Legendary creature

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Several mythical creatures from Bilderbuch fur Kinder
(lit. 'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch J.F.Bertuch-Fabelwesen2.JPG
Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch

A legendary creature (also called a mythical creature or mythological creature) is a type of fantasy entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before modernity.

Contents

In the classical era, monstrous creatures such as the Cyclops and the Minotaur appear in heroic tales for the protagonist to destroy. Other creatures, such as the unicorn, were claimed in accounts of natural history by various scholars of antiquity. [1] [2] [3]

Some legendary creatures originated in traditional mythology and were believed to be real creatures--for example, dragons, griffins and unicorns. Others are based on real encounters or garbled accounts of travellers' tales, such as the Vegetable Lamb of Tartary, a sheeplike animal which supposedly grew tethered to the earth. [4]

Creatures

Statue of the Minotaur (Roman copy after an original by Myron) at the National Archaeological Museum of Athens on 3 April 2018.jpg
In classical mythology, the Minotaur was defeated by the hero Theseus.
85-Oxford 1511 - Unicorno.jpg
Medieval bestiaries included mythical animals like the monoceros (above) alongside real animals like the bear.

A variety of mythical animals appear in the art and stories of the classical era. For example, in the Odyssey , monstrous creatures include the Cyclops, Scylla and Charybdis for the hero Odysseus to confront. Other tales include Medusa to be defeated by Perseus, the (human/bull) Minotaur to be destroyed by Theseus, and the Hydra to be killed by Heracles, while Aeneas battles with the harpies. These monsters thus have the basic function of emphasizing the greatness of the heroes involved. [5] [6] [7]

Some classical era creatures, such as the (horse/human) centaur, chimaera, Triton and the flying horse Pegasus, are found also in Indian art. Similarly, sphinxes appear as winged lions in Indian art and the Piasa Bird of North America. [8] [9]

In medieval art, animals, both real and mythical, played important roles. These included decorative forms as in medieval jewellery, sometimes with their limbs intricately interlaced. Animal forms were used to add humor or majesty to objects. In Christian art, animals carried symbolic meanings, where for example the lamb symbolized Christ, a dove indicated the Holy Spirit, and the classical griffin represented a guardian of the dead. Medieval bestiaries included animals regardless of biological reality; the basilisk represented the devil, while the manticore symbolised temptation. [10]

Allegory

Symbolic power: a dragon in the Imperial City, Hue, Vietnam Roof detail, dragon.jpg
Symbolic power: a dragon in the Imperial City, Huế, Vietnam

One function of mythical animals in the Middle Ages was allegory. Unicorns, for example, were described as extraordinarily swift and uncatchable by traditional methods. [11] :127 It was believed that the only way for one to catch this beast was to lead a virgin to its dwelling. Then, the unicorn was supposed to leap into her lap and go to sleep, at which point a hunter could finally capture it. [11] :127 In terms of symbolism, the unicorn was a metaphor for Christ. Unicorns represented the idea of innocence and purity. In the King James Bible, Psalm 92:10 states, "My horn shalt thou exalt like the horn of a unicorn." This is because the translators of the King James erroneously translated the Hebrew word re'em as unicorn. [11] :128 Later versions translate this as wild ox. [12] The unicorn's small size signifies the humility of Christ. [11] :128

Another common legendary creature that served allegorical functions within the Middle Ages was the dragon. Dragons were identified with serpents, though their attributes were greatly intensified. The dragon was supposed to have been larger than all other animals. [11] :126 It was believed that the dragon had no harmful poison but was able to slay anything it embraced without any need for venom. Biblical scriptures speak of the dragon in reference to the devil, and they were used to denote sin in general during the Middle Ages. [11] :126 Dragons were said to have dwelled in places like Ethiopia and India, based on the idea that there was always heat present in these locations. [11] :126

Physical detail was not the central focus of the artists depicting such animals, and medieval bestiaries were not conceived as biological categorizations. Creatures like the unicorn and griffin were not categorized in a separate "mythological" section in medieval bestiaries, [13] :124 as the symbolic implications were of primary importance. Animals we know to have existed were still presented with a fantastical approach. It seems the religious and moral implications of animals were far more significant than matching a physical likeness in these renderings. Nona C. Flores explains, "By the tenth century, artists were increasingly bound by allegorical interpretation, and abandoned naturalistic depictions." [13] :15

See also

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References

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  9. O'Flaherty, Wendy (1975). Hindu Myths: A Sourcebook. Penguin.
  10. Boehm, Barbara Drake; Holcomb, Melanie (January 2012) [2001]. "Animals in Medieval Art". Metropolitan Museum of Art. Retrieved 5 January 2017.
  11. 1 2 3 4 5 6 7 Gravestock, Pamela. "Did Imaginary Animals Exist?" In The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. New York: Garland. 1999.
  12. J. L. Schrader. The Metropolitan Museum of Art Bulletin, New Series, Vol. 44, No. 1, "A Medieval Bestiary" (Summer, 1986), pp. 1+12–55, 17.
  13. 1 2 Flores, Nona C., "The Mirror of Nature Distorted: The Medieval Artist's Dilemma in Depicting Animals". In The Medieval World of Nature. New York: Garland. 1993.