Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, gules is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple).
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, or and argent ; the colours gules (red), azure (blue), vert (green), sable (black), and purpure (purple); and the furs ermine, which represents the winter fur of a stoat, and vair, which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place.
The lozenge in heraldry is a diamond-shaped rhombus charge, usually somewhat narrower than it is tall. It is to be distinguished in modern heraldry from the fusil, which is like the lozenge but narrower, though the distinction has not always been as fine and is not always observed even today. A mascle is a voided lozenge—that is, a lozenge with a lozenge-shaped hole in the middle—and the rarer rustre is a lozenge containing a circular hole in the centre. A lozenge throughout has "four corners touching the border of the escutcheon". A field covered in a pattern of lozenges is described as lozengy; similar fields of mascles are masculy, and fusils, fusily. In civic heraldry, a lozenge sable is often used in coal-mining communities to represent a lump of coal.
The Talbot was a type of hunting hound common in England during the Middle Ages. It is depicted in art of the period as small to medium-sized, white in colour, with short legs, large powerful feet, a deep chest with a slender waist, long drooping ears, and a very long curled tail. It is shown in one well-known example at Haddon Hall with a fierce facial expression. It is now extinct, but is believed to be an ancestor of the modern Beagle and Bloodhound. It is uncertain whether it was a scenthound, a sighthound, or a dog used for digging out quarry, nor is it known what type of quarry it hunted, whether deer, fox, boar, etc.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
Ermine in heraldry is a fur, a type of tincture, consisting of a white background with a pattern of black shapes representing the winter coat of the stoat. The linings of medieval coronation cloaks and some other garments, usually reserved for use by high-ranking peers and royalty, were made by sewing many ermine furs together to produce a luxurious white fur with patterns of hanging black-tipped tails. Due largely to the association of the ermine fur with the linings of coronation cloaks, crowns and peerage caps, the heraldic tincture of ermine was usually reserved to similar applications in heraldry. In heraldry it has become especially associated with the Duchy of Brittany and Breton heraldry.
A millrind or simply rind is an iron support, usually four-armed or cross-shaped, for the upper ("runner") stone in a pair of millstones.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldry, a pile is a charge usually counted as one of the ordinaries. It consists of a wedge emerging from the upper edge of the shield and converging to a point near the base. If it touches the base, it is blazoned throughout.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
In English heraldry, the bar is an heraldic ordinary consisting of a horizontal band extending across the shield. In form, it closely resembles the fess but differs in breadth: the bar occupies one-fifth of the breadth of the field of the escutcheon ; the fess occupies one-third. Heraldists differ in how they class the bar in relation to the fess. A number of authors consider the bar to be a diminutive of the fess. But, others, including Leigh (1597) and Guillim (1638), assert that the bar is a separate and distinct ‘honorouble ordinary’. Holme (1688) is equivocal. When taken as an honourable ordinary, it is co-equal with the other nine of the English system. Some authors who consider the bar a diminutive of the fess class it as a subordinary. Authorities agree that the bar and its diminutives have a number of features that distinguish them from the fess.
In heraldry, a stain is one of a few non-standard tinctures or colours, which are only known to occur in post-medieval heraldry and may be used as part of a rebatement of honour. However, in heraldic practice almost none of these rebatements are in fact found; and in British heraldry the stains find only exceptional use, other than for purposes of livery.
The heads of humans and other animals are frequently occurring charges in heraldry. The blazon, or heraldic description, usually states whether an animal's head is couped, erased, or cabossed. Human heads are often described in much greater detail, though some of these are identified by name with little or no further description.
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love.
