In heraldry, a bordure is a band of contrasting tincture forming a border around the edge of a shield, traditionally one-sixth as wide as the shield itself. It is sometimes reckoned as an ordinary and sometimes as a subordinary.
A bordure encloses the whole shield, with two exceptions:
When two coats of arms are combined by impalement, the bordure usually stops at the partition line and does not run down it, as shown in the arms of Kemp as Archbishop of Canterbury in the 15th century; this rule is considered a relic of the older practice of dimidiation. However, a notable exception to this rule can be seen in the arms of Thomas de Holland, Duke of Surrey (a nephew of Richard II) from a drawing of his seal, 1399, showing a differencing of a full bordure ermine, and a full bordure argent.[1]
A chief overlies a bordure, unless the bordure is added to a coat that previously included a chief, or so it is often said. In practice, the order in which things are to overlie each other can usually be inferred from the blazon. For example, in the arms of Amber Valley Borough Council, the blazon describes the bordure before the chief, and the bordure does not surround the chief; while in the arms of the British Columbia Institute of Technology, the blazon specifies a chief ... within a bordure.
Like any ordinary or other charge, a bordure may be of a single plain tincture or divided. Like any ordinary, it may be smooth or subjected to any of the lines of variation; it may form a field for other charges. These variations are effectively exploited in the Scottish system of cadency.
Since it is very often used for cadency rather than to distinguish between original coats, the bordure is not strictly held to the rule of tincture; for example, many cadets of the French royal house, for example, bore red bordures on a blue field. Rarely a bordure is of the same tincture as the field on which it lies; in this case the term "embordured" is employed.[2] This was a very unusual practice even centuries ago and is all but unheard-of today.
A bordure semy of some charge is shown as if it were charged with a great number of those charges, rather than the practice typical with a field, in which some of the charges are shown as "cut off" by the edges of the field. This large number is to be taken as semy, and not as the precise number shown.
In French heraldry, the diminutive of the bordure, one quarter of its width, is the filière.[3] In English-language heraldry, the term a bordure diminished is occasionally employed – as in 'Or; a diminished bordure vert; on a chief indented azure, two fleurs de lys or' (127th Field Artillery, US), and 'Or; representations of two San human figures of red ochre, statant respectant, the hands of the innermost arms clasped, with upper arm, inner wrist, waist and knee bands argent; and a narrow border of red ochre' (Republic of South Africa).
An example of a bordure indented (in the lower half)
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, mantling or "lambrequin" is drapery tied to the helmet above the shield. In paper heraldry it is a depiction of the protective cloth covering worn by knights from their helmets to stave off the elements, and, secondarily, to decrease the effects of sword-blows against the helmet in battle, from which it is usually shown tattered or cut to shreds; less often it is shown as an intact drape, principally in those cases where clergy use a helmet and mantling, although this is usually the artist's discretion and done for decorative rather than symbolic reasons.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
The lines in heraldry used to divide and vary fields and charges are by default straight, but may have many different shapes. Care must be taken to distinguish these types of lines from the use of lines as charges, and to distinguish these shapes from actual charges, such as "a mount [or triple mount] in base," or, particularly in German heraldry, different kinds of embattled from castle walls.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
Ordinaries in heraldry are sometimes embellished with stripes of colour alongside them, have lumps added to them, shown with their edges arciform instead of straight, have their peaks and tops chopped off, pushed up and down out of the usual positions, or even broken apart.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The lozenge in heraldry is a diamond-shaped rhombus charge, usually somewhat narrower than it is tall. It is to be distinguished in modern heraldry from the fusil, which is like the lozenge but narrower, though the distinction has not always been as fine and is not always observed even today. A mascle is a voided lozenge—that is, a lozenge with a lozenge-shaped hole in the middle—and the rarer rustre is a lozenge containing a circular hole in the centre. A lozenge throughout has "four corners touching the border of the escutcheon". A field covered in a pattern of lozenges is described as lozengy; similar fields of mascles are masculy, and fusils, fusily. In civic heraldry, a lozenge sable is often used in coal-mining communities to represent a lump of coal.
In heraldic blazon, a chief is a charge on a coat of arms that takes the form of a band running horizontally across the top edge of the shield. Writers disagree in how much of the shield's surface is to be covered by the chief, ranging from one-fourth to one-third. The former is more likely if the chief is uncharged, that is, if it does not have other objects placed on it. If charged, the chief is typically wider to allow room for the objects drawn there.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
In British heraldry, vert is the tincture equivalent to green. It is one of the five dark tinctures called colours.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
In heraldry, an ordinary componée, anglicised to compony and gobony, is composed of a row of squares, rectangles or other quadrilaterals, of alternating tinctures, often found as a bordure, most notably in the arms of the English House of Beaufort.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldry, a bar is an ordinary consisting of a horizontal band across the shield. If only one bar appears across the middle of the shield, it is termed a fess; if two or more appear, they can only be called bars. Calling the bar a diminutive of the fess is inaccurate, however, because two bars may each be no smaller than a fess. Like the fess, bars too may bear complex lines. The diminutive form of the bar is the barrulet, though these frequently appear in pairs, the pair termed a "bar gemel" rather than "two barrulets".
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
A roundel is a circular charge in heraldry. Roundels are among the oldest charges used in coats of arms, dating from the start of the age of heraldry in Europe, circa 1200–1215. Roundels are typically a solid colour but may be charged with an item or be any of the furs used in heraldry. Roundels are similar to the annulet, which some heralds would refer to as a false roundel.
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