simple emmet (or ant) in heraldry
The emmet, also called the pismire, is an heraldic charge in European heraldry, particularly in English and German heraldry, representing historic names for the ant .
The emmet, also called the pismire, is an heraldic charge in European heraldry, particularly in English and German heraldry, representing historic names for the ant .
The emmet might be understood as a symbol of hard work and of wisdom, although symbolism in heraldry always has to be approached with skepticism, as the arms might be canting, or the symbolism might not apply in a particular case. In his A Display of Heraldrie (1610), John Guillim of the English College of Arms says:
"By the Emmet or Pismire may be signified a Man of great Labour, Wisdom, and Providence in all his Affairs, and of a pregnant and ready Memory." [1]
The emmet is often shown as tergiant, or with his back to the viewer, as seen from above.
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Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
The lines in heraldry used to divide and vary fields and charges are by default straight, but may have many different shapes. Care must be taken to distinguish these types of lines from the use of lines as charges, and to distinguish these shapes from actual charges, such as "a mount [or triple mount] in base," or, particularly in German heraldry, different kinds of embattled from castle walls.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
Ordinaries in heraldry are sometimes embellished with stripes of colour alongside them, have lumps added to them, shown with their edges arciform instead of straight, have their peaks and tops chopped off, pushed up and down out of the usual positions, or even broken apart.
An abatement is a modification of a coat of arms, representing a less-than honorable augmentation, imposed by an heraldic authority or by royal decree for misconduct. The practice of inverting the entire escutcheon of an armiger found guilty of high treason has been attested since the Middle Ages and is generally accepted as reliable, and medieval heraldic sources cite at least one instance of removing an honourable charge from a coat of arms by royal decree as an abatement of honour. Other abatements of honour implied by the addition of dishonourable stains and charges, appearing in late 16th-century texts, have never been reliably attested in actual practice. Additionally, as many heraldic writers note, the use of arms is not compulsory, so armigers are more likely to relinquish a dishonored coat of arms than to advertise their dishonor.
In heraldry, an ordinary is a one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, sable is the tincture black, and belongs to the class of dark tinctures, called "colours". In engravings and line drawings, it is sometimes depicted as a region of crossed horizontal and vertical lines, or else marked with sa. as an abbreviation.
The coat of arms of Ireland is blazoned as Azure a harp Or, stringed Argent. These arms have long been Ireland's heraldic emblem. References to them as being the arms of the king of Ireland can be found as early as the 13th century. These arms were adopted by Henry VIII of England when he ended the period of Lordship of Ireland and declared Ireland to be a kingdom again in 1541. When the crowns of England, Scotland and Ireland were united in 1603, they were integrated into the unified royal coat of arms of kingdoms of England, Scotland and Ireland. The harp was adopted as the emblem of the Irish Free State when it separated from the United Kingdom in 1922. They were registered as the arms of Ireland with the Chief Herald of Ireland on 9 November 1945.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The most basic rule of heraldic design is the rule of tincture: metal should not be put on metal, nor colour on colour. This means that the heraldic metals or and argent should not be placed on each other, nor may any of the colours be placed on another colour. Heraldic furs as well as "proper" are exempt from the rule of tincture.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Tricking is a method for indicating the tinctures (colours) used in a coat of arms by means of text abbreviations written directly on the illustration. Tricking and hatching are the two primary methods employed in the system of heraldry to show colour in black and white illustrations.
In heraldry, a pile is a charge usually counted as one of the ordinaries. It consists of a wedge emerging from the upper edge of the shield and converging to a point near the base. If it touches the base, it is blazoned throughout.
William Cotton was Bishop of Exeter, in Devon, from 1598 to his death in 1621.
Cornish heraldry is the form of coats of arms and other heraldic bearings and insignia used in Cornwall, United Kingdom. While similar to English, Scottish and Welsh heraldry, Cornish heraldry has its own distinctive features. Cornish heraldry typically makes use of the tinctures sable (black) and or (gold), and also uses certain creatures like Cornish choughs. It also uses the Cornish language extensively for mottoes and canting arms.
Jessant-de-lys is a heraldic term denoting a fleur-de-lys issuing out of any object. It is most frequently seen in conjunction with a leopard's face, meaning in heraldic language the face of a lion.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
Sir Peter Fretchville of Staveley, Derbyshire, was an English politician who sat in the House of Commons in 1601 and from 1621 to 1622. In 1604 he built Staveley Hall, which survives today.
Coats of arms and seals of the County and Duchy of Cornwall, the Diocese of Truro, and of Cornish boroughs and towns.
