The Ainu historically have their own language and a rich repertoire of oral literature. The stories are particularly delivered through the genre of Kamui Yukar, which are long narratives of heroic exploits involving spiritual beings such as animals, plants, and natural phenomena. As result of assimilation, most of the Ainu people are Japanese speakers and do not speak the Ainu language. The literature now exists in forms of written texts which have been fixed but still remain to be many versions of the same tales. [1] The Ainu creation myths are the traditional creation accounts of the Ainu peoples of Japan. These myths reflect the Ainu worldview that attributes subjectivity and agency to nonhuman entities, considering them as conscious beings with the ability to communicate and interact with humans. Although Ainu mythology has characteristics in common with the Japanese, whom they have interacted with for since the early 19th century, their creation myth remains their own. [2]
Ainu mythology divides time into three tenses: "Mosir sikah ohta" ("when the universe was born"), "mosir noskekehe" ("centre of the world"), and "mosir kes" ("end of the world", about which there are no detailed concepts recorded from Ainu mythology). [3] In one version, the creator deity sends down a water wagtail to create habitable land in the watery world below. Since the creator sends an animal down to the world to assist in the creation, the Ainu myth can be called a derivative of the earth-diver creation type which is commonly found in Central Asia and Native American cultures. [2] The little bird fluttered over the waters, splashing water aside, and then it packed patches of the earth firm by stomping them with it's feet and beating them with it's tail. In this way, islands where the Ainu were later to live were raised to float upon the ocean. [4] [5]
Ainu tend to be somewhat hirsute, at least in comparison to other East Asian populations. Therefore, many Ainu stories maintain that their first ancestor was a bear. However, an alternative version tells of Kamuy sending a heavenly couple to earth called Okikurumi and Turesh. This couple had a son, whom some consider the first Ainu, and he is believed to have given the people the necessary skills to survive. [4]
English missionary John Batchelor related a myth the Ainu told him about before the first kamuy created the world, there was only a vast swamp in which lived a large trout, and the creator placed the world upon the trout, so that the fish sucks in and spits out water from the sea, causing the tides. [6]
The Ainu creation myth revolves around the roles of various gods and goddesses, the division of the universe into different realms, and the creation of the world and human beings.
In the myth, the sun goddess plays a significant role, conveying authority and importance through her speeches to Oina, the first semi-human ruler of the Ainu. Stylized conversations in the narrative reflect the poetic and concise nature of the myth.
According to the myth, the universe is divided into several realms, including the world of the gods, the world of the human, the eastern place of recovered dead gods, and the lower place in the west of completely dead gods. Entry to the world of the gods is through the god-cloud boundary, and gods may descend to the Ainu world, but Ainu individuals do not ascend to the world of the gods.
The world of humans in the Ainu creation myth is described as similar to the contemporary Ainu world. The god Villagebuilder is mentioned as the creator of the world of humans, while the goddess Fire Maker was sent down to earth to provide fire to humans due to the lack of vegetation.
There are six heavens and six hells housing gods, demons, and mystical animals. The demons reside in the lower heavens, while the less important gods find their place among the clouds and stars.
Tunu, the creator god, guards his kingdom with a metal wall accessed through a magnificent iron gate. He conceives of the world as a sprawling ocean sustained by the backbone of a giant trout. Each movement of the clouds or the fish sets off tremors in the earth, manifesting as earthquakes and tsunamis on the surface.
The goddess of light and fire, known as Kami Fuji, emerged from obscurity and brought light and an atmosphere conducive to life to the newly created islands through dance and song. Tunu granted permission for heavenly animals to inhabit the new paradise but also created beings exclusively for this realm.
Kami Fuji, feeling a profound sense of loneliness, created a human being out of clay and breathed into him the spirit of life. Thus, the Ainu were born.
The Ainu are an Indigenous ethnic group who reside in northern Japan, including Hokkaido and the Tōhoku region of Honshu, as well as the land surrounding the Sea of Okhotsk, such as Sakhalin, the Kuril Islands, the Kamchatka Peninsula, and the Khabarovsk Krai; although unconfirmed, they are also believed to have resided in the areas of Primorsky Krai, due to its proximity to Khabarovsk Krai. They have occupied these areas known to them as "Ainu Mosir", since before the arrival of the modern Yamato and Russians. These regions are often referred to as Ezochi (蝦夷地) and its inhabitants as Emishi (蝦夷) in historical Japanese texts.
A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
The Bushongo are an ethnic group from the Congo River and surrounding areas. The creator god in Bushongo religion is called Bumba. Other names for him include M'Bombo and M'Bomba. He is said to have originally existed alone in darkness, in a universe consisting of nothing but primordial water. M'Bombo was said to appear like a gigantic man in form and white in colour. The creation took place when he vomited the sun, moon, animals and then humanity.
Traditional Sámi spiritual practices and beliefs are based on a type of animism, polytheism, and what anthropologists may consider shamanism. The religious traditions can vary considerably from region to region within Sápmi.
Yukar are Ainu sagas that form a long rich tradition of oral literature. In older periods, the epics were performed by both men and women; during the 19th and early 20th centuries, when Ainu culture was in decline, women were generally the most skillful performers. Traditional tales describe floating worlds with Ainu mosir, or the land of the humans, resting on the back of a fish whose movements cause earthquakes.
Mother Nature is a personification of nature that focuses on the life-giving and nurturing aspects of nature by embodying it, in the form of a mother or mother goddess.
Tupã or Tupan is the word for God in the Tupi and Guarani languages, including the Guarani creation myth.
A kamuy is a spiritual or divine being in Ainu mythology, a term denoting a supernatural entity composed of or possessing spiritual energy.
Ae-oyna-kamuy (アエオイナカムイ) or Oyna-kamuy (オイナカムイ) for short is an Ainu kamuy (god) and culture hero. In Ainu mythology, he is credited with teaching humans domestic skills, and for this reason he is called Ainurakkur, and otherwise known as Okikurmi.
Cikap-kamuy is the Ainu kamuy (god) of owls and the land. He is responsible for overseeing the behavior of humans and kamuy. He is considered a deity of material success.
Kamuy-huci is the Ainu kamuy (goddess) of the hearth. Her full name is Apemerukoyan-mat Unamerukoyan-mat, and she is also known as Iresu Kamuy. She is among the most important kamuy of Ainu mythology, serving as keeper of the gateway between the world of humans and the world of kamuy.
Kanda-koro-kamuy is the Ainu kamuy (god) of the sky. He is the prime originator of Ainu mythology, responsible either directly or indirectly for the creation of all things.
Kenas-unarpe (ケナㇱウナㇻペ) is an Ainu kamuy (god). She is a blood-drinking monster who preys upon hunters. However, she is sometimes called upon to assist in childbearing.
Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world. The Pyramid Texts, tomb wall decorations, and writings, dating back to the Old Kingdom have provided the majority of information regarding ancient Egyptian creation myths. These myths also form the earliest recorded religious compilations in the world. The ancient Egyptians had many creator gods and associated legends. Thus, the world or more specifically Egypt was created in diverse ways according to different parts of ancient Egypt. Some versions of the myth indicate spitting, others masturbation, as the act of creation. The earliest god, Ra and/or Atum, emerged from a chaotic state of the world and gave rise to Shu (air) and Tefnut (moisture), from whose union came Geb (earth) and Nut (sky), who in turn created Osiris, Isis, Set, and Nephthys. An extension to this basic framework was the Osiris myth involving Osiris, his consort Isis, and their son Horus. The murder of Osiris by Set, and the resulting struggle for power, won by Horus, provided a powerful narrative linking the ancient Egyptian ideology of kingship with the creation of the cosmos.
The Mandé creation narrative is the traditional creation myth of the Mandinka of southern Mali.
The Tungusic creation myths are traditional stories of the creation of the world belonging to the Tungusic peoples of Siberia.
The creation of life from clay can be seen as a miraculous birth theme that appears throughout world religions and mythologies. It can also be seen as one of gods who craft humans out of earthly materials. As such, this class of story falls within a larger set of divine or cosmogonic origin stories about creation, whether through divine emergence or divine craft.
Kotan-kar-kamuy is the creator deity of the Ainu people. He should not be confused with god of the land Kotan-kor-kamuy, or the god of the sky Kandakoro Kamuy.
The mintuci is a water sprite or an aquatic supernatural creature, a half-man-half-beast, told in stories of Ainu mythology and folklore. It is also considered a variant of the kappa and therefore a type of yōkai.