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Impalement is a heraldic practice in which two coats of arms are combined in one shield to denote a union. The impaled shield is bisected in pale, that is by a vertical line, with each half of the shield displaying one coat of arms. Most often the practice is used to denote the union of a husband and wife in marriage, but impalement is also used to display unions with an ecclesiastical office, academic position, government office, or mystical union.
The husband's arms are shown in the dexter half (on the right hand of someone standing behind the shield, to the viewer's left), being the place of honour, with the wife's paternal arms in the sinister half. For this purpose alone the two halves of the impaled shield are called baron and femme, from ancient Norman-French usage. [1] Impalement is not used when the wife is an heraldic heiress, that is to say when she has no brothers to carry on bearing her father's arms (or, if her brothers have died, they have left no legitimate descendants) in which case her paternal arms are displayed on an escutcheon of pretence in the centre of her husband's arms, denoting that the husband is a pretender to the paternal arms of his wife, and that they will devolve upon the couple's heir(s) as quarterings. When a husband has been married more than once, the sinister half of femme is split per fess, that is to say horizontally in half, with the paternal arms of the first wife shown in chief and those of the second wife in base. The sinister side may thus be divided more than twice in similar fashion where required.
The use of impaled arms serves to identify with precision which member of the male line of a family is represented, if the identity of his wife is known, for example from a pedigree. Frequently impaled arms appear sculpted on ancient buildings, thus allowing architectural historians to identify the builder. Impaled arms also appear frequently on monuments in parish churches, and again facilitate identification of the person for whom erected. A convenient and descriptive term for "a heraldic escutcheon showing the impaled arms of a husband and wife" is "a match", and this word was used frequently by, amongst others, Tristram Risdon (d.1640) in his manorial history Survey of Devon. For example: "The north aisle of Swimbridge Church was built by Sir John Mules of Ernsborough, as the inscription in a window, and a proof there once fairly printed and guilded, with the arms and matches of that family, make evident". [2] Also: "(William Hankford) is pourtraited kneeling in his robes together with his own match and the match of some of his ancestors insculpt thereon in brass" [3] (in Monkleigh Church, Devon).
For same-sex married couples, the College of Arms in 2014 decreed that male couples may impale their arms together but that each individual will have distinguished arms and crests of their own (i.e. the arms of a given partner will have his own arms on dexter and his partner's in sinister with his own crest; his partner's will be the opposite). Slightly different rules apply to female couples and heraldic heiresses. [4]
In ecclesiastical heraldry, a bishop's familial arms are impaled with those of his diocese or see, with the dexter position of greater honour being occupied by the arms of the see, and the incumbent's arms in sinister.
Heads of educational establishments, for example of Oxbridge colleges, many of whom were historically former clergymen, traditionally impaled their personal and college arms, during their term of office. Likewise, this privilege extends to senior civic office holders, for example Mayors, Masters of Livery Companies, etc.
A rare use of impalement is that where a mystical union is believed to exist between the two parties. Such was the case with King Richard II (1377–1399) who had a particular devotion to the saint King Edward the Confessor. Although the saint lived in the pre-heraldic era, his attributed arms were employed by King Richard in impaling his own royal Arms of Plantagenet, as an outward sign of such a mystical quasi-marriage. The Confessor's arms were shown in the dexter position of honour.
A rare form of impalement which allows for the juxtaposition of three armorials is tiercing . This is more common in Continental Europe to demonstrate dynastic and territorial relationships. In England it is occasionally used where a man has married twice, with the middle tierce, of greatest honour, showing his own arms. It is also used rarely in England to denote broader relationships, for example in the arms of three Oxford colleges. In the arms of Brasenose College, Oxford the dexter tierce shows the personal arms of one founder William Smyth, while the middle tierce of greatest honour shows the arms of the See of Lincoln, to show his position as Bishop of Lincoln; the sinister tierce shows the personal arms of the other founder Sir Richard Sutton. As with the simple impaled arms of a bishop, the arms of the see are shown in the position of greatest honour, in that case in the dexter half. Of the three tierces, the middle is of greatest honour, the dexter next, and least in honour the sinister tierce. The arms of Lincoln College, Oxford are similar, with the dexter and middle tierces representing the founder Richard Fleming, Bishop of Lincoln, and the sinister tierce carrying the arms of Thomas Rotherham, a major donor who is considered as co-founder of the current college. At Corpus Christi College, Oxford the dexter tierce shows a pelican vulning herself representing the Body of Christ (Latin: Corpus Christi), which was adopted by the founder Richard Foxe as his coat of arms; the middle tierce shows the arms of the See of Winchester, reflecting Foxe's position as Bishop of Winchester, while the sinister tierce shows the personal arms of the co-founder Hugh Oldham.
The arms of Brasenose College, Oxford are: Tierced in pale: (1) Argent, a chevron sable between three roses gules seeded or, barbed vert (for Smyth); (2) or, an escutcheon of the arms of the See of Lincoln (gules, two lions of England in pale or, on a chief azure Our Lady crowned seated on a tombstone issuant from the chief, in her dexter arm the Infant Jesus, in her sinister arm a sceptre, all or), ensigned with a mitre proper; (3) quarterly, first and fourth argent, a chevron between three bugle-horns stringed sable; second and third argent, a chevron between three crosses crosslet sable (for Sutton). [5]
The arms of Sir Arthur Northcote, 2nd Baronet (1628–1688), sculpted on his ledger stone in King's Nympton Church, Devon, England, show a shield tierced per pale, the second (central) part showing his paternal arms of four quarters. The dexter part shows the arms of Walshe (six mullets 3:2:1), representing his first wife Elizabeth the daughter of James Walsh of Alverdiscot in Devon. The sinister part shows the arms of Godolphin (an eagle displayed double headed between three fleurs-de-lis ), representing his second wife Elizabeth the daughter of Sir Francis Godolphin of Godolphin in Cornwall.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
A funerary hatchment is a depiction within a black lozenge-shaped frame, generally on a black (sable) background, of a deceased's heraldic achievement, that is to say the escutcheon showing the arms, together with the crest and supporters of his family or person. Regimental Colours and other military or naval emblems are sometimes placed behind the arms of military or naval officers. Such funerary hatchments, generally therefore restricted in use to members of the nobility or armigerous gentry, used to be hung on the wall of a deceased person's house, and were later transferred to the parish church, often within the family chapel therein which appertained to the manor house, the family occupying which, generally being lord of the manor, generally held the advowson of the church. In Germany, the approximate equivalent is a Totenschild, literally "shield of the dead".
Due to the differing role of women in past society, special rules grew relating to the blazoning of arms for women. The rules for women and heraldry developed differently from place to place and there is no one single rule that applies everywhere. In general, arms of women were most likely depicted not on shields but on lozenges or ovals. Different rules exist that depend on the woman's marital status and a married woman would also often make use of her husband's arms in addition to those from her family. In both the English and the Scottish systems of heraldry these differences remain active.
In English law, baron and feme is a phrase used for husband and wife, in relation to each other, who were accounted as one person by coverture. Hence, by the old law of evidence, the one party was excluded from giving evidence for or against the other in civil questions, and a relic of this is still preserved in criminal law.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
William Courtenay, 1st Viscount Courtenay, also de jure 7th Earl of Devon, was a British peer. He was the son of William Courtenay, 6th Earl of Devon and 2nd Baronet Courtenay, and Lady Anne Bertie.
Dexter and sinister are terms used in heraldry to refer to specific locations in an escutcheon bearing a coat of arms, and to the other elements of an achievement. Dexter indicates the right-hand side of the shield, as regarded by the bearer, i.e. the bearer's proper right, and to the left as seen by the viewer. Sinister indicates the left-hand side as regarded by the bearer – the bearer's proper left, and to the right as seen by the viewer. In vexillology, the equivalent terms are hoist and fly.
Sir John III Chichester of Hall was member of parliament for Lostwithiel in Cornwall in 1624.
Richard Fortescue of Filleigh, North Devon was an English Member of Parliament and prominent land-owner and member of the Devonshire gentry, ancestor to the Earls Fortescue.
Robert Carey, lord of the manor of Clovelly in North Devon, was Member of Parliament for Barnstaple, Devon, in October 1553 and served as Sheriff of Devon in 1555–56. He served as Recorder of Barnstaple after 1560. Along with several other members of the Devonshire gentry then serving as magistrates he died of gaol fever at the Black Assize of Exeter 1587. His large monument survives in Clovelly Church.
Hall is a large estate within the parish and former manor of Bishop's Tawton, Devon. It was for several centuries the seat of a younger branch of the prominent and ancient North Devon family of Chichester of Raleigh, near Barnstaple. The mansion house is situated about 2 miles south-east of the village of Bishop's Tawton and 4 miles south-east of Barnstaple, and sits on a south facing slope of the valley of the River Taw, overlooking the river towards the village of Atherington. The house and about 2,500 acres of surrounding land continues today to be owned and occupied by descendants, via a female line, of the Chichester family. The present Grade II* listed neo-Jacobean house was built by Robert Chichester between 1844 and 1847 and replaced an earlier building. Near the house to the south at the crossroads of Herner the Chichester family erected in the 1880s a private chapel of ease which contains mediaeval woodwork saved from the demolished Old Guildhall in Barnstaple.
The landed gentry and nobility of Devonshire, like the rest of the English and European gentry, bore heraldic arms from the start of the age of heraldry circa 1200–1215. The fashion for the display of heraldry ceased about the end of the Victorian era (1901) by which time most of the ancient arms-bearing families of Devonshire had died out, moved away or parted with their landed estates.
Ash in the parish of Braunton in North Devon is a historic estate listed in the Domesday Book. The present mansion, known as The Ash Barton estate is a Grade II* listed building.
Langley was a historic estate in the parish of Yarnscombe, Devon, situated one mile north-east of the village of Yarnscombe. It was long the seat of a junior branch of the Pollard family of Way in the parish of St Giles in the Wood, Devon, 3 miles to the south.
Great Fulford is an historic estate in the parish of Dunsford, Devon. The grade I listed manor house, known as Great Fulford House, is about 9 miles west of Exeter. Its site was said in 1810 to be "probably the most ancient in the county". The present mansion house is Tudor with refurbishment from the late 17th century and further remodelling from about 1800. The prefix "Great" dates from the late 17th century and served to distinguish it from the mansion house known as "Little Fulford" in the parish of Shobrooke, Devon, about 8 miles to the north-east, also owned briefly by Col. Francis Fulford (1666–1700), as a result of his marriage to the heiress of the Tuckfield family. Great Fulford has been the residence of the Fulford family, which took its name from the estate, from the reign of King Richard I (1189–1199) to the present day. There are thus few, if any, families in Devonshire of more ancient recorded origin still resident at their original seat. In 2004 the estate comprised 3,000 acres.
Sir William Huddesfield of Shillingford St George in Devon, was Attorney General for England and Wales to Kings Edward IV (1461–1483) and Henry VII (1485–1509). He built the tower of St George's Church, Shillingford.
The large parish church of St Giles, which is in the village of St Giles in the Wood, Devon, England, came into being in 1309. When it was restored in 1862–3, many monuments were retained, including the monument and effigy of Thomas Chafe of Dodscott, three monumental brasses, of Alenora Pollard, Margaret Rolle of Stevenstone and a small brass of her husband John Rolle (d.1570). There are also 19th- and 20th-century monuments to the Rolle family.
Moor Hays is a historic estate in the parish of Cullompton in Devon, England. It is stated incorrectly to be in the nearby parish of Burlescombe in Tristram Risdon's Survey of Devon. The estate is not to be confused with Moor Hayes in the parish of Washfield, about 3 miles north-west of Tiverton, another ancient farmstead, which since 2005 has been the site of a large housing estate named "Moorhayes".