Ludovico Ariosto was an Italian poet. He is best known as the author of the romance epic Orlando Furioso (1516). The poem, a continuation of Matteo Maria Boiardo's Orlando Innamorato, describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.
Roland was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass.
Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.
Renaud de Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
Orlando Innamorato is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 and 1495.
Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. It is also said to have belonged to young Charlemagne at one point, and, passing through Saracen hands, came to be owned by Roland.
Astolfo is a fictional character in the Matter of France where he is one of Charlemagne's paladins. He is the son of Otto, the King of England, and is a cousin to Orlando and Rinaldo, and a descendant of Charles Martel. While Astolfo's name appeared in the Old French chanson de gesteThe Four Sons of Aymon, his first major appearance was in the anonymous early fourteenth-century Franco-Venetian epic poem La Prise de Pampelune. He was subsequently a major character in Italian Renaissance romance epics, such as Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo, and Orlando Furioso by Ludovico Ariosto.
Bradamante is a fictional knight heroine in two epic poems of the Renaissance: Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art.
Oliver, sometimes referred to as Olivier de Vienne or de Gennes, is a legendary knight in the Matter of France chansons de geste, especially the French epic The Song of Roland. In the tradition, he was Roland's closest friend, advisor, confidant and brother-in-law to be, one of Charlemagne's twelve peers and brother of Aude, Roland's betrothed. He dies with Roland at the Battle of Roncevaux Pass. Some critics have linked his name to the olive tree, a biblical symbol of divine wisdom.
Atlantes was a powerful sorcerer featured in chansons de geste. In Boiardo's Orlando Innamorato (1482), where he is known as Atalante, the magician fears that Rugiero will convert to Christianity and aid Charlemagne against the Saracens. To prevent this and forestall Rugiero's death, he constructs a magic garden ringed by glass on Mt. Carena in the Atlas Mountains, after which he is named. In Orlando Furioso, Atlantes' magical castle is filled with illusions, in order to divert Ruggiero from what he has foretold as certain doom. Ruggiero is later set free by Bradamante and after numerous trials and quests sires a great line of heroes. He later dies betrayed fulfilling the destiny foretold by Atlantes.
Ferragut was a character—a Saracen paladin, sometimes depicted as a giant—in texts dealing with the Matter of France, including the Historia Caroli Magni, and Italian epics, such as Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. In the tales, he was portrayed as physically invulnerable except at his navel/stomach, and was eventually killed by the paladin Roland.
Rodomonte is a major character in the Italian romantic epic poems Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. He is the King of Sarza and Algiers and the leader of the Saracen army which besieges Charlemagne in Paris. He is in love with Doralice, Princess of Granada, but she elopes with his rival Mandricardo. He tries to seduce Isabella but she tricks him into killing her by mistake. In remorse, Rodomonte builds a bridge in her memory and forces all who cross it to pay tribute. When the "naked and mad" Orlando arrives at the bridge, it is Rodomonte, the pagan, who throws him into the river below. They both swim ashore, but Orlando who is naked and is unimpeded by heavy armor gets to the shore first. Finally, Rodomonte appears at the wedding of Bradamante and Ruggiero and accuses Ruggiero of treason for converting to Christianity and abandoning the Saracen cause. The two fight a duel and Rodomonte is killed.
Ruggiero is a leading character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic Aspremont, reworked by Andrea da Barberino as the chivalric romance Aspramonte. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems.
Brunello is a character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. Brunello is a dwarf and a cunning thief who works for the Saracen army of King Agramante. He first appears in the second book of Orlando innamorato where Agramante intends to invade Europe and defeat the Emperor Charlemagne. He has been told he has no chance of success unless he has the young warrior Ruggiero on his side, but Ruggiero has been hidden in a secret garden by the wizard Atlante and the only way to reach him is by using the magic ring belonging to Princess Angelica. Brunello undertakes to steal it and sets off for the fortress of Albracca where not only does he manage to snatch the ring but also robs King Sacripante of his horse and the female warrior Marfisa of her sword. Marfisa sets off in pursuit but Brunello evades her and gives the ring to Agramante, who rewards him with a kingdom. The Saracens find Ruggiero at Mount Carena where they see him behind a wall of glass. However, the wall is too steep and slippery to climb, so Brunello suggests they trick Ruggiero out. He gets them to play war games in the plain beneath the mountain. Ruggiero, with his inherent love of combat, cannot resist and in spite of Atlante's pleas he leaves the garden and begs Brunello for his horse and armour. Brunello only agrees if he will join their expedition against France, to which Ruggiero happily consents.
Marfisa is a character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. She is the sister of Ruggiero but was separated from him in early childhood. She becomes queen of India and fights as a warrior for the Saracens, taking part in the siege of the fortress Albracca until her sword is stolen by Brunello. She falls in love with Ruggiero, unaware who he is until Atlantes reveals their background. Learning that her parents were Christian, she converts to the faith and joins the Emperor Charlemagne's army against the Saracens.
Sacripante is a character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. Sacripante is the King of Circassia and one of the leading Saracen knights. He is passionately in love with Angelica and fights to defend her when she is besieged in the fortress of Albracca. His horse Frontino is stolen from underneath him by the cunning thief Brunello. In Orlando furioso he offers to become the wandering Angelica's protector but she evades him.
Andrea Mangiabotti, called Andrea da Barberino was an Italian writer and cantastorie ("storyteller") of the Quattrocento Renaissance. He was born in Barberino Val d'Elsa, near Florence and lived in Florence. He is principally known for his prose romance epic Il Guerrin Meschino, his I Reali di Francia, a prose compilation of the Matter of France epic material concerning Charlemagne and Roland (Orlandino) from various legends and chansons de geste, and for his Aspramonte, a reworking of the chanson de geste Aspremont, which also features the hero Ruggiero. Many of his writings probably derive from Franco-Italian works, such as the Geste Francor, that includes versions of the stories of Reali di Francia and dates to the first half of the fourteenth century. His works, which circulated at first in manuscript, were extremely successful and popular, and were a key source of material for later Italian romance writers, such as Luigi Pulci (Morgante), Matteo Maria Boiardo and Ludovico Ariosto.
Agolant or Agolante is a fictional character in Medieval and Renaissance romantic epics dealing with the Matter of France, including Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. He is a Saracen king from Africa.
Chanson d'Aspremont is a 12th-century Old French chanson de geste. The poem comprises 11, 376 verses, grouped into rhymed laisses. The verses are decasyllables mixed with alexandrines.
Entrée d'Espagne or L'Entrée d'Espagne or Entrée en Espagne is a 14th-century (c.1320) Franco-Venetian chanson de geste. The author is thought to be from Padua. The work has survived in only one manuscript, today in the Biblioteca Marciana in Venice. Based on material from the Pseudo-Turpin Chronicle and several other sources, the epic poem tells of Charlemagne's battles in Spain and the adventures of the paladin Roland.
