Ne sont que III matières à nul homme atandant, De France et de Bretaigne, et de Rome la grant.
"With only three matters should man concern himself: Of France, and of Britain, and of Rome the great."[2]
Description
About 1215 Bertrand de Bar-sur-Aube, in the introductory lines to his Girart de Vienne, set out a subdivision of the Matter of France into three cycles, which have been adopted by many modern critics as a useful means of grouping the chansons de geste. These are his words:
At Saint-Denis, in the great abbey, we find it written (I don't doubt) in a book of noble lineage that there have been only three gestes in well-defended France (I think no-one will argue with me now).
The lordliest is that of the kings of France.
The next, it is right to say, was of Doon of the white beard, he of Mainz who had many lands. In his lineage were fierce and rugged people; they would have had the lordship of all of France, its power, its knighthood, but they were proud and jealous. Of that lineage, so full of treachery, was Ganelon who by his treason caused great sorrow in well-defended France when he committed in Spain the great felony that caused the death in pagan land of the Twelve Peers of France. You have heard tell in many a song that from the geste that came from Ganelon many a great knight was descended, fierce and bold and of very great fame. They would have been lords of the whole realm of France, but there was pride and treason in them. Through pride (we tell you truly) many a high-placed man has been thrown to earth, as were the angels in heaven (we know it in truth) who, for their crime, were thrown into the prison of hell where they will feel nothing but eternal pain. They lost the holy mansion of heaven by their pride and folly. Just so were Ganelon's kin, who would have been so powerful and famous if they had not been so full of treason. Of this lineage, which did nothing but evil, was the second geste.
The third geste, which was much to be praised, was that of Garin de Monglane of the fierce countenance. In his lineage I can well testify that there was not a single coward or good-for-nothing or traitor or vile flatterer; rather they were wise and bold knights and good fighters and noble warriors. Not once did they wish to betray a king of France; they strove to help their true lord and to advance his honour everywhere. They promoted Christendom and destroyed and confounded Saracens. This Garin of the fierce countenance had four sons; never were there bolder knights, I think, so that in a whole day one could not describe their prowess. The first son (I will not lie to you) was the fierce Hernaut of Beaulande. The second, as I have heard tell, was the praiseworthy Milon of Apulia. The third was Renier of Geneva, and the fourth was lord Girart the warrior.
—(Girart de Vienne lines 8–67; translation after J. J. Duggan)
The Geste du roi, whose chief character is Charlemagne, seen as champion of Christianity. This cycle contains the best known of the chansons, the Chanson de Roland.
La Geste de Garin de Monglane, whose central character was Guillaume d'Orange, identifiable with William, Count of Toulouse. These dealt with knights who were typically younger sons, not heirs, and who seek land and glory through combat with the Infidels. The twenty-four poems of this geste belong to the generation after Charlemagne, during the reign of an ineffectual Louis. The Chanson de Guillaume is one of the oldest poems of this geste.
The Geste de Doon de Mayence, in which the hero, as in the Geste de Guillaume, often suffers from royal injustice, but is goaded into rebellion.
Central figures of the Matter of France include Charlemagne and his paladins, especially Roland, hero of The Song of Roland, and his companion Oliver, who was frequently cast in conflict with the Muslim champion Fierabras. Originally, the Matter of France contained tales of war and martial valour, being focused on the conflict between the Franks and Saracens or Moors during the period of Charles Martel and Charlemagne. The Chanson de Roland, for example, is about the Battle of Roncevaux Pass during the Moorish invasion of southern France. As the genre matured, elements of fantasy and magic tended to accrue to the tales. The magic horse Bayard, for example, is a recurring figure in many of the tales.
The fundamental character of the "Matter of France" is feudal and Christian (in a crusading form). Although viewed as idolators, the Saracens were not necessarily depicted as un-chivalrous. The earliest gestes were likely sung by a jongleur, accompanied by a fiddle. It is apparent that the authors were ignorant of the fact that Islam is monotheistic.[3] D. J. A. Ross says that people of the Middle Ages appear to have regarded the gestes as generally historical.
Einhard's Vita Caroli describes the Basque ambush at Roncevaux as driving the Frankish rearguard down the valley. The poet who wrote the Chanson de Roland did not hesitate to update the military tactics to a set-piece cavalry charge on the part of the Saracens, although retaining a landscape unsuitable for couched lances.[3]
List of works
For a list of chansons that can be attached to each of these cycles, see Chanson de geste.
Tales of the Matter of France were also found in Old Norse, where the Karlamagnus Saga was written in the thirteenth century in Norway;[5] it contains a synopsis of the main stories of the cycle. Indeed, until a major revival in the 19th century breathed new life into the Arthurian cycle, the Matter of France had enjoyed similar renown to the Matter of Britain.
Roland was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's Vita Karoli Magni, which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass.
The Song of Roland is an 11th-century chanson de geste based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of the Emperor Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.
The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.
Garin de Monglane is a fictional aristocrat who gives his name to the second cycle of Old French chansons de geste, La Geste de Garin de Monglane. His cycle tells stories of fiefless lads of noble birth who went off seeking land and adventure fighting the Saracens.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. The sword is famous for its hardness and sharpness. Sources including La Chanson de Roland state that it first belonged to the young Charlemagne.
William of Gellone, the medieval William of Orange, was the second Duke of Toulouse from 790 until 811. In 804, he founded the abbey of Gellone. He was canonized a saint in 1066 by Pope Alexander II.
In the 11th century Matter of France, Ganelon is the knight who betrayed Charlemagne's army to the Saracens, leading to the 778 Battle of Roncevaux Pass. His name is said to derive from the Italian word inganno, meaning fraud or deception. He is based upon the historical Wenilo, the archbishop of Sens who betrayed King Charles the Bald in 858.
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century.
Naimon, Duke of Bavaria, also called Naimes, Naime, Naymon, Namo, and Namus, is a character of the Matter of France stories concerning Charlemagne and his paladins, and appears in Old French chansons de geste and Italian romance epics. He is traditionally Charlemagne's wisest and most trusted advisor.
Oliver, sometimes referred to as Olivier de Vienne or de Gennes, is a legendary knight in the Matter of France chansons de geste, especially the French epic The Song of Roland. In the tradition, he was Roland's closest friend, advisor, confidant and brother-in-law to be, one of Charlemagne's twelve peers and brother of Aude, Roland's betrothed. He dies with Roland at the Battle of Roncevaux Pass. Some critics have linked his name to the olive tree, a biblical symbol of divine wisdom.
The Historia Caroli Magni, also known as the Historia Karoli Magni et Rotholandi or the (Pseudo-)Turpin Chronicle, is a 12th-century Latin chronicle consisting of legendary material about Charlemagne's campaigns in Spain. The chronicle states it was written by Charlemagne's contemporary Turpin, Archbishop of Reims, but it was found out as a medieval forgery. The work was extremely popular, and served as a major source of material on Charlemagne in chronicles, fiction and iconography throughout Medieval Europe. The miracles of the flowering lances and the death of Ferracutus appear on the windows of Chartres cathedral.
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them led by Roland. The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.
Chanson d'Aspremont is a 12th-century Old French chanson de geste. The poem comprises 11, 376 verses, grouped into rhymed laisses. The verses are decasyllables mixed with alexandrines.
The Karlamagnús saga, Karlamagnussaga or Karlamagnus-saga was a late-thirteenth-century Norse prose compilation and adaptation, made for Haakon V of Norway, of the Old French chansons de geste of the Matter of France dealing with Charlemagne and his paladins. In some cases, the Karlamagnús saga remains the only source for otherwise-lost Old French epics.
Girart de Vienne is a late twelfth-century (c.1180) Old French chanson de geste by Bertrand de Bar-sur-Aube. The work tells the story of the sons of Garin de Monglane and their battles with the Emperor Charlemagne, and it establishes the friendship of the epic heroes Olivier and Roland.
Aymeri de Narbonne is a legendary hero of Old French chansons de geste and the Matter of France. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of Charlemagne's wars with the Saracens after the Battle of Roncevaux Pass. He is son of Hernaut and the grandson of Garin de Monglane. He conquers the city of Narbonne, marries a princess named Hermengarde or Hermenjart, and fathers seven sons, the most famous being Guillaume d'Orange, the hero of several popular chansons de geste.
Prise d'Orange is a mid-12th century chanson de geste written in Old French. Its fictional story follows the hero Guillaume as he captures the walled city of Orange from Saracens and marries Orable, its queen. Other characters include Arragon, the king of Orange, and Tibaut, Orable's erstwhile husband and Arragon's father. The anonymously written poem, part of a larger cycle about Guillaume called La Geste de Garin de Monglane, consists of 1,888 decasyllable verses in laisses. It combines motifs of courtly love with an epic story of military conquest. The narrative is humorous and parodies the tropes of epic poetry.
Galiens li Restorés, or Galien le Restoré or Galien rhétoré, is an Old French chanson de geste which borrows heavily from chivalric romance. Its composition dates anywhere from the end of the twelfth century to the middle of the fourteenth century. Five versions of the tale are extant, dating from the fifteenth century to the sixteenth century, one in verse and the others in prose. The story—which is closely linked to the earlier chansons de gestePèlerinage de Charlemagne and The Song of Roland —tells of the adventures of Galien, son of the hero Olivier and of Jacqueline, the daughter of the (fictional) emperor Hugon of Constantinople.
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