In heraldry, the term sea-lion (sometimes called a morse) [1] refers to a legendary creature that has the head and upper body of a lion, but with webbed forelimbs and a fish tail. [2] These occur most frequently as supporters, but also occur as crests and occasionally as charges. [1] Sea-lions are frequently found in "sejant" or "sejant-erect" (sitting upright) attitudes, but may also be found "naiant" (horizontally, as if swimming) or "assurgeant" (issuing from the waves of the sea). [1]
The sea-lion is prominent in the heraldic tradition of the Philippines, where it denotes state power and authority. It features on the coats of arms of the capital, the primatial see, the seal of the navy, the presidential seal, the seals of the Department of Finance, the Department of Education and other various government offices. It can also be found on the medal of the Philippine Legion of Honor.
The heraldic device comes from Manila's colonial arms, where the sea-lion represents the islands as an ultramar (overseas) possession of Spain; the lion is ultimately derived from the arms of Castile and León.
On May 30, 1596, Philip II of Spain gave Manila its own specific coat of arms: [3]
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter.
The coat of arms of the Philippines features the eight-rayed sun of the Philippines with each ray representing the eight provinces which were placed under martial law by Governor-General Ramón Blanco Sr. during the Philippine Revolution, and the three five-pointed stars representing the three major island groups of Luzon, the Visayas, and Mindanao.
The coat of arms of British Columbia is the heraldic symbol representing the Canadian province of British Columbia. The arms contains symbols reflecting British Columbia's British heritage along with local symbols. At the upper part of the shield is the Union Jack, representing the United Kingdom. The lower portion of the shield features a golden sun setting into the ocean, representing the province's location on the Pacific.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The seal of the president of the Philippines is a symbol used to represent the history and dignity of the president of the Philippines. Its original form was designed by Captain Galo B. Ocampo, secretary of the Philippine Heraldry Committee, and patterned after the seal of the president of the United States. It was first used by President Manuel Roxas in 1947.
The coat of arms of the Spanish autonomous community of Castile and León depicts the traditional arms of Castile quartered with the arms of León. It is topped with a royal crown.
The enfield is a fictitious creature sometimes used in heraldry.
The tradition and art of heraldry first appeared in Spain at about the beginning of the eleventh century AD and its origin was similar to other European countries: the need for knights and nobles to distinguish themselves from one another on the battlefield, in jousts and in tournaments. Knights wore armor from head to toe and were often in leadership positions, so it was essential to be able to identify them on the battlefield.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The wolf has been widely used in many forms in heraldry during the Middle Ages. Though commonly reviled as a livestock predator and man-eater, the wolf was also considered a noble and courageous animal, and frequently appeared on the arms and crests of numerous noble families. It typically symbolised the rewards of perseverance in long sieges or hard industry.
In heraldry, the term attitude describes the position in which a figure is emblazoned as a charge, a supporter, or as a crest. The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry — the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind".
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The Seal of Manila is composed of the city's modern coat-of-arms, with colors mirroring those of the Philippine National Flag. It is a modified form of the city's historical arms bestowed in the 16th century.
The first instance of a figure of the lion as symbol of the Kingdom of León is found in minted coins of Alfonso VII, called the Emperor (1126-1157). Until then, the cross had a preponderant position on documents and coins of Leonese monarchs since that reign the cross was gradually displaced by the lion. The Spanish historian and heraldist Martín de Riquer explained that the lion was already used as heraldic emblem in 1148. At the end of the reign of Alfonso VII, the figure of this animal began to appear on royal documents as personal device of the monarch and became pervasive during reigns of Ferdinand II (1157-1188) and Alfonso IX (1188-1230).
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
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