Bhishma

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Bhishma
Statue of Bhishma.jpg
Statue of Bhishma
Information
Aliases
  • Devavrata
  • Gauranga
  • Bhishma
  • Pitamaha
  • Gangaputra
  • Mahamahima
  • Kurushreshtha
GenderMale
PositionSupreme commander of the Kuru army
Affiliation Kauravas
Weapon
Family
Relatives Kuru dynasty-Chandravamsha
Home Hastinapura

Bhishma (Sanskrit : भीष्म, romanized: bhīṣma, lit. 'mighty'), [1] also known as Pitamaha, Gangaputra, and Devavrata, was a prince, statesman and commander of ancient Indian Kuru kingdom and is a major character of the epic Mahabharata and the protagonist of the Bhishma Parva episode. He was the supreme commander of the Kaurava forces during the Kurukshetra War. He was the only character who witnessed the entirety of the events of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom. Bhishma was the stepbrother of Vyasa, the grandfather of both the Pandavas and the Kauravas. He was a prominent statesman of the Kuru Kingdom. He was born as the youngest son of the King Shantanu and goddess Ganga.

Contents

Originally named Devavrata, he was made the heir-apparent of his kingdom. However, he renounced his birthright for his father's happiness and took a vow of lifelong celibacy. Owing to this selfless decision, he came to be known as Bhishma, and was blessed to live as long as he wanted, by his father, Shantanu. He participated in the Kurukshetra War on the side of the Kauravas. On the tenth day of the war, the Pandava prince Arjuna, with the help of Shikhandi, pierced Bhishma with numerous arrows and paralysed him upon a bed of arrows. After spending fifty-one nights on the arrow bed, the hero Bhishma left his body on the auspicious Uttarayana (winter solstice). Before his death, he passed down the Vishnu Sahasranama to Yudhishthira.

Bhishma is a revered figure in Hinduism. Each year his death anniversary is celebrated as Bhishma Ashtami, which falls on the eighth lunar day of the Shukla (light) half of the Magha (January–February) month.

Etymology and epithets

According to Monier Monier-Williams, the word Bhishma (भीष्म) means ,“extreme" or "fierce". The word is also used to describe Rudra, the fierce god, as well as the Rakshasa. [2] In the epic, Devavrata received this as he undertook a fierce or terrible vow (Bhishma pratigya) and fulfilled it. [3] [4] Bhishma was given the name Devavrata (देवव्रत) at his birth, meaning one who is devoted to Gods. [5]

As Bhishma was the only surviving son of Ganga, he was given many epithets which mean "son of Ganga" Gangaputra (गंगापुत्र), Gang (गंग), Gangasuta (गंगासुत) and Gangeya (गांगेय). The word Gangadatta (गंगादत्त) means given by Ganga. [6] Patronymics of Bhishma include Shantanava (शान्तनव), Shantanuputra, Shantanusuta and Shantanuja. [7] Bhishma was also referred as:

[7]

Birth and early life

Shantanu stops Ganga from drowning their eighth child, who later was known as Bhishma. Painting by Raja Ravi Varma. Raja Ravi Varma, Ganga and Shantanu (1890).jpg
Shantanu stops Ganga from drowning their eighth child, who later was known as Bhishma. Painting by Raja Ravi Varma.

Bhishma's birth and youth are mainly narrated in the Adi Parva book of the epic. He was the only surviving son of Shantanu, a king belonging to the lunar dynasty, and his first wife Ganga, a river goddess. It is believed that he was the avatar of a Vasu named Dyu, alias Prabhasa. [8]

According to the legend, Shantanu, the youngest son of the king Pratipa and the king of Kuru kingdom, was on a hunting trip, when he saw a beautiful woman on the banks of the river Ganga. He fell in love with her and asked for her hand in marriage. The lady agreed to his proposal but with one condition that he will never question her actions; and if this condition was broken, she would abandon him. Shantanu accepted it and lived a happy marital life with her. However, when a child was born, the queen used to drown him in the river Ganga. One by one, seven sons were born and drowned, while Shantanu remained silent because of his commitment. When she was about to throw the eighth child into the river, Shantanu, unable to control himself, stopped her and confronted her about her actions. After hearing Shantanu's harsh words, the woman revealed herself to be the goddess Ganga and justified her actions and narrated the following story. [9] [3]

Once the celestial Vasus and their wives were enjoying themselves in the forest when the wife of Dyu spotted an excellent cow and asked her husband to steal it. The cow was Nandini, daughter of the wish-fulfilling cow Surabhi, and was owned by the sage Vashishtha. With the help of his brothers, Dyu tried to steal it but Vashishtha caught them and cursed them to be born as mortals and suffer a miserable life. Upon their pleading, Vashishta showed mercy and told the other seven Vasus that they will be liberated soon after their birth. However, Dyu being the protagonist of the theft was cursed to endure a longer life on the earth. Before the birth of her sons, Ganga was requested to kill the seven children soon after their birth. [10] [3] Hearing this, Shantanu was filled with grief and regrets and Ganga decided to abandon him as her condition was broken. Before disappearing, she promised Shantanu to return his heir. [9]

Ganga handing over her son Devavrata to his father. Painting by BP Banerjee. The scene from the Mahabharata of the presentation by Ganga of her son Devavrata (the future Bhisma) to his father, Santanu..jpg
Ganga handing over her son Devavrata to his father. Painting by BP Banerjee.

Ganga named her son Devavrata and took him to different loka (realms), where he was brought up and trained by many eminent sages. [11] [12] [13]

Years later, Shantanu was roaming on the banks of the Ganga and observed that the water of the river had turned shallow. He saw a young man blocking the water currents with a dam made up of arrows. Shantanu recognised his son because of the similarities and begged Ganga to return him. Ganga appeared in a youthful form and handed her son to Shantanu as per her promise. The young Devavrata was known as Gangadatta as he was handed over by Ganga. [14]

The oath

Devavrata taking his oath, painting by Raja Ravi Varma Bheeshma oath by RRV.jpg
Devavrata taking his oath, painting by Raja Ravi Varma

Devavrata was made the heir-apparent, and the citizens loved him because of his divine background and eligibility. Meanwhile, Shantanu went to the forest and met a fisherwoman named Satyavati, who operated the boats crossing the Yamuna. He fell in love with her and asked for her hand in marriage from her father. However, the fisherman-chief told that he would only agree if Shantanu promised to put the son born to Satyavati as the heir. Shantanu rejected the offer as he had already promised the throne to Devavrata and returned to the palace. He started to avoid any company and spend his time in bed in grief and solitude. Devavrata noticed his father's sorrow and discovered the reason behind it from a minister. [3]

Devavrata immediately rushed to the cottage of the fishermen-chief and begged him for Satyavati, but the fishermen-chief repeated his former condition. For his father's pleasure and happiness, Devavrata ceded his rights to the throne and promised to put the son of Satyavati on the throne of the kingdom. Satyavati's father was not assured as he claimed that disputes were likely to arise between Satyavati's son and Devavrata's children regarding the rights to the throne. To satisfy him, Devavrata took the vow of lifelong Brahmacharya (celibacy), thus denying himself the pleasures of marital life. [3] [15]

The celestials showered flowers from heaven and he came to be known as "Bhishma" as he took a terrible vow. With the consent of the fisherman, Bhishma took Satyavati to his father on a chariot and informed him about his vows. A loving father Shantanu gave him a boon of Iccha Mrityu, the control over the time of his death. [11] [16] [17] Shantanu and Satyavati soon married and two children – Chitrangada and Vichitravirya were born. [3]

Affairs of Kuru Kingdom

After the death of his father, Bhishma played a major role in the affairs of the Kuru kingdom. He managed the kingdom when there were succession crises. He also arranged the marriage of his nephews and tried to bring peace between his grand-nephews, the Kauravas and the Pandavas.

The text Harivamsa mentions that during the mourning period after Shantanu's death, Bhishma killed Ugrayudha Paurava, a statesman of Panchala kingdom who lusted for Satyavati and tried to buy her with wealth. [18] According to the Mahabharata, Chitrangada was crowned as the king, however, he was soon killed by a Gandharva (celestial musician). Bhishma performed Chitrangada's funeral rites. [3] [19] Vichitravirya, who was too young to rule, was crowned as the king by Bhishma but the actual control of the kingdom was under Satyavati until he reached adulthood. Bhishma aided Satyavati during that time. [20]

Swayamvara of the Kashi princesses and battle with Parashurama

When Vichitravirya grew up, Bhishma decided to bring Amba, Ambika and Ambalika the princesses of Kashi kingdom and get them married to him. Bhishma reached the kingdom and fought Shalva, easily defeating him and rightfully won over the princesses, who were choosing their spouse in a Swayamvara (ceremony where a woman chooses her husband from a group of suitors either by holding a competition or a task and the winner marries the princess). Shalva, the ruler of Shalwa or Saubala Kingdom and the lover of Amba, attempted to stop Bhishma but failed. Upon reaching Hastinapura, Ambika and Ambalika consented to marry Vichitravirya, while Amba told Bhishma about her love for Shalva. Learning about her feelings, Bhishma sent Amba to Saubala Kingdom.

The Udyoga Parva further narrates about Amba as well as the battle between Bhishma and Parashurama. When Amba requested Shalva to marry her, he rejected her, claiming that he was already humiliated during the Svayamvara. He also told her that he could not accept a woman, who was won by another man. A variant suggests that after Amba returned to Hastinapur, Bhishma then asked Vichitravirya to marry her, but he also refused to marry her as she loved another man. With no one to accept her, Amba blamed Bhishma for her misery and wanted revenge from him. She went to the kings of several kingdom and tried to convince them to slay Bhishma; but none of them agreed. After she was advised by some sages, she met Parasurama, Bhishma's teacher and successfully convinced him in giving vow to help her. [21]

Parasurama went to Kurukshetra and sent a message to Bhishma to meet him. Bhishma arrived at the place and offered his service to his teacher. Wanting to solve the situation, Parasurama ordered him to marry Amba, telling him that it was his duty. However, Bhishma denied it, reminding him about his vow. This enraged Parashurama and he threatened Bhishma with death. Bhishma tried to calm him but it failed. An intense battle began with both protecting their words. They fought for twenty-three days, each using celestial weapons. Ganga tried to stop them but was unsuccessful. [21] On the twenty-fourth day of battle, Bhishma attempted to use the Prashwapastra against Parashurama, but the divine sage Narada and the gods intervened and showed their concern over the use of powerful weapons which could destroy the world. Parashurama ended the conflict and the battle was declared a stalemate. After hearing about the event, Amba decided to take her revenge on her own and did severe austerities to please the god Shiva. Shiva appeared in front of her and assured that she would be reborn and become instrumental in Bhishma's death. Satisfied, she then made a funeral pyre of woods and killed herself. Years later, she was reborn as Shikhandini, daughter of King Drupada of Panchala kingdom. [22]

Political influences

Yudhishthira with Bhishma, from the Razm-Namah, by Fattu, 1598 Razmnamah.jpg
Yudhishthira with Bhishma, from the Razm-Namah, by Fattu, 1598

Vichitravirya was crowned as the king of Hastinapura and he ruled for a few years, before he died of tuberculosis. He had no offspring and the lineage was at the risk of extinction. Satyavati persuaded Bhishma to marry the widows of Vichitravirya and rule as the king or at least impregnate them to produce an heir. [23] However Bhishma refused the proposal and told her about his vow. He then suggested that a sage could be requested to perform Niyoga (a practice in which another person is requested to impregnate a woman, whose husband is deceased or impotent). [24] Satyavati called her premarital born son, Vyasa, to impregnate her daughters-in-law. [25] [26] [27] Three children were born Dhritarashtra from Ambika, Pandu from Ambalika and Vidura from a maid. Bhishma trained them and also got them married. He arranged the wedding of Dhritarashtra with Gandhari, the princess of Gandhara Kingdom. [28] [29] He also brought Madri for Pandu from Madra Kingdom and also got Vidura married to the daughter of Devaka. [30] [31]

Despite Dhritrashtra being the eldest among the brothers, he was denied the throne because of his blindness. Pandu was appointed as the king, but later, he renounced his position and went to the forest with his wives. Dhritarashtra was made the de facto king and Gandhari gave birth to the Kauravas siblings. Meanwhile, Pandu's two wives gave birth to the five Pandava brothers. After the premature death of Pandu, his first wife Kunti returned to Hastinapur with her sons. Satyavati, along with Ambika and Ambalika, decided to retire to the forest for penance, leaving Bhishma with the responsibility of the kingdom. A Brahmin warrior Drona, was hired by Bhishma to train the princes in warfare. [32]

From their childhood, the Kauravas hated their cousins and tried to kill them multiple times. One such was the event of Lakshagriha, in which Duryodhana—the eldest Kaurava—decided to burn the Pandavas. Bhishma was despondent but Vidura consoled him and told them that the Pandavas were alive. The event led to the succession dispute between Duryodhana and Yudhishthira. To resolve this, Bhishma advised Dhritarashtra to divide the kingdom among the princes. The Pandavas made their capital in Indraprastha and performed the Rajasuya to achieve sovereignty and the status of the emperor. Bhishma supported them and attended the ceremony. He suggested Yudhishthira give Krishna the highest place in the ceremony, but this enraged Shishupala an enemy of Krishna. He initially protested to give the position to Bhishma, but after Bhishma showed no objection in honouring Krishna, Shishupala started insulting him. [30]

Bhishma was present during the gambling game in Hastinapur, where Draupadi—the wife of the Pandavas—was humiliated in the court. When she questioned the dharma of Yudhishthira losing her in the game, Bhishma tried but failed to answer her and described dharma to be subtle. [33]

The Kurukshetra War

In the great battle at Kurukshetra, Bhishma was the supreme commander of the Kaurava forces for ten days. He fought reluctantly on the side of the Kauravas, having vowed to protect the city of Hastinapur from all threats and invasions.

Before the battle, at the Kauravas army's assembly, Bhishma singled out Karna and forbade him from participating in the war under his command, and even affronted him as Sutaputra (son of Suta - child of Kshatriya father and Brahmin mother). Karna then mutually returned the hostility by refusing to serve under Bhishma. In truth, both side of the affront were aware of Karna's true lineage, and had to make pretext to prevent Karna from battling his brothers.

Bhishma was one of the most powerful warriors of his time and in history. He acquired his prowess and invincibility from being the son of the sacred Ganga and by being a student of Lord Parashurama. Despite being about five generations old, Bhishma was too powerful to be defeated by any warrior alive at that time. Every day, he slew at least 10,000 soldiers and about a 1,000 rathas.

At the beginning of the war, Bhishma vowed not to kill any of the Pandavas, as he loved them, being their grand-uncle. Duryodhana often confronted Bhishma alleging that he was not actually fighting for the Kaurava camp as he would not kill any of the Pandavas. He also did not allow any of the Kauravas to be killed in the war, as he loved all his grand-nephews and wanted a peace negotiation.

Duryodhana approached Bhishma one night and accused him of not fighting the battle to his full strength because of his affection for the Pandavas. On the next day there was an intense battle between Bhishma and Arjuna. Although Arjuna was very very skilled and powerful, he was not fighting seriously as his heart was not in it to hurt his beloved grandsire Bhishma. Bhishma fired arrows such that Arjuna and Krishna were both injured. Krishna, enraged over Bhishma's devastation of the Pandavas army, got down from his charioteer seat and picked up a displaced wheel, intending to use it in place of his Sudarshana Chakra. Seeing this, both Arjuna and Bhishma stopped their battle, with the protector of Hastinapur humbly telling the avatar of Vishnu that he would immediately lay down his life should Krishna took action here and now. Arjuna ultimately convinced Krishna to remain true to his vow and returned themselves to their chariot. Thus Bhishma fulfilled his vow of forcing Krishna to raise a weapon. Then Arjuna used stronger weapons, injuring Bhishma. Bhishma and Arjuna's duel was praised by the gods themselves as they watched over it from the sky.

The war was thus locked in a stalemate. As the Pandavas mulled over this situation, Krishna advised them to visit Bhishma himself and request him to suggest a way out of this stalemate. Bhishma loved the Pandavas and knew that he stood as an obstacle in their path to victory and so when they visited Bhishma, he gave them a hint as to how they could defeat him. He told them that if faced by one who had once been of the opposite gender, he would lay down his arms and fight no longer.

Later Krishna told Arjuna how he could bring down Bhishma, through the help of Shikhandi. The Pandavas were not agreeable to such a ploy, as by using such tactics they would not be following the path of Dharma, but Krishna suggested a clever alternative. And thus, on the next day, the tenth day of battle Shikhandi was accompanied by Arjuna as Arjuna was his chariot protector and they faced Bhishma who avoided Shikhandi. He was then felled in battle by Arjuna, pierced by innumerable arrows. Arjuna shot arrows at Bhishma, piercing his entire body. Thus, as was preordained (Mahadeva's boon to Amba that she would be the cause of Bhishma's fall) Shikhandi, that is, Amba reincarnated was the cause of Bhishma's fall.

As Bhishma fell, his whole body was held above the ground by the shafts of Arjuna's arrows which protruded from his back, and through his arms and legs. Seeing Bhishma lying on such a bed of arrows humbled even the gods who watched from the heavens in reverence. They silently blessed the mighty warrior. When the young princes of both armies gathered around him, inquiring if there was anything they could do, he told them that while his body lay on the bed of arrows above the ground, his head hung unsupported. Hearing this, many of the princes, both Kaurava and the Pandava alike brought him pillows of silk and velvet, but he refused them. He asked Arjuna to give him a pillow fit for a warrior. Arjuna then removed three arrows from his quiver and placed them underneath Bhishma's head, the pointed arrow tips facing upwards. To quench the war veteran's thirst, Arjuna shot an arrow into the earth, and a jet stream of water rose up and into Bhishma's mouth. [34] It is said that Ganga herself rose to quench her son's thirst. [21]

Death

After the war, while on his deathbed (arrow bed), he gave deep and meaningful instructions to Yudhishthira on statesmanship and the duties of a king. Bhishma always gave priority to Dharma. He always walked in the path of Dharma, despite his state because of the vow, he was supposed to forcefully follow the orders of his king Dhritharashtra, which were mostly Adharma, he was totally upset. He was sure he must let dharma win and Pandavas win, but the way he led the war and stayed silent were his sins in a way and he paid for it with the bed of arrows. Finally, Bhishma gave up the fight, focusing his life force and breath, sealing the wounds, and waiting for the auspicious moment to give up his body on the arrow bed. He did wait for about 58 nights for the winter solstice or first day of Uttarayana to give up his body on the arrow bed. His body was later cremated by Emperor Yudhishthira in a great ceremony.

Mahabharata states that he attained salvation after his death. He was granted the Maatru Lok (which is considered even above Swarga, the heaven). Magha (month) Shukla Ashtami marks the death anniversary of Bhishma Pitamah (Father), the day being known as Bhishma Ashtami. Hindus observe Ekodishta Śrāddha for him on this day, for many generations, and can only be performed by those whose fathers are not alive. Bhishma Panchaka vrata (fast) is observed in all Vishnu temples, starting from Bhishma Ashtami, for five days until Bhishma Dwadasi.[ citation needed ] People believe that they will have a son with the steadfast qualities of Bhishma if they observe these holy rituals on the river banks. [35] It is also said that those who will perform this fast will live a happy life and attain salvation after their death.

Bhishma on bed of arrows depicted in Angkor Wat Angkor Wat Bhishma.jpg
Bhishma on bed of arrows depicted in Angkor Wat

Films and television

His life has been made into many films in different Indian languages. The first silent film was made in 1922. During the talkie period, the first film was made in Hindi (1937). It was followed by a Bengali film in 1942 directed by Jyotish Bannerjee. Jahar Ganguli played the title role.[ citation needed ]

Modern references

The tank T-90 Main Battle Tank, one of the world's most advanced MBTs acquired from Russia for the Indian Army, is named after Bhishma. [36] [37]

Notes

    Citations

    1. www.wisdomlib.org (28 September 2011). "Bhishma, Bhisma, Bhīṣma, Bhismā, Bhiṣmā: 22 definitions". www.wisdomlib.org. Retrieved 24 April 2023.
    2. Monier-Williams 1872, p. 712.
    3. 1 2 3 4 5 6 7 Mani 1975, p. 135.
    4. Long 2020, p. 91.
    5. Monier-Williams 1872, p. 432.
    6. Gandhi 2004, p. 115.
    7. 1 2 Mani 1975, p. 137.
    8. Mani 1975, p. 134.
    9. 1 2 Ganguly, Adi Parva: Section 98
    10. Ganguly, Adi Parva: section 99
    11. 1 2 Ganguly, Adi Parva: section 100
    12. Ganguly, Shanti Parva: section 38
    13. "Why Devavrata came to be known as Bhishma?". Zee News. 12 April 2017. Retrieved 29 August 2020.
    14. Narasimhan, Chakravarthi V. (1999). The Mahābhārata: An English Version Based on Selected Verses. Motilal Banarsidass Publ. ISBN   978-81-208-1673-2.
    15. Arora, Jai Gopal (22 March 2022). कलरव[Chirping] (in Hindi). New Delhi: Al- Lina Publications. pp. 34–42. ISBN   979-8-4370-5396-6.
    16. Ireland, Royal Asiatic Society of Great Britain and (1879). Journal of the Royal Asiatic Society of Great Britain and Ireland. Cambridge University Press for the Royal Asiatic Society.
    17. "Devavrata's oath". The Hindu. 7 July 2016. ISSN   0971-751X . Retrieved 29 August 2020.
    18. Bhattacharya 2004, p. 21–25.
    19. Ganguly, Adi Parva: Section 101
    20. Ganguly, Adi Parva: Section 102
    21. 1 2 3 Bhanu, Sharada (1997). Myths and Legends from India – Great Women. Chennai: Macmillan India Limited. pp. 30–8. ISBN   0-333-93076-2.
    22. "Mahabharata Story By Rajaji – Page 5 | Mahabharata Stories, Summary and Characters from Mahabharata". www.mahabharataonline.com. Retrieved 29 August 2020.
    23. Meyer pp. 165–6
    24. Ganguli, Kisari Mohan (1883–1896). "SECTION CIV". The Mahabharata: Book 1: Adi Parva. Sacred texts archive.
    25. Choppra, Kusum (17 June 2017). "Satyavati, the feminist who stood up to patriarchy". DNA India. Retrieved 26 October 2020.
    26. Ganguli, Kisari Mohan (1883–1896). "SECTION CIII". The Mahabharata: Book 1: Adi Parva. Sacred texts archive.
    27. Meyer p. 165
    28. Srivastava, Diwaker Ikshit (11 December 2017). Decoding the Metaphor Mahabharata. One Point Six Technology Pvt Ltd. ISBN   978-93-5201-000-4.
    29. "The Mahabharata, Book 1: Adi Parva: Sambhava Parva: Section CX". www.sacred-texts.com. Retrieved 1 September 2020.
    30. 1 2 Mani 1975, p. 136.
    31. Debalina (20 December 2019). Into the Myths: A Realistic Approach Towards Mythology and Epic. Partridge Publishing. ISBN   978-1-5437-0576-8.
    32. Dalal, Roshen (18 April 2014). Hinduism: An Alphabetical Guide. Penguin UK. ISBN   978-81-8475-277-9.
    33. Hudson, Emily T. (2013). Disorienting Dharma: Ethics and the Aesthetics of Suffering in the Mahabharata. OUP USA. ISBN   978-0-19-986078-4.
    34. Vyāsa Deva, Kṛṣṇa Dvaipāyana (2018). Mahābhārata : Sanskrit text and English translation; translation according to M.N. Dutt. Manmatha Nath Dutt, Ishvar Chandra, O. N. Bimali (4th ed.). Delhi: Parimal Publications. pp. 427–428. ISBN   978-81-7110-196-2. OCLC   855398616.
    35. "Bhishma Ashtami". Drik Panchang. Retrieved 24 January 2019.
    36. Robert Jackson (1 March 2007). Tanks and Armored Fighting Vehicles. Parragon Incorporated. pp. 295–. ISBN   978-1-4054-8664-4 . Retrieved 24 June 2012.
    37. S. Muthiah (2008). Madras, Chennai: A 400-year Record of the First City of Modern India. Palaniappa Brothers. pp. 288–. ISBN   978-81-8379-468-8 . Retrieved 24 June 2012.

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    Sahadeva was the youngest of the five Pandava brothers in the ancient Indian epic, the Mahabharata. He and his twin brother Nakula were the sons of Madri, one of the wives of the Pandava patriarch Pandu, and Ashvini Kumaras, the divine twin physicians of the gods, whom she invoked to beget her sons due to Pandu's inability to progenate. Kunti, Sahadeva's step-mother, loved him the most despite his birth to Madri. Sahadeva is renowned for his wisdom, knowledge of astrology, and skill in swordsmanship.

    <span class="mw-page-title-main">Shakuni</span> Antagonist in the Mahabharata

    Shakuni is one of the antagonists of the Hindu epic Mahabharata. He was the prince of the kingdom of Gandhara when introduced, later becoming its king after the death of his father, Subala. He was the brother of Gandhari and the maternal uncle of the Kauravas.

    <span class="mw-page-title-main">Kripa</span> Character in the Mahabharata, A Chiranjivi

    Kripa, also known as Kripacharya, is a figure in Hindu mythology. According to the epic Mahabharata, he was a council member of Kuru Kingdom and a teacher of the Pandava and Kaurava princes.

    <span class="mw-page-title-main">Kurukshetra War</span> War described in the Hindu epic Mahabharata

    The Kurukshetra War, also called the Mahabharata War, is a war described in the Hindu epic poem Mahabharata, arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the Bhagavad Gita.

    <i>Mahabharat</i> (1988 TV series) 1988 TV series by B. R. Chopra based on Mahabharata

    Mahabharat is an Indian Hindi-language epic television series based on the ancient Sanskrit epic Mahabharata. The original airing consisted of a total of 94 episodes and were broadcast from 2 October 1988 to 24 June 1990 on Doordarshan. It was produced by B. R. Chopra and directed by his son, Ravi Chopra. The music was composed by Raj Kamal. The script was written by Pandit Narendra Sharma and the Hindi/Urdu poet Rahi Masoom Raza, based on the epic by Vyasa. Costumes for the series were provided by Maganlal Dresswala. The serial claims to have used the Critical Edition of Bhandarkar Oriental Research Institute as its basic source with Vishnu Sitaram Sukthankar and Shripad Krishna Belwalkar as its primary editor.

    <span class="mw-page-title-main">Udyoga Parva</span> Fifth book of the Mahabharata

    The Udyoga Parva, or the Book of Effort, is the fifth of eighteen books of the Indian epic Mahābhārata. Udyoga Parva traditionally has 10 parts and 199 chapters. The critical edition of Sabha Parva has 12 parts and 197 chapters.

    <span class="mw-page-title-main">Bhishma Parva</span> Sixth book of the Mahabharata

    The Bhishma Parva, or the Book of Bhishma, is the sixth of eighteen books of the Indian epic Mahabharata. It has 4 sub-books and 124 chapters.

    <i>Bhishma</i> (1962 film) 1962 film

    Bhishma is a 1962 Indian Telugu-language Hindu mythological film, based on the life of Bhishma from the epic Mahabharata, produced and directed by B. A. Subba Rao. It stars N. T. Rama Rao and Anjali Devi, with music composed by S. Rajeswara Rao.

    Amba (<i>Mahabharata</i>) Princess in the Mahabharata

    Amba is a character in the Hindu epic Mahabharata. She is the eldest and most beautiful daughter of Kashya, the King of Kashi, and the sister of Ambika and Ambalika.

    <i>Mahabharat</i> (2013 TV series) Indian television series

    Mahabharat is a 2013 Indian epic mythological television series based on the Sanskrit epic Mahabharata. It aired from 16 September 2013 to 16 August 2014 on Star Plus. The series is available digitally on Disney+ Hotstar. Produced by Swastik Productions Pvt. Ltd, it starred Saurabh Raj Jain, Pooja Sharma, Shaheer Sheikh and Aham Sharma.

    <i>Suryaputra Karn</i> Indian mythological television series

    Suryaputra Karn is an Indian historical epic television series, which premiered on 29 June 2015 on Sony Entertainment Television. Produced by Siddharth Kumar Tewary of Swastik Pictures, the series covers the life journey of Karna in the Mahabharata. The show starred Gautam Rode, Vishesh Bansal and Basant Bhatt as the lead character at various stages of his life.

    References