Abhisheka (Sanskrit : अभिषेक, romanized: Abhiṣeka) is a religious rite or method of prayer in which a devotee pours a liquid offering on an image or murti of a deity. This is common to religions such as Hinduism, Buddhism and Jainism.
Abhisheka (Sanskrit : अभिषेक, romanized: Abhiṣeka) is a religious rite or method of prayer in which a devotee pours a liquid offering on an image or murti of a deity. This is common to religions such as Hinduism, Buddhism and Jainism.
An abhiṣeka is conducted by priests by bathing the image of the deity being worshipped, amidst the chanting of mantras. Usually, offerings such as milk, yogurt, ghee, honey, panchamrita, sesame oil, rose water, sandalwood paste may be poured among other offerings depending on the type of abhishekam being performed. This rite is routinely performed in Hindu temples. A Rudrābhiṣeka or abhiṣeka of Rudra is performed on lingams. A Kumbhabhishekam is a consecration ritual for a Hindu temple. [1]
In Vajrayana Buddhism or Mantrayana Buddhism, one enters into the path of Vajrayana Buddhism by receiving the four stages of tantric empowerments, or abhisheka: the vase abhisheka, secret abhisheka, prajnajnana abhisheka, and word abhisheka. [2] [3]
In Vajrayana Buddhism, an abhiṣeka can be a method for performing pointing-out instructions, a way to offer blessings of a lineage to participants, or it can be an empowerment to begin a particular meditation practice. [4]
This empowerment ritual is present in Tibetan Buddhism as well as in Chinese Esoteric Buddhism and in Shingon Buddhism.
The abhiṣeka was originally used as a consecration rite. Water from the four oceans was poured out of golden jars onto the head of royalty. It was used during a monarch's accession ceremony and also his investiture ceremony. [5]
The abhiseka rite (wangkur) is a prelude for initiation into mystical teaching. There are four classes of abhiseka, each being associated with one of the four Tantras. They are master consecration, secret consecration, knowledge of prajna, and the fourth consecration. [5]
The abhiṣeka ritual (灌頂, kanjō) in Shingon Buddhism is the initiation rite used to confirm that a student of esoteric Buddhism has now graduated to a higher level of practice. The kanji used literally mean "pouring from the peak", which poetically describes the process of passing on the master's teachings to the student. The rite was popular in China during the Tang dynasty, [6] and Kūkai, founder of Shingon, studied there extensively before introducing this rite to the Japanese Buddhist establishment of the time. [7] A separate initiation rite exists for the general public called the kechien kanjō (結縁灌頂), and symbolizes their initiation into esoteric Buddhism. This rite is generally only offered at Mount Kōya in Wakayama Prefecture in Japan, but it can be offered under qualified masters and under proper auspices outside Japan, albeit very rarely.[ citation needed ]
The Shingon rite utilizes one of the two Mandala of the Two Realms, depending on the occasion. In esoteric ritual, after the student receives the samaya precepts, the teacher of the esoteric Buddhism assumes the role of the teacher, usually Mahavairocana Buddha, while the master and student repeat specific mantras in a form of dialogue taken from esoteric Buddhist sutras. The student, who is blindfolded, then throws a flower upon the Mandala that is constructed, and where it lands (i.e. which deity) helps dictate where the student should focus his devotion on the esoteric path. [8] From there, the student's blindfold is removed and a vajra is placed in hand.
Abhisheka in Jainism means the ritual of consecration of the image of Jina. [9]
Vajrayāna, also known as Mantrayāna, Mantranāya, Guhyamantrayāna, Tantrayāna, Tantric Buddhism, and Esoteric Buddhism, is a Buddhist tradition of tantric practice that developed in Medieval India and spread to Tibet, Nepal, other Himalayan states, East Asia, parts of Southeast Asia and Mongolia.
A mantra or mantram is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words believed by practitioners to have religious, magical or spiritual powers. Some mantras have a syntactic structure and a literal meaning, while others do not.
Kūkai, born Saeki no Mao, posthumously called Kōbō Daishi, was a Japanese Buddhist monk, calligrapher, and poet who founded the esoteric Shingon school of Buddhism. He travelled to China, where he studied Tangmi under the monk Huiguo. Upon returning to Japan, he founded Shingon—the Japanese branch of Vajrayana Buddhism. With the blessing of several Emperors, Kūkai was able to preach Shingon teachings and found Shingon temples. Like other influential monks, Kūkai oversaw public works and constructions. Mount Kōya was chosen by him as a holy site, and he spent his later years there until his death in 835 C.E.
Shingon is one of the major schools of Buddhism in Japan and one of the few surviving Vajrayana lineages in East Asian Buddhism. It is sometimes also called Japanese Esoteric Buddhism, or Eastern Esotericism. The word shingon is the Japanese reading of the Chinese word 真言, which is the translation of the Sanskrit word mantra.
Saichō was a Japanese Buddhist monk credited with founding the Tendai school of Buddhism based on the Chinese Tiantai school he was exposed to during his trip to Tang China beginning in 804. He founded the temple and headquarters of Tendai at Enryaku-ji on Mount Hiei near Kyoto. He is also said to have been the first to bring tea to Japan. After his death, he was awarded the posthumous title of Dengyō Daishi (伝教大師).
Vairocana also known as Mahāvairocana is a major Buddha from Mahayana and Vajrayana Buddhism. Vairocana is often interpreted, in texts like the Avatamsaka Sutra, as the Dharmakāya of the historical Gautama Buddha.
In Vajrayana Buddhism, the Diamond Realm is a metaphysical space inhabited by the Five Tathagatas. The Diamond Realm Mandala is based on an esoteric Buddhist sutra called the Vajrasekhara Sutra.
In Vajrayana Buddhism, the Womb Realm is the metaphysical space inhabited by the Five Compassion Buddhas. The Womb Realm is based on the Mahavairocana Tantra. The name of the mandala derives from chapter 2 of the sutra, where it is said that the buddha Mahāvairocana revealed the mandala's secret teachings to his disciple Vajrasattva from his "womb of compassion". In other translations, the term Matrix Realm or Matrix Mandala is used.
In Japanese Buddhism, mikkyō or Japanese Esoteric Buddhism, is the lineage of Vajrayana transmitted to Japan, primarily in the early Heian by Kūkai, and to a later extent by Saichō and his successors such as Ennin. It consists of complex systems of icons, meditative rituals, and ritual languages; distinct from the exoteric schools.
Shugendō is a highly syncretic religion, a body of ascetic practices that originated in the Nara Period of Japan having evolved during the 7th century from an amalgamation of beliefs, philosophies, doctrines and ritual systems drawn from local folk-religious practices, Shinto mountain worship, Buddhism and Taoism. The final purpose of Shugendō is for practitioners to find supernatural power and save themselves and the masses by conducting religious training while treading through steep mountain ranges. Practitioners are called Shugenja or Yamabushi. The mountains where shugendo is practiced are all over Japan, and can span multiple mountains within one range such as the Ōmine mountain range with Mount Hakkyō and Mount Ōmine or the Ishizuchisan mountain range with Kamegamori and Tengudake.
Vajrabodhi was an Indian esoteric Buddhist monk and teacher in Nalanda and later in Tang China. He is one of the eight patriarchs in Shingon Buddhism. He is notable for introducing Vajrayana Buddhism in the territories of the Srivijaya Empire which subsequently evolved into a distinct form known as Indonesian Esoteric Buddhism.
Buddhist tantric literature refers to the vast and varied literature of the Vajrayāna Buddhist traditions. The earliest of these works are a genre of Indian Buddhist tantric scriptures, variously named Tantras, Sūtras and Kalpas, which were composed from the 7th century CE onwards. They are followed by later tantric commentaries, original compositions by Vajrayana authors, sādhanas, ritual manuals, collections of tantric songs (dohās) odes (stotra), or hymns, and other related works. Tantric Buddhist literature survives in various languages, including Sanskrit, Tibetan, and Chinese. Most Indian sources were composed in Sanskrit, but numerous tantric works were also composed in other languages like Tibetan and Chinese.
Vajrasattva is a bodhisattva in the Mahayana and Mantrayana/Vajrayana Buddhist traditions.
In Vajrayāna Buddhism, an empowerment or consecration is an esoteric initiation or transmission of secret teachings performed by a tantric guru (vajracharya) to a student in a ritual space containing the mandala of a Buddhist deity. The initiation is traditionally seen as transmitting a certain spiritual power which allows the tantric yogi to reach enlightenment swiftly or to attain other yogic accomplishments.
The Mantra of Light, also called the Mantra of the Light of Great Consecration and Mantra of the Unfailing Rope Snare, is an important mantra of the Shingon and Kegon sects of Japanese Buddhism. It is also recited in Japanese Zen Buddhism.
The somaya, is a set of vows or precepts given to initiates of an esoteric Vajrayana Buddhist order as part of the abhiṣeka ceremony that creates a bond between the guru and disciple.
The Vajraśekhara Sūtra is an important Buddhist tantra used in the Vajrayāna schools of Buddhism, but can refer to a number of different works. In particular a cycle of 18 texts studied by Amoghavajra, which included both Tattvasaṃgraha Tantra, and the Guhyasamaja Tantra, a Tibetan text which appears to be composed of two works grouped together and to further confuse matters in the Japanese Shingon school the Sarvatathāgatatattvasaṃgraha Tantra is known by this name. In Tibetan it is considered to be the main representative of the Yogatantra class of texts.
The Vairocanābhisaṃbodhi Sūtra, also known as the Mahāvairocana Tantra is an important Vajrayana Buddhist text composed before 674 CE. The Indian tantric master Buddhaguhya classified the text as a caryātantra, and in Tibetan Buddhism it is still considered to be a member of the carya classification. In Japan where it is known as the Mahāvairocana Sūtra, it is one of two central texts in the Shingon school, along with the Vajrasekhara Sutra. Both are also part of the Tendai school.
Huiguo (746–805) was a Buddhist monk of Tang China who studied and taught Chinese Esoteric Buddhism, a Vajrayana tradition recently imported from India. Later Huiguo would become the teacher of Kūkai, founder of Shingon Buddhism, a prominent school of Buddhism in Japan.
Chinese Esoteric Buddhism refers to traditions of Tantra and Esoteric Buddhism that have flourished among the Chinese people. The Tantric masters Śubhakarasiṃha, Vajrabodhi and Amoghavajra, established the Esoteric Buddhist Zhenyan tradition from 716 to 720 during the reign of Emperor Xuanzong of Tang. It employed mandalas, mantras, mudras, abhiṣekas, and deity yoga. The Zhenyan tradition was transported to Japan as Shingon Buddhism by Kūkai as well as influencing Korean Buddhism and Vietnamese Buddhism. The Song dynasty (960–1279) saw a second diffusion of Esoteric texts. Esoteric Buddhist practices continued to have an influence into the late imperial period and Tibetan Buddhism was also influential during the Yuan dynasty period and beyond. In the Ming dynasty (1368–1644) through to the modern period, esoteric practices and teachings became absorbed and merged with the other Chinese Buddhist traditions to a large extent.
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