Hippogriff

Last updated
Roger delivrant Angelique (1824) by Louis-Edouard Rioult depicts the scene of Orlando Furioso where Ruggiero (French: Roger
) rescues Angelica (French: Angelique
) while riding on a hippogriff. Roger delivrant Angelique by Louis-Edouard Rioult.jpg
Roger délivrant Angélique (1824) by Louis-Édouard Rioult depicts the scene of Orlando Furioso where Ruggiero (French : Roger) rescues Angelica (French : Angélique) while riding on a hippogriff.

The hippogriff or hippogryph is a legendary creature with the front half of an eagle and the hind half of a horse.

Contents

It was invented at the beginning of the 16th century by Ludovico Ariosto in his Orlando Furioso . Within the poem, the hippogriff is a steed born of a mare and a griffin—something considered impossible. [1] It is extremely fast and is presented as being able to fly around the world and to the Moon. It is ridden by magicians and the wandering knight Ruggiero, who, from the creature's back, frees the beautiful Angelica. Astolfo also borrows the hippogriff from Bradamante to go search for Roland's wits.

The hippogriff became a subject of visual art in the 19th century, when it was often drawn by Gustave Doré.

Etymology

The word hippogriff, also spelled hippogryph, [2] is derived from the Ancient Greek : ἵπποςhíppos, meaning "horse", and the Italian grifo meaning "griffin" (from Latin: gryp or grypus from Ancient Greek: γρύψ, romanized: grýps), which denotes another mythical creature, with the head of an eagle and body of a lion, that is purported to be the father of the hippogriff. [3] [4] The word hippogriff was adopted into English shortly before 1615. [5] The Hippogypians mentioned in Vera Historia, a fantastic travelogue written by the Roman author Lucian of Samosata in the Second Century A.D. suggest another likely source for the word. However, in that text, the term is used to refer to a race of moon-dwelling riders that employ gigantic three-headed vultures as steeds.

Description

Of the heraldic representations of the hippogriff, Arthur Charles Fox-Davies states that hybrid fantastical creatures' depictions are "ugly, inartistic, and unnecessary. Their representation leaves one with a disappointed feeling of crudity of draughtsmanship." [6] John Vinycomb states that the hippogriff is not used in the British heraldic tradition. [7]

Hippogriff, illustration by Gustave Dore for Orlando furioso. Orlando Furioso 9.jpg
Hippogriff, illustration by Gustave Doré for Orlando furioso.

Ludovico Ariosto's poem, Orlando furioso (1516) contains the following description (canto IV):

XVIII
No fiction wrought magic lore,
But natural was the steed the wizard pressed;
For him a filly to griffin bore;
Hight hippogryph. In wings and beak and crest,
Formed like his sire, as in the feet before;
But like the mare, his dam, in all the rest.
Such on Riphaean hills, though rarely found,
Are bred, beyond the frozen ocean's bound.

XIX
Drawn by enchantment from his distant lair,
The wizard thought but how to tame the foal;
And, in a month, instructed him to bear
Saddle and bit, and gallop to the goal;
And execute on earth or in mid air,
All shifts of manege, course and caracole;
He with such labour wrought. This only real,
Where all the rest was hollow and ideal.

According to Thomas Bulfinch's Legends of Charlemagne:

Like a griffin, it has the head of an eagle, claws armed with talons, and wings covered with feathers, the rest of its body being that of a horse. This strange animal is called a Hippogriff. The hippogriff is said to be an evil spirit resting and possessing its soul in that of a horse and griffon. [8]

Beliefs and symbolism

According to Vidal, a Spanish historian, this creature was supposed to live near Céret, in the County of Roussillon of modern-day France, during the Middle Ages. Claw marks were found on a rock near Mas Carol. [9] The belief in the existence of the hippogriff, such as Ariosto describes, is fiercely attacked in a scientific essay on religion in 1862, which argues that such an animal can neither be a divine creation, nor truly exist. The Book of Enoch quite clearly details how Satan and his fallen angels created various hybrids by admixture. The Sphinx is the best known such hybrid. The hippogriff is supposed to be a mixture of several animals and the author notes that in order to support its weight, the wings would be so heavy that flight would be impossible, which proves—without question—that it does not exist. [10]

In some traditions, the hippogriff is said to be the symbol of love, as its parents, the mare and griffin, are natural enemies. [10] In other traditions, the hippogriff represents Christ's dual nature as both human and divine. [11]

Modern representations

An animatronic Hippogriff in the nest on the left side of the lift hill of the roller coaster Flight of the Hippogriff in Orlando, Florida Flight of the Hippogriff at Islands of Adventure.jpg
An animatronic Hippogriff in the nest on the left side of the lift hill of the roller coaster Flight of the Hippogriff in Orlando, Florida

See also

Related Research Articles

<span class="mw-page-title-main">Chimera (mythology)</span> Mythical or fictional creature with parts taken from various animals

According to Greek mythology, the Chimera, Chimaera, Chimæra, or Khimaira was a monstrous fire-breathing hybrid creature from Lycia, Asia Minor, composed of different animal parts. Typically, it is depicted as a lion with a goat's head protruding from its back and a tail ending with a snake's head. Some representations also include dragon's wings. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra.

<i>Orlando Furioso</i> Epic poem by Ludovico Ariosto

Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French La Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.

<i>Alcina</i> 1735 opera seria by German-British Baroque composer George Frideric Handel

Alcina is a 1735 opera seria by George Frideric Handel. Handel used the libretto of L'isola di Alcina, an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's Orlando furioso, an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé.

<span class="mw-page-title-main">Cockatrice</span> Mythological serpent

A cockatrice is a mythical beast, essentially a two-legged dragon, wyvern, or serpent-like creature with a rooster's head. Described by Laurence Breiner as "an ornament in the drama and poetry of the Elizabethans", it was featured prominently in English thought and myth for centuries. They are created by a chicken egg hatched by a toad or snake.

<span class="mw-page-title-main">Gelatinous cube</span> Fictional Dungeons & Dragons monster

A gelatinous cube is a fictional monster from the Dungeons & Dragons fantasy role-playing game. It is described as a ten-foot cube of transparent gelatinous ooze, which is able to absorb and digest organic matter.

Beholder (<i>Dungeons & Dragons</i>) Fictional monster in Dungeons & Dragons

The beholder is a fictional monster in the Dungeons & Dragons fantasy role-playing game. It is depicted as a floating orb of flesh with a large mouth, single central eye, and many smaller eyestalks on top with powerful magical abilities.

A variety of magical creatures are depicted in the fictional universe of Harry Potter, which is drawn from various types of media. Magical creatures appear in the Harry Potter novels and their film adaptations, in the Fantastic Beasts film series, in other books by J. K. Rowling, and on the website of the Wizarding World media franchise. In 2001, Rowling released Fantastic Beasts and Where to Find Them, which serves as a guidebook to the creatures described in the fictional universe. Some of these creatures were invented by Rowling. Others are derived from sources such as Greek mythology, English and Celtic folklore, and the works of Roman historians.

Kobold (<i>Dungeons & Dragons</i>) Fictional species in Dungeons & Dragons

Kobolds are a fictional race of humanoid creatures featured in the Dungeons & Dragons roleplaying game and other fantasy media. They are often depicted as small reptilian humanoids with long tails, distantly related to dragons.

Goblin (<i>Dungeons & Dragons</i>) Fictional monster from Dungeons & Dragons

In the Dungeons & Dragons fantasy role-playing game, goblins are a common and fairly weak race of evil humanoid monsters. Goblins are non-human monsters that low-level player characters often face in combat.

<span class="mw-page-title-main">Loch Ness Monster in popular culture</span>

The Loch Ness Monster is a creature from folklore that has appeared in popular culture in various genres since at least 1934. It is most often depicted as a relict dinosaur or similar, but other explanations for its existence such as being a shapeshifter or from outer space also appear. It is only occasionally portrayed as threatening, despite its name.

Centaur (<i>Dungeons & Dragons</i>)

In the Dungeons & Dragons fantasy role-playing game, the centaur is a large monstrous humanoid. Based upon the centaurs of Greek myth, a centaur in the game resembles a human with the lower body of a horse.

<span class="mw-page-title-main">Griffin</span> Legendary animal

The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion, and the head and wings of an eagle with its talons on the front legs.

Chimera, originally found in Greek mythology, is a monstrous fire-breathing creature composed of the parts of multiple animals. The term, and often the general concept, has since been adopted by various works of popular culture, and chimeras of differing description can be found in contemporary works of fantasy and science fiction.

<span class="mw-page-title-main">Rubeus Hagrid</span> Fictional character from Harry Potter

Rubeus Hagrid is a fictional character in the Harry Potter series of novels by J. K. Rowling. He was introduced in Harry Potter and the Philosopher's Stone (2001) as a half-giant who is the gamekeeper and groundskeeper at the wizarding school Hogwarts. He is a member of the Order of the Phoenix and eventually becomes the Care of Magical Creatures professor. Hagrid is portrayed by Robbie Coltrane in all eight Harry Potter films.

<i>Dungeons & Dragons</i> (1974) Tabletop role-playing game supplement for Dungeons & Dragons

The original Dungeons & Dragons boxed set by Gary Gygax and Dave Arneson was published by Tactical Studies Rules in 1974. It included the original edition of the Dungeons & Dragons fantasy role-playing game. Its product designation was TSR 2002.

A ghoul is a mythical creature originating in pre-Islamic Arabia, often described as hideous human-like monster that dwelt in the desert or other secluded locations in order to lure travellers astray. It was not until Antoine Galland translated the Arabian Nights into French that the western idea of ghoul was introduced. Galland depicted the ghoul as a monstrous creature that dwelled in cemeteries, feasting upon corpses. This definition of the ghoul has persisted until modern times, with ghouls appearing in literature, television and film, as well video games.

<i>Roger Freeing Angelica</i> (Ingres) 1819 painting by Jean-Auguste-Dominique Ingres

Roger Freeing Angelica or Ruggiero Freeing Angelica is an 1819 painting by the French artist Jean-Auguste-Dominique Ingres, inspired by Orlando Furioso by Ariosto. An oil painting on canvas measuring 147 x 199 cm, it is owned by the Louvre. Ingres subsequently painted several variants of the composition.

References

  1. "Hippogriff | legendary animal". Encyclopedia Britannica. Retrieved 2020-10-14.
  2. Française, Académie (1843). Complément du Diction sire de l'Académie française (in French).
  3. Sevestre & Rosier 1983 , pp. 16–17
  4. Wagner 2006 , p. 124
  5. "Webster's Revised Unabridged Dictionary". Archived from the original on 2011-02-28.
  6. Fox-Davies, Arthur Charles (2007). A Complete Guide to Heraldry. Skyhorse Publishing Inc. pp. 232–. ISBN   9781602390010 . Retrieved 31 May 2015.
  7. Vinycomb, John (1969). Fictitious and Symbolic Creatures in Art With Special Reference to Their Use in British Heraldry. Library of Alexandria. pp. 123–. ISBN   9781465552556 . Retrieved 31 May 2015.
  8. Thomas Bulfinch, Legends of Charlemagne, 1863.
  9. (in French) Bo i Montégut 1978 , p. 219
  10. 1 2 Poulin, Paulin (1862). A. Lacroix, Verboeckhoven; et al. (eds.). Qu'est-ce que l'homme ? Qu'est-ce que Dieu ? Solution scientifique du problème religieux (in French). p. 223.
  11. Sax, Boria (2013-10-15). Imaginary Animals: The Monstrous, the Wondrous and the Human. Reaktion Books. pp. 195–. ISBN   9781780232133 . Retrieved 31 May 2015.
  12. Morton, Dr Marsha (2014-07-28). Max Klinger and Wilhelmine Culture: On the Threshold of German Modernism. Ashgate Publishing, Ltd. pp. 34–. ISBN   9781409467588 . Retrieved 31 May 2015.
  13. Radford, Benjamin; Nickell, Joe (2006). Lake monster mysteries: investigating the world's most elusive creatures. University Press of Kentucky. pp. 101–109. ISBN   9780813123943.
  14. Briggs, Julia (2000-11-07). A Woman of Passion: The Life of E. Nesbit. New Amsterdam Books. pp. 220–. ISBN   9781461636229 . Retrieved 31 May 2015.
  15. Weinstock, Professor Jeffrey (2014-01-08). The Ashgate Encyclopedia of Literary and Cinematic Monsters. Ashgate Publishing, Ltd. pp. 329–. ISBN   9781409425625 . Retrieved 31 May 2015.
  16. Doug Stewart, ed. (1993). Monstrous Manual . TSR, Inc. p. 190.
  17. Witwer, Michael; Newman, Kyle; Peterson, Jonathan; Witwer, Sam; Manganiello, Joe (October 2018). Dungeons & Dragons Art & Arcana: a visual history. Ten Speed Press. pp. 20–21, 27. ISBN   9780399580949. OCLC   1033548473.
  18. 1 2 Roker, Al (2004-06-11). "Behind the Magic of 'Harry Potter'". NBC News . Retrieved 2013-10-24.
  19. 1 2 Heilman, Elizabeth E. (2008-08-05). Critical Perspectives on Harry Potter. Taylor & Francis. pp. 201–. ISBN   9780203892817 . Retrieved 1 November 2013.
  20. Miller, Laura Lea (2011-10-20). Frommer's Walt Disney World and Orlando 2012. John Wiley & Sons. pp. 273–. ISBN   9781118168042 . Retrieved 1 November 2013.
  21. "Ariosto, Harry Potter and Hippogriffs: Weaving textual webs".

Works cited