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The examples and perspective in this article deal primarily with the United Kingdom and do not represent a worldwide view of the subject.(October 2023) |
Quartering is a method of joining several different coats of arms together in one shield by dividing the shield into equal parts and placing different coats of arms in each division. [1]
Typically, a quartering consists of a division into four equal parts, two above and two below (party per cross). Occasionally the division is instead along both diagonals (party per saltire) again creating four parts but now at top, bottom, left, and right.
An example of party per cross is the Sovereign Arms of the United Kingdom, as used outside Scotland, which consists of four quarters, displaying the Arms of England, Scotland and Ireland, with the coat for England repeated at the end. (In the royal arms as used in Scotland, the Scottish coat appears in the first and fourth quarters and the English one second.). An example of party per saltire is the arms of the medieval Kingdom of Sicily which also consists of four sections, with top and bottom displaying the coat of the Crown of Aragon, and left and right the coat of the Sicily branch of the Hohenstaufen dynasty during their reign as Holy Roman Emperors.
However, in most traditions there is no limit on the number of divisions allowed, and the records of the College of Arms include a shield of 323 quarterings for the family of Lloyd of Stockton. These 323 quarterings include numerous repeated attributed arms assigned to Welsh chieftains from the 9th century or earlier. [2]
Another example of a shield of many quarterings is the coat of arms of the Powys-Lybbe family, which contains 64 quarterings. Different rules apply in Scottish heraldry, and may well apply in other jurisdictions like Canada and South Africa.
The arms of the King of the United Kingdom are arms of dominion, which join together the arms of the ex-kingdoms now part of his kingdom. However, the vast majority of quarterly coats of arms display arms which are claimed by descent: in other words, they join together coats of arms of the ancestors of the bearer of the arms.
Strict rules apply in English Heraldry, both as to what arms may be displayed by way of quarterings, and the order in which they may be displayed. Men and women are always entitled to display the arms of their paternal line but are not usually entitled to display by way of quartering the arms of families from whom there is descent only through a female line (for example, the arms of a mother or grandmother or great-grandmother). An exception is made, however, if the female who breaks the male line of descent is a heraldic heiress—a woman who has no brothers, or whose brothers have died without issue. Such a woman is entitled to transmit her father's arms to her own children, who add them as a quartering. If her father was himself entitled to one or more quarterings, these will pass to his daughters' children as quarterings as well. Quarterings are displayed in the order in which they are acquired by a family by marriage, starting with those acquired by the earliest marriage to bring in quarterings. It is permissible to omit quarterings, but if a quartering was brought in by a later quartering, it is essential to show the whole chain of quarterings leading to the quartering displayed, or else to omit the chain altogether.
The larger the number of quarterings, the smaller the space available for each coat of arms, so that most families entitled to many quarterings make a selection of those they ordinarily use. The Duke of Norfolk, for example, uses only four quarterings, although he is entitled to many more. In Scotland in some cases the plain unquartered coat is the more prized, as entitlement to its use can indicate who is chief of the name and arms and holds the headship of a clan. For example, Flora Fraser, Lady Saltoun of Abernethy had arms as chief of Fraser—the plain coat of 'azure, three fraises argent'—and a 'private' quartered coat. The Powys-Lybbe family appear, likewise, to usually use only the quarterings of Powys and Lybbe. However these are not true quarterings as the arms were changed in 1907 to be an impartible design of the two arms; the personal arms are precisely this design, with no quarterings despite its appearance. (If this were a quartering the following would apply: when only two different coats of arms are shown, each one is repeated twice in order to fill up the minimum number of four quarterings on such a display.) Prior to the 1907 change, the family did quarter their arms with Lybbe but with the Powys arms in the top left quarter as these were the family arms; the new design has Lybbe in the top left as Lybbe is the last part of the name.
"Grand quartering", which is where one or more quarters are themselves divided into smaller quarters to accommodate the extra coats, is still widely observed in Scotland, and to some extent in England. A Scottish example (illustrated) is the arms of Lord Elphinstone, where the arms of Elphinstone occupies the first grand quarter, Fullerton the third, Buller the fourth, and the second is itself quartered with the arms of Fleming, Fraser, Keith and Drummond. [3] An English example of grand quartering is the arms of the Latymer School in Edmonton, London, which has Edward Latymer's own arms in the first and fourth grand quarters, and the second and third are quartered with the arms of Freston and Wolverstone.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
The coat of arms of the United Kingdom, also referred to as the royal arms, are the arms of dominion of the British monarch, currently Charles III. They are used by the Government of the United Kingdom and by other Crown institutions, including courts in the United Kingdom and in some parts of the Commonwealth. Differenced versions of the arms are used by members of the British royal family. The monarch's official flag, the Royal Standard, is the coat of arms in flag form.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a bend is a band or strap running from the upper dexter corner of the shield to the lower sinister. Authorities differ as to how much of the field it should cover, ranging from one-fifth up to one-third.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The lozenge in heraldry is a diamond-shaped rhombus charge, usually somewhat narrower than it is tall. It is to be distinguished in modern heraldry from the fusil, which is like the lozenge but narrower, though the distinction has not always been as fine and is not always observed even today. A mascle is a voided lozenge—that is, a lozenge with a lozenge-shaped hole in the middle—and the rarer rustre is a lozenge containing a circular hole in the centre. A lozenge throughout has "four corners touching the border of the escutcheon". A field covered in a pattern of lozenges is described as lozengy; similar fields of mascles are masculy, and fusils, fusily. In civic heraldry, a lozenge sable is often used in coal-mining communities to represent a lump of coal.
The Royal Banner of the Royal Arms of Scotland, also known as the Royal Banner of Scotland, or more commonly the Lion Rampant of Scotland, and historically as the Royal Standard of Scotland, or Banner of the King of Scots, is the royal banner of Scotland, and historically, the royal standard of the Kingdom of Scotland. Used historically by the Scottish monarchs, the banner differs from Scotland's national flag, the Saltire, in that its official use is restricted by an Act of the Parliament of Scotland to only a few Great Officers of State who officially represent the Monarchy in Scotland. It is also used in an official capacity at royal residences in Scotland when the Head of State is not present.
Heraldry in Scotland, while broadly similar to that practised in England and elsewhere in western Europe, has its own distinctive features. Its heraldic executive is separate from that of the rest of the United Kingdom.
The cross moline is a Christian cross, constituting a kind of heraldic cross.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Heraldry in Wales has a tradition distinct from that of English and Scottish heraldry. There is evidence that heraldry was already being used in Wales by the middle of the thirteenth century; for instance, in Gwynedd, two sons of Llywelyn the Great are recorded as having borne coats of arms in this period. Following the integration of Wales into England in the fourteenth and fifteenth centuries, the Welsh heraldic tradition became merged into that of England.
Charles V, Holy Roman Emperor was the heir of several of Europe's leading royal houses. In 1506, he inherited the Burgundian Netherlands, which came from his paternal grandmother, Mary of Burgundy. In 1516, Charles became the king of Spain, inheriting the kingdoms first united by his maternal grandparents, Isabella I of Castile and Ferdinand II of Aragon. Finally, on the death of his paternal grandfather in 1519, Maximilian I, Holy Roman Emperor, he inherited the Habsburg lands in central Europe and was elected Holy Roman Emperor.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Individual authors often attributed different arms for the same person, although the arms for major figures eventually became fixed.
The wolf has been widely used in many forms in heraldry during the Middle Ages. Though commonly reviled as a livestock predator and man-eater, the wolf was also considered a noble and courageous animal, and frequently appeared on the arms and crests of numerous noble families. It typically symbolised the rewards of perseverance in long sieges or hard industry.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
In English heraldry an heraldic heiress is a daughter of a deceased man who was entitled to a coat of arms and who carries forward the right to those arms for the benefit of her future male descendants. This carrying forward only applies if she has no brothers or other male relatives alive who would inherit the arms on the death of the holder.