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Quartering is a method of joining several different coats of arms together in one shield by dividing the shield into equal parts and placing different coats of arms in each division.
Typically, a quartering consists of a division into four equal parts, two above and two below (party per cross). Occasionally the division is instead along both diagonals (party per saltire) again creating four parts but now at top, bottom, left, and right.
An example of party per cross is the Sovereign Arms of the United Kingdom, as used outside Scotland, which consists of four quarters, displaying the Arms of England, Scotland and Ireland, with the coat for England repeated at the end. (In the royal arms as used in Scotland, the Scottish coat appears in the first and fourth quarters and the English one second.). An example of party per saltire is the arms of the medieval Kingdom of Sicily which also consists of four sections, with top and bottom displaying the coat of the Crown of Aragon, and left and right the coat of the Sicily branch of the Hohenstaufen dynasty during their reign as Holy Roman Emperors.
However, in most traditions there is no limit on the number of divisions allowed, and the records of the College of Arms include a shield of 323 quarterings for the family of Lloyd of Stockton. These 323 quarterings include numerous repeated attributed arms assigned to Welsh chieftains from the 9th century or earlier. [1]
Another example of a shield of many quarterings is the coat of arms of the Powys-Lybbe family, which contains 64 quarterings. Different rules apply in Scottish heraldry, and may well apply in other jurisdictions like Canada and South Africa.
The arms of the Queen of the United Kingdom are arms of dominion, which join together the arms of the ex-kingdoms now part of her kingdom. However, the vast majority of quarterly coats of arms display arms which are claimed by descent: in other words, they join together coats of arms of the ancestors of the bearer of the arms.
Strict rules apply in English Heraldry, both as to what arms may be displayed by way of quarterings, and the order in which they may be displayed. Men and women are always entitled to display the arms of their paternal line but are not usually entitled to display by way of quartering the arms of families from whom there is descent only through a female line (for example, the arms of a mother or grandmother or great-grandmother). An exception is made, however, if the female who breaks the male line of descent is a heraldic heiress—a woman who has no brothers, or whose brothers have died without issue. Such a woman is entitled to transmit her father's arms to her own children, who add them as a quartering. If her father was himself entitled to one or more quarterings, these will pass to his daughters' children as quarterings as well. Quarterings are displayed in the order in which they are acquired by a family by marriage, starting with those acquired by the earliest marriage to bring in quarterings. It is permissible to omit quarterings, but if a quartering was brought in by a later quartering, it is essential to show the whole chain of quarterings leading to the quartering displayed, or else to omit the chain altogether.
The larger the number of quarterings, the smaller the space available for each coat of arms, so that most families entitled to many quarterings make a selection of those they ordinarily use. The Duke of Norfolk, for example, uses only four quarterings, although he is entitled to many more. In Scotland in some cases the plain unquartered coat is the more prized, as entitlement to its use can indicate who is chief of the name and arms and holds the headship of a clan. For example, Flora Fraser, Lady Saltoun of Abernethy has arms as chief of Fraser—the plain coat of 'azure, three fraises argent'—and a 'private' quartered coat. The Powys-Lybbe family appear, likewise, to usually use only the quarterings of Powys and Lybbe. However these are not true quarterings as the arms were changed in 1907 to be an impartible design of the two arms; the personal arms are precisely this design, with no quarterings despite its appearance. (If this were a quartering the following would apply: when only two different coats of arms are shown, each one is repeated twice in order to fill up the minimum number of four quarterings on such a display.) Prior to the 1907 change, the family did quarter their arms with Lybbe but with the Powys arms in the top left quarter as these were the family arms; the new design has Lybbe in the top left as Lybbe is the last part of the name.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A saltire, also called Saint Andrew's Cross or the crux decussata, is a heraldic symbol in the form of a diagonal cross, like the shape of the letter X in Roman type. The word comes from the Middle French sautoir, Medieval Latin saltatoria ("stirrup").
The royal coat of arms of the United Kingdom, or the royal arms for short, is the arms of dominion of the British monarch, currently Queen Elizabeth II. These arms are used by the Queen in her official capacity as monarch of the United Kingdom. Variants of the royal arms are used by other members of the British royal family, by the British Government in connection with the administration and government of the country, and some courts and legislatures in a number of Commonwealth realms. A Scottish version of the royal arms is used in and for Scotland. The arms in banner form serve as basis for the monarch's official flag, the Royal Standard.
The royal arms of England are the arms first adopted in a fixed form at the start of the age of heraldry as personal arms by the Plantagenet kings who ruled England from 1154. In the popular mind they have come to symbolise the nation of England, although according to heraldic usage nations do not bear arms, only persons and corporations do. The blazon of the arms of Plantagenet is: Gules, three lions passant guardant in pale or armed and langued azure, signifying three identical gold lions with blue tongues and claws, walking past but facing the observer, arranged in a column on a red background. Although the tincture azure of tongue and claws is not cited in many blazons, they are historically a distinguishing feature of the arms of England. This coat, designed in the High Middle Ages, has been variously combined with those of the Kings of France, Scotland, a symbol of Ireland, the House of Nassau and the Kingdom of Hanover, according to dynastic and other political changes occurring in England, but has not altered since it took a fixed form in the reign of Richard I of England (1189–1199), the second Plantagenet king.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries. French heraldry takes a different approach in many cases from the one described in this article.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
In heraldry, an ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
Due to the differing role of women in past society, special rules grew relating to the blazoning of arms for women. The rules for women and heraldry developed differently from place to place and there is no one single rule that applies everywhere. In general, arms of women were most likely depicted not on shields but on lozenges or ovals. Different rules exist that depend on the woman's marital status and a married woman would also often make use of her husband's arms in addition to those from her family. In both the English and the Scottish systems of heraldry these differences remain active.
The Royal Banner of the Royal Arms of Scotland, also known as the Royal Banner of Scotland, or more commonly the Lion Rampant of Scotland, and historically as the Royal Standard of Scotland, or Banner of the King of Scots, is the Royal Banner of Scotland, and historically, the Royal Standard of the Kingdom of Scotland. Used historically by the Scottish monarchs, the banner differs from Scotland's national flag, the Saltire, in that its correct use is restricted by an Act of the Parliament of Scotland to only a few Great Officers of State who officially represent the Monarchy in Scotland. It is also used in an official capacity at royal residences in Scotland when the Head of State is not present.
In heraldic blazon, a chief is a charge on a coat of arms that takes the form of a band running horizontally across the top edge of the shield. Writers disagree in how much of the shield's surface is to be covered by the chief, ranging from one-fourth to one-third. The former is more likely if the chief is uncharged, that is, if it does not have other objects placed on it. If charged, the chief is typically wider to allow room for the objects drawn there.
In heraldry, impalement is a form of heraldic combination or marshalling of two coats of arms side by side in one divided heraldic shield or escutcheon to denote a union, most often that of a husband and wife, but also for unions of ecclesiastical, academic/civic and mystical natures. An impaled shield is bisected "in pale", that is by a vertical line.
The most basic rule of heraldic design is the rule of tincture: metal should not be put on metal, nor colour on colour. This means that the heraldic metals or and argent should not be placed on each other, nor may any of the colours be placed on another colour. Heraldic furs as well as "proper" are exempt from the rule of tincture.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Heraldry in Wales has a tradition distinct from that of English and Scottish heraldry. There is evidence that heraldry was already being used in Wales by the middle of the thirteenth century; for instance, in Gwynedd, two sons of Llywelyn the Great are recorded as having borne coats of arms in this period. Following the integration of Wales into England in the fourteenth and fifteenth centuries, the Welsh heraldic tradition became merged into that of England.
Charles V, Holy Roman Emperor was the heir of several of Europe's leading royal houses. In 1506, he inherited the Burgundian Netherlands, which came from his paternal grandmother, Mary of Burgundy. In 1516, Charles became the king of Spain, inheriting the kingdoms first united by his maternal grandparents, Isabella I of Castile and Ferdinand II of Aragon. Finally, on the death of his paternal grandfather in 1519, Maximilian I, Holy Roman Emperor, he inherited the Habsburg lands in central Europe and was elected Holy Roman Emperor.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Each author could attribute different arms for the same person, but the arms for major figures soon became fixed.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne ‘by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered to be essential to the coat of arms and are never separated from it.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.