A roll of arms (or armorial) is a collection of coats of arms, usually consisting of rows of painted pictures of shields, each shield accompanied by the name of the person bearing the arms.
The oldest extant armorials date to the mid-13th century, and armorial manuscripts continued to be produced throughout the early modern period. Siebmachers Wappenbuch of 1605 was an early instance of a printed armorial. Medieval armorials usually include a few hundred coats of arms, in the late medieval period sometimes up to some 2,000. In the early modern period, the larger armorials develop into encyclopedic projects, with the Armorial général de France (1696), commissioned by Louis XIV of France, listing more than 125,000 coats of arms. In the modern period, the tradition develops into projects of heraldic dictionaries edited in multiple volumes, such as the Dictionary of British Arms in four volumes (1926–2009), or J. Siebmacher's großes Wappenbuch in seven volumes (1854–1967).
Armorials can be "occasional", relating to a specific event such as a tournament; "institutional", associated with foundations, such as that of an order of chivalry, "regional", collecting the arms of the nobility of a given region, "illustrative", in the context of a specific narrative or chronicle, or "general", with the aim of an encyclopedic collection. [2] A roll of arms arranged systematically by design, with coats featuring the same principal elements (geometrical ordinaries and charges) grouped together as a tool to aid identification, is known as an ordinary of arms (or simply as an ordinary).
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
In heraldry, the term star may refer to any star-shaped charge with any number of rays, which may appear straight or wavy, and may or may not be pierced. While there has been much confusion between the two due to their similar shape, a star with straight-sided rays is usually called a mullet in English heraldry while one with wavy rays is usually called an estoile.
Sas or Szász is a Central European coat of arms. It was borne since the medieval period by several Transylvanian-Saxon Hungarian, Ruthenian, Ukrainian, and Polish-Lithuanian noble families. The house was once a mighty princely and ducal house with origins in Saxony, Transylvania, Hungary and Ruthenia.
In heraldry, a canton is a charge placed upon a shield. It is, by default a square in the upper dexter corner, but if in the sinister corner is blazoned a canton sinister. A canton is classed by some heraldic writers as one of the honorable ordinaries; but, strictly speaking, it is a diminutive of the quarter, being two-thirds the area of that ordinary. However, in the armorial roll of Henry III, the quarter appears in several coats which in later rolls are blazoned as cantons. The canton, like the quarter, appears in early arms, and is always shown with straight lines.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
In British heraldry, vert is the tincture equivalent to green. It is one of the five dark tinctures called colours.
Heraldry in Scotland, while broadly similar to that practised in England and elsewhere in western Europe, has its own distinctive features. Its heraldic executive is separate from that of the rest of the United Kingdom.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Baron Talbot is a title that has been created twice. The title was created first in the Peerage of England. On 5 June 1331, Sir Gilbert Talbot was summoned to Parliament, by which he was held to have become Baron Talbot.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Siebmachers Wappenbuch is a roll of arms first published in 1605 as two heraldic multivolume book series of armorial bearings or coats of arms of the nobility of the Holy Roman Empire, as well as coats of arms of city-states and some burgher families. Founded and compiled by Johann Ambrosius Siebmacher, a German heraldic artist, copperplate engraver, etcher and publisher from Nuremberg, these works became an important source of heraldry of the German-speaking regions.
The wild boar and boar's head are common charges in heraldry.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
The Wernigerode Armorial is an armorial compiled in southern Germany in the late 15th century.
An ordinary of arms is a roll or register of coats of arms arranged systematically by design, with coats featuring the same principal elements grouped together. The purpose of an ordinary is to facilitate the identification of the bearer of a coat of arms from visual evidence alone.
The hound is a charge in classical heraldry. In English heraldry, the commonly used variant are the talbot, also blazoned as sleuth-hound, e.g. in the arms of Wolseley of Staffordshire, the greyhound and bloodhound. Rarely seen variants are the ratch-hound, the mastiff, the foxhound, the spaniel and the terrier. The "sea-dog" is a curious charge resembling the talbot but with scales, webbed feet and a broad tail, used in the arms of Stourton barony, presumably originally depicting a beaver . Similar charges include the wolf and the fox.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
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