Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
The coat of arms of the Kingdom of Sweden is the arms of dominion of the King of Sweden. It has a greater and a lesser version. The shield displays the "Three Crowns of Sweden" quartering the "Lion of Bjelbo", with an inescutcheon overall of the House of Vasa impaling the House of Bernadotte.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
An abatement is a modification of a coat of arms, representing a less-than honorable augmentation, imposed by an heraldic authority or by royal decree for misconduct. The practice of inverting the entire escutcheon of an armiger found guilty of high treason has been attested since the Middle Ages and is generally accepted as reliable, and medieval heraldic sources cite at least one instance of removing an honourable charge from a coat of arms by royal decree as an abatement of honour. Other abatements of honour implied by the addition of dishonourable stains and charges, appearing in late 16th-century texts, have never been reliably attested in actual practice. Additionally, as many heraldic writers note, the use of arms is not compulsory, so armigers are more likely to relinquish a dishonored coat of arms than to advertise their dishonor.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The coat of arms of Spain represents Spain and the Spanish nation, including its national sovereignty and the country's form of government, a constitutional monarchy. It appears on the flag of Spain and it is used by the Government of Spain, the Cortes Generales, the Constitutional Court, the Supreme Court, and other state institutions. Its design consists of the arms of the medieval kingdoms that would unite to form Spain in the 15th century, the Royal Crown, the arms of the House of Bourbon, the Pillars of Hercules and the Spanish national motto: Plus Ultra. The monarch, the heir to the throne and some institutions like the Senate, the Council of State and the General Council of the Judiciary have their own variants of the coat of arms; thus the state coat of arms is not an arms of dominion.
Due to the differing role of women in past society, special rules grew relating to the blazoning of arms for women. The rules for women and heraldry developed differently from place to place and there is no one single rule that applies everywhere. In general, arms of women were most likely depicted not on shields but on lozenges or ovals. Different rules exist that depend on the woman's marital status and a married woman would also often make use of her husband's arms in addition to those from her family. In both the English and the Scottish systems of heraldry these differences remain active.
A Royal Badge for Wales was approved in May 2008. It is based on the arms borne by the thirteenth-century Welsh prince Llywelyn the Great, with the addition of St Edward's Crown atop a continuous scroll which, together with a wreath consisting of the plant emblems of the four countries of the United Kingdom, surrounds the shield. The motto which appears on the scroll, PLEIDIOL WYF I'M GWLAD, is taken from the National Anthem of Wales and is also found on the Welsh designs for £1 coins minted from 1985 until 2000. The badge formerly appeared on the covers of Assembly Measures; since the 2011 referendum, it now appears on the cover of Acts passed by the Senedd and its escutcheon, ribbon and motto are depicted on the Welsh Seal.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
In English law, baron and feme is a phrase used for husband and wife, in relation to each other, who were accounted as one person by coverture. Hence, by the old law of evidence, the one party was excluded from giving evidence for or against the other in civil questions, and a relic of this is still preserved in criminal law.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of the holder's nuclear family, subject to a system of cadency marks, to differentiate those displays from the arms of the original holder. The English heraldic style is exemplified in the arms of British royalty, and is reflected in the civic arms of cities and towns, as well as the noble arms of individuals in England. Royal orders in England, such as the Order of the Garter, also maintain notable heraldic bearings.
In English heraldry an heraldic heiress is a daughter of a deceased man who was entitled to a coat of arms and who carries forward the right to those arms for the benefit of her future male descendants. This carrying forward only applies if she has no brothers or other male relatives alive who would inherit the arms on the death of the holder.
In heraldry, a bar is an ordinary consisting of a horizontal band across the shield. If only one bar appears across the middle of the shield, it is termed a fess; if two or more appear, they can only be called bars. Calling the bar a diminutive of the fess is inaccurate, however, because two bars may each be no smaller than a fess. Like the fess, bars too may bear complex lines. The diminutive form of the bar is the barrulet, though these frequently appear in pairs, the pair termed a "bar gemel" rather than "two barrulets".
Heraldic labels are used to differentiate the personal coats of arms of members of the royal family of the United Kingdom from that of the monarch and from each other. In the Gallo-British heraldic tradition, cadency marks have been available to "difference" the arms of a son from those of his father, and the arms of brothers from each other, and traditionally this was often done when it was considered important for each man to have a distinctive individual coat of arms and/or to differentiate the arms of the head of a house from junior members of the family. This was especially important in the case of arms of sovereignty: to use the undifferenced arms of a kingdom is to assert a claim to the throne. Therefore, in the English royal family, cadency marks were used from the time of Henry III, typically a label or bordure alluding to the arms of the bearer's mother or wife. After about 1340, when Edward III made a claim to the throne of France, a blue label did not contrast sufficiently with the blue field of the French quarter of the royal arms; accordingly most royal cadets used labels argent: that of the heir apparent was plain, and all others were charged. Bordures of various tinctures continued to be used into the 15th century.
The first instance of a figure of the lion as symbol of the Kingdom of León is found in minted coins of Alfonso VII, called the Emperor (1126–1157). Until then, the cross had a preponderant position on documents and coins of Leonese monarchs since that reign the cross was gradually displaced by the lion. The Spanish historian and heraldist Martín de Riquer explained that the lion was already used as heraldic emblem in 1148. At the end of the reign of Alfonso VII, the figure of this animal began to appear on royal documents as personal device of the monarch and became pervasive during reigns of Ferdinand II (1157-1188) and Alfonso IX (1188-1230).
Heraldryportal 
Escutcheons as mobile charges, as borne by the French family of Abbeville.
Simple example of incorporating an heiress's arms as an escutcheon of pretense
An escutcheon of pretence, as borne by the French family de Champagne-La Suze.
Inherited arms borne en surtout over territorial arms. (Arms of Eric of Pomerania as monarch of the Kalmar Union, c. 15th century)
![Inescutcheons for style in the arms of the Swedish Heraldry Society [sv]. Svenska Vapenkollegiet vapen.svg](http://upload.wikimedia.org/wikipedia/commons/thumb/5/50/Svenska_Vapenkollegiet_vapen.svg/217px-Svenska_Vapenkollegiet_vapen.svg.png)
