Mexicayotl (Nahuatl word meaning "Essence of the Mexican", "Mexicanity"; Spanish: Mexicanidad; see -yotl ) is a movement reviving the indigenous religion, philosophy and traditions of ancient Mexico (Aztec religion and Aztec philosophy) among the Mexican people.
The movement came to light in the 1950s, led by Mexico City intellectuals otherwise known as the descendants of The Aztec Triple Alliance Elite.
The Mexicayotl movement started in the 1950s with the founding of the group Nueva Mexicanidad by Antonio Velasco Piña. In the same years Rodolfo Nieva López founded the Movimiento Confederado Restaurador de la Cultura del Anáhuac, [1] the co-founder of which was Francisco Jimenez Sanchez who in later decades became a spiritual leader of the Mexicayotl movement, endowed with the honorific Tlacaelel . He had a deep influence in shaping the movement, founding the In Kaltonal ("House of the Sun", also called Native Mexican Church) in the 1970s. [2]
From the 1970s onwards Mexicayotl has grown developing in a web of local worship and community groups (called calpulli or kalpulli) [3] and spreading to the Mexican Americans or Chicanos in the United States. It has also developed strong ties with Mexican national identity movements and Chicano nationalism. [4] Sanchez's Native Mexican Church (which is a confederation of calpullis) was officially recognised by the government of Mexico in 2007. [5]
Chicano or Chicana is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture.
Aztlán is the ancestral home of the Aztec peoples. The word "Aztec" was derived from the Nahuatl aztecah, meaning "people from Aztlán." Aztlán is mentioned in several ethnohistorical sources dating from the colonial period, and while each cites varying lists of the different tribal groups who participated in the migration from Aztlán to central Mexico, the Mexica who later founded Mexico-Tenochtitlan are mentioned in all of the accounts.
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action.
Acamapichtli was the first Tlatoani, or king, of the Aztecs of Tenochtitlan, and founder of the Aztec imperial dynasty. Chronicles differ as to the dates of his reign: according to the Codex Chimalpahin, he reigned from 1367 to 1387; according to the Codex Aubin, he reigned from 1376 to 1395; and according to the Codex Chimalpopoca, he reigned from 1350 to 1403.
The Brown Berets is a pro-Chicano paramilitary organization that emerged during the Chicano Movement in the late 1960s. David Sanchez and Carlos Montes co-founded the group modeled after the Black Panther Party. The Brown Berets was part of the Third World Liberation Front. It worked for educational reform, farmworkers' rights, and against police brutality and the Vietnam War. It also sought to separate the American Southwest from the control of the United States government.
Quinto Sol was the first fully independent publishing house to surface from the Chicano movement in the Sixties. Editorial Quinto Sol was founded in 1967 at UC Berkeley by Octavio I. Romano, a professor of Behavioral Science and Public Health, in collaboration with Nick C. Vaca and Andres Ybarra. The name "Quinto Sol" is Spanish for "Fifth Sun" and it refers to the Aztec myth of creation and destruction. Since the beginning of the Chicano movement in the 1960s, this concept has become a pathway to cultural expression. The Fifth Sun has constantly been integrated into the music, art and literature of the Chicano idea.
Chicanismo emerged as the cultural consciousness behind the Chicano Movement. The central aspect of Chicanismo is the identification of Chicanos with their Indigenous American roots to create an affinity with the notion that they are native to the land rather than immigrants. Chicanismo brought a new sense of nationalism for Chicanos that extended the notion of family to all Chicano people. Barrios, or working-class neighborhoods, became the cultural hubs for the people. It created a symbolic connection to the ancestral ties of Mesoamerica and the Nahuatl language through the situating of Aztlán, the ancestral home of the Aztecs, in the southwestern United States. Chicanismo also rejected Americanization and assimilation as a form of cultural destruction of the Chicano people, fostering notions of Brown Pride. Xicanisma has been referred to as an extension of Chicanismo.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Aztec society was a highly complex and stratified society that developed among the Aztecs of central Mexico in the centuries prior to the Spanish conquest of the Aztec Empire, and which was built on the cultural foundations of the larger region of Mesoamerica. Politically, the society was organized into independent city-states, called altepetls, composed of smaller divisions (calpulli), which were again usually composed of one or more extended kinship groups. Socially, the society depended on a rather strict division between nobles and free commoners, both of which were themselves divided into elaborate hierarchies of social status, responsibilities, and power. Economically the society was dependent on agriculture, and also to a large extent on warfare. Other economically important factors were commerce, long-distance and local, and a high degree of trade specialization.
Chicano nationalism is the pro-indigenist ethnic nationalist ideology of Chicanos.
Barrioization is a theory developed by Chicano scholars Albert Camarillo and Richard Griswold del Castillo to explain the historical formation and maintenance of ethnically segregated neighborhoods of Chicanos and Latinos in the United States. The term was first coined by Camarillo in his book Chicanos in a Changing Society (1979). The process was explained in the context of Los Angeles by Griswold del Castillo in The Los Angeles Barrio, 1850-1890: A Social History (1979). Camarillo defined the term as "the formation of residentially and segregated Chicano barrios or neighbourhoods." The term is used in the field of Human Geography.
Skull art is found in various cultures of the world.
Native American religions, Native American faith or American Indian religions are the indigenous spiritual practices of the Indigenous peoples of the Americas. Ceremonial ways can vary widely and are based on the differing histories and beliefs of individual nations, tribes and bands. Early European explorers describe individual Native American tribes and even small bands as each having their own religious practices. Theology may be monotheistic, polytheistic, henotheistic, animistic, shamanistic, pantheistic or any combination thereof, among others. Traditional beliefs are usually passed down in the oral tradition forms of myths, oral histories, stories, allegories, and principles. Nowadays, as scholars note, many American Natives renew their interest in own tradition.
Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature.
Antonio Velasco Piña was a Mexican novelist, spiritual writer and essayist.
Chicana literature is a form of literature that has emerged from the Chicana Feminist movement. It aims to redefine Chicana archetypes, in an effort to provide positive models for Chicanas. Chicana writers redefine their relationships with what Gloria Anzaldúa has called "Las Tres Madres" of Mexican culture, by depicting them as feminist sources of strength and compassion.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Generación de la Ruptura is the name given by art critic Teresa del Conde to the generation of Mexican artists against the established Mexican School of Painting, more commonly called Mexican muralism post World War II. It began with the criticisms of José Luis Cuevas in the early 1950s, followed by others who thought the established art had become dogmatic, formulaic and nationalistic and the artists too deferential to the government. This new generation of artists was not bound by a particular artistic style but was more interested in personal rather than social issues and influenced by a number of international trends in art such as Abstract expressionism. Early reaction to them was strong and negative but by the end of the 1950s, they had succeeded in having their art shown in the major venues of Mexico. The Generación de la Ruptura had influence on other arts in Mexico, such as literature but it did not end the production of murals in Mexico with social and nationalist purposes.
Las Mujeres Muralistas were an all-female Latina artist collective based in the Mission District in San Francisco in the 1970s. They created a number of public murals throughout the San Francisco Bay Area, and are said to have sparked the beginning of the female muralist movement in the US and Mexico. Their murals were colorful and large scale and often focused on themes such as womanhood, culture, beauty, and socio-political change. Patricia Rodriguez, Graciela Carrillo, Consuelo Mendez, and Irene Perez are recognized as the founders and most prominent members of the collective, but other female Chicana artists assisted along the way and even joined later on, such as Susan Cervantes, Ester Hernandez, and Miriam Olivo among others.