Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
A motto is a sentence or phrase expressing a belief or purpose, or the general motivation or intention of an individual, family, social group, or organisation. Mottos are usually found predominantly in written form, and may stem from long traditions of social foundations, or from significant events, such as a civil war or a revolution. One's motto may be in any language, but Latin has been widely used, especially in the Western world.
In heraldry, a compartment is a design placed under the shield, usually rocks, a grassy mount, or some sort of other landscape upon which the supporters are depicted as standing. Care must be taken to distinguish true compartments from items upon which supporters are merely resting one or more feet, or, sometimes, mere heraldic badges or pure decoration under the shield, and, conversely, care must also be taken in very unusual cases such as the coat of arms of Belize and Gabon, in which what may be taken to be a crest, trees in both coats of arms rising above the shield, is really part of the compartment. It is sometimes said to represent the land held by the bearer. As an official part of the blazon it is a comparatively late feature of heraldry, often derived from the need to have different supporters for different families or entities, although sometimes the compartment is treated in the blazon separately from the supporters.
The coat of arms of Nova Scotia is the heraldic symbol representing the Canadian province of Nova Scotia. It is the oldest provincial achievement of arms in Canada, and the oldest British coat of arms in use outside Great Britain. It is blazoned as follows: Argent, a saltire azure charged with an escutcheon of the Royal Arms of Scotland.
The coat of arms of England is the coat of arms historically used as arms of dominion by the monarchs of the Kingdom of England, and now used to symbolise England generally, but not officially. The arms were adopted c.1200 by the Plantagenet kings and continued to be used by successive English and British monarchs; they are currently quartered with the arms of Scotland and Ireland in the coat of arms of the United Kingdom. Historically they were also quartered with the arms of France, representing the English claim to the French throne, and Hanover.
The coat of arms of Scotland, colloquially called the Lion Rampant, is the coat of arms historically used as arms of dominion by the monarchs of the Kingdom of Scotland, and later by monarchs of Great Britain and the United Kingdom. The coat of arms, or elements from it, are also used in heraldry to symbolise Scotland in general. The arms consist of a red lion surrounded by a red double border decorated with fleurs-de-lis, all on a gold background. The blazon, or heraldic description, is: Or a lion rampant Gules armed and langued Azure within a double tressure flory-counter-flory of the second.
The coat of arms of Denmark has a lesser and a greater version.
The tradition and art of heraldry first appeared in Spain at about the beginning of the eleventh century AD and its origin was similar to other European countries: the need for knights and nobles to distinguish themselves from one another on the battlefield, in jousts and in tournaments. Knights wore armor from head to toe and were often in leadership positions, so it was essential to be able to identify them on the battlefield.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The wolf has been widely used in many forms in heraldry during the Middle Ages. Though commonly reviled as a livestock predator and man-eater, the wolf was also considered a noble and courageous animal, and frequently appeared on the arms and crests of numerous noble families. It typically symbolised the rewards of perseverance in long sieges or hard industry.
The royal standards of England were narrow, tapering swallow-tailed heraldic flags, of considerable length, used mainly for mustering troops in battle, in pageants and at funerals, by the monarchs of England. In high favour during the Tudor period, the Royal English Standard was a flag that was of a separate design and purpose to the Royal Banner. It featured St George's Cross at its head, followed by a number of heraldic devices, a supporter, badges or crests, with a motto—but it did not bear a coat of arms. The Royal Standard changed its composition frequently from reign to reign, but retained the motto Dieu et mon droit, meaning God and my right; which was divided into two bands: Dieu et mon and Droyt.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
Icelandic heraldry is the study of coats of arms and other insignia used in Iceland. It belongs to the German-Nordic heraldic tradition, as the heraldry of Iceland has been primarily influenced by the heraldic traditions of Norway, Denmark and other Nordic countries. Iceland does not have a strong sense of heraldic tradition, however, because the country lacks a governing body to oversee this. As a result, coats of arms registered as such are virtually nonexistent in modern Iceland. While many municipalities use more or less heraldic logos, there are no heraldic standards to which these must adhere, and they are registered as graphic designs rather than as coats of arms.
Russian heraldry involves the study and use of coats of arms and other heraldic insignia in the country of Russia. Compare the socialist heraldry of the Soviet period of Russian history (1917–1991).
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
Heraldryportal 
