Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. The sword is famous for its hardness and sharpness. Sources including La Chanson de Roland (The Song of Roland) state that it first belonged to the young Charlemagne.
According to one legend, at the end of the Battle of Roncevaux Roland hurled the sword from him to prevent its being seized by the Saracens, and it came to rest in Rocamadour. A replica sword that was embedded in a rock face there was reported stolen in June 2024.
The name Durendal arguably begins with the French dur- stem, meaning "hard", though "enduring" may be the intended meaning. [1] Rita Lejeune argues that the name may break down into durant + dail, [2] which may be rendered in English as "strong scythe" [3] or explained in more detail to mean "a scimitar or scythe that holds up, resists, endures". [4] Gerhard Rohlfs suggests dur + end'art, "strong flame" or "[a flame] burns strongly from it". [3] [5]
The Pseudo-Turpin explains that the name "'Durendal' is interpreted to mean [that] it gives a hard strike" (Durenda interpretatur durum ictum cum ea dans ). It has been argued that the Pseudo-Turpin offering a gloss of the meaning constitutes evidence that it was a name that was not readily understood in French. [a] [6]
One non-French etymology is Edwin B. Place's attempt to construe it in Breton as diren dall, meaning "blade [that] dulls cutting edge" or "blade [that] blinds". [6] Another is James A. Bellamy's Arabic etymology, explaining a possible origin of the sword's name in ḏū l-jandal (ذو الجندل), meaning "master of stone". [7] [3] [b]
According to legend, the sword was capable of cutting through giant boulders with a single strike, and was indestructible. [8]
In La Chanson de Roland (The Song of Roland), the sword is said to contain within its golden hilt a tooth of Saint Peter, blood of Basil of Caesarea, hair of Saint Denis, and a piece of the raiment of Mary, mother of Jesus. [9] [10]
According to legend as recounted in the poem, at the Battle of Roncevaux Pass Roland took the rearguard to hold off Saracen troops long enough for Charlemagne's army to retreat into France. [11] He slew a vast number of enemies: wielding Durendal, he sliced the right arm of the Saracen king Marsile, decapitated the king's son Jursaleu or Jurfaleu and put the one-hundred-thousand-strong army to flight. [12] [13] His mission accomplished, Roland then attempted to destroy Durendal by hitting it against blocks of marble, to prevent it from being captured by the Saracens, but the sword proved to be indestructible. [9] Finally, mortally wounded, he hid it beneath his body as he lay dying along with the oliphant, the horn he had used to alert Charlemagne. [14] [15]
The sword has been given various provenances. Several of the works of the Matter of France agree that it was forged by Wayland the Smith, who is commonly cited as a maker of weapons in chivalric romances. [16]
According to La Chanson de Roland, an angel brought Durendal to Charlemagne in the vale of Moriane, and Charlemagne then gave it to Roland. [17] [c]
According to the 12th-century fragmentary chanson de geste known as Mainet (referring to the pseudonym that Charlemagne adopted in his youth), Durendal was once captured, but not kept, by the young Charlemagne when he fled to Spain. [19] Young Charles (Mainés in the text) slays Braimant, obtaining his sword (Durendaus). [20] [21] This tale is better preserved in some non-chanson de geste texts, [22] and in adaptations such as the Franco-Italian Karleto. [23] According to the Low-German version Karl Mainet, the place of combat was near the vale of Moriane (Vael Moriale), near Toledo. [24]
According to another 12th-century chanson de geste, the Song of Aspremont , the owner of Durendal just before Roland obtained it was a Saracen named Aumon, son of king Agolant, [d] . Young Roland mounted Naimes's horse Morel without permission, [25] and armed only with a rod, defeated Aumon, taking as spoils both the sword and the horse Veillantif. [26]
These materials were combined in the Italian prose Aspramonte by Andrea da Barberino in the late 14th to early 15th century. That work stated that after young Carlo (Charlemagne) came into possession of Durindarda (Durendal) by killing Bramante in Spain, Galafro gave it to Galiziella, [e] [27] who then gave it to Almonte the son of Agolante (i.e., French : Aumon). [f] [28] [29] Galiziella is glossed as the bastard daughter of Agolante, [30] making her Almonte's half-sister. Durindana is eventually won by Orlandino (young Orlando). [31]
Andrea da Barberino was a major source for later Italian writers. Boiardo's Orlando innamorato traces the sword's origin to Hector of Troy; it belonged for a while to the Amazonian queen Pantasilea, and was passed down to Almonte before Orlando gained possession of it. [32] Ludovico Ariosto's Orlando Furioso follows Boiardo, saying it once belonged to Hector of Troy, but that it was given to Roland by Malagigi (Maugris).
Tradition has it that Roland's Breach in the Pyrenees was created when Roland, attempting to break Durendal, instead cut a huge gash in the mountainside with one blow. [34] [35]
In Rocamadour, in the Lot department, a local legend holds that instead of dying with Durendal hidden under his body, Roland called on the Archangel Michael for assistance and was able to throw the sword several hundred kilometres across the border into France, where it came to rest in Rocamadour. [35] There it was deposited in the chapel of Mary, but was stolen by Henry the Young King in 1183. [33] Successive replicas have been stolen; most recently a sword fashioned from sheet metal was embedded in a cleft in a cliff wall, secured with a chain. [36] That sword was reported stolen in June 2024. [35] [37] [38]
A sword named Durendal appears in a number of fantasy video games. In Final Fantasy Legend III (1991) it's one of four mystic swords (its name shortened to 'Durend' due to character limitations). In the Super Sentai series Kyōryū Sentai Zyuranger (1992). the monster Dora Knight wields a magic sword called Durandal. [39] In the Fire Emblem videogame series, Durandal is the name of the legendary claymore sword wielded by one of the characters. Durandal is the name of a character in Honkai Impact 3rd ; her namesake is the super-AI Holy Blade Durandal, which takes the form of a sword. In Library of Ruina (2020), Durandal is the signature weapon of Roland, one of the main protagonists. A sword named Durandal is in Chained Echoes (2022), as well as a lesser known game, Days Bygone.
In Terraria , Durendal is a weapon that the player is able to craft, but it's a whip rather than a sword. Durendal is the name of a spaceship in Xenosaga , of a psychotic AI in Marathon , and of an organization in Front Mission 4 . The name also appears in Fate/Grand Order (2015).
A sword named Durendal also appears in literature. In the xianxia-inspired series of novels The Godking's Legacy by author Virlyce, Durandal is the name of one of the main characters, a sentient sword that previously belonged to the legendary warrior-mage Roland. In The Dresden Files book series, Durendal is one of three powerful swords and is linked to the emotion of hope. In the light novel and anime series High School DxD , the historical Durandal that was first used by Roland is wielded by a current character.
Durandel is used as a name, although not of a sword, in the anime series Mobile Suit Gundam SEED, Macross Frontier , and Space Battleship Tiramisu , and in the live-action tokusatsu series Kamen Rider Saber (2020) and the spinoff Kamen Rider Sabela & Durendal (2022).
In Greek mythology, Astyanax was the son of Hector, the crown prince of Troy, and of his wife, Princess Andromache of Cilician Thebe. His birth name was Scamandrius, but the people of Troy nicknamed him Astyanax, because he was the son of the city's great defender and the heir apparent's firstborn son.
Roland was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass.
The Song of Roland is an 11th-century chanson de geste based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of the Emperor Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries.
The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
In the 11th century Matter of France, Ganelon is the knight who betrayed Charlemagne's army to the Saracens, leading to the 778 Battle of Roncevaux Pass. His name is said to derive from the Italian word inganno, meaning fraud or deception. He is based upon the historical Wenilo, the archbishop of Sens who betrayed King Charles the Bald in 858.
Oliver, sometimes referred to as Olivier de Vienne or de Gennes, is a legendary knight in the Matter of France chansons de geste, especially the French epic The Song of Roland. In the tradition, he was Roland's closest friend, advisor, confidant and brother-in-law to be, one of Charlemagne's twelve peers and brother of Aude, Roland's betrothed. He dies with Roland at the Battle of Roncevaux Pass. Some critics have linked his name to the olive tree, a biblical symbol of divine wisdom.
La Geste de Garin de Monglane is the second cycle of the three great cycles of chansons de geste created in the early days of the genre. It centres on Garin de Monglane. One of its main characters is William of Gellone.
Fierabras or Ferumbras is a fictional Saracen knight appearing in several chansons de geste and other material relating to the Matter of France. He is the son of Balan, king of Spain, and is frequently shown in conflict with Roland and the Twelve Peers, especially Oliver, whose prowess he almost rivals. Fierabras eventually converts to Christianity and fights for Charlemagne.
Ferragut was a character—a Saracen paladin, sometimes depicted as a giant—in texts dealing with the Matter of France, including the Historia Caroli Magni, and Italian epics, such as Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. In the tales, he was portrayed as physically invulnerable except at his navel/stomach, and was eventually killed by the paladin Roland.
The Historia Caroli Magni, also known as the Historia Karoli Magni et Rotholandi or the (Pseudo-)Turpin Chronicle, is a 12th-century Latin chronicle consisting of legendary material about Charlemagne's campaigns in Spain. The chronicle states it was written by Charlemagne's contemporary Turpin, Archbishop of Reims, but it was found out as a medieval forgery. The work was extremely popular, and served as a major source of material on Charlemagne in chronicles, fiction and iconography throughout Medieval Europe. The miracles of the flowering lances and the death of Ferracutus appear on the windows of Chartres cathedral.
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them led by Roland. The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.
Andrea Mangiabotti, called Andrea da Barberino, was an Italian writer and cantastorie ("storyteller") of the Quattrocento Renaissance. He was born in Barberino Val d'Elsa, near Florence, and lived in Florence. He is principally known for his prose romance epic Il Guerrin Meschino, his I Reali di Francia, a prose compilation of the Matter of France epic material concerning Charlemagne and Roland (Orlandino) from various legends and chansons de geste, and for his Aspramonte, a reworking of the chanson de geste Aspremont, which also features the hero Ruggiero. Many of his writings probably derive from Franco-Italian works, such as the Geste Francor, that includes versions of the stories of Reali di Francia and dates to the first half of the fourteenth century. His works, which circulated at first in manuscript, were extremely successful and popular, and were a key source of material for later Italian romance writers, such as Luigi Pulci (Morgante), Matteo Maria Boiardo and Ludovico Ariosto.
Agolant or Agolante is a fictional character in Medieval and Renaissance romantic epics dealing with the Matter of France, including Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. He is a Saracen king from Africa.
Chanson d'Aspremont is a 12th-century Old French chanson de geste. The poem comprises 11, 376 verses, grouped into rhymed laisses. The verses are decasyllables mixed with alexandrines.
Veillantif (French), Vielantiu ; Vegliantin, Vegliantino or Brigliadoro (Italian) is the name of Roland the paladin's trustworthy and swift steed in the stories derived from the chansons de geste. The French name comes from an expression meaning "vigilant". Veillantif is first mentioned in The Song of Roland.
Girart de Vienne is a late twelfth-century (c.1180) Old French chanson de geste by Bertrand de Bar-sur-Aube. The work tells the story of the sons of Garin de Monglane and their battles with the Emperor Charlemagne, and it establishes the friendship of the epic heroes Olivier and Roland.
Aymeri de Narbonne is a legendary hero of Old French chansons de geste and the Matter of France. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of Charlemagne's wars with the Saracens after the Battle of Roncevaux Pass. He is son of Hernaut and the grandson of Garin de Monglane. He conquers the city of Narbonne, marries a princess named Hermengarde or Hermenjart, and fathers seven sons, the most famous being Guillaume d'Orange, the hero of several popular chansons de geste.
Murgleys, or Murgleis is the sword of Ganelon, a traitorous French (Frankish) count and nemesis to the titular hero of the epic La chanson de Roland.
The Geste du roi is the title of one of the literary cycles that compose the Chansons de Geste. In the Chansons of the Geste du roi, the chief character is usually Charlemagne or one of his immediate successors. A pervasive theme is the King's role as champion of Christianity. This cycle contains the first of the chansons to be written down, the Chanson de Roland or The Song of Roland.