> Indian mythological television series

Suryaputra Karn is an Indian historical epic television series, which premiered on 29 June 2015 on Sony TV. Produced by Siddharth Kumar Tewary of Swastik Pictures, the series covers the life journey of Karna in the Mahabharata. The show starred Gautam Rode, Vishesh Bansal and Basant Bhatt as the lead character at various stages of his life.

References

Notes

  1. ↑ The cousin relationship existing between Arjuna and Krishna was through Arjuna's mother, Kunti, and her brother, Vasudeva, the father of Krishna. Both parents were children of the king Shurasena. [30]

Citations

  1. ↑ Davis, Richard H. (26 October 2014). The Bhagavad Gita. Princeton University Press. ISBN   978-0-691-13996-8. Archived from the original on 12 August 2020. Retrieved 6 September 2020.
  2. ↑ Monier-Williams, Monier (1872). A Sanskṛit-English Dictionary Etymologically and Philologically Arranged: With Special Reference to Greek, Latin, Gothic, German, Anglo-Saxon, and Other Cognate Indo-European Languages. Clarendon Press. Retrieved 5 November 2021.
  3. ↑ "Arjuna's Many Names". The Hindu. 14 August 2018. Archived from the original on 13 June 2020. Retrieved 21 June 2020.
  4. ↑ "Reasons for the names". The Hindu. 8 July 2018. ISSN   0971-751X. Archived from the original on 1 July 2020. Retrieved 1 July 2020.
  5. ↑ "The Mahabharata, Book 1: Adi Parva: Vaivahika Parva: Section CLXLIX". Archived from the original on 25 March 2022. Retrieved 23 October 2021.
  6. ↑ "The Mahabharata, Book 3: Vana Parva: Markandeya-Samasya Parva: Section CCXXX". Archived from the original on 7 May 2021. Retrieved 23 October 2021.
  7. ↑ "The Mahabharata, Book 3: Vana Parva: Tirtha-yatra Parva: Section CLXIV". Archived from the original on 24 September 2021. Retrieved 23 October 2021.
  8. ↑ "Rig Veda: Rig-Veda, Book 7: HYMN XXXV. Viśvedevas". Archived from the original on 23 October 2021. Retrieved 23 October 2021.
  9. 1 2 "The Mahabharata, Book 4: Virata Parva: Go-harana Parva: Section XLIV". Archived from the original on 27 November 2021. Retrieved 23 October 2021.
  10. ↑ Brockington, J. L. (1998). The Sanskrit Epics. Brill Academic. p. 26. ISBN   978-9-00410-260-6.
  11. ↑ Minor, Robert N. (1982). Bhagavad Gita: An Exegetical Commentary. South Asia Books. pp. l–li. ISBN   978-0-8364-0862-1. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  12. ↑ McGrath, Kevin (2004). The Sanskrit Hero: Karna in Epic Mahabharata. Brill Academic. pp. 19–26. ISBN   978-9-00413-729-5. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  13. ↑ Johnson, W. J. (1 January 2009). "Pandu". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  14. 1 2 Coulter, Charles Russell; Turner, Patricia (4 July 2013). "Arjuna". Encyclopedia of Ancient Deities. Routledge. p. 69. ISBN   978-1-13596-390-3.
  15. ↑ Johnson, W. J. (1 January 2009). "Pandavas". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  16. ↑ "The Devi Bhagavatam: The Fourth Book: Chapter 1". Sacred-texts.com. Archived from the original on 28 January 2022. Retrieved 27 February 2022.
  17. ↑ "The Devi Bhagavatam: The Fourth Book: Chapter 5". Sacred-texts.com. Archived from the original on 28 January 2022. Retrieved 27 February 2022.
  18. 1 2 Narlikar, Amrita; Narlikar, Aruna (2014). Bargaining with a Rising India: Lessons from the Mahabharata. Oxford University Press. p. 225. ISBN   978-0-19161-205-3. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  19. 1 2 Flood, Gavin; Martin, Charles (2012). The Bhagavad Gita: A New Translation. W. W. Norton & Company. p. 6. ISBN   978-0-39308-385-9. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  20. ↑ Johnson, W. J. (1 January 2009). "Bisma". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  21. ↑ Johnson, W. J. (1 January 2009). "Drona". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  22. ↑ Parmeshwaranand, Swami (2001). Encyclopaedic Dictionary of Purāṇas (1st ed.). New Delhi: Sarup & Sons. pp. 512–513. ISBN   978-8-17625-226-3.
  23. ↑ Mani, Vettam (1 January 2015). Puranic Encyclopedia: A Comprehensive Work with Special Reference to the Epic and Puranic Literature. Motilal Banarsidass. ISBN   978-81-208-0597-2. Archived from the original on 16 April 2023. Retrieved 14 October 2020.
  24. ↑ "ASI grants permission to excavate palace Kauravas commissioned to kill Pandavas". India Today. 2 November 2017. Archived from the original on 17 October 2020. Retrieved 8 August 2020.
  25. 1 2 3 4 5 Williams, George M. (2008). "Arjuna". Handbook of Hindu Mythology. Oxford University Press. p. 61. ISBN   978-0-19533-261-2. Archived from the original on 16 April 2023. Retrieved 22 June 2020.
  26. ↑ Johnson, W. J. (1 January 2009). "Arjuna". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  27. 1 2 3 Dalal, Roshen (2010). Hinduism: An Alphabetical Guide. Penguin Books. p. 38. ISBN   978-0-14-341421-6. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  28. ↑ Jones, Constance; Ryan, James D. (2006). Encyclopedia of Hinduism. Infobase Publishing. pp. 136–137. ISBN   9780816075645. Archived from the original on 20 October 2022. Retrieved 23 September 2020.
  29. 1 2 3 Johnson, W. J. (1 January 2009). "Draupadi". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
  30. ↑ Dalal, Roshen (2010). Hinduism: An Alphabetical Guide. Penguin Books. p. 216. ISBN   978-0-14-341421-6. Archived from the original on 16 April 2023. Retrieved 28 June 2020.
  31. 1 2 Hiltebeitel, Alf (5 July 1990). The Ritual of Battle: Krishna in the Mahabharata. SUNY Press. p. 86. ISBN   978-0-79140-250-4. Archived from the original on 16 April 2023. Retrieved 22 June 2020.
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  33. ↑ Framarin, Christopher G. (2014). Hinduism and Environmental Ethics: Law, Literature and Philosophy. Routledge. pp. 100–101. ISBN   978-1-31791-894-3. Archived from the original on 16 April 2023. Retrieved 22 June 2020.
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  35. ↑ Johnson, W. J. (1 January 2009). "Rajasuya". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/ACREF/9780198610250.001.0001. ISBN   978-0-19861-025-0. OCLC   244416793. OL   23224406M. Wikidata   Q55879169.
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Further reading

Arjuna at the Encyclopædia Britannica

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