Viracocha (also Wiraqocha, Huiracocha; Quechua Wiraqucha) is the great creator deity in the pre-Inca and Inca mythology in the Andes region of South America. According to the myth Viracocha had human appearance [1] and was generally considered as bearded. [2] According to the myth he ordered the construction of Tiwanaku. [3] It is also said that he was accompanied by men also referred to as Viracochas.
It is often referred to with several epithets. Such compound names include Ticsi Viracocha (T'iqsi Wiraqocha), Contiti Viracocha, [4] [5] and, occasionally, Kon-Tiki Viracocha[ citation needed ] (the source of the name of Thor Heyerdahl's raft). Other designations are "the creator", Viracochan Pachayachicachan, [6] Viracocha Pachayachachi [7] or Pachayachachic ("teacher of the world"). [8]
For the Inca the Viracocha cult was more important than the sun cult. [9] Viracocha was the most important deity in the Inca pantheon [10] and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea. [11] Viracocha was immediately followed by Inti, the Sun. [12]
Viracocha created the universe, sun, moon, and stars, time (by commanding the sun to move over the sky) [13] and civilization itself. Viracocha was worshipped as god of the sun and of storms.
So-called Staff Gods do not all necessarily fit well with the Viracocha interpretation. [14]
According to a myth recorded by Juan de Betanzos, [15] Viracocha rose from Lake Titicaca (or sometimes the cave of Paqariq Tampu) during the time of darkness to bring forth light. [16] He made the sun, moon, and the stars. He made mankind by breathing into stones, but his first creation were brainless giants that displeased him. So, he destroyed them with a flood and made humans, beings who were better than the giants, from smaller stones. After creating them, they were scattered all over the world. [17]
Viracocha eventually disappeared across the Pacific Ocean (by walking on the water), and never returned. He wandered the earth disguised as a beggar, teaching his new creations the basics of civilization, as well as working numerous miracles. Many, however, refused to follow his teachings, devolving into warfare and delinquency; Viracocha wept when he saw the plight of the creatures he had created. [17] It was thought that Viracocha would re-appear in times of trouble. Pedro Sarmiento de Gamboa wrote that Viracocha was described as "a man of medium height, white and dressed in a white robe like an alb secured round the waist and that he carried a staff and a book in his hands." [18]
In one legend he had one son, Inti, and two daughters, Mama Killa and Pachamama. In this legend, he destroyed the people around Lake Titicaca with a Great Flood called Unu Pachakuti , lasting 60 days and 60 nights, saving two to bring civilization to the rest of the world. These two beings are Manco Cápac, the son of Inti (sometimes taken as the son of Viracocha), which name means "splendid foundation", and Mama Uqllu, which means "mother fertility". These two founded the Inca civilization carrying a golden staff, called 'tapac-yauri'. In another legend, he fathered the first eight civilized human beings. In some stories, he has a wife called Mama Qucha.[ citation needed ]
In another legend, [19] Viracocha had two sons, Imahmana Viracocha and Tocapo Viracocha. After the Great Flood and the Creation, Viracocha sent his sons to visit the tribes to the northeast and northwest to determine if they still obeyed his commandments. Viracocha traveled North. During their journey, Imaymana and Tocapo gave names to all the trees, flowers, fruits, and herbs. They also taught the tribes which of these were edible, which had medicinal properties, and which were poisonous. Eventually, Viracocha, Tocapo and Imahmana arrived at Cusco (in modern-day Peru) and the Pacific seacoast, where they walked away across the water until they disappeared. The word "Viracocha" literally means "Sea Foam." [19]
Tiqsi Huiracocha (Spanish:Ticsi Viracocha) may have several meanings. In the Quechuan languages, tiqsi means "origin" or "beginning", wira means fat, and qucha means lake, sea, or reservoir. [20] Viracocha's many epithets include great, all knowing, powerful, etc. Some people state that Wiraqucha could mean "Fat (or foam) of the sea", [11] [21] etymology that has been discarded for grammatical considerations (constituent order in Quexhua) at least since Inca Garcilaso. According to German archeologist Max Uhle, "foam lake" is an incomprehensible name. He points out that Vira (Huira) can also be derived from the Quechua word huyra ("the end of all things"), and that Ticsi Viracocha therefore could have the meaning "lake of origin and of the end of all things". [22]
Some linguists think that linguistic, historical and archaeological evidence suggest that the name could be a borrowing of Aymara Wila Quta (wila "blood"; quta "lake"), due to the sacrifices of camelids that were celebrated at Lake Titiqaqa by pre-Incan Andean cultures that spoke Aymara. [23]
The first Spanish chroniclers from the 16th century made no mention of any identification with Viracocha. The first to do so was Pedro Cieza de León in 1553. [24] Similar accounts by Spanish chroniclers (e.g. Juan de Betanzos) describe Viracocha as a "white god", often with a beard. [25] The whiteness of Viracocha is however not mentioned in the native authentic legends of the Incas and most modern scholars therefore had considered the "white god" story to be a post-conquest Spanish invention. [26]
Similarly to the Incan god Viracocha, the Aztec god Quetzalcoatl and several other deities from Central and South American pantheons, like the Muisca god Bochica are described in legends as being bearded. [27] The beard, once believed to be a mark of a prehistoric European influence and quickly fueled and embellished by spirits of the colonial era, had its single significance in the continentally insular culture of Mesoamerica. The Anales de Cuauhtitlan is a very important early source which is particularly valuable for having been originally written in Nahuatl. The Anales de Cuauhtitlan describes the attire of Quetzalcoatl at Tula:
Immediately he made him his green mask; he took red color with which he made the lips russet; he took yellow to make the facade; and he made the fangs; continuing, he made his beard of feathers... [28]
In this quote the beard is represented as a dressing of feathers, fitting comfortably with academic impressions of Mesoamerican art. The story, however, does not mention whether Quetzalcoatl had facial hair or not with the point of outfitting him with a mask and symbolic feathered beard being to cover his unsightly appearance because as Quetzalcoatl said "If ever my subjects were to see me, they would run away!" [29]
While descriptions of Viracocha's physical appearance are open to interpretation, men with beards were frequently depicted by the Peruvian Moche culture in its famous pottery, long before the arrival of the Spanish. [30] Modern advocates of theories such as a pre-Columbian European migration to Peru cite these bearded ceramics and Viracocha's beard as being evidence for an early presence of non-Amerindians in Peru. [31] Although most Indians do not have heavy beards, there are groups reported to have included bearded individuals, such as the Aché people of Paraguay, who also have light skin but who are not known to have any admixture with Europeans and Africans. [32] When the Southern Paiute were first contacted by Europeans in 1776, the report by fathers Silvestre Vélez de Escalante and Francisco Atanasio Domínguez noted that "Some of the men had thick beards and were thought to look more in appearance like Spanish men than native Americans". [33]
A rock formation in the small village of Ollantaytambo in southern Peru is said by local legend to be a naturally formed or carved representation of the messenger of Viracocha named Wiracochan or Tunupa. Ollantaytambo, located in the Cusco Region, makes up a chain of small villages along the Urubamba Valley. Known as the Sacred Valley, it was an important stronghold of the Inca Empire. Facing the ancient Inca ruins of Ollantaytambo in the rock face of Cerro Pinkuylluna is the 140-metre-high formation said to be a figure of Wiracochan. Inca ruins built on top of the face are also considered to represent a crown on his head. Artists' impressions of the rock face also include a heavy beard and a large sack upon his shoulders. This legend became fashionable after a 1995 book by Fernando and Edgar Elorrieta Salazar. [34] [35]
Wiracochan, the pilgrim preacher of knowledge, the master of time, is described as a person with superhuman power—a bearded, tall man dressed as a priest or astronomer.
Spanish scholars and chroniclers provide many insights regarding the identity of Viracocha.
Spanish interpreters generally attributed the identity of supreme creator to Viracocha during the initial years of colonization. [36]
The decision to use the term "God" in place of "Viracocha" is seen as the first step in the evangelization of the Incas. [36] The reasoning behind this strategy includes the fact that it was likely difficult to explain the Christian idea of "God" to the Incas, who failed to understand the concept. In addition, replacing reference to Viracocha with "God" facilitated the substitution of the local concept of divinity with Christian theology. [36]
The Inca Empire, called Tawantinsuyu by its subjects, was the largest empire in pre-Columbian America. The administrative, political, and military center of the empire was in the city of Cusco. The Inca civilization rose from the Peruvian highlands sometime in the early 13th century. The Spanish began the conquest of the Inca Empire in 1532 and by 1572, the last Inca state was fully conquered.
In Inca mythology, Mama Ocllo, or more precisely Mama Uqllu, was deified as a mother and fertility goddess. In one legend she was a daughter of Inti and Mama Killa, and in another the daughter of Viracocha (Wiraqucha) and Mama Qucha. In all of them she was the older sister and wife of Manco Cápac, whom she established the city of Cusco with. In some variations, she also had a son with him, Sinchi Roca, though all Incan rulers after Manco Cápac were believed to be their descendants.
Pachacámac is an archaeological site 40 kilometres (25 mi) southeast of Lima, Peru in the Valley of the Lurín River. The site was first settled around A.D. 200 and was named after the "Earth Maker" creator god Pacha Kamaq. The site flourished for about 1,300 years until the Spanish invaded. Pachacamac covers about 600 hectares of land.
Tiwanaku is a Pre-Columbian archaeological site in western Bolivia, near Lake Titicaca, about 70 kilometers from La Paz, and it is one of the largest sites in South America. Surface remains currently cover around 4 square kilometers and include decorated ceramics, monumental structures, and megalithic blocks. In AD 800 the site has been conservatively estimated to have been inhabited by 10,000 to 20,000 people.
Pachacuti Inca Yupanqui, also called Pachacútec, was the ninth Sapa Inca of the Kingdom of Cusco which he transformed into the Inca Empire. Most archaeologists now believe that the famous Inca site of Machu Picchu was built as an estate for Pachacuti.
In "Southern Andean Iconographic Series" the Staff God pose is a religious icon and a standardized pose reminiscent in its way of the standardized poses in Byzantine art. The pose shows a front-facing human or human-like figure with vertical attributes, one in each hand. There is no uniform representation of a "Staff God". Dozens of variations of "Staff Gods" exist. Some scholars think that some of these personages are possible depictions of Viracocha or Thunupa. However, there is little evidence to support the idea that these front-facing figures do represent deities. Some researchers point to their attributes and spatial organization which seem to indicate that they are ritual practitioners. Some attributes in their hands were identified as Qirus, Snuff trays and Spear-throwers. The "rays" radiating or sprouting out of the faces of Tiwanaku front-facing figures appear to have approximately the value of an aureole. They may represent flows and distribution of energy. At the Wari site of Conchopata a vessel was found which shows a Staff God in which the "rays" can be interpreted as a Anadenanthera colubrina tree sprouting from its head whereas the circular elements do represent its seed pods.
The Battle of Cajamarca also spelled Cajamalca was the ambush and seizure of the Inca ruler Atahualpa by a small Spanish force led by Francisco Pizarro, on November 16, 1532. The Spanish killed thousands of Atahualpa's counselors, commanders, and unarmed attendants in the great plaza of Cajamarca, and caused his armed host outside the town to flee. The capture of Atahualpa marked the opening stage of the conquest of the pre-Columbian civilization of Peru.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The Pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Viracocha or Wiraqucha was the eighth Sapa Inca of the Kingdom of Cusco and the third of the Hanan dynasty.
Friedrich Max Uhle was a German archaeologist, whose work in Peru, Chile, Ecuador and Bolivia at the turn of the Twentieth Century had a significant impact on the practice of archaeology of South America.
Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design. The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
Isla del Sol is an island in the southern part of Lake Titicaca. It is part of Bolivia, and specifically part of the La Paz Department. Geographically, the terrain is harsh; it is a rocky, hilly island with many eucalyptus trees. There are no motor vehicles or paved roads on the island. The main economic activity of the approximately 800 families on the island is farming, with fishing and tourism augmenting the subsistence economy. Of the several villages, Yumani and Challapampa are the largest.
The Chakana is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square. Chakana means 'bridge', and means 'to cross over' in Quechua. The Andean cross motif appears in pre-contact artifacts such as textiles and ceramics from such cultures as the Chavín, Wari, Chancay, and Tiwanaku, but with no particular emphasis and no key or guide to a means of interpretation. The anthropologist Alan Kolata calls the Andean cross "one of the most ubiquitous, if least understood elements in Tiwanaku iconography". The Andean cross symbol has a long cultural tradition spanning 4,000 years up to the Inca Empire.
The Gate of the Sun, also known as the Gateway of the Sun (in older literature simply called " monolithic Gateway of Ak-kapana", is a monolithic gateway at the site of Tiahuanaco by the Tiwanaku culture, an Andean civilization of Bolivia that thrived around Lake Titicaca in the Andes of western South America around 500-950 AD.
The Kingdom of Cusco, also called the Cusco confederation, was a small kingdom based in the Andean city of Cusco that began as a small city-state founded by the Incas around the start of 13th century. In time, through warfare or peaceful assimilation, it began to grow and was succeeded by the Inca Empire (1438–1533).
Pumapunku or Puma Punku is a 6th-century T-shaped and strategically aligned man-made terraced platform mound with a sunken court and monumental structure on top that is part of the Pumapunku complex, at the Tiwanaku Site near Tiwanacu, in western Bolivia. The Pumapunku complex is an alignment of plazas and ramps centered on the Pumapunku platform mound. Today the monumental complex on top of the platform mound lies in ruins.
Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.
White gods is the belief that ancient cultures around the world were visited by white races in ancient times, and that they were known as "white gods".
Ancon (archaeological site) is located in the north of the Bay of Ancon, in the Ancón District, on the central coast of Peru. It is one of the most important centers of the Peruvian archeology and features a vast necropolis of the pre-Hispanic era, with countless funerary sites. Permanent occupation in Ancon is documented throughout all periods of Andean history. The oldest evidence of human occupation dates back 10,000 years ago to the preceramic period.
The Tiwanaku Polity was a Pre-Columbian polity in western Bolivia based in the southern Lake Titicaca Basin. Tiwanaku was one of the most significant Andean civilizations. Its influence extended into present-day Peru and Chile and lasted from around 600 to 1000 AD. Its capital was the monumental city of Tiwanaku, located at the center of the polity's core area in the southern Lake Titicaca Basin. This area has clear evidence for large-scale agricultural production on raised fields that probably supported the urban population of the capital. Researchers debate whether these fields were administered by a bureaucratic state (top-down) or through a federation of communities with local autonomy. Tiwanaku was once thought to be an expansive military empire, based mostly on comparisons to the later Inca Empire. However, recent research suggests that labelling Tiwanaku as an empire or even a state may be misleading. Tiwanaku is missing a number of features traditionally used to define archaic states and empires: there is no defensive architecture at any Tiwanaku site or changes in weapon technology, there are no princely burials or other evidence of a ruling dynasty or a formal social hierarchy, no evidence of state-maintained roads or outposts, and no markets.