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Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries. French heraldry takes a different approach in many cases from the one described in this article.
An abatement is a modification of a coat of arms, representing a less-than honorable augmentation, imposed by an heraldic authority or by royal decree for misconduct. The practice of inverting the entire escutcheon of an armiger found guilty of high treason has been attested since the Middle Ages and is generally accepted as reliable, and medieval heraldic sources cite at least one instance of removing an honourable charge from a coat of arms by royal decree as an abatement of honour. Other abatements of honour implied by the addition of dishonourable stains and charges, appearing in late 16th-century texts, have never been reliably attested in actual practice. Additionally, as many heraldic writers note, the use of arms is not compulsory, so armigers are more likely to relinquish a dishonored coat of arms than to advertise their dishonor.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
In heraldry, an ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
A funerary hatchment is a depiction within a black lozenge-shaped frame, generally on a black (sable) background, of a deceased's heraldic achievement, that is to say the escutcheon showing the arms, together with the crest and supporters of his family or person. Regimental Colours and other military or naval emblems are sometimes placed behind the arms of military or naval officers. Such funerary hatchments, generally therefore restricted in use to members of the nobility or armigerous gentry, used to be hung on the wall of a deceased person's house, and were later transferred to the parish church, often within the family chapel therein which appertained to the manor house, the family occupying which, generally being lord of the manor, generally held the advowson of the church. In Germany, the approximate equivalent is a Totenschild, literally "shield of the dead".
The coat of arms of Spain represents Spain and the Spanish nation, including its national sovereignty and the country's form of government, a constitutional monarchy. It appears on the flag of Spain and it is used by the Government of Spain, the Cortes Generales, the Constitutional Court, the Supreme Court, and other state institutions. Its design consists of the arms of the medieval kingdoms that would unite to form Spain in the 15th century, the Royal Crown, the arms of the House of Bourbon, the Pillars of Hercules and the Spanish national motto: Plus Ultra. The Monarch, the heir to the throne and some institutions like the Senate, the Council of State and the General Council of the Judiciary have their own variants of the coat of arms.
Due to the differing role of women in past society, special rules grew relating to the blazoning of arms for women. The rules for women and heraldry developed differently from place to place and there is no one single rule that applies everywhere. In general, arms of women were most likely depicted not on shields but on lozenges or ovals. Different rules exist that depend on the woman's marital status and a married woman would also often make use of her husband's arms in addition to those from her family. In both the English and the Scottish systems of heraldry these differences remain active.
In heraldry, impalement is a form of heraldic combination or marshalling of two coats of arms side by side in one divided heraldic shield or escutcheon to denote a union, most often that of a husband and wife, but also for unions of ecclesiastical, academic/civic and mystical natures. An impaled shield is bisected "in pale", that is by a vertical line.
The coat of arms of Portugal is the main heraldic insignia of Portugal. The present model was officially adopted on 30 June 1911, along with the present model of the Flag of Portugal. It is based on the coat of arms used by the Portuguese Kingdom since the Middle Ages. The coat of arms of Portugal is popularly referred as the Quinas.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 11th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldry, dimidiation is a method of marshalling two coats of arms.
Charles V, Holy Roman Emperor was the heir of four of Europe's leading royal houses. In 1506, he inherited the Burgundian Netherlands, which came from his paternal grandmother, Mary of Burgundy. In 1516, Charles became the king of Spain, inheriting the kingdoms first united by his maternal grandparents, Isabella I of Castile and Ferdinand II of Aragon. Finally, on the death of his paternal grandfather in 1519, Maximilian I, Holy Roman Emperor, he inherited the Habsburg lands in Austria.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
In English heraldry a heraldic heiress is a daughter of deceased man who was entitled to a coat of arms and who carries forward the right to those arms for the benefit of her future male descendants. This carrying forward only applies if she has no brothers or other male relatives alive who would inherit the arms on the death of the holder.
Dexter and sinister are terms used in heraldry to refer to specific locations in an escutcheon bearing a coat of arms, and to the other elements of an achievement. Dexter indicates the right-hand side of the shield, as regarded by the bearer, i.e. the bearer's proper right, and to the left as seen by the viewer. Sinister indicates the left-hand side as regarded by the bearer – the bearer's proper left, and to the right as seen by the viewer. In vexillology, the equivalent terms are hoist and fly.
The coat of arms of the London Borough of Hillingdon is the official symbol of the London Borough of Hillingdon. They use elements from the coats of arms of the four previous districts. It is described as:
Arms: Per pale Gules and Vert an Eagle displayed per pale Or and Argent in the dexter claw a Fleur-de-lis Or and in the sinister claw a Cog-Wheel Argent on a Chief Or four Civic Crowns Vert.
Crest: On a Wreath of the Colours issuant from a Circlet of Brushwood Sable a demi-Lion Gules with wings Argent the underside of each wing charged with a Cross Gules and holding between the paws a Bezant thereon a Mullet Azure.
Supporters: On the dexter side an Heraldic Tiger Or gorged with an Astral Crown Azure and charged on the shoulder with a Rose Gules charged with another Argent barbed and seeded proper and on the sinister side a Stag proper attired and gorged with a Circlet of Brushwood and charged on the shoulder with two Ears of Rye slipped in saltire Or.
Motto: Forward.
References
- ↑ Boutell, Charles (1864), Heraldry, historical and popular (3 ed.), R. Bentley, p. 106,
Escutcheon: an Heraldic Shield See Chap III ... Femme: the Wife as distinguished from the Baron her Husband.
- ↑ Sanders, Ivor John (1980), Feudal Military Service in England: A Study of the Constitutional and Military Powers of the Barones in Medieval England, Greenwood Press, p. 100, ISBN 9780313227257,
Part I, The Baro and the Baronia
