A legendary creature (also called a mythical creature or mythological creature) is a type of fantasy entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before modernity.
In the classical era, monstrous creatures such as the Cyclops and the Minotaur appear in heroic tales for the protagonist to destroy. Other creatures, such as the unicorn, were claimed in accounts of natural history by various scholars of antiquity. [1] [2] [3]
Some legendary creatures originated in traditional mythology and were believed to be real creatures--for example, dragons, griffins and unicorns. Others are based on real encounters or garbled accounts of travellers' tales, such as the Vegetable Lamb of Tartary, a sheeplike animal which supposedly grew tethered to the earth. [4]
A variety of mythical animals appear in the art and stories of the classical era. For example, in the Odyssey , monstrous creatures include the Cyclops, Scylla and Charybdis for the hero Odysseus to confront. Other tales include Medusa to be defeated by Perseus, the (human/bull) Minotaur to be destroyed by Theseus, and the Hydra to be killed by Heracles, while Aeneas battles with the harpies. These monsters thus have the basic function of emphasizing the greatness of the heroes involved. [5] [6] [7]
Some classical era creatures, such as the (horse/human) centaur, chimaera, Triton and the flying horse Pegasus, are found also in Indian art. Similarly, sphinxes appear as winged lions in Indian art and the Piasa Bird of North America. [8] [9]
In medieval art, animals, both real and mythical, played important roles. These included decorative forms as in medieval jewellery, sometimes with their limbs intricately interlaced. Animal forms were used to add humor or majesty to objects. In Christian art, animals carried symbolic meanings, where for example the lamb symbolized Christ, a dove indicated the Holy Spirit, and the classical griffin represented a guardian of the dead. Medieval bestiaries included animals regardless of biological reality; the basilisk represented the devil, while the manticore symbolised temptation. [10]
One function of mythical animals in the Middle Ages was allegory. Unicorns, for example, were described as extraordinarily swift and uncatchable by traditional methods. [11] : 127 It was believed that the only way for one to catch this beast was to lead a virgin to its dwelling. Then, the unicorn was supposed to leap into her lap and go to sleep, at which point a hunter could finally capture it. [11] : 127 In terms of symbolism, the unicorn was a metaphor for Christ. Unicorns represented the idea of innocence and purity. In the King James Bible, Psalm 92:10 states, "My horn shalt thou exalt like the horn of a unicorn." This is because the translators of the King James erroneously translated the Hebrew word re'em as unicorn. [11] : 128 Later versions translate this as wild ox. [12] The unicorn's small size signifies the humility of Christ. [11] : 128
Another common legendary creature that served allegorical functions within the Middle Ages was the dragon. Dragons were identified with serpents, though their attributes were greatly intensified. The dragon was supposed to have been larger than all other animals. [11] : 126 It was believed that the dragon had no harmful poison but was able to slay anything it embraced without any need for venom. Biblical scriptures speak of the dragon in reference to the devil, and they were used to denote sin in general during the Middle Ages. [11] : 126 Dragons were said to have dwelled in places like Ethiopia and India, based on the idea that there was always heat present in these locations. [11] : 126
Physical detail was not the central focus of the artists depicting such animals, and medieval bestiaries were not conceived as biological categorizations. Creatures like the unicorn and griffin were not categorized in a separate "mythological" section in medieval bestiaries, [13] : 124 as the symbolic implications were of primary importance. Animals we know to have existed were still presented with a fantastical approach. It seems the religious and moral implications of animals were far more significant than matching a physical likeness in these renderings. Nona C. Flores explains, "By the tenth century, artists were increasingly bound by allegorical interpretation, and abandoned naturalistic depictions." [13] : 15
A bestiary is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes of the past, paradises, and self-sacrifice.
In Greek mythology, the Minotaur, also known as Asterion, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, upon command of King Minos of Crete. According to tradition, every nine years the people of Athens were compelled by King Minos to choose fourteen young noble citizens to be offered as sacrificial victims to the Minotaur in retribution for the death of Minos's son Androgeos. The Minotaur was eventually slain by the Athenian hero Theseus, who managed to navigate the labyrinth with the help of a thread offered to him by the King's daughter, Ariadne.
A monster is a type of fictional creature found in horror, fantasy, science fiction, folklore, mythology and religion. They are very often depicted as dangerous and aggressive, with a strange or grotesque appearance that causes terror and fear, often in humans. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts, spirits, zombies, or cannibals, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process.
A sphinx is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.
According to Greek mythology, the Chimera, Chimaera, Chimæra, or Khimaira was a monstrous fire-breathing hybrid creature from Lycia, Asia Minor, composed of different animal parts. Typically, it is depicted as a lion with a goat's head protruding from its back and a tail ending with a snake's head. Some representations also include dragon's wings. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra.
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe.
Chinese mythology is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past.
The qilin is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or death of a sage or illustrious ruler. Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the mythologies of other Chinese-influenced cultures.
In the Dungeons & Dragons fantasy role-playing game, the centaur is a large monstrous humanoid. Based upon the centaurs of Greek myth, a centaur in the game resembles a human with the lower body of a horse.
The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion, and the head and wings of an eagle with its talons on the front legs.
The Ashmole Bestiary, an English illuminated manuscript bestiary, is from the late 12th or early 13th century. Under 90 such manuscripts survive and they were studied and categorized into families by M.R. James in 1928. The Ashmole Bestiary is part of the Second-family of manuscript Latin bestiaries, wherein it is one of forty eight. The "Second-family" bestiary is the most popular and widely distributed type of these manuscripts. It is of English origin, with a spiritual text that catered to the prevailing culture of the church at the time. The stimulating illuminations are not just decorative, as many people were illiterate or semi-literate in England at the time. All true Latin Bestiaries take their origin from the Greek work Physiologus, though the word can colloquially be used with less specificity.
Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey.
Hybrid beasts are creatures composed of parts from different animals, including humans, appearing in the folklore of a variety of cultures as legendary creatures.
The Worksop Bestiary, also known as the Morgan Bestiary, most likely from Lincoln or York, England, is an illuminated manuscript created around 1185, containing a bestiary and other compiled medieval Latin texts on natural history. The manuscript has influenced many other bestiaries throughout the medieval world and is possibly part of the same group as the Aberdeen Bestiary, Alnwick Bestiary, St.Petersburg Bestiary, and other similar Bestiaries. Now residing in the Morgan Library & Museum in New York, the manuscript has had a long history of church, royal, government, and scholarly ownership.
Horses are an important motif in Chinese mythology. There are many myths about horses or horse-like beings, including the pony. Chinese mythology refers to those myths found in the historical geographic area of China. This includes myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups. There are various motifs of horses in Chinese mythology. In some cases the focus is on a horse or horses as the protagonist of the action, in other cases they appear in a supporting role, sometimes as the locomotive power propelling a chariot and its occupant(s). According to a cyclical Chinese calendar system, the time period of 31 January 2014 - 18 February 2015 falls under the category of the (yang) Wood Horse.
table.